Thataway JNL is an assortment of arrows in many different sizes, shapes and directions that were collected from antique letterpress blocks and other vintage sources.

The hand punched lettering of an antique French shipping stencil was the inspiration for French Shipping Stencil JNL; available in both regular and oblique versions.

An antiqued looking Caslon type letter, very retro but works well for many of today's applications. This font also works very well for text settings.

LD Cottage resembles the antique writing you would find in an ancient fairytale or story. Enjoy this fun font and let your imagination take flight!

SoftMaker’s Abbott Old Style is a revival of Joseph W. Phinney’s typeface of the same name, a modified serif typeface. It is charmingly antique and exotic.

Each font contains 101 decorative ampersands. These fonts include ampersands from various display fonts in the CastleType Library as well as antique, ornate and calligraphic ampersands.

An antique hand-cut brass stencil of the phrase "No Hunting on These Premmises" (with the word "premises" misspelled) was the model for Brassmark Stencil JNL.

If you require an authentic wood type era typeface, Wooddale is your match. This face was revived with care from samples in antique type specimen books.

An antique Bradley stencil cutting machine’s letters and numbers were the basis for Dry Goods Stencil JNL, which is available in both regular and oblique versions.

AZ Barista font is inspired from 1920's Poster art, namely Leonetto Cappiello designs. This font was designed for use as a worn and antiqued headline.

Oh Mabuboo is a typeface that combines current technologies with an antique look. The designer's fascination in vintage was the source of inspiration for the design.

Bookman, a little lighter than the original, is the ATF version of Phemister’s Antique Old Style, introduced as a textface at the turn of the century.

AZ Indian font is inspired from the original early 1900's Indian Motorcycle Logo. This font is designed for use as a worn and antiqued headline.

AZ Harper's July font is inspired from original early 1900's Edward Penfield's poster art. This font is designed for use as a worn and antiqued headline.

The antique wood type Gothic Tuscan [a spurred design with rounded terminals] was the basis for Roundwood JNL, which is available in both regular and oblique versions.

Alderman JNL is a wide slab serif typeface based on the classic wood type Antique Light Face Extended, and is available in both regular and oblique versions.

Introducing Aerodyne, a highly versatile font family with seven weights and italics. While both modern and sleek in its line quality and flow, the fundamentals of this font set takes many of its design cues from more antiquated typestyles of the Roman era, especially in the capital letter set. Pair that up with the influence of mid-20th century humanist letterforms, and you have a type that is full of individual character, but with a smooth uniformity that conjures great beauty and individuality without drawing too much undue attention to itself. The subtle serifs give the font a unique character at both text and display sizes.

AZ Audiotape font is inspired from a vintage '70s record sleeve company logo. This font is designed for use as a worn and antiqued headline or sub-headline.

Shipping stencils cut on an antique machine with its somewhat crude slab serif type design inspired Container Stencil JNL, and is available in both regular and oblique versions.

A thin Roman typeface with slab serifs shown in various editions of the American Type Founders’ Specimen Book as either Lining Antique or Lining Central Antique was the model for Specimen Book JNL which is available in both regular and oblique versions. This is the 1700th design released by Jeff Levine Fonts since its inception in January, 2006 and was named Specimen Book JNL to celebrate the era when metal type and letterpress were the modern technology of their time.

Tuscan wood types cover a fairly wide range of styles, and there is sometimes confusion over what is classified as a Gothic Tuscan and what is considered an Antique Tuscan. HWT American Chromatic and P22 Tuscan Expanded are more precisely faces of the Antique Tuscan variety. Gothic Tuscans are generally absent of the heavy serifs typically associated with their Antique Tuscan brethren (although decorative bifurcation of terminals can imply serifs). Additional internal decoration with spikes along the stems gives some Tuscans their distinctive look, these faces are often described as “Circus Types.” Tuscan Extended is an extremely wide design, with a distinctive slab crossbar running through the center of most characters. Each letter is a complex system in its own right. This typeface is best used very large in short headline work. The style defies falling clearly into either the Antique Tuscan or Gothic Tuscan category. The new HWT version of Tuscan Extended has been meticulously redrawn by Frank Grießhammer. During production, he also incorporated a number of new letterforms, bringing the font to over 300 characters (including a full ASCII character set and Central European accented characters).

A hand-cut antique brass stencil for marking barrel tops of dill pickles was the source of inspiration for Surface Stencil JNL, available in both regular and oblique versions.

Hand Cut Stencil JNL is a condensed Roman typeface modeled from an antique tin stencil hand cut for shipping merchandise. The design is available in regular and oblique versions.

This font was inspired by Claude Garamond antique. The original set of letters from 16th century is enlarged by several characters that were not in use in that time.

Happy-Go-Lucky is my interpretation of an antique typeface of the nineteenth century. The font includes upper and lowercase alphabets, numbers, punctuation, accented characters, symbols, and miscellaneous characters.