Blacker Sans Pro is a complete redesign and development of the original family designed by Francesco Canovaro in 2019 as a sans-serif variant of the successful Blacker created by Cosimo Lorenzo Pancini and Andrea Tartarelli. The original idea of Blacker Sans was to create a versatile pairing for Blacker, parting with its spiky wedge serifs but keeping its dark, elegant character and extending its weight range to 20 weights including italics. This Blacker Sans Pro family did also differ in contrast from the original Blacker family, choosing a more even and monolinear, almost grotesque approach. This choice that favored versatility over elegance left some of the original uses of Blacker not covered by its sans counterpart, and so two subfamilies were added, applying to the same skeleton varying degrees of contrast, from the readability-optimized medium contrast of Blacker Sans Text to the extreme variations of Blacker Sans Display, with its elegant juxtapositions of thin curves and thick black slabs. The original signature details of Blacker, like the hook shape of lowercase "f", have been complemented by new alternate forms, ligatures and swashes, with stylistic sets providing options to easily make logos and headings stand out. The wide range of OpenType features (that includes also small caps, positional numbers, and alternate punctuation) is applied to all the 60 weights of the family, each with over 1600 characters offering language support for 220+ languages using Latin, Cyrillic and Greek alphabets. Ready to make your text look gorgeous? Ditch your usual sans-serifs and try Blacker Sans Pro!

The ideal typeface for cartography The Swiss designer/typographer Felix Arnold designed Cisalpin during the late 1990s, after he had challenged himself to create a contemporary typeface that could be used for cartographic uses. Arnold came to the subject of cartographic typefaces after analyzing many maps and atlases, and discovering that there was no standard typeface for these types of documents. Like any good cartographic type, Cisalpin is very legible at small sizes. While he was drawing this typeface on his computer, Arnold used a reduction glass to refine his design, making it work in these situations. Cisalpin is a linear sans serif face, with slight resemblance to renaissance serif types. The various weights are all clearly differentiated from one another. And because space is often a premium on maps, Cisalpin runs narrow. Words close in around themselves to help them become more identifiable. The letterforms in Cisalpin are durable, and can maintain their readability when placed over complex backgrounds. They have open interior forms, flattened curves, tall x-heights, and a capital height that almost reaches the tops of the ascenders. Cisalpin also has pronounced Italics, with a very clear angle of inclination. Each letterform in the family has been optimized so that they cannot be easily mistaken for another. This again helps minimize the misunderstandings that often occur because of illegibility. Although Cisalpin was developed for use in cartography, it may be used for countless other purposes; any font that can work well in small sizes on a map could be used almost anywhere else!

The name Corpid derives from “Corporate Identity” — which is what this family of low-contrast sans-serifs was made for. Corpid was originally commissioned by Studio Dumbar in the Netherlands as a corporate typeface for the Dutch Ministry of Agriculture, Nature Management and Fishing. The font was designed to replace the existing standard typeface (a well-known business-like sans-serif) to provide the organization with a unique and strong identity. Although it was designed to fit strict technical requirements, Corpid has a personality all of its own. This was in part a result of what Luc(as) calls “creating tension” between the inner and outer curves of each character. “I tend to put a little more diagonal contrast into fonts than is the case in most neutral sans serif fonts. This brings a certain humanistic touch to the typeface. Much more subtle here than in Thesis – but although it is almost invisible, it is still palpable.” Corpid was gradually expanded into a five-weight, three-width family. The new Corpid SemiCondensed has double functionality. It is a no-frills, compact headline font that offers optimum legibility in sizes from small to huge. It is also a great space-saving text typeface for magazines, newsletters or annual reports: economic, versatile, and provided with several different numeral sets. In this OpenType type version, all weights come with Small Caps. With its wealth of numeral styles and complete character sets (including Central European) the Corpid family is now well equipped to tackle the most complex of typographic tasks.

