The pattern for this classic typeface was originally called "Viking Oldstyle", from the 1909 H.C. Hansen Type Foundry catalog. To enhance its weathered look, the inside corners have been rounded to simulate ink buildup on metal typeforms. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

For playfulness and something a little less ordinary, Bunbury is a wonderful script that’s packed with personality. Created using a felt marker and available as an all capitals display font, SC Bunbury’s style is sort of awkward and a lot of fun, with defined outlines and uneven line thicknesses that make for letters packed with hand drawn quirks.

Shenandoah is a beautifully crafted script by Måns Grebäck, and is made for lovely, flowing and professional typography. Shenandoah has bold, crisp lines, giving it a rustic and retro effect whilst keeping it sleek and modern. This typeface and a bit of love could be used for fashion, apparel, stationary, magazines, typography, film, books and marketing!

The geometric G-Slab family is characterized by distinct large serifs and variance of line width from hairline to bold. It is suitable for titles in different sizes as well as for text blocks. The family includes seven weights and two widths. The extended character set supports Northern, Western, Southern and Central European as well as Eastern European languages.

Hasan Ghada Rectangle is a developed version of Hasan Ghada with a rectangle feel. It supports Arabic, Persian and Urdu. Hasan Ghada is an Arabic display typeface. It is useful for titles and graphic projects. The font is based on the simple lines of Modern Kufi calligraphy with new ideas for rectangle shapes and geometric feel.

Beauty Kindness is a beautiful display typeface that’s perfect for creating gorgeous headlines and designs with personality. This font makes an excellent typeface for vintage graphics, and the clean lines, elegant look to logos, wedding invitations, editorials, and more. The beautiful and romantic aesthetic of the font will elevate a wide range of design projects to the highest level.

The Woodchip fonts are a collection of fun and edgy, worn and pitted, rough and crunchy typefaces. Styled to be comic & playful enough for children's products, yet edgy enough to advertise a dirt bike/monster truck marathon and anything in between. Sink your teeth in. It’s suitable for some interesting titling and short bits of copy.

This font is made of many unrestrained strokes of the pen and it is perfect for a freestyle look. It would be great to use for projects that you would want to look handwritten, lively and even calligraphic. It's very playful and mysterious. It's so much fun to use and can be used in a variety of ways!

For the Polynesian Fan Inspired by the bamboo lettering of the iconic Mai Kai restaurant logo, Hanalei Pro has all the flavor of the genre without compromise. Great for titling and larger typesetting, and the added true SmallCaps & Lining/Tabular figures and limitless fractions give more range of use. The Hanalei Pro family contains 628 characters per font.

Dark Blades is an authentic gothic vintage font family of 4 fonts created for headers and text. Multilingual support (Latin Extended). Designed for: - Vintage branding (Clothes, Alcohol, Bikes, Games) - Horror - Music branding - Myth: Vampires, Zombie, Halloween, Werevolves, Magic, Fantasy - Medieval style Well use in vintage labels, headers & titles, Posters, Street Signs and other Outdoor, Package Design.

Oh Beautiful, for Spacious Skies, for Amber Waves of Grain This font was designed to honor the Land of My Birth, The United States of America, a Nation that has given me the Freedom to be what I want to be, to Create what I feel fit to create and to Live in Peace. God Bless America!

Kite Script: my another hand-lettering that comes to font. A script typeface that combined thick-thin lines, inconsistent height, loose-tight kerning and unique baseline combinations for natural hand-writing feels. Easy and super playful to customize, suits best for almost all of your designing project; wedding invitations, t-shirt designs, fancy logotype, quote writings, etc.

Handlettering on a 1929 brochure for the P&O British-India Steamship Line inspired this tiddly typeface. Art Deco sensibilities combine with a playful attitude to yield a delightful and amusing headline font. The PC PostScript, TrueType and OpenType versions contain the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Project Fairfax is a unique stencil typeface designed on a strict grid. It is perfect for any stencil design, especially a military look. It comes in three styles, sans, regular, and slab; each with a non stencil counterpart. It comes with a full Latin character set, tabular and lining figures, numerous ligatures, and stars and arrows for ornaments.

Carbonium (with lining figures) and Carbonium OSF (with Old Style figures) is a cursive (upright and oblique) typeface. Its character set support Latin, Cyrillic and Greek scripts. Contain fraction- and scientific numerals, standard ligatures, currency symbols and popular recycling symbols used for packaging. Kerning is prepared as single ('flat') table for maximum possible compatibility with older software.

Introducing Retro Pica, a bold and fun display font. Retro Pica features a bold retro style with many alternate characters ideal for design, such as posters, t-shirts, branding, logos, etc. Retro Pica Lite, with this style, we replaced the uppercase character with the alternate version for those who use applications that do not support open-type features.

