Hasan Hiba is an Arabic display typeface. It is useful for titles and graphic projects The font is based on the simple lines of Fatemic Kufi calligraphy. Hasan Hiba won the 5th place in Linotype’s first Arabic Type Design Competition. It supported Arabic, Persian and Urdu. In November, 2008, Hasan Hiba was upgraded by working with Mirjam Somers an award-winning Arabic type designer to the DecoType font format for use in WinSoft Tasmeem which is now bundled with InDesign CS4.

Introducing Montheim, a vintage script font with medium weight. Inspired by modern retro movement and brush calligraphy, Montheim has many variations of alternates characters that you can mix and match, also with custom swashes (ligature) in the middle text and end swashes. Montheim complete with stylistic set gives more options to the layout. Montheim looks good in layout, vertical or horizontal and is the perfect choice for posters, logos, logotypes, insignia, storefronts, t-shirt designs, labels, flags, magazines, and other vintage design needs.

Description: Begonia is an unique bold with curve and pointy edge style font, inspired from begonia flower that traditionally symbolic of uniqueness, harmony, gratitude, or caution, which is make this font has its own characteristic. Begonia is all-caps font equipped with extra ligatures and alternates. Begonia is perfect for branding, text header, t-shirt design, logotype and other stunning graphic design. Begonia Features: Uppercase glyphs Lowercase glyphs Numeral and Punctuations Currencies Standard Ligatures Stylistic Alternates Thankyou for choosing this font Regard, Grontype

Hillstown Font Family is a font collection that contains three different styles that will perfectly complement each other. You will get script, sans, and condensed sans in a clean and aged version for each style. The classic feel is really perfect when you need a typeface for a logotype, apparel, invitation, branding, packaging, advertising, and more. Hillstown comes in uppercase, lowercase, with punctuations, symbols and numerals, 09 stylistic set alternate, ligatures. There is multi-lingual support and Hillstown is already PUA encoded.

Rosiana is a modern decorative serif font. Inspired by the classic typography which visualizes a bright shade that feels good to apply to your design, such as magazines, cards, invitations, labels, logo, logotypes, books, packaging, and more! Designed with high contrast and soft-sharp serif that looks strong and confident as a display. Equipped with 200+ special characters and ligatures to beautify your typographic design. Font featured: Uppercase Lowercase Numbers Symbol Accented characters ÞþßÀÁÂÃÄÅÆÇÐĐÈÉÊËÌÍÎÏŁÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçđèéêëìíîïłñòóôõöøœšùúûüýÿž ĀāĆćĈĉČčĎďĒēĚěĜĝĤĥĨĩĪīĴĵŃńŇňŌōŔŕŘřŚśŜŝŞşŢţŤťŨũŪūŮůŴŵŶŷŹźẀẁẂẃẄẅĹ徼 Stylistic alternates Stylistic set 01-11 Ligatures

Crate Pro is a brand-new stencil font with rounded edges and thick main strokes, all glyphs have been contemplated very carefully so that all characters match in a well-balanced and streaming way. In both shaped weights, the font suits extraordinary well for headings, slogans etc. The cleanly cut and powerful Crate Pro font can easily be used for logotype, games, prints, magazines, web, apps, packaging, posters, T-shirts, signage & design projects. The font is original and custom made by Kustomtype.

Hello, Are you looking for a SVG font? Do you want of creating Something that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Ice cube a SVG Color Font Inspiring from Playful typography. This font is perfect for a design that makes it more attractive and playful. made with a very good level of aesthetics making this font suitable for book cover, poster, packging, merchandise, logotype and much more.

Assembled for those less commercialized holidays, LTC Holiday Ornaments features over 80 printers' ornaments from Lanston Monotype and other historical foundries such as BBS and ATF. Holidays include Easter, Valentine's Day, St. Patrick's Day, April Fool's Day, Thanksgiving and 4th of July. There¹s even a pirate to represent international "Talk Like a Pirate" day. LTC Holiday Ornaments joins the Lanston Collection alongside the popular LTC Halloween and Christmas Ornaments. LTC Holiday Ornaments contains additional Halloween and Christmas ornaments as well.