The Handel Gothic? typeface has been a mainstay of graphic communication for over 40 years - all the while looking as current as tomorrow. Designed by Don Handel in the mid-1960s, and used in the 1973 United Airlines logo developed by Saul Bass, Handel Gothic was an instant success when released to the graphic design community. Its generous lowercase x-height, full-bodied counters and square proportions make the design highly readable at a wide range of sizes. Handel Gothic's slightly idiosyncratic character shapes gave the face a futuristic look 40 years ago that retains its power today. In addition, its Uncial-like lowercase is instantly identifiable - and unique among sans serif typestyles. Award-winning type designer Rod McDonald was attracted to the simple, decisive forms of the original, but he felt the design needed to be refined and updated. ?One of my goals was to bring a modern typographic discipline to what was really an old phototypesetting font.? To achieve his goal, McDonald re-proportioned every character and balanced the delicate relationship between the curves and the straight strokes. He also added a number of alternate characters to extend the range of the design. ?I wanted to give designers a large enough character set so they wouldn't feel constrained in what they could do. I want them to be able to play with the fonts, not just set words.? McDonald enlarged the family from the single-weight original to five weights, each with a full suite of alternate characters.In 2015 Nadine Chahine designed matching arabic weights to this family.

The life of Molière is a story of struggle, hard work, domestic unhappiness, death and burial in obscurity and almost in shame. Molière left behind a body of work that not only changed the face of French classical comedy, but has also come to influence the work of other dramatists from around the world. Despite his own preference for tragedy, which he had tried to further with the Illustre Théâtre, Molière became famous for his farces, which were generally in one act and performed after the tragedy. Both the comic and the serious drama were powerfully affected by the work of Molière, not only in his own age and country but everywhere and up to the present time. Didot is a name given to a group of typefaces named after the famous French printing and type producing family. The classification is known as modern, or Didone. The typeface we know today was based on a collection of related types developed in the period 1784–1811. Firmin Didot cut the letters, and cast them as type in Paris. Along with Giambattista Bodoni of Italy, Firmin Didot is credited with establishing the use of the "Modern" classification of typefaces. The types that Didot used are characterized by extreme contrast in thick strokes and thin strokes, by the use of hairline serifs and by the vertical stress of the letters. As in the extreme contrasts of the literature of Molière, in Didione's typefaces, thick and thin strokes, straight and curved, are the most relevant characteristic for an era marked by the changes.

LaFarge is a typeface primarily inspired by the historic mosaic titling capitals found in the New York City Subway, designed by architect Squire J. Vickers and his staff between 1915-1927. These elegant but industrial signs are characteristic of early-20th century American architectural lettering, and show an evolution of the classical Roman capitals to lower contrast, bolder serifs, and more regular character widths. The majority of this lettering still remains in subway stations today, and though elements of the style vary from sign to sign, many carry the unique features that are reflected in LaFarge: high-waisted crossbars with angled serifs, elegantly curved “R” leg, and distinctive trapezoidal serifs. LaFarge expands this style into a lower case, taking cues from contemporary typefaces like Bookman, Cheltenham, and Della Robbia. A number of typographic features are included, such as small caps, ordinal indicators / superscript letters, arrows, and a set of borders inspired by early subway tile. The result is a fashionable, architecturally-minded typeface that is just as at home on the façade of a grand public building as it is on packaging, magazines, or the web. LaFarge works well in both text and display settings, remaining readable at small sizes but showing off its elegant details in larger uses. LaFarge has received the Communication Arts Typography Award, the ADC Annual Merit Award, is included in the 2020 STA 100, and was part of designer Greg Shutters’ winning portfolio in the 2019 Type Directors Club Ascender Awards. You can download a PDF specimen of LaFarge, and also view a video of LaFarge in action.

A cool font which is a bit like a comic font. It makes me remind of graffiti.

Buttsmuggler is a light-hearted puffy font, good for a cartoon-like or casual hand-drawn look.

Fine strokes make this elegant font family a great companion for invitations and signs, indoor and outdoor.

