The typeface was designed at the Polygraphmash type design bureau in 1940-56 (project headed by Anatoly Shchukin) based on Erbar-Grotesk typeface of Ludwig & Mayer company, 1929 by Jakob Erbar, and on Metro typeface of Mergenthaler Linotype, 1929 by William A. Dwiggins. A sans serif of geometric style. For use for text and display typography. In 2014 designer Olexa Volochay made some corrections in original digital data and extended character set. The family was rereleased in ParaType in 2014.

ArtLove is a lovely font for every art lover. Try ArtLove for book covers, stationery, marketing, magazines, films, wedding card designs, logotype, website headers, fashion designs and much more.

A collection of design elements used in logotypes and calling cards from the Victorian era. A PDF file included in the package shows how to construct the various elements

Display Chamfer is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. It has caps, lowercase and numbers.

Blado is the italic companion to Monotype Poliphilus, revived in the 1920s by Stanley Morison based on a type cut by Ludovico degli Arrighi for Aldus Manutius, around 1526.

Canbera is an old style serif font, its funky, round, hight-contrast and bold shape with a retro touch is perfect for displayed, head text, logotype and many more.

Font with hexagonal dots for small texts, names, logotypes, titles, headers, topics etc. Big size of this font can be used for texts on posters, t-shirts and other surfaces.

Illumini is a thin and rounded neoish sans-serif suitable for everything from logotypes to large text blocks. It contains several of the traditional ligatures normally found in serif fonts.

techno, fancy, racing, super, movie, race, superhero, tech, film, automotive, calendar, font, motor, running, typography, futuristic, speed, drive, display, fast, power, action, game, branding, logotype, rally, sport, modern, car, esport

TDF Arena is a solid block font built for a sellout crowd. One of our best-selling typefaces is now available here, exclusively in a grunge style with Monotype Fonts.

Introducing Outlast - A competitive sports font with three distinct and unique styles. Outlast was designed for creating powerful logotypes, sports branding, posters, apparel design, magazines headlines, labels and much more.

At the inauguration of a new suburb, the local authorities needed a poster typefont, but wanted a modern, trendy type. The Logoform font is commonly used in logotypes and trademarks.

OVERLORD is a bold style font. This font is made in all capital letters. This font is very suitable for branding, logos, logotype and others. Overlord Features : Multilanguange PUA Encoded

Ashley Script is a typeface developed by the British designer Ashley Havinden in 1955 for Monotype Corporation. Ashley Script is a brush script and is based on Havinden's own handwriting.

Chillight is a serif typeface that is unique and has character, having a narrow, sharp width and ends. making it effective when used at large sizes for logotypes or headlines.

Helixa is a neo-grotesque typeface with a clean & modern design and an enduring appearance. This is a perfect choice for creating logotypes, branding, headlines, corporate identities, and marketing materials for web, digital & print alike. The typeface will be a great option for branding, logo/logotype design projects, marketing graphics, banners, posters, signage, corporate identities and editorial design. Adding extra letter spacing will make this font the perfect choice for minimal headlines and logotypes, as shown in the promo designs attached. Handcrafted and designed with powerful OpenType features in mind, each weight includes extended language support with Western European, Central European and South Eastern European sets. A total of 300 glyphs are available. Helixa typeface includes 12 fonts in total, with seven upright weights (Thin / Light / Book / Regular / Bold / Heavy) and Italic equivalents of all six weights.

Spacia is a unique & modern Sans-Serif typeface specially designed for headlines, big text, branding, logotypes & display usage. The typeface could be the perfect choice for logo/logotype design, branding, marketing graphics, banners, posters, signage, corporate identities as well as for editorial design that can bring freshness and professionalism. Please see the examples shown above to get an idea of the capability of this typeface. Handcrafted and designed with powerful OpenType features in mind, each weight includes extended language support including Western European & Central European sets.

Gill Floriated is based on a single character which Eric Gill drew as a decorated initial for use on a specimen setting of his Perpetua type. Although Gill was at first reluctant to produce a full alphabet, Monotype advisor Stanley Morison was able to persuade him to draw a few more characters from which the Type Drawing Office was able to create a full set. Issued in 1937 for display casting, it was revived by Monotype in 1995 for electronic publishing. Best used sparingly as dropped initials.

Choco is a new upright script family designed by Andrei Robu. It has four different weights with lots of alternate characters which makes this typeface perfect for logotypes and cool packaging.

Reliva Organic Sans is a typeface that comes with many alternates and ligatures to make this font unique. Reliva is just the perfect font to make logotype, branding, packaging, and quotes.

Crypto is a narrow, sans serif, geometric, display font with two weights. It works well for modern, contemporary projects, logotypes, films, posters, billboards, press advertisements, websites, packaging. It provides multilingual support.