Iwan Stencil is a new revival of an old display typeface. Based on type originally designed by Jan Tschichold in 1929, the style was revived by Klaus Sutter in 2008. The letterforms in this peculiar design are very high contrast; all of the thin bits are much thinner than the thick parts. They have a modern, upright axis. All in all, the creation has a bit of a Bodoni-gone-crazy touch. The thin elements are the unique part of the design that binds this face together. They almost naturally fade away in the stencil gaps (or pylons), making you wonder if you are really looking at a stencil face at all. These thins contribute greatly to the typeface's overall serif-style, making the design at least a semi serif typeface, if not a full serif one. The lowercase n, for instance, has no serifs of its own, but many of the other letters have clear ones, or serif-like terminals. A serif stencil face is a peculiar variety, especially in this day and age, but in the past they were much more common, if not the norm, The Iwan Stencil typeface has only one weight. Naturally, this is just for display. Use Iwan Stencil to cut real stencils, or only to create the effect of stenciled type in your design work. Ivan Stencil includes all of the characters that you have come to expect in a font. Just because this design was originally made in 1929 does not mean that is has a 1929 character set. Instead, it includes a 21st century, with extended European language support Jan Tschichold, who we have to thank for today's Iwan Stencil inspiration, was a man of many faces. A trained calligrapher who went on to codify the New Typography, would go on to become a teacher, a classical book designer, and the creator of the Sabon typeface. Like all young designers, he was occasionally in need of money. Before his emigration from Germany in 1933, he took on many kinds of commissions. In the late 1920s, a time full of waves of economic turmoil within Germany and across the world, he began designing a typefaces for different European companies, mostly display things like this. For a time during the mid-1920s, Jan Tschichold went by the name Iwan" "

Hey there, so you want to look like a walking throwback to the 1980s? Well, lucky for you, Teeshirt is here to help you achieve that coveted slovenly appearance. If you’re looking for a typeface that screams, “I don’t care” then Teeshirt is your new best friend. It’s designed to mimic vintage t-shirt lettering, so you can rock that “I just rolled out of bed and put on the first thing I found on my floor” look. And if you’re worried about being too uniform with your letters, fear not! Teeshirt has got you covered with letter pair ligatures. Because who wants to look like they put any effort into their appearance, right? And if you’re feeling adventurous and want to shake things up a bit, you can always disable the “standard ligatures” feature in your application. Teeshirt comes in two styles: Regular and Pressed. The bouncy Regular style will make it look like your letters are ready to jump right off your shirt, while the orderly Pressed style will give you that crisp, just-ironed look (although let’s be real, who has time for ironing?). So what are you waiting for? Embrace your inner sloth and give Teeshirt a try. Because who needs effort and a polished appearance when you can look like a hot mess instead? Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Elettra is a completely new type, primarily designed for display or titling. As you can see, Elettra adopting a transitional style between the nineteenth century printing typefaces and the new fonts at the beginning of the twentieth century: in particular serif are elongated, but the oblique or round shapes continuing softly on the horizontal line instead of staying vertical. Furthermore, two more glyphs were designed for each capital letter: a swashed form, which tends to embrace the following letter, and a backswashed version, that instead embraces the previous. The swash version is accessible from swash or from stylistc set 01 OTF features, while the backswashed version is accessible from stylistc set 02 OTF feature. Be aware that the stylistic set OTF features are not available on Photoshop or Illustrator.

Fauna is a stylish font inspired by hi-fi elements combined with square forms and straight lines. It also has the features of Constructivism, including solidity, emphasis on geometric shapes, and austerity. Bold futuristic characters make this font an ideal option for the development of a minimalistic and recognizable design, necessary for any modern project. It’s perfect for the creation of logos, titles, social media posts, posters, and ads. Due to the clear and eye-catching design of the characters, the font will surely attract your audience. It includes all basic symbols and characters. Plus, Fauna features proper kerning and supports several languages.

Tradition meets tomorrow in Mexborough. Mexborough owes its origins to a challenge from a client of ours- they wanted a clear and easily readable typeface to use for signage in public spaces, but with enough flair and style to be suitable for use in heritage precincts. The result is a family of six Roman faces in a single weight, encompassing Regular, Text, Flamboyant, Small Capitals, Capitals and Title forms. These faces combine legibilty with traditional character, ideal for signage and poster work, where dignity and character are required. Mexborough's simple clean lines also lend themselves readily to web and online use.

Lukara Script Font is a script decorative font with which you can achieve handwritten-type lettering feeling on the spot. Of course, Lukara supports a full set of Greek characters and an extended Latin character set with diacritics. Therefore, this multilingual font supports all European languages. In addition, the font has a really nice flow so you use it in a large text if you want to give them a handmade aesthetic. Also, it can be used on social media content, for branding, wedding invitations, or packaging. The bouncy romantic flow of this font is perfect for “save the date” cards and any other wedding print material. Again, this modern script font is perfect for a variety of graphic design needs like social media quotes, blog headers, posters, stationery, and branding.

More information about this Font Introducing our new modern serif retro bold display font "Birdfrey" Birdfrey is a modern serif font with a fresh and beautiful look. It has a modern and vintage look. It has extra glyphs to give more options for crafters in designing. Swirly extras will make it look classy and elegant. Birdfrey is perfect for any project, for modern or even retro vintage design. It's covering a wide range of project types, from bold magazine imagery, to wedding invitations, to branding, poster design and so much more. Font Features: Uppercase and Lowercase Numeral and Punctuation Can be used in any software, like Adobe Photoshop, Illustrator, Silhouette Studio, even Microsoft Word, PowerPoint and others. Let me know if you have any questions at all :) Thank You! Grappix Studio

Introducing Scratch Out - Urban Brush Font Scratch Out is an edgy and modern brush font that is perfect for adding a rough, urban look to your designs. The brush strokes give it a handmade, authentic feel that is perfect for streetwear brands, music album covers, posters, and more. With its bold and rough style, Scratch Out is sure to make a statement and catch the eye of your audience. This font is versatile and can be used for a wide range of projects where you want to create a raw and energetic look. FEATