The hand-lettered title of a vintage Walter Foster "how to draw" book inspired the Deco-influenced alphabet of Art Lesson JNL. Bold and retro in nature, this typeface gets the message across in a straightforward way, yet still has a bit of a casual feel to it.

Mandarin Duck is a very playful typeface where its design was inspired by the rare duck seen in New York once every year. The delicate tail of this duck creates the edges of the characters. It is bold and fun, a perfect typeface for children books and larger texts.

Rush Turbo is a cool and bold display font. This typeface is perfect for an elegant & luxurious logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more. Rush Turbo is PUA encoded which means you can access all glyphs and swashes with ease!

Hello, Morgan Nice Two is here. This font is inspired from our previous font, Nice One. In Morgan Nice Two we have three versions: light, regular and bold. It has modern and strong looks with a little decoration on it. We hope you enjoy in using Morgan Nice Two! :)

Yaty is a relaxed and spontaneous script font. With its long descenders, bold capital letters and genuine style, this typeface fits perfectly for a down-to-earth logo or headline, emitting familiarity and friendliness. The font contains ligatures and support for an extensive range of world-wide languages.

Million Dreams is a bold and playful, but also elegant handwritten font. It has beautiful and neat characters and as a result, it matches a wide pool of designs. This font is perfect for many different project such as logos, branding, social media, crafty DIY projects or anything.

The Lunaquête family is a collection of Serif fonts with 6 styles and true Italics. It was designed for book typography. Especially Regular and Text are suitable for this purpose. Medium, Semibold and Bold can be used for text highlighting. Light and Light Italic are suitable for headlines.

Alemoric vintage font is a vintage decorative typeface which is inspired by lettering sign and art. While this font has a victorian touch, it still looks bold and solid. Very suitable for for packaging, headline, logotype, apparel, branding, advertising etc. How to access alternate / ornament ? : https://hanscostudio.com/tutorial/ Enjoy!

Filt is based on hand-drawn sketches; no geometry, all visual. At the same time the curves are digitally constructed with extreme accuracy. The result – aggressive, playful, eager and ultra bold. This makes Filt a great headline and display unicase font. Filt Pro comes with a Greek set aswell.

Hisbullah is a bold, unique and stylish display font with an Arabic look. Designed to give a luxurious and elegant impression by combining modern and classic styles to make it timeless. This font is suitable for any purpose such as industrial, religious, gaming, movie, music themes, and so on

The movie poster for the 1934 comedy/crime drama “Jimmy the Gent” (starring James Cagney) featured the title hand lettered in an ultra-bold Art Deco sans serif style. This type design has been turned into Social Club JNL, and is available in both regular and oblique versions.

Mockerel Vintage font is a vintage decorative typeface which is inspired by lettering sign and art. While this font has a victorian touch, it still looks bold and solid. Very suitable for for packaging, headline, logotype, apparel, branding, advertising etc. How to access alternate / ornament ? : https://hanscostudio.com/tutorial/ *Enjoy!

a bold marker display font. Font with round and fat style. Mough imitate round marker pen in a clean way, this font fits perfectly into any background. Mough is perfect for many design such as merch, T-shirts, titles, book covers, social media posts, websites, events, and many more

Mechania is a geometric sans serif display font. Bold and wide design gives this typeface a strong presence. Balance in the round and sharp edge to keep the clarity. Best use for a modern minimalist theme, other usage includes logo, poster, display, headline, t-shirt design and many more.

Designed for a privately-published luxury edition of The Time Machine, HGWelles Ultralight, Regular and Bold are now being made available to the public. This is the Welles of the early 20th century, seeing many of his predictions coming true and anticipating the shape of things yet to come.

Although appearing at first as a no-nonsense bold titling face, Gordon actually offers a much greater complexity through the addition of a wide range of special superscript ornaments. This adds an element of spice and depth to the face, creating a wide variation of creative typographic possibilities.

An ad appearing in the January 5, 1952 edition of Billboard Magazine promoted the then-new releases from Capitol Records. The headline copy was set in a bold, condensed sans serif stencil typeface. This inspired Music Ad Stencil JNL, which is available in both regular and oblique versions.

Montern Vintage font is a vintage decorative typeface which is inspired by lettering sign and art. While this font has a victorian touch, it still looks bold and solid. Very suitable for for packaging, headline, logotype, apparel, branding, advertising etc. How to access alternate / ornament ? : https://hanscostudio.com/tutorial/ Enjoy!

