Dutch type designer Max Kisman created this display FontFont in 1990. The family contains 2 weights and is ideally suited for poster and billboards and sports. FF Scratch provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

ITC Newtext was designed by Ray Baker, who created a well designed and legible typeface and built into it every design refinement which could optimize its usefulness. The expanded shapes are generous and legible and the economical vertical set results in more lines to the page.

The design of Pelin, which began as an experiment, inspired by the harmony created by the contrast between the soft, flowing movements and sharp movements found in Circassian dances. To capture this harmony, both curved and sharp lines were used along with stems that contrasting angles.

A 1940s travel poster for the Florida East Coast Railway (which then carried passengers but is now a freight line) had the railroad’s name hand lettered in a bold Art Deco sans. This inspired Passenger Train JNL, which is available in both regular and oblique versions.

Sweet Nancy is a monoline connected script typeface with a nostalgic, yet modern feel. Elegant cues inspired by Art Deco combine with a modern lettering style for lovely invitations, announcements, logos, book jackets and menus. Enjoy Sweet Nancy’s flowing lines in whimsical, romantic or fantastical designs.

Based on the text on architect's plans. The designer asked friends and relatives for the plans for their house extensions, and he studied plans in the public library, then blended the best features of all the characters he could find. Architect was designed originally in 1999.

Albertiny comes with an awesome look and has a variety of alternative characters. Albertiny is the perfect fit for all of your logos, branding, social media, and crafty DIY projects. It has OpenType features (alternates, swash, ligature) that can help you find different sensations with each use.

Eyebel was an attempt to form letters as simply as possible using only straight lines but still have them legible. The family is low contrast and has a boxy look. Eyebel-Ruff was formed by randomly moving control points. None of these faces have any curves.

Toronto Gothic was developed from a headline in a 1920s issue of the Toronto Star. In a previous life, it was probably Condensed Titling Gothic #11, but in this form its rounded corners and irregular lines are meant to make it look worn from years of use.

Little Bossque is a modern sans serif family. Its variety of weights provide a range of choices that will help you find the best typographic color for your project. Lighter weights are well-suited for body text while heavier ones are ideal for high impact headlines

HippityDippity is a whimsical typeface with big, sloppy serifs and no straight lines or smooth circles. It comes in two weights and an inline variation. HippityDippity Inline Middle and HippityDippity Inline Inside are designed to be layered with HippityDippity Inline to produce bicolored or tricolored letters.

Inspired by Barcelona’s Diagonal street, Antoni Morillas designed Diagonal ND in 1970. A sans that alternates straight and inclined lines, with a strong rhythm and its own personality. Its range of possible usages are very varied: signage, headlines, packaging, etc. Diagonal is a Trademark of BauerTypes SL

When you look at it for the first time, it seems to you that letters are inclined to the right. But it is only an illusion. Why Galleon you ask? I do not know. There is in it something both from the sea and from a wind.

Inscription is the work of Alan Meeks, a bold copperplate script with a fine open line running throughout. The relatively restrained initial capitals are complemented by a lowercase which joins together in the style of true handwriting. Inscription will give any text a look of refined elegance.

On page 45 of Samuel Welo’s 1930 instructional book “Lettering Practical and Foreign” is a multi-line alphabet of Art Deco elegance that perfectly captures the spirit of the Streamline era. The digital version is available as Showcard Multiline JNL in both regular and oblique versions.

Valentine's Fleurons is a bit of romantic (the emotion, not the era) fun!. Need a few dingbats for that special card you're making for that special person-or for others to give to their special person(s)? You'll find them here in a charming hand-drawn style.

Modeled from an example in the book “Lettering” by Harry B. Wright (1950), the poster alphabet shown was reminiscent of the kind of style used in the early 1900s by sign painters and show card artists. Vintage Poster JNL is available in both regular and oblique versions.

Stick out a mile with the Mysteria typeface and catch everyone's eye. Using a mix of its two weights helps to create stunning messages. Mysteria’s one-of-a-kind eccentric design of a display face can easily be combined with the matching body text family Gerlach Sans.

Naname Kun is a geometric typeface created with oblique lines as a main texture. Its unique particularity is to be filled with diagonal hatching that varies in thickness to create different styles and weights. Applicable for any type of graphic design, especially for posters and logotypes.

Fruitella is a geometric sans serif look. Designed with powerful opentype features in mind. equipped with ligature standards that are different from ligatures in general. Perfect for graphic design and any display use. It can easily work for web, signage, corporate, and also for editorial design.

