Introducing clean, minimalistic and actually fonts family. Balanced letter height and width - based on analysis of current design trends. Text typed in this font does not distract attention from design, but organically complements any design. Ideal for short phrases, footnotes and headlines. Font has High readability in large volumes of text. Branding with this font looks trendy and expensive. Minimaly font family is versatile in use and very modern. Features: Clean letters and absolute minimalism 6 fonts in family: - Thin, Thin Italic - Regular, Italic - Bold, Bold Italic Kerning ld.luxfont@gmail.com

Rundfunk Grotesk was produced together with Rundfunk Antiqua by the Linotype Design Studio in 1933-1935. The combination was originally intended for small point sizes and shorter texts. Unfortunately, this typeface was never completed and consists only of Antiqua roman and Grotesk bold. This unusual combination was chosen because small newspaper ads often use a semi bold for the headlines and a regular antique for the text. Rundfunk Grotesk is intended to be used exclusively in headlines and reflects in its unique character the spirit of the 1930s.

German type designer Jörg Hemker created this sans FontFont in 2002. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for logo, branding, small text, software and gaming as well as web and screen design. FF Zwo Correspondence provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with tabular lining and proportional lining figures. This FontFont is a member of the FF Zwo super family, which also includes FF Zwo.

San de More is a Variable family Serif font. A Hype of summer-themed brings us to express a thirst for creating a product that can help you to choose fonts for your creations. Like as we are on the preview above, how the fonts can "stand" within your design. San de More is created on a 5 weight with italics style. You won’t be worried about which one fits your creative design. Also, You can Mix it up all of it without worrying about design collision. No special software is required to type out the standard characters of the Typeface. To access the Opentype Ligatures and Alternates you will need software that supports Opentype features in fonts. San de More Features: Multilanguage Alternates PUA Encoded Ligatures Very easy to use in any software (Instructions included). If you have any questions, please feel free to get in touch. Thank you

Liferdas is a mix of Old Style Roman Serif styles. The glyphs are formed in extended width, smooth strokes, moderate stem contrast, and soft edges to pursuing clarity, quick recognizable text, and a warm personality. The italics style is 13 degrees low slanted with redrawn lowercase which has shown in more organic and flowy forms. This font contains 9 weights with more than 245 glyphs that support extended multilingual.

In the MacKellar, Smiths & Jordan type specimen book of 1892 are examples of Lining Gothic Extended, a wide sans serif typeface. A lining font has the numerals aligned with the capital letter height, rather than following the “Old Style” method of smaller figures that could also descend below the baseline. Order Form JNL is the digital version of this design, and is available in both regular and oblique versions.

Segaon Family is a humanist sans-serif typeface that is clean, simple and highly readable. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Segaon is versatile type family of 18 fonts. Segaon family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes old-style figures, proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

Oswald Bruce Cooper designed Cooper Black, an extra bold roman face, based on the forms of his earlier typeface Cooper Old Style, which appeared with Barnhart Brothers & Spindler Type Founders in Chicago. Copper Black was produced by Barnhart in 1922 and acquired in 1924 by the Schriftguß AG in Dresden, where it was later completed with a matching italic. Although Cooper Black appeared in the first third of the 20th century, it still looks contemporary and it can be found on storefronts in almost any city scene. The flowing outer contours create forms that are both strong and soft, making Cooper Black an extremely flexible font.

Myhota is a condensed sans-serif face that has a bit of rawness to it. It is condensed and has a very high x-height, so it more useful for display than text. Myhota-Bold and Myhota-Light were designed in 1990 and the other seven weights were added in 2021 as were the italic and backslanted styles. There is rarely a use for backslanted type, but when it is needed, Myhota provides an option. Myhota-Hatched was an attempt to see if a readable text font could be hatched out of Myhota by lowering the x-height and widening the letters. The result is a face with rather squarish letters. The regular and bold were original styles with the medium and italic styles added in 2021.