Matricule 57 is a typeface whose design is inspired by license plates and by the deformations due to the stamping in the metal plates. These deformations give a very specific style, especially concerning the hairlines. It is the Condensed version of Matricule, a Typeface designed by Loïc Choquet. It consists of 4 fonts : Light, regular, bold and black. For Mac or PC. Well-suited for edition, logotypes, posters, etc. Each font contains 359 glyphs and supports up to 89 different languages.

Legere is a slim, light and decorative font, based on the idea to work as close as possible on the geometric forms of the circle, the triangle and the square. As a natural conclusion the number of angles is limited. Legere comes in these weights: THIN, LIGHT, REGULAR and a very special DECO version. Legere might be used as a headline font, for posters or cover layout, it might also be transformed into that fashion label logotype you are working on. Have fun!

The font is called "Rustic Printed", it is sans serif display with vintage themes. The font comes with 2 style typefaces (regular and stamp). This font include different width of alternates glyphs. The Rustic Printed matches applies in some designs such as the logotype, poster, label, badge, packaging, branding, and more custom design. Rustic Printed includes : 2 style typefaces (regular and stamp) Uppercase, lowercase, numeral, symbol and punctuation Alternates Multilingual PUA Encoded Thank you for your support and choosing us.

Glow up is a handwritten font. This font describes about stylist, fun and elegant, catchy, girly, dynamic, simple, humanist, clean, easy to use and will bring a good harmony when the letters are connected and paired each other. FEATURES - Support Opentype Features - Support Ligatures - Alternate Swash - Numbering and Punctuations - PUA Encoded Characters - Multilingual Support - Works on PC or Mac USE Glow up works great in branding, logotype, packaging, apparel, and any projects that need simple taste. Enjoy using! Thanks. HIRO.std

The Bitstream version of Trump Mediaeval of Linotype, 1954-60, by Georg Trump, a prolific German type designer. It seems to be his best typeface. It has a vigorous and assumed oldstyle roman and italic that is the sloped roman, except for the letters a, e, f. With its crisp angularity and wedge-shapes serifs, Trump Mediaeval appears carved in stone. It is a strong text typeface that is highly legible and especially useful for low-resolution output. It is useful in display work too. Cyrillic version developed for ParaType by Vladimir Yefimov and Isabella Chaeva and released in 2010. Cyrillic italics maintain the main feature of Trump Mediaeval to be the sloped roman, except for the letters г, д, и, й, n, т. There are old style figures, additional ligatures and fractions available at all styles and small caps at the Roman 55. Black style was added in 2011 by Vladimir Yefimov.

Helvetica is one of the most famous and popular typefaces in the world. It lends an air of lucid efficiency to any typographic message with its clean, no-nonsense shapes. The original typeface was called Neue Haas Grotesk, and was designed in 1957 by Max Miedinger for the Haas’sche Schriftgiesserei (Haas Type Foundry) in Switzerland. In 1960 the name was changed to Helvetica (an adaptation of Helvetia, the Latin name for Switzerland). Over the years, the original Helvetica™ family was expanded to include many different weights, but these were not as well coordinated with each other as they might have been. At the beginning of the 21st Century, Linotype released an updated design of Helvetica, the Helvetica World typeface family. This family is much smaller in terms of its number of fonts, but each font makes up for this in terms of language support. Helvetica World supports a number of languages and writing systems from all over the globe.

The Face2Face (F2F) series was inspired by the techno sound of the mid-1990s, personal computers and new font creation software. For years, Alexander Branczyk and his friends formed a unique type design collective, which churned out a substantial amount of fresh, new fonts, none of which complied with the traditional rules of typography. Many of these typefaces were used to create layouts for the leading German techno magazine of the 1990s, Frontpage. Branczyk and his fellows would even set in type at 6 points, in order to make it nearly unreadable. It was a pleasure for the kids to read and decrypt these messages! The three fonts in the F2F Czykago family, F2F Czykago Light, F2F Czykago Semi Serif, and F2F Czykago Trans, were all inspired by the Apple system font Chicago. The F2F Czykago family, along with 38 other Face2Face fonts, is included in the TakeType 5 collection from Linotype. Branczyk designed 16 of these himself."