Miller Banner takes Matthew Carter’s popular Miller series to new heights: 100pt and up, beyond any examples among the Scotch Roman’s historic antecedents. Optimized for very large settings, its hairlines have been sharpened and the contrast sweetened, lending grace and crisp elegance to banner headlines and titles.

Linger On is a handwritten fairly rough brush script. It’s equipped with some Open Type features and an extra set of the most common used letters. It also includes lines and endings for you to have more fun with and make Linger On even more unique.

Merside - Premium Serif Font Merside - Premium Serif Font is a stunning typeface that exudes sophistication and elegance. The font's clean and crisp lines make it a versatile choice for various design projects, from high-end branding to classic book covers and posters. The font was crafted with the utmost care and attention to detail, resulting in a timeless typeface that will elevate any design. Merside - Premium Serif Font is the perfect choice for designers who want to convey a sense of luxury and exclusivity in their work. The font's classic serif style adds a touch of refinement, while the clean lines give it a modern twist. Whether you are designing a logo for a luxury brand, creating marketing materials for a high-end fashion label, or designing a product packaging, Merside will add a touch of elegance and sophistication to your project. One of the standout features of Merside - Premium Serif Font is its OpenType features, which include alternates and ligatures. These features give designers more creative freedom, allowing them to customize the font and create unique and eye-catching designs. The font also includes uppercase and lowercase letters, as well as number, punctuation, and symbol glyphs. Additionally, Merside supports multiple languages, making it an excellent choice for global brands. The font is compatible with a wide range of design software and platforms. You can easily install and use Merside - Premium Serif Font on your computer or device, making it a convenient and accessible choice for designers. If you are looking for a premium serif font that will make your design stand out, Merside - Premium Serif Font is an excellent choice. With its elegant and refined style, it is perfect for creating luxury branding, elegant design, and high-end fashion. This font will give your project a timeless and classic look that will never go out of style. In summary, Merside - Premium Serif Font is a stunning and versatile font that is perfect for designers who want to create high-end and sophisticated designs. With its classic serif style, OpenType features, and multilanguage support, it is a font that will elevate any design project.

In 1990 I designed the font XLeafMeAlone. In 2006 I decided that it was time to improve it. Instead of adding to it, I created two new fonts containing almost 200 leaves: MapleOaks and More Leaves. Among the leaves you will find in MoreLeaves are elm, cottonwood, tulip tree, ash, hickory, locust, ginko, aspen, sassafras, hawthorn, beech, and birch. There are also a few that come from shrubs and I am not sure what they are, but they looked interesting so I put them in. You will not find oaks, maples, or sycamores--they are in MapleOaks. Why leaves? Because people like them. As a large part of the biological world that is all around us, leaves are fascinating in their shapes and endless variations. In XLeafMeAlone I took about 50 shapes and rotated them 180 degrees to give a typeface with approximately 100 glyphs. In each of these two typefaces, MoreLeaves and MapleOaks, there are almost 100 glyphs. Each of those glyphs is rotated in 90-degree increments to yield two families of four typefaces that should be very useful if one wants to create borders of leaves.

Bon Air was one of a series of script typefaces cut into wood by the Hamilton Manufacturing Company for the Morgan Sign Machine Co. (makers of the Line-o-Scribe showcard press) in the mid 20th Century. These were some of the last new designs cut into wood by Hamilton until the museum revival in the early 2000s. Bon Air was created in 1958 and trademarked in 1961. The wood type made for Morgan was used largely in department stores to make their own signage. The script styles are reminiscent of sign painters alphabets and evoke a Mad Men era advertising aesthetic. The font was only cut in four sizes: 12, 18, 36 and 72 line. It was distributed by Morgan for use in their presses, but as type high wood type, it could be used on any press. The font was issued with several alternate letters and ligatures to simulate the effect of hand lettering. Its lively strokes and odd details give it an exotic flavor suitable for advertising display work. The digital version includes all of the original alternates plus new characters to fill out a full European character set.

“Chalkís” or “Chalkida” was the capital of the Euboea island in old Greece. The name derived from the Greek and it means copper - bronze. Colonist from this area founded several important cities in the Magna Graecia, such as Cumae (coastal area of Southern Italy), where our alphabet come from. At the beginning, first scribes draw the signs in mono-line, but later on, the influence of materials, tools and the skill of calligraphers, developed the refinement of the lettering. “Calcis” is a family of sans serif fonts, characterized by its austere, functional and clear style, emerged from straight lines and primary shapes; but enriched by the contribution of countless anonymous calligraphers who have polished and embellished their forms over the years. “Calcis” is presented in five weights and italic style. It has good legibility in small sizes, elegance and strong visual impact in headlines as well. Each font of the family contain 377 glyphs with accurate kerning pairs careful controlled, and advanced typographical support with OpenType features such as: old style numerals, ligatures, discretional ligatures and case-sensitive forms. It also contain diacritics for Central European languages.