A 1930s kids' premium booklet from Post cereals called "Inspector Post's Junior Detective Corps Manual #2" offered up some great hand lettering in an Art Deco sans serif style. Bold, authoritative and perfect for headlines or titling, Junior Detective JNL now recreates this hand lettering in digital form.

RIMPANZE is a simple, modern yet artistic display font. It comes in strong design, simple but looks elegant. You can use this font in movie title, flyer, technology, poster, cover book, title, headline, card, logo, magazine, banner, or even large-scale artwork. RIMPANZE has light, regular and bold versions.

A family of soft, rounded, yet bold display faces which can successfully be used in conjunction with one another. Due to the modular nature of this design there may be a very slight lack of smoothness to the curves at extremely large point sizes (around 200 pt and above).

German type designer Vivien Palloks created this display FontFont in 1998. The family contains 3 weights: Light, Regular, and Bold and is ideally suited for festive occasions. FF Kurt provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle figures.

Traditional stencil type faces have always projected images of strength, power, police, military or industry. The hand-lettered title card for 1951's "Detective Story" (directed by William Wyler) is a perfect example of this. A bold Roman letter style, it was the perfect inspiration for Detective Bureau JNL.

Cahuenga embodies clarity in text and distinction in display. Throughout the development process, references were sought out only as moments for consideration presented themselves. Thus, the development was long and complex with Cahuenga not prescribing to a single distinctive model as a foundation. Exploration around formal traits was influenced as much by aesthetics as they were by desired functional outcomes. Cahuenga organically holds a tone and pitch that is sincere. The name is emblematic of many who drive through the Hollywood area of Los Angeles. As in many parts, the driving route is convoluted from point A to point B. However, it seems more often than not, that when in the Hollywood area, one usually ends up on Cahuenga Boulevard at some point.

Rostin is a modern monospaced typeface with half-open forms of characters. Contains 8 fonts. 4 regular and 4 true italic. Weights from ultralight to bold. Including modern and futuristic stylistic alternates. The typeface was designed to read well in small sizes (from 15px) and be bright in large sizes. With these characteristics and a wide palette of weights Rostin has a huge potential area for usage. Ideally suited for musical covers, posters, logos, street wear, movie titles, packaging, editorial, web and applications - here he will always be gorgeous. With a wide variety of alternate characters you can make your design bright, memorable and modern. Opentype features: old-style figures, fractions, stylistic alternates, superscript and subscript.Multilingual support: Latin, latin extended, cyrillic and cyrillic extended (more than 75+ languages)

Gianluca is a typeface of glyphic serif, or “flare” inspired by Aldo Novarese’s fonts from the 70s, with a fresh and modern touch. It is a type family that can be elegant in its normal version, or very playful, to compose from extensive texts to flashy headlines in books, magazines, labels, posters, branding and more. It has many discretionary ligatures in capital letters (with its diacritics) to play with the text, 5 stylistic sets: among them medieval style or references to Herb Lubalin, and some special letters. Gianluca consists of 5-weight fonts, from Thin to Extra Bold. All of them with matching italics. It has a nice set of small capitals, modern and old style numbers, and capital-sensitive punctuation, among other striking glyphs. Play with Gianluca!

Forjada—designed by Raúl Israel—is a monolinear, rounded and condensed typeface, belonging to the slab serif classification, inspired by wrought iron window and door grills on facades of historic buildings in America and Europe. Forjada is a rigid yet softly curved font with exquisite ornaments and optimized for great legibility. Forjada Family comes in 3 weights—Light, Regular and Bold—with matching italics and includes alternate swash caps and ligatures plus Ornaments and Catchwords sets that provide a wide range of choices for creating the most beautiful designs. The font character set supports 212 languages. Forjada is well-suited for branding, packaging, food & drinks menus, wedding invitations, party invitations, guidebooks to old cities or any glamorous design you want to add a fresh and modern touch to!

Matchbox Font Collections Inspired by a vintage book, old style design, a classic casual vintage look fonts. Minimal decoration on the fonts made it more casual look. The fonts are very versatile, even it works also on modern design but still keep the classic look. Created 6 Fonts that can be combined each other. Like on the Preview images, I've been created from the victorian style to the minimalist badges. It's still blend to each other. What's inside : Matchbox Linea - Bold, Sharp, Standout with inline cut. Matchbox Lettre - Popular Vintage Sign Style. Matchbox Deco - As it names, Art Deco Style. Matchbox Scriptura - Casual Script Fonts, Good for Pair or on a small details. Matchbox Ornato - The Only fonts with a touch of vintage decorations. Matchbox Graso - Little touch of a Fat, Fun and Casual.