Grace was designed by Elisabeth Megnet and appeared with Linotype in 1992. The font is a part of the package Calligraphy for Print, which also contains Ruling Script and Wiesbaden Swing. Calligraphy for Print 2 completes the set. These packages offer modern calligraphy fonts particularly well-suited to use in posters, magazines and advertisements. The basic style of Grace is based on the Gothic miniscule of the 13th century. It represents a modern philosophy held by Andre Guertler, Professor of Typography in Basel with whom Megnet once studied. With this philosophy, calligraphy is not to be seen as a decorative art, and fonts created according to this tenet have far fewer ornamental strokes. They are eccentric, drawn out and almost bulky. Like Gothic forms, one of the predecessors of this font, Grace gives vertical lines a particular emphasis. This font is not meant for long texts but makes a distinctive impression in shorter texts or headlines.

The Face2Face (F2F) series was inspired by the techno sound of the mid-1990s, personal computers and new font creation software. For years, Alessio Leonardi and his friends formed a unique type design collective, which churned out a substantial amount of fresh, new fonts, none of which complied with the traditional rules of typography. Many of these typefaces were used to create layouts for the leading German techno magazine of the 1990s, Frontpage. Leonardi and his fellows would even set in type at 6 points, in order to make it nearly unreadable. It was a pleasure for the kids to read and decrypt these messages! F2F Mekanik Amente appears as if it had once been a normal font whose letters were horribly attacked by a pair of scissors. This font could be a very creative choice for headlines. F2F Mekanik Amente is one of 41 Face2Face fonts included in the Take Type 5 collection from Linotype GmbH. Leonardi designed 11 of these himself."

The Bix Bats symbol family was developed in 2003 by Argentinean designer Victor Garcia to complement his display text font Bix Plain. Bix Bats contains four different symbol fonts. Most of the characters in these fonts have their lower halves reversed out. Typing a line of text in these symbol fonts, or mixing these symbol fonts with Bix Plain, will create a very interesting text effect: the bottom half of your lines of text will be reversed out, on top of a colored bar. Bix Bats Arrows contains numerous possible arrow combinations, from archery references to the American recycling symbol. Bix Bats Funny includes all of the symbols needed for a party, from beer steins to bunny rabbits! Bix Bats Shiny has enough starbursts to light up a night sky, and in Bix Bats Wired you will find all of the technological accessories needed to be in the now. All four fonts are included in the Take Type 5 collection from Linotype GmbH."

Bague Round is a soft contemporary geometric typeface which blends distinct minimalist characteristics with mainstream details. It originates from Bague Universal, a superfamily with a warm well-balanced texture and a distinct personality. Usually, round sans letterforms tend to look rather organic and playful at heavier weights. This problem was avoided in Bague Round by applying all necessary optical corrections at the rounded corners in order to retain its robust qualities. Mechanical replacement of the stem endings with standard arcs was not implemented and each round form of the horizontal, vertical and diagonal strokes was treated differently from the other. Whilst the rounded endings at heavier weights become gradually more flat at acute corners, the round stems in letters such as A, b, m, p, s are perfectly matched with sharp diagonals in letters such as M, N, w, v, in a very distinct manner. A remarkable feature of Bague Round is its vast array of uppercase alternates and ligatures which truly shine when set at display sizes. Make your selection from 6 distinct groups of alternates as well as a rich set of discretionary ligatures and watch it transform into a flexible, charming and stylish typeface with strong modern aesthetics. This typeface offers enormous possibilities and variations for editorial design, branding and corporate identity. The Bague Round type family includes 14 weights from Thin to Ultra Black and matching true-italics with a consistent and well-refined structure. Each style consists of 1017 glyphs with more that 280 alternates and ligatures and an extended set of characters which supports Latin, Cyrillic and Greek. PDF Specimen Bague Round on Behance