A sign of something better When designer Stuart de Rozario surveyed the fonts used in signage on London’s public transport systems, he reached a dead end. They seemed staid, sterile, lacking in personality, and ill-suited to use by modern brands. He was pointed in another direction entirely. ‘The driving force behind my thoughts was to design something more current and fresh without compromising legibility and clarity. A font with both personality and function, that’s versatile and large and small sizes, and effortless to read, but which also says something new.’ Speed reading Late for a meeting and can’t find your way? Trying to catch a flight? Lost in a hospital? Reading signs is a different business to reading a book or a newspaper. Text on signs needs to be deciphered quickly and effortlessly. So the legibility criteria for signage letterforms are different to those for normal reading, too. Throughout FS Millbank’s uppercase and lowercase alphabets, characters have been given features for extra definition, including: wide ink traps on the A, K, M, V, W, X and Y; a serifed i, accentuated spurs on the a, d, l u; and different x-height shapes on the b, g, p and q. Distinctive forms and generous, open internal shapes all help the quick reading of sign text, and wide, open terminals and counters allow similar letter shapes to be distinguished easily when viewed at different angles. Running down a corridor, maybe... Positive/negative Standard type tends to glow on the kind of dark backgrounds often used for signage, and look heavier than its true weight. To correct the imbalance caused by this optical trick, special weights of the typeface have to be drawn for these ‘negative’, light-on-dark applications. These are lighter than their comparable positive weights to overcome the ‘glow’ effect. After extensive tests of the negative weights, at all sizes, we achieved the right optical balance. Glowing, glowing, gone. Icons This wouldn’t be a signage typeface without its own set of icons, or symbols, to help people find what they’re looking for. So, to sit alongside the positive and negative fonts, we’ve created a comprehensive set of 172 icons, covering a wide range of applications from transport and user interface to information and directional. Designed within the typeface capital height, they sit on the baseline and are spaced centrally.

Mix Somn is the perfect font for adding charm to your children’s products. Its thin, tall, and dainty style is both stylish and legible, making it perfect for labeling baby clothes, toys, and other items. The digitally handwritten sans serif font was created with an iPad Pro and Apple Pencil, using the Poppy Brush from my Procreate Brush Bundle. Its delicate strokes and sweet, soft appearance make it the perfect choice for any project you might find in your little bundle of joy’s nursery. Mix Somn includes the following characters: ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !@$#%^&*() `~♥M• ÷+=[]:;’”,.\|/?{}<>“”‘’-–—_…©®™«»°¡¿₱¢€£¥ ÁÀÂÄÃÅĂĄÆĆČÇÐÉÈÊËĘÍÌÎÏŁŃÑÓÒÔÖÕØŐŒŚŠȘȚÚÙÛÜŰÝŸŹŽŻÞ áàâäãåăąæćčçðéèêëęíìîïłńñóòôöõøőœśšșțúùûüűýÿźžżþ

Inspired by the basic letter concept of Walter Huxley's 1935 gem Huxley Vertical, Dining Room JNL is a completely re-drawn typeface, adding even more of an Art Deco feel to an already classic Deco-era letter form consisting of condensed, rounded letters. Thick vertical lines balance against lighter weight ones, giving a dramatic contrast so typical of the Streamline Era of design concepts. This font marks another milestone in the Jeff Levine library of retro-inspired type faces. Beginning in 2006 with only ten designs, the collection has grown steadily with Dining Room JNL being the 750th font in the library.

Hempa Sans is a modern sans serif font family with a geometric touch. Consists of 16 Styles 8 upright and 8 inclined to match. Thin Weight - Black Designed with strong open-type features in mind. This font has alternate characters in Letters (G, M, R, g, k, r, t, u, y). Each weight includes extended language support for numbers, arrows, binders, and more. Great for graphic design and any display use. It can easily work for Web, Print, and more. This typeface comes with a standard 445 character set that supports more than 80 Latin-based languages.