Hello Mommy is a hand lettered script. This font includes full of Alphabetical glyphs, Numerals, and punctuation. This is so perfect for invitations, monograms, weddings, fashion, branding, labels, logotype and more.

Appetite is a bold sans font with a lot of sweet ligature glyphs. Specially designed for logotype, packaging & editorial design projects. Look at the new Appetite version — Appetite Pro — Release 2016!

Rockwell font appeared with Monotype Design Studio in 1934, a time which saw the return to popularity of slab serif fonts. Rockwell's strong and harmonious characters make this font particularly flexible.

The complete family contains 18 weights. Kole family is ideally suited for signage, packaging, brand identity, software, editorial design, as well as web and screen design. Perfectly for headlines and logotypes.

The Filmmaker is a wide, slab serif, display font with four varieties. It works well for modern, dynamic projects, logotypes, films, posters, billboards, press advertisements, websites, packaging. It provides multilingual support.

Nagarawa is an Asian style font, very suitable for various logotypes for Asian nuanced products, such as Asian food, martial arts clubs, music, novel and comic titles, apharel clothing and others.

Creambelly is a clean and slim sans-serif font. It is perfect for product packaging, branding project, magazine covers, social media, logotypes, or just used to express words above the background.

Sci Fi Bronze can make your design look modern and futuristic. This fonts suitable for logotype, packaging, branding, header, film poster, and more design about space, high tech, and futuristic feel.

Unstream Script perfect for branding, logotype, website headers, fashion design and any more. It contains a full set of lower & uppercase letters, a large range of punctuation, numerals, and multilingual support.

Daeron is a display typeface serif usefull for classic or modern look. Perfectly suitable for creating Logotype, printed quotes, invitations, cards, product packaging, headers, Letterhead, Apparel , Web design, Magazine, Book, etc.

Hildegard is a sans serif text face that works well in both larger and smaller point sizes. On close inspection, one will discover a world of subtle angle variation within the letters' structure that is loosely inspired the stroke movements one uses in calligraphy. These built-up strokes create visible ink traps at many joints, which in smaller sizes play a functional as well as an aesthetic role. The Hildegard typefaces received one of several awards in the 2003 International Type Design Contest, sponsored by Linotype GmbH.

Modified Gothic is an art deco titling face developed by the Linotype Design Studio. This typeface includes the following features: letterforms drawn with a monoweight line, a relatively narrow character base, proportionally altered small caps" in lieu of a lower case, and a distinctly round feeling. Use Modified Gothic anytime you need to evoke the spirit of the roaring 20s! Modified Gothic looks great in headlines, as well as in short lengths of large body text. Modified Gothic is part of the TakeType 4 Library."

Notre Dame is a part of the 1990 program Type before Gutenberg, which included the work of twelve contemporary font designers and represented styles from across the ages. Linotype offers a package including all these fonts on its web page, www.fonts.de. Notre Dame was designed by Karlgeorg Hoefer, who was inspired by the structure of forms once used mainly for liturgical purposes. Digital techniques made it possible to add Gothic ornaments and borders to the font, perfect for designing anything which should have a late Gothic feel.

After the Second World War, the Ionic style replaced Modern Face as the favored typeface for newsprint. A couple decades later, it was in turn replaced by the next generation of newspaper fonts, a mix of Old Face, Transitional and Modern Face forms. Rotation was designed by Arthur Ritzel and presented by Stempel/Linotype in 1971 and named for the rotation newsprint machine for which is was particularly suited. The font displays the influence of Old Face design and gives newsprint a feeling of lightness and elegance.

The first Clarendon was introduced in 1845 by R Besley & Co, The Fan Street Foundry, as a general purpose bold for use in conjunction with other faces in works such as dictionaries. In some respects, Clarendon can be regarded as a refined version of the Egyptian style and as such can be used for text settings, although headline and display work is more usual. Clarendon is a trademark of Linotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

The Times Europa Office family is designed after the model of the original serif family produced by Walter Tracy and the Linotype Design Studio in 1974. A redesign of the classic Times New Roman typeface, Times Europa was created as its replacement for The Times of London newspaper. In contrast to Times New Roman, Times Europa has sturdier characters and more open counter spaces, which help maintain readability in rougher printing conditions. Times Europa drastically improved on the legibility of the bold and italic styles of Times New Roman. Overall, text set in Times Europa is easier to read, and quicker to digest. Akira Kobayashi, Linotype’s Type Director, brought Times Europa up to speed for the new millennium in 2006. Now optimized for office communication instead of newspaper design, Times Europa Office offers a familiar yet refreshingly new appearance for serif text. Because of The Times of London’s specific printing conditions in the early 1970s, Times Europa originally had some intentional errors built into its letterform design. These inconsistencies created an even image in newspaper text in the long run. However, these design elements bear no role on modern office communication and its needs. Kobayashi redrew these problem forms, eliminating them completely. Now Times Europa’s font weights appear clearer and easier to read than ever before.