Aquawax FX was developed by Francesco Canovaro as a new variant of the Aquawax family, one of the most beloved Zetafonts classics. This new typefamily is characterised by a contemporary and elegant design, that revisits the original design of 2008 with new geometric inventions, twisted with the current fluid zeitgeist. Aquawax FX builds on the original Aquawax family by adding counter-inktraps to the letterforms and emphasizing the inner contrast of curves and corners creating a smoother, flowing and dynamic look. While inktraps are a design feature that prevents ink from bleeding or filling small spaces in letterforms to achieve a cleaner, more readable look, anti-inktraps characterize the design with a distinctive watery appearance, suitable for logo design and titles. This watery effect is possible through a slight rounding of the inner and outer corners, keeping the original cuts at the letter terminals. A Space variant pushes FX experimentation furthermore, providing an alternate stencil-like style that takes legibility to the extreme, ready for logos and sci-fi headings. This does not limit the usability of Aquawax FX to mere display intent. The Aquawax FX font family includes two versions (Roman and Space), each with nine weights, ranging from Thin to Heavy, and matching italics. With a total of 36 variants plus one variable version, Aquawax FX is a versatile type family that can be used for a variety of design projects, from branding and packaging to editorial design and advertising. Aquawax FX offers a fresh re-interpretation of the original Aquawax letterforms and proportions, with a dynamic and flowing look that is sure to make your projects stand out.

Here is a "Decorative Braille font". The initial design was indeed drawn on a K.I.S.S digital sketchpad, the Windows default drawing tool (Microsoft Paint, classic version). A. Glyph Concept The Braille 2x3 dot matrix is weaved around a diamond-shape. a.1. Each "dot" is represented by a "right-angle isocel triangle". a.2. Braille dots in Diamond Braille a.2.I. "Dots" are outside the diamond for first Braille row (Braille dots 1, 4) and third Braille row (Braille dots 3, 6). a.2.II. "Dots" are inside the diamond for second Braillle row (Braille dots 2, 5). a.3. Diamond lattice Glyphs are connected horizontally (to/bottom diamond's corners) and vertically (left/right corners) to each other (see poster 5). a.4. Special Glyphs - Space: its is either empty ("Empty cell") or a "non Braille shape" { _, ° } depending on your display needs (as explained in b.3.II) - 6 dots: { £, =, û } - 6 empty dots: { ç, ¥ } B. Font user guide b.1. Lowercase glyphs { A..Z } In these glyphs the "dots" are represented as a white right-angle isocel triangle filled with a smaller black triangle. b.2. Uppercase glyphs { a..z } In these glyphs, the "dots" are represented as an empty triangle (this is an "empty dot"). b.3. 'Space' vs 'Empty Cell' b.3.I. 'Space' - 'Space' glyph is an empty shape - '¶' glyph (at the end of each line in Microsoft Word) is also an empty shape b.3.II. 'Empty cell' glyphs: _ (underscore), ° (degree). In these glyphs there are 2 "empty dots" at top and bottom corners of the diamond, which differentiates them from regular Braille glyphs (which dont have a "dot in the middle"). b.4. Diamond Lattice To display text as a 'diamond lattice', replace each 'Space' by an 'Empty cell' (as explained in b.3.II, see poster 5) b.5. Connectors The connector glyphs allow the creation of "circuit like" designs (see poster 1). Here are the connector glyphs: { µ, à, â, ä, ã, è, é, ê, ë, î, ï } b.6. Domino feature Some Glyphs represent numbers 1..6 in a way which is similar than on dominos (see poster 6) C. Posters Poster 1: the "Font Logo", it displays "Diamond Braille" text together with the Connectors feature. Poster 2: a pangram which is published on pangra.me ( "Adept quick jog over frozen blue whisky mix" ). Poster 3: an illustration of the Domino feature. Poster 4: a DiamondBraille version of the Periodic table. Poster 5: illustration of the Diamond lattice using only 6 dots ( û ) and 6 empty dots ( ç ) glyphs.

For over 30 years, Tomás Vellvé created beautiful graphics and distinctive typefaces in his native homeland of Spain. First drawn as a phototype display design in 1971, Vellvé’s only typeface in digital form is an uncommon solution to the problem of creating a new sans serif design. The end result, which bears his name, is a design that stands out from the crowd of other sans serif typefaces. The phototype version was only available in a single, light weight. With the release of the digital fonts, however, three additional weights as well as a companion italic for the light weight were created.The typeface designs were originally drawn for Agfa Monotype (now Monotype Imaging) in 1996 as part of the company’s “Creative Alliance” initiative. Through an exclusive licensing arrangement, the Vellvé™ family has now been added to the ITC Typeface Library.ITC Vellvé is a wide design with strong calligraphic overtones. This is no “anonymous” design like so many modern sans. Letters like the `R, `e and `s clearly show the hand of Tomás Vellvé in the design process. Vellvé provides a fresh choice between geometric sans serifs such as Helvetica® and industrial sans serifs like Futura®.