Hello, friends. I keep experimenting with handwritten fonts, shapes and lines. I want the font to set the tone, the atmosphere, and look like an inscription made in a hurry, but it is well read. Blushed combines all these qualities. Simple and clear, looks at ease. It is perfect for signatures or design, where you do not need a strict style. Test it out below to see how it could look for your next project! Includes: Uppercase and lowercase Numbers and punctuation Foreign language support Ligatures Check out my blog: https://www.instagram.com/zloillev pinterest.com/dmitriychirkov7 Enjoy

Bagilean Geliayditan is the new editorial serif with all clean and soft lines, tight curves, and a trendy and elegant look! Bagilean Geliayditan has 16 fonts. which comes with 2 font family styles: - Bagilean Geliayditan: Regular, Italic, Medium, Medium Italic, Condensed, Condensed Italic, Outline and Outline Italic. - Bagilean Geliayditan Elegant: Regular, Italic, Medium, Medium Italic, Condensed, Condensed Italic, Outline and Outline Italic. Bagilean Geliayditan is perfect for your design needs such as to create nostalgic designs but still clean and elegant such as headlines, magazines, logos, packaging, editorials, titles, branding projects, logo designs, packaging, magazine titles, advertisements, short or long texts. Etc......

Clumsy is a two weight all caps handcrafted awkward font with alternates for all characters and digits. The font was inspired by a few lines of text from an old soviet book about vine. Clumsy is a good choice for small amounts of text. When Clumsy is used in OpenType applications, its Contextual Alternates feature produce a striking random-like effect on glyphs distribution, achieved by cycling through alternates. When not using the Contextual Alternates feature, you can still pick the alternates in the Glyphs palette or use the alternates available from the keyboard upper and lower case.

Introducing Vandotta, a dynamic and powerful sport display font designed to make a bold statement. With its sleek lines and strong geometric shapes, Vendetta embodies the spirit of competition and athleticism. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

The term Sanseki (Japanese for Three [Brush] Traces) is used to describe three famous Heian period calligraphers: Yaseki, Gonseki and Saseki. Not that I would ever dream of comparing my messy brush-work with theirs, but the name stuck and I kind of liked it. I used Chinese ink and a high quality brush (which I got in a sale actually) to create this font. All glyphs were hand painted in one go! Sanseki is a very detailed brush font. Upper and lower case letters mingle and there’s even an alternate for every lower case glyph. Comes with an abundance of diacritics.

A different kind of beauty. Silex began life in the labs of R.U.S.S.T Institute a number of years ago, starting with a skeleton of C.A.D./C.A.M system fonts, a disused tungsten carbide blade off an old milling machine for a soul and a little box of OpenType features for brains. This family of 3 solid, Silex is a hard-edged, hard-working display fonts. Suitable for headlines, logos, heavy equipment and... If you are a wrestler or mixed martial arts fighter, your resume. OpenType features include stylistic alternates, discretionarily ligatures, case sensitive glyphs, small caps, dozens of standard and discretionary ligatures.

Filarion is inspired by a bit of 60s typography. At first glance it looks contrasting but is executed in a different way. The lines are drawn irregularly so that it looks casual and not stiff. From a clean basic form (Regular), Filarion was developed into three different variants, namely Bulbous, Noetic and Print. Each of them has an oblique style. So you will get 8 fonts from Filarion family. This font is suitable for use as a title in broadcast videos, movies or poster designs. It can also be used on quotes and other promotional materials that require extra attention.

Introducing "Camaro" - a dynamic and high-octane racing display font that embodies speed, excitement, and adrenaline. Camaro showcases a strong and sleek design that mimics the aerodynamic lines of racing cars. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Thirteen or 14 years ago I admired, out loud, a book I found on a shelf in Matt Carter's office. That Christmas I was pleasantly surprised to find that Matt had found another copy of the book and he gave it to me. The book was about the life of Oswald Cooper and it contained numerous specimens of Cooper's lettering jobs. Among them was an interesting image of 7 letter that spelled out the word 'Robusto'. These letters were used as the model for the font Robusto. All I needed to do was develop 221 other glyphs to finish the font.

Break Walkout is a simple, yet classy signature typeface. It includes beautiful swashes that will add an organic feel to any design project! This font is a stylish signature font that is inspired by modern photography. It’s easy to use, to create a stunning watermark for your photos, invitations, branding. It also works great as a business signature or on other branding materials. - PUA encoded = Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. - PUA Encoded Characters - Fully accessible without additional design software. How to access alternate glyphs? you can see it on this link: http://goo.gl/1vy2fv