MARIAMNE is an original design by Alex Kaczun. It is an elegant, modern and traditional interpretation based on and modeled after his successful "Contax Pro" and "New Age Gothic" typeface series. As such, it has generous proportions with clean, crisp lines—ideally suited for easy reading and long lines of copy. Alex felt that the skeleton for "Contax" was perfectly suited to transform the design into a modern version of 'old-style', somewhat reminiscent of German Black Letter. Numerous modifications where made to the body proportions, stems and shapes. True 'old-style' serifs and unusual 'cross-strokes' where added for a touch of distinction. The 'cross-strokes' where added at exactly visual mid-point on the overall heights. This gives the typeface a romantic, female-like quality to the overall design. Strong, yet delicate. Visually stimulating in appearance and function. The result is a truly unique transitional and modern design. Unlike other typefaces, MARIAMNE incorporates uniform stems throughout the capitals, lower case and figures. This gives the design a uniform appearance in overall color and strength. There is a perfect visual balance between inter-letter spacing, stem weights and proportions. The accents are equally large, bold and command attention. This font includes a large 'Pro' character set, which supports most Central European and many Eastern European languages. As a result, the design is ideally suited for display copy as well as text composition. In the near future, Alex plans to expand the typeface series to include a light and heavy weight, along with true italics.

Calling all of you to be the part of this perfection. Exactly, Magnific strike the perfect balance between function and design. Magnific is a bold display serif font that expresses powerful yet welcoming vibe. It's modern, simple, easy to read, and works equally as well in header and body text-what’s not to love! Beside that, this font has more fascinating features that helps you maximize your design. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuation It works perfectly for for many design projects, such as poster, logo, book cover, branding, heading, printed product, merchandise, quotes, social media campaign, etc. Learn more about how to use it by seeing the font preview. Thank you for purchasing our fonts. Please don’t hesitate to contact us, if you have any further question or issues. We’re happy to help. Happy Designing.

Welcome to the world of Thurof, a bubble typeface that will provide a strong, bold, and whimsical touch to your projects. Do you want to make your messages more colorful and entertaining? Thurof is the ideal candidate. Thurof is available in three different styles: Regular, Outline, and Shadow. This means you can produce an effect that is appropriate for your project, from bright to lighter with an outline or shadow effect. Thurof's plethora of variant ligatures and characters distinguishes it from other languages. This allows you to use your imagination to create unique and inspiring designs. Thurof's multilingual support will also assist you in spreading your message over the world. Thurof is an excellent choice for projects that demand a fun, playful appearance. Allow Thurof to transform your message into something vibrant and inspiring, and leave an indelible impact.

Simpatico is a clean and fresh looking font, with a … nice character! (Simpatico in Italian language is a nice and funny behavior). Designed in two ways: standard and italic; each of which is divided into four weights: light, regular, semi-bold and bold. Simpatico is a versatile font! It has 595 glyphs including: letters that have been drawn with different accents for particular languages; ligatures between characters (eg fl, fi etc …); mathematical symbols and signs; differentiation between capital “i” and lowercase “l”; alternatives for characters like “a”; and much more. Simpatico is a multi-ethnic font! In addition to the glyphs commonly used, Simpatico is also in Greek and Cyrillic.

Sauna Mono Pro is a monospaced typeface with an unusual amount of personality. Monospaced fonts are supposed to be bland, universal, clean and smooth, right? Well, Sauna Mono is everything except that. It has the same touch of curves and warmness as the other existing fonts. Sauna Mono comes in 4 styles: Regular, Italic, Bold and Bold Italic. Sauna Mono belongs to the Sauna Pro family, a set of text and display fonts accompanied by multi-coloured dingbat fonts. Sauna Mono brings the total amount of fonts of the complete Sauna family to 15 styles all together. Comes with Underware’s Latin Plus character set with a support for 219 languages.

Crillee is a family of our styles that was originally produced by Letraset. In 1980, Dick Jones designed Crillee Italic. Jones also designed the family's second style, Crillee Extra Bold Italic, in 1981. Peter O'Donnell designed Crillee Bold Italic in 1986. The fourth style, Crillee Italic Inline Shadow, was completed by Vince Whitlock. At the time of Crillee's development, Jones, O'Donnell, and Whitlock were all employees of the Letraset Type Studio. Crillee's slight lean to the right and geometric forms create a feeling of power and speed. Crillee should be spaced closely in word settings and is perfect for anything which should have a cool, modern appearance.