"Introducing Badmood, a sleek and modern bold font designed to make a statement. With its clean lines and strong presence, Badmood adds a touch of sophistication to any project. Perfect for headlines, logos, branding, and more, this font exudes confidence and style. Embrace the power of modern design with Badmood and elevate your creative projects to new heights."

Ettlora is a script font with a natural line vibe. gives the impression of a signature, elegant, and beautiful. suitable to be paired with logomarks, branding, invitation cards, greetings cards, events, weddings, and others. Contains standard English fonts and some support for multilingual. can be installed in applications such as adobe family, affinity, Ms.Word, or similar applications.

Hold the line, True Believer! Stand together. Stick up for the vulnerable. Challenge bullies. Don't let the forces of evil reign supreme. Expelliarmus! A worthy companion to our Balloon Lettering family FACE FRONT, TRUE BELIEVER is a scripty serif handwriting font for wizards everywhere. Features Four fonts (Regular, Italic, Bold & Bold Italic) with upper and lowercase characters.

Wafterby is a handsome sans serif typeface family. It comes in eight weights which have a minimal and clean feel. Its design is based on circle and line geometric shapes. It can be used as a cute minimal-style header display or as a stylish text for magazine, blog, corporate branding, packaging, wedding invitation project, etc.

Solidaritha Script is a stylish calligraphy font that features a varying baseline, smooth line, classic and elegant touch. Can be used for various purposes.such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc. Solidaritha Script features 389+ glyphs and 194 alternate characters. including initial and terminal letters, alternates, ligatures and multiple language support.

Novella has always been one of Fonthaus' more popular period (Art Nouveau) fonts. The style of Novella captures the essence of typography that was popular at the turn of the 20th century (1890-1905). Its curvilinear lines are organic and floral, complimenting the work of Louis Comfort Tiffany, Charles Rennie Mackintosh and Gustav Klimt among others of the time.

A 1928 menu for the restaurant “Rotisserie Du Cardinal” had the word “Cardinal” hand lettered in quite an unusual Art Nouveau type design consisting of thick and thin lines using angles to form the letter shapes. This eccentric (yet charming) style of lettering is now available as Rotisserie Menu JNL in both regular and oblique versions.

3 weights (Light, Regular, Bold) 613 glyphs Character set A-Z Uppercase & Lowercase Numerals & Punctuation Multilingual Language support: Latin, Greek, Cyrillic Works on PC & Mac Kica is a modern display typeface that is characterized by its clean lines, bold strokes, and geometric shapes. This typeface was designed with the intention of creating a strong visual impact and capturing attention.

Dutch type designer Max Kisman created this display FontFont in 1991. The family contains 3 weights and is ideally suited for festive occasions, film and tv, music and nightlife as well as poster and billboards. FF Fudoni provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

British type designer Neville Brody created this display FontFont in 1993. The family contains 3 weights and is ideally suited for advertising and packaging, film and tv, poster and billboards, software and gaming as well as sports. FF Dome provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

Sidiqie is a modern sans serif with a monoline and minimalist style. With smooth, neat lines, and with just a hint of contrast, Sidiqie works beautifully for logos, branding, and web titles. See examples for some examples of how you can use them. Includes Sidiqie Light Sidiqie Reguler Sidiqie Bold Sidiqie Black Support for western languages

Arch Creek JNL is Jeff Levine's all-caps re-interpretation of a classic typeface of the past; Beton. Clean lines and slab serifs make this design a wonderful display face for attention-getting headlines. The beautiful watercolor print used in the font flag is by a good friend of Jeff's - Miami artist Michael George, and is used by permission.

The Pallace feels equally charming and elegant. This stunning handwritten font is a stylish homage to modern calligraphy. It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates. Fall in love with its incredibly versatile style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more!

Avenue is an eleven font family with five synthesist serif faces, five humanist sans serif faces, and one old style face. It is designed as an extrememly versatile body copy set. There are many special dingbats for bullets, and so on. It has oldstyle numbers and the small caps versions have lining numbers and small caps numbers.