Myhota is a condensed sans-serif face that has a bit of rawness to it. It is condensed and has a very high x-height, so it more useful for display than text. Myhota-Bold and Myhota-Light were designed in 1990 and the other seven weights were added in 2021 as were the italic and backslanted styles. There is rarely a use for backslanted type, but when it is needed, Myhota provides an option. Myhota-Hatched was an attempt to see if a readable text font could be hatched out of Myhota by lowering the x-height and widening the letters. The result is a face with rather squarish letters. The regular and bold were original styles with the medium and italic styles added in 2021.

The Generic Typeface Collection is a series of sans-serif typefaces inspired by the craftsmanship of graphic design, typesetting, and printing in the analogue era – before Adobe, Macintosh computers and desktop publishing – when dinosaurs ruled the earth. With the use of various typesetting apparatuses or dry transfer type, photo copiers, and shooting layouts and paste-ups to film, the printed results was not as exact, precise and predictable as it is today. When examining old prints, it is difficult not to like the way that characters in over- or underexposed film have a special type of vibe to them that is often sadly lost in today’s pursuit of total perfection. Encouraged by this, I saw a need for a collection of typefaces that are non-clinical and non-conformist, and some that are coarse, rough and distorted – errors that might come from poor exposure when put on film, enlargements from small point texts, or maybe quality loss from successive generations of photocopies. Or all of the above. This is an attempt to incorporate spirit and personality into a set of typefaces without losing distinction. You might call it a homage to non-perfection. I call it human. The Generic Typeface Collection consists of 11 fonts divided into four series. The three standard series – the Formal Release series, the Coarse Copy series, and the Rough Display series – all contain three fonts each. The Extra Splendor series contains a couple of shadow fonts for that little extra sparkle. Formal Release – Handcrafted & Clean The Formal Release series features sans-serif typefaces for everyday use. They are handcrafted and clean, human and uncomplicated. The Formal Release series contains three typefaces that add tons of personality to any text. G10 FR ‘Slim’ – a slightly under-exposed and clean typeface in a regular weight (228 glyphs - 1 alternate) G20 FR ‘Classic’ – a properly exposed clean typeface in a bold weight (228 glyphs - 1 alternate) G30 FR ‘Bulky’ – a heavily over-exposed clean typeface in an ultra weight (228 glyphs - 1 alternate) Coarse Copy – Dirty & Rough The Coarse Copy series features non-conformist typefaces that are worn and rough, maybe after going through that bad copier a few times too much. The Coarse Copy series contains three sans-serif typefaces that add tons of spirit to any text without compromising too much on legibility. Try them on in poster-sizes and everyone will know that you mean business. G40 CC ‘Slender’ – an under-exposed coarse typeface in a regular weight (228 glyphs - 1 alternate) G50 CC ‘Typic’ – a properly exposed coarse typeface in a bold weight (228 glyphs - 1 alternate) G60 CC ‘Huge’ – a heavily over-exposed coarse typeface in an ultra weight (228 glyphs - 1 alternate) Rough Display – Faded & Decorative The Rough Display series features attention-seeking decorative typefaces in three feature-packed fonts. Faded and gritty like the image distortion and degradation from successive generations of photocopies, they are eye-catching typefaces intended to stand out in bigger point sizes. Use these typefaces for signage, headlines and similar situations were a strong typographic statement is desired. We have packed no less than 1,334 alternate characters and 212 discretionary ligatures into this series for a greater chance of not having characters that look exactly the same more than once. G70 RD ‘Slinky’ – an under-exposed rough and decorative typeface in a regular weight (741 glyphs – 448 alternates – 66 discretionary ligatures) G80 RD ‘Standard’ – a properly-exposed rough and decorative typeface in a bold weight (748 glyphs – 448 alternates – 73 discretionary ligatures) G90 RD ‘Swollen’ – a heavily over-exposed rough and decorative typeface in an ultra weight (748 glyphs – 448 alternates – 73 discretionary ligatures) Extra Splendor – Sparkling & Extraordinary The Extra Splendor series features two shadow typefaces for that little extra sparkle. One clean shadow to be used with G20 FR ‘Classic’, and one rough shadow to be used with G80 RD ‘Standard’. Having the shadows separate from the main typeface adds another layer of expressiveness in that you can try out color combinations for that extra splendor. Tips for matching (applies to both the base font and the shadow font): Set the kerning to Metric, not optical. Increase tracking to accommodate for the shadows extra width. G25 ES ‘Classic Shadow’ – a clean shadow to be used with G20 FR ‘Classic’ (228 glyphs – 1 alternate) G85 ES ‘Standard Shadow’ – a rough shadow to be used with 80 RD ‘Standard’ (227 glyphs) OpenType features – alternate characters and discretionary ligatures – can be accessed by using OpenType friendly professional design applications, such as Adobe Illustrator, Adobe InDesign, and Adobe Photoshop.