Rufina was as tall and thin as a reed. Elegant but with that distance that well-defined forms seem to impose. Her voice, however, was sweeter, closer, and when she spoke her name, like a slow whisper, one felt like what she had come to say could be read in her image. Rufina’s story can only be told through a detour because her origin does not coincide with her birth. Rufina was born on a Sunday afternoon while her father was drawing black letters on a white background, and her mother was trying to join those same letters to form words that could tell a story. But her origin goes much further back, and that is why she is pierced by a story that precedes her, even though it is not her own. Maybe her origin can be traced back to that autumn night in which that tall man with that distant demeanor ran into that woman with that sweet smile and elegant aspect. He looked at her in such a way that he was trapped by that gaze, even though they found no words to say to each other, and they stayed in silence. Somehow, some words leaked into that gaze because since that moment they were never apart again. Later, after they started talking, projects started coming up and then coexistence and arguments, routines and mismatches. But in that chaos of crossed words in their life together, something was stable through the silence of the gazes. In those gazes, the silent words sustained that indescribable love that they didn’t even try to understand. And in one of those silences, Rufina appeared, when that man told that woman that he needed a text to try out his new font, and she saw him look at her with that same fascination of the first time, and she started to write something with those forms that he was giving her as a gift. Rufina was as tall and thin as a reed, wrote her mother when Rufina was born. Photo (Fragilité): Karin Topolanski / Post: Raw (www.raw.com.uy) - María Pérez Gutiérrez

Bronson is a sans serif family that comes in 7 weights. The Bronson font has a very bold body, but still has high contrast. This font looks very modern when paired with contrasting design colors. This font is impressive and features a clean and elegant font, professionally shaped, and as a result, it will easily match a variety of creations that require a different touch. Add it with confidence to your projects, and you'll love the results. This typeface is perfect for elegant logos, branding, promotions, book covers, magazine layouts, or simply as a stylish text overlay onto any background image. Bronson Features : Uppercase Lowercase Numbers & Punctuation Multilingual Support Simple installation All of features and special characters of this font are included in one file. So it is easy to accessed by using program or software that support the opentype like Adobe Illustrator, Adobe Photosop, and Adobe Indesign). This font also very easy to use because compatible for all software even for non-opentype supported. Please comment us if you have any questions Thank you and have a nice day. thank you

Fishmonger originated from a commission of two fonts for the corporate identity of a fishmonger shop. When sketching the elementary principles for the lettering, the idea for a modern, extensive font family with a large number of styles was born. The first step consisted of defining the range of widths and weights. Then the master design Medium Regular was completed. The next step was adjusting the Extra Condensed Thin, the Extra Condensed Bold, The Extra Extended Thin and the Extra Extended Bold weights, as they are the vertices of an imaginary square map of the face. This meant that, in order to achieve a harmonious result, the x and y axis needed to be defined. From top to bottom, from the widest to the most condensed cut, the proportions are linear. However, from light to black, the line curves gently, allowing lesser difference between the light cuts, and a dramatic one between the heavier cuts. To ensure the original parameters were respected each position on the vertex was checked against the Medium Regular. After sorting out the ideal set-up, the remaining characters of each of the weights were drawn, and the remaining cuts were interpolated according to the principles above. Fishmonger is a functional, clean design, free of any buoyant, ornamental shapes, almost minimalist. Maybe this is what lends the type family its unique appearance.

Introducing High Noon; this very old font originally known as Antique Tuscan dates back into the 1800s and was available only as an uppercase font. Now with the addition of a new never-before-seen lowercase you'll find new uses for this old classic.

Introducing Malinsha, a vintage brush font created from manual hand-lettering. Inspired by retro signage and modern calligraphy, Malinsha has a bold letterform that perfect for displays. Available in Regular and Distressed that you can mix and match to be fit your theme. Malinsha equipped with hundreds of alternates characters that ease you to create an amazing typographic design! Malinsha is perfect for logo, logotype, apparel, merchandise, poster, website, label, signage & storefront, badge, packaging, greeting cards, and much more!

"It is hard to believe, but they won't be able to give up on us" The story of this font has started with a little suitcase actually. These characters were trying to do something for minimela kitchen which it named.After that, they looked that they was wanting to be that font beautiful writings written with it, belonging to it, special to it and reminding it to everybody. These cute monsters that have shaped themselves were a piece of a whole, of a little whole. They were totally believing to beautiful and long ways that have being waited them. They have given a sincere promise they will continue with little steps on that ways. "It is hard to believe, but they won't be able to give up on us" while telling this, we were totally talking about that