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  1. Fristy by PizzaDude.dk, $20.00
    Fristy has more than 300 ligatures for you to play around with. You will need to use OpenType-supporting applications to use the autoligatures
  2. Gosbry by Baqoos, $10.00
    Gosbry is a serene gregarious handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
  3. Jumory by Baqoos, $23.00
    Jumpy is dinkum heuristic mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
  4. Rusticana by Linotype, $29.99
    Rusticana is a part of the 1990 program Type before Gutenberg, which included the work of twelve contemporary font designers and represented styles from across the ages. Linotype offers a package including all these fonts on its web page, www.fonts.de. Rusticana was designed by Adrian Frutiger and appeared with Linotype in 1993. Its historical roots go back to the Roman Capitalis, the all caps engraved writing of ancient Rome which reached its peak in the first century. From this style evolved other Roman forms, and one, Rustica, proved particularly good for text on bronze, as opposed to in stone. The Rusticana of Frutiger has open, seemingly irregular forms which lend a distinctive rhythm to text.
  5. Berling by Linotype, $29.99
    The productivity of the Berlingska Stilgjuteriet was made possible by the development of modern typeface art in Sweden in the 1950s. The typeface Berling was designed by Karl-Erik Forsberg for the Berlingska Stilgjuteriet in Lund. It belongs to the modern text typefaces and like most of these markedly shows the influece of the Neorenaissance. Berling Antiqua appeared in 1951 with a matching italic and by 1959, it was expanded to include five weights. Linotype offers Berling in four of them, roman and bold with their respective italics. In 2004 the Swedish publisher Verbum commissioned a complete redesign of Berling for the 21st century. Linotype assisted the designers of this new typeface, which came to be called Berling Nova.
  6. Neo Contact by Linotype, $40.99
    Neo Contact is the typeface used on the packaging of Marlboro cigarettes (Marlboro “Reds,” the main line of the brand). The typeface is bold and condensed, designed in the Egyptienne style. Egyptienne types were first designed in the 1800s, as type founders - especially in the westward-expanding United States - began to dream up newer, bolder styles of letters for advertising usage. During the 1800s, it became increasingly important for businesses to set themselves, and their products, apart from competitors. This desire has remained with corporations, as well as with advertisers and designers, into the 21st century. In addition to cigarette packaging, Neo Contact (as part of Marlboro’s branding efforts) can be seen on numerous items, including Ferrari’s F1 racers, and at Formula 1 race tracks. The letters in Neo Contact are filled with personality. Their forms display two distinct weights of line, and the serifs are made up of tiny, strict slabs. Ball terminals round out the design. Neo Contact is a complete font, with a complete western character set. Typefaces in the Egyptienne style preceded the development and distribution of larger, crazier wood typefaces, but also share many similarities with these descendents. More traditional, text faces in the Egyptienne manner are also available from Linotype GmbH (e.g., Adrian Frutiger’s Egyptienne F). On the opposite end of the spectrum, we offer interesting, personality-filled wood display types, like Ponderosa as well.
  7. Gabriela by Latinotype Mexico, $29.00
    The Gabriela project is of great importance to us since it is the first font published by Latinotype México which is our brand-new sister foundry in Mexico. Gabriela, yet more versatile, shares all of its DNA with Gabriela Stencil. The font is an excellent choice for short and medium-length text. Gabriela is a Didone typeface well-suited to classy branding and editorial designs. Its alternate version includes swashes and more than 300 glyphs and 75 ligatures, allowing for more stylized designs. It may look different from its "regular" counterpart, but the essence of both is the same. Gabriela comes in 9 styles, ranging from Thin to Black, and includes matching true italics. Each font weight has an average of 750 characters which support more than 200 Latin-based languages.
  8. Corporative Slab by Latinotype, $26.00
    This family is the slab serif version of Corporative https://latinotype.com/display-weights?font=56. The thick terminals give it a strong personality and distinctive traits. Original main strokes and rounded edges have been kept untouched in order to find a balance between both versions. Corporative Slab is the perfect choice for large-scale display use and it is also suitable for use at small sizes. This font works well for logos, posters, signage, packaging, branding, etc. As you would expect from Latinotype, this typeface comes with a standard set of 350 characters that support over 200 Latin-based languages. Corporative Slab provides users with a wide range of glyphs and weights for every project—from branding and advertising to editorial designs. The family comes in 8 weights plus matching italics.
  9. Gibbs by Typetanic Fonts, $39.00
    Gibbs is a tough, sophisticated sans, inspired by the unique cast aluminum signs found on board the 1950s luxury liner SS United States and named for its designer, William Francis Gibbs. The design is appropriately transatlantic, somewhere in between industrial American vernacular lettering and English humanist styles. The result is both uniquely stylish and comfortably readable in both text and display sizes. Gibbs received a Type Directors Club award for excellence in 2015.