Gealman is a Grotesk font that stands out for its simplicity, cleanliness, and rigidity. It delivers a modern look and a touch of elegance to any design project, making it highly versatile. Gealman is great for posters, marketing materials, logotypes, headlines, and more. It pairs perfectly with script, blackletter, stylized, and other fonts. Gealman offers a range of functional aspects, including various styles and character sets. It features a robust character set that supports multiple languages, making it an excellent choice for global branding projects. The design concept behind Gealman was to create a timeless typeface that is both contemporary and classic. The font's sleek, clean lines and geometric shapes give it a modern feel, while its classic proportions provide a timeless elegance. Gealman is unique because it combines simplicity with elegance, making it perfect for a wide range of design applications. Whether you're creating a logotype or designing a poster, Gealman is a versatile and reliable choice. Gealman is not based on a historical design or a revival, but it draws inspiration from classic geometric sans-serif typefaces. Its design is rooted in the concept of precision and balance, which gives it a clean and timeless aesthetic.

Neue Frutiger Tamil was created by Pria Ravichandran and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in 5 weights from Light to Bold to support the Tamil script. The typographic forms of Neue Frutiger Tamil are familiar and friendly. The Tamil shows traces of elements that is reminiscent of the calligraphic influences found in the 20th-century designs. Reflecting the modern typographic needs of the Tamil script, this type family is in the upright style. These two factors ensure that the two scripts, Tamil, and Latin pair elegantly. The result, Neue Frutiger Tamil, is an eclectic contemporary type family that bridges the past and the present. Neue Frutiger Tamil embodies the same warmth and clarity as Adrian Frutiger's original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

The name of this typeface comes from the surname of James (Jim) Bowie, American pioneer and inventor of the famous Bowie knife. This is exactly what inspired English rockstar David Jones to change his stage name to David Bowie. Bowie is thenew font by Bercz and Latinotype Team. The typeface is a type system that reflects a strong personality, an urban feel and an unprejudiced style. Bowieis well-suited for publishing projects, branding and packaging. This font family is composed of three sections: a group of sharp-shaped uppercase fonts (smallcaps and all caps) in 5 weights, each with matching regular/back slant italics,providing users with 15 different styles for multiple combinations; a set of script catchwords and eclectic sets of dingbats and flags that communicate the blue-sky thinking and feel of the project. Bowie —a collaborative project between Bercz and Latinotype Team—was developed by Leonidas Loyola, Valentina Vega, Rodrigo Fuenzalida, César Araya and Bruno Jara, under the supervision of Dany Berczeller, Daniel Hernández y Luciano Vergara.. Bowie consists of 5 weights, ranging from Thin toBlack, and comes with a 439-character set that supports 206 languages.

Blue Typewriter is a bold typewriter font and scans pack (with graphics, text, paper) sampled from old documents, for an authentic vintage look. Use this set in any designs that needs a vintage touch: in long or short texts, in digital collages, branding and packaging, social media posts, logotypes, etc. Included in this product: Blue Typewriter font with variations: underlined, dashed, crossed-out and dashed underline, in SVG and vector versions (with the vector versions created separately, so that the two versions include subtle differences)

Roadbrush was inspired by the mid-20th-century hand lettering of Albert Eckhardt, Jr., that I found in a 1950’s sign painting book. Roadbrush is a retro brush-style script that I re-designed and completely re-mastered. Roadbrush is a powerful font that can be used for logotype, packaging, posters, T-shirts, signage & design projects with a retro & vintage feel. Roadbrush comes with four styles that contain all upper and lower case characters, punctuation, numerals and mathematical operators, as well as all accented characters.

Average Issues - Modern Handmade Font with a natural style and dramatic movement. Crafted manually with love and passion, This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, and etc. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation, book cover, craft or any design purposes. This font is PUA encoded which means you can access all of ligatures.