The inspiration source for Viper Monogram is the 1934 Book of American Types by American Type Founders. Found in that specimen book, was a sophisticated two-color monogram design called Hollywood Combination Initials, which was available in limited size metal castings. This wonderful monogram style is now digitally recreated, revived, and updated for modern use! Viper Monogram supports one and two letter monograms, but due to its super condensed style works best for three letter monograms. The default typing style for Viper Monogram is an all horizontal all caps setup which can be used for headlines and titling. Type in Capitals for an outline effect, lowercase for a solid effect. By enabling OpenType Contextual Alternates, you can type diagonal top-aligned monograms up to three letters. By typing in all lowercase, and layer a copy of the lowercase with Stylistic Alternates enabled, you can create a two-color effect. Viper Monogram is available in Pro format Opentype fonts only due its unique setup. Download and view the MFC Viper Monogram Guidebook if you would like to learn a little more.

M Zhi Hei's design concept comes from M Stiff Hei , where horizontal and vertical strokes (橫、豎) are direct, dots (點) are short but forceful, downstrokes(撇、捺) are straight and sharp - everything bold and straightforward. One big difference between M Zhi Hei and M Stiff Hei, is the similar thickness of horizontal strokes (橫) across all font styles, so that there would be a strong contrast formed by the thin horizontal and thick vertical strokes (橫、豎) in the bold face. Still, remains bright, neat and beautifully crafted, it is a multi-purpose typeface that convince audiences and cater for different needs.

M Zhi Hei's design concept comes from M Stiff Hei , where horizontal and vertical strokes (橫、豎) are direct, dots (點) are short but forceful, downstrokes(撇、捺) are straight and sharp - everything bold and straightforward. One big difference between M Zhi Hei and M Stiff Hei, is the similar thickness of horizontal strokes (橫) across all font styles, so that there would be a strong contrast formed by the thin horizontal and thick vertical strokes (橫、豎) in the bold face. Still, remains bright, neat and beautifully crafted, it is a multi-purpose typeface that convince audiences and cater for different needs.

Say hello to the Editor's Note Family, an editorial serif display that includes 16 fonts, regular and italic, from Hairline weight to Bold, and still has all the clean lines, tight curves, and trendy minimalist vibes! I've been loving the clean, editorial type trend happening in design right now (let's be real, there's always a place for timeless editorial type). Editor's Note is a stunningly crisp upper and lowercase typeface that looks incredible in both large settings as a display text (think big headers, pretty quotes, calls to action, etc.). I've been loving combining the regular and italic, especially in big, bold quotes.

Ranille is a modern, classy, bold serif and display font. It includes a great number of of alternates and ligatures. Ranille is inspired by retro curves style from the 50-60s era and brings it into modern design with bold weight. Ranille comes with over 200+ alternative characters (PUA Encoded) that give you a wide range of typographic design results. Ranille is a versatile font that ready to make your designs more stand out such as posters, magazines, branding, logos, label, merchandise, presentation, advertising, cards, quotes and so much more! Check out Novante which is a great pair for Ranille.