  10. Marble Cutter JNL by Jeff Levine, $29.00
    A set of vintage dies for stamping text into marble headstones or other monuments manufactured by The Vermont Marble Company was the basis for Marble Cutter JNL. The Vermont Marble Company was in business from the 1880s until 1976, when the company was acquired by OMYA, Inc. The original company (also known as Vermarco) supplied marble for everything from the Jefferson Memorial to the United Nations building and dozens of other historic structures in-between.
  11. Vexillum by Melothias, $17.50
    Vexillum is a new and modern look at a classical serif font and inspired by a flag-like object used as a military standard by units in the Ancient Roman army and typography arabic-persian. The shapes of the letters and perfectly balanced high-contrast makes each sign look elegant, sophisticated and eye-catching. Vexillum also can be used in logos and blog posts or independently in combination with text for initials or headlines.
  12. Parabrite by Okaycat, $19.50
    Parabrite arrives as a vision of the future. The future is brite - Parabrite - this is unavoidable now. The composition of Parabrite is found to be based on a set of technical behaviors defined from a set of four sub-glyphs and their interactions, similar to the make up of our D.N.A. (A,C,G,T). Likewise, Parabrite's block matrix is composed of four units (S,L,I,C). These units are only allowed to group together according to predefined set of mathematical rules, and affect each other symbiotically. The smallcase letters stand five feathers high, while the capitals add an extra two feathers width. Parabrite is extended, containing the full West European diacritics & a full set of ligatures, making it suitable for multilingual environments & publications. Use Parabrite when you dream of a future world. Since Parabrite is adapted to be quickly read by a wide assortment of electronic scanners, legibility to humans suffers a little, although robots report it is much easier on the eyes. They are happy to read it for you too, if you are having trouble.
  13. VNI-Thufap3 - Unknown license
  14. SPARKS Scrapbook - Unknown license
  15. Earon by Baqoos, $18.00
    Earon is an inquisitive gubernatorial mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
  16. Ornubs by Baqoos, $18.00
    Ornubs is an agile ministerial mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
  17. Barmo by Baqoos, $18.00
    Barmo is an enigmatic vociferous mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
  18. Baregx by Baqoos, $18.00
    Baregx is an enthralling restorative mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
  19. Ersota by Baqoos, $18.00
    Ersota is a jovial Introspective mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
  20. Osrega by Baqoos, $18.00
    Osrega is an altruistic momentus mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
  21. Eva Poshy by Baqoos, $12.00
    Eva Poshy is an exhilaration rollicking handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
  22. Yekso by Baqoos, $18.00
    Yekso is a halcyon coltish mono lineal typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
  23. Mash Octave by Baqoos, $12.00
    Eva Poshy is an inquisitive rhapsodic handwritten typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs including punctuation and numerical.
  24. FlyingHollander - 100% free
  25. BerlinSmallCaps - Unknown license
  26. Kontrast - Unknown license
  27. Escondida by Tour De Force, $25.00
    Simple, elegant and high contrasted typeface called Escondida simply fits into all design projects. Contains 390 glyphs and among them you'll find 22 ligatures as well.
  28. Trade Gothic Next by Linotype, $97.99
    In 1948, Mergenthaler Linotype released the first weights of Trade Gothic, designed by Jackson Burke. Over the next 12 years Burke, who was the company’s Director of Typographic Development from 1948 through 1963, continued to expand the family. Trade Gothic Next is the 2008 revision of Jackson Burke’s design. Developed over a prolonged period of time, the original Trade Gothic showed many inconsistencies. Under the direction of Linotype’s Type Director Akira Kobayashi, American type designer Tom Grace, a graduate of the MA Typeface Design in Reading, redesigned, revised and expand the Trade Gothic family. Many details were improved, such as the terminals and stroke endings, symbols, and the spacing and kerning. Moreover, there are newly added compressed widths and heavy weights perfect for setting even more powerful headlines. Trade Gothic Next brings more features and better quality for today’s demanding typographers. Trade Gothic Next® font field guide including best practices, font pairings and alternatives.
  29. Elementis by Linotype, $29.99
    German designer Hans-Jürgen Ellenberger originally developed the concept behind Elementis in 1975. Wanting to create an alternative typewriter script that was more round and natural, Elementis' design was born. True to its typewriter roots, Linotype's Elementis exhibits more character than one expects from that genre. The letters display a delightfully quirky nature, which is sure to lighten up any document. Elementis may be used in a number of point sizes: although the letters function best in large display settings, short passages of text in sizes of 12 point or less may also be created. This family has received a number of awards in various contests: Elementis was awarded an Honorable Mention in the 2003 International Type Design Contest, sponsored by Linotype GmbH. Additionally, Ellenberger received a Certificate of Typographic Excellence from the Type Directors Club in 2005; during their annual TDC2 type design competition, Elementis was selected as a "judge's choice."
  30. Trade Gothic Next Soft Rounded by Linotype, $53.99
    In 1948, Mergenthaler Linotype released the first weights of Trade Gothic, designed by Jackson Burke. Over the next 12 years, Burke, who was the company’s Director of Typographic Development from 1948 through 1963, continued to expand the family. Trade Gothic Next is the 2008 revision of Jackson Burke’s design. Developed over a prolonged period of time, the original Trade Gothic showed many inconsistencies. Under the direction of Linotype’s Type Director Akira Kobayashi, American type designer Tom Grace, a graduate of the MA Typeface Design in Reading, has redesigned, revised and expanded the Trade Gothic family. Many details were improved, such as the terminals and stroke endings, symbols, and the spacing and kerning. Moreover, there are newly added compressed widths and heavy weights perfect for setting even more powerful headlines. Trade Gothic Next brings more features and better quality for today’s demanding typographers. Trade Gothic Next Soft Rounded introduces a new friendliness and warmth to the family.
  31. P22 Koch Signs by P22 Type Foundry, $24.95
    This set reproduces over 350 of the signs contained in German typographer Rudolf Koch's "The Book of Signs," the symbols include Astrological, Christian, Medieval and Runic iconography.
  32. Asvet Mono by aRc, $10.00
    Asvet Mono is a playful monospaced stencil that is bold and curvy. This cheerful TrueType Font has over 370 characters and it is legible in fine print.
  33. Moki by FaceType, $25.00
    The seven ways of Moki. Moki comes in seven different styles: Base, Cut, Dust, Lean, Mono, Soft and Uni. Moki is a display expert – with a wide range of languages covered, the family offers a style for every purpose. You are a SciFi movie director and are looking for an alternative to the inevitable Eurostile? Now you have!
  34. Tetris - Unknown license
  35. P22 Dada by P22 Type Foundry, $24.95
    The original idea of the Dada font and randomness was given new life with the introduction of OpenType programming. P22 Dada Pro includes over 500 glyphs of letters and images and can be used to create Dada inspired typography by simply selecting various OpenType features. P22 Dada Pro was released in 2006 as "Dada Special Edition" to coincide with the "First Major International Dada Museum Exhibition in The United States" at the National Gallery of Art.
  36. Qonitta by Zamjump, $17.00
    Called QONITTA is a serif display with a character that is beautiful, and elegant. With the addition of beautiful ligatures and alternatives to make your typography truly unique. No special software is required to type standard Typeface characters. To access Opentype Ligatures and Alternates, you need software that supports the Opentype feature in fonts. multi language support File Included : - Upper case and Lower case - Ligature - Alternate - Uniq dot (a underscore underscore, b underscore underscore, c underscore underscore)
  37. Receptor by TEKNIKE, $55.00
    Receptor is a geometric monospace display font. The typeface is made from single basic square geometric units grouped together to form a whole. The name is derived from the word 'recept' meaning an idea formed by the repetition of similar or successive percepts of the same object; in science a receptor is a chemical structure that receives and converts signals. Receptor is great for display work, logos, structures, architecture, technology, biology, sports, monograms, quotes, headings and posters.
  38. Coppint by Ridtype, $25.00
    Coppint is a font formed with serenity and imagery in patterns that refer to warmth and harmony. Even so, this font also gives each letter an elegant and semi-modern impression. When this font was created, Ridwan Fadilah, the designer, said that this font must race in a contextual and basic fundamental hierarchy. Thus, this font also provides stylistic weight, from smallest to largest. So that it can become a unit that can be used in optical text.
  39. Railroad Gothic by Linotype, $29.99
    Railroad Gothic was originally designed in 1906 for ATF (American Type Founders). This uppercase-only typeface is very condensed and also heavy, giving it a distinct 19th American wood type feeling. Like those 19th Century classics, Railroad Gothic is best used when set really big. Originally designed for use in railroad signage, Railroad Gothic has since been adapted for use in many American tabloid journals, which employ it in screaming headlines. When you need to set something large and loud for the whole world to see, this old ATF classic may be right for you. Railroad Gothic is an all caps font, and is available in digital format exclusively from Linotype. The typeface is included in the Take Type 4 collection from Linotype GmbH."
  40. TV Nord by Elsner+Flake, $39.00
    The typeface family TV Nord is based on the corporate typeface NDR Sans which was developed by Elsner+Flake for the Norddeutsche Rundfunk (www.ndr.de) between 1999 and 2001. This new design came into being as part of a complete overhaul of the visual image of the NDR. This became necessary because the NDR, founded in 1954, incorporated the stations of the East German states Mecklenburg-Vorpommern (1992) and Brandenburg (1997) after the re-unification of Germany. The Hamburg advertising agency DMCGroup developed a new and unified image for the NDR which is in existence to this day. The typeface TV Nord relates to the design of the Trade Gothic and similar American sans serif typefaces of the early part of the last century. Its development concerns itself as much with good legibility for print, as it does for the reproduction on TV screens, which among others, is achieved through its high x-height. The logotype for the NDR as well was developed from the capitals of the NDR Sans. In 2014, the TV Nord was revised stylistically and expanded to incorporate all European-Latin languages. As part of this effort, further complementary cuts were added.
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