Presenting a condensed Art Deco sans serif font with rounded corners and squared inner lines, based on the hand lettered title on the cover of the sheet music for 1944’s “Just A Little Fond Affection”. Allerton JNL is available in both regular and oblique versions, and was named after a neighborhood in the Bronx, New York.

For playfulness and something a little less ordinary, Bunbury is a wonderful script that’s packed with personality. Created using a felt marker and available as an all capitals display font, SC Bunbury’s style is sort of awkward and a lot of fun, with defined outlines and uneven line thicknesses that make for letters packed with hand drawn quirks.

In 1913, Leipzig-based foundry C. F. Ruehl released a hot-metal font called Caesar-Schrift which was cut by the engraver and medalist Georg Schiller (1858-1937). This humanist sans combines successfully traditional classic forms with the flowing lines of the Art Nouveau period. Now revived as Caesar Pro, this font was carefully extended and made multilingual.

Canadian type designer Bruce Alcock created this script FontFont between 1993 and 2011. The family contains 4 weights and is ideally suited for advertising and packaging, festive occasions as well as film and tv. FF Soupbone provides advanced typographical support with features such as ligatures, case-sensitive forms, and stylistic alternates. It comes with proportional lining figures.

Austrian type designer Markus Hanzer created this display FontFont in 1994. The family has 6 weights, ranging from Light to Black (including italics) and is ideally suited for editorial and publishing and poster and billboards. FF Irregular provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

Palm Shine is a beautiful and versatile font with a retro serif design that can be used in many different ways. Its elegant lines and modern look will make your designs stand out while maintaining a classic, timeless feel. It's also extremely versatile - perfect for logos, boho and groovy designs, and even silhouette art and more.

Kandel 205 is a geometric, tri-line, display and headline font available in a family of three weights. Its bold, graphic styling gives it great stand-out qualities and a highly individual look. It’s particularly well suited to bringing energy to designs, or for designs with a sporting theme. It’s also available with character variations as Kandel 105 .

Proudly Present, Bowhead Font. Bowhead is a Modern Calligraphy Font. This sweet font has nice smooth lines. Bowhead is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Bowhead also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Tracker is a geometric twin-line font reminiscent of space-age disco designs of the 60s and 70s, but entirely reexamined, rationalised, redesigned and updated for contemporary use. Best seen in shorter, punchier settings and at larger sizes. The font includes connecting ligatures that can be toggled an and off in the Opentype palette to further customise your text.

Righttoast is a modern script font. It's a clean store with high contrast line. It readable in short text. Righttoast includes opentype features Ligatures. It support multilingual more than 100+ language. This font is good for logo design, Movie Titles, Books Titles and any awesome project you create. Make a stunning work with Righttoast script font. Cheers, MaulanaCreative

Plage draws inspiration from the fluid and organic typography of the '60s and '70s. Ideal for branding, poster and packaging designs. Equipped with rich ligature and opentype features for professional typographic designs. Diacritical marks in line form, which was widely used by graphic designers in Turkey at that time, were added as a style set (ss02).

Loventha font is the latest script written by Arkrist Letter studio. A font inspired by a very romantic thing. Designed with great care so as to produce very neat and elegant letter lines, it looks beautiful and romantic. Loventha is very suitable for greeting cards, t-shirt designs, logos, etc. Loventha is a masterpiece created with love!

German type designer Fabian Rottke created this display FontFont in 1995. The family contains 2 weights: Regular and Heavy and is ideally suited for film and tv, music and nightlife, poster and billboards as well as software and gaming. FF Dirtyfax provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

Hello Amelinda is an incredibly unique handwritten font. Masterfully designed to become a true favorite,Hello Amelinda feels incredibly elegant and flowing. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates.

Caracas Stencil Pro is a new family of stencil sans serif fonts, looking friendly, sweet and comfortable to read. Where text flow between straight lines and round by becoming transparent in the interest of readability. Caracas Stencil is ideal for working in small letters and texts of a technical nature. Caracas is a humanistic approach to reading sans forms.