Octavian font was designed by Will Carter and David Kindersley for the Monotype Corporation in 1961. Mr. Carter writes: While the ultimate authority is the ancient inscriptional pattern, the physical characteristics of the present rendering are manifest in the economic proportions of the shapes and the modified relations of the strokes. Thus, the letters are narrower than the classical forms and their weight heavier." Octavian is a fine book font and works well for other text settings that are less demanding, such as magazines and brochures."

Hello, Are you looking for a bold serif font? Do you want of creating Something that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Helvers a Strong Bold Serif Font Helvers a Strong Bold Serif Font, Inspiring from college typography. This font is perfect for a design that makes it more attractive and playful. made with a very good level of aesthetics making this font suitable for book cover, poster, packging, merchandise, logotype and much more.

Fanchy Created from our explorations inspired by retro 70s style and pop culture visual designs such as comics, cartoons, and old posters. Strong bold character with groovy style makes us feel the retro vibe and brings us to the 70s. Fanchy Comes with beautiful characters and curves consisting of 6 sets of styles. Contains 2 regular and italic styles, 2 shadow styles and 2 outline styles. This font is best used for headings, logotypes, quotes, apparel designs, posters, flyers, packaging, book covers, and much more.

Selaive is a geometric typeface that has an air of rebelliousness. The thick and thin versions give you the chance to play a coquettish and seductive game. Its flourishes make it a very dynamic typeface when composing a text, ideal for those who want to add a personal and glamorous touch to their compositions. Selaive is an excellent choice for fashion magazines, logotypes and shops. Languages include: Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian and Pan Africa Latin. Programed by Daniel Hernández

Introduction Funky Gloom is a Fancy and modern font with a Blackletter style, special for your Display or Body text Design, which puts a bold on your projects and will inspire you to create something unique or modern look design. Funky Gloom will help you to create special and touching typographical designs for your Display or Body text project, it is perfect for headings, flyers, greeting cards, product packaging, book cover, printed quotes, logotype, apparel design, album covers. Funky Gloom Features: Ligatures Alternate Multi-language Punctuation

Hayes Preston is a bold script which is purposely made for logotype. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. This font is PUA encoded which means you can access all of the outstanding glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Meladiya is my new elegant serif font that will give your projects a touch of luxury and style. It’s perfect for logotypes, branding, monograms and wedding invitations, blog headlines, and more. Browse through all the previews and get as inspired as I was when creating this font. Files included: 3 Type Font Supported Languages: Armenian, Baltic, Central/Eastern Europe, Cyrillic, Elymaic, English, Ethiopic, Georgian, Old Hungarian, Romanian, Southeast Asia, Western Europe Please contact us if you have any questions, we are happy to help you!

Quador Display is a serif, especially designed for contemporary typography on print and screen. The superellipse-based forms and high x-height allow large and open letterforms, perfectly adapted to the pixel grid on screen. The font contains 6 weights from light to ultrabold plus true italics. 1.049 glyphs include 282 ligatures, tabular, old style, fractions …, and a wide range of flexibility for latin language support for every typographical needs. Quador Display is a contemporary serif typeface, special for logotypes, brands, magazines and editorial.

Sabarian - Handmade Typeface Font with a natural style and dramatic movement. Crafted manually with love and passion, This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, and etc. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation, book cover, craft or any design purposes. photos, photography overlays, signs, window art, scrapbooking, tags and so much more!

Adoria is a minimalist logo font with unique edge that will make your logo and design looks more simple and modern. With the unique characteristic lowercase, this font can make your logo even more stunning. You can use this font for any purpose, especially to make logotype. You can mix and match the uppercase and lowercase to make your logo more advanced. Adoria also comes with alternates that's why it's called deluxe logo font. This font also comes with number, symbol, and multilingual support!

Purefell Script is a natural handwritten made script which is suitable for anyone who needs a typeface for headlines, logotype, apparel, invitations, branding, packaging, advertising and more. This typeface is comes with uppercase, lowercase, punctuation, symbols, numerals, stylistic set alternate, ligatures, as well as multi-lingual support and PUA encoding. We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Or simply send me a PM or email me at letterhend@gmail.com Thanks for purchasing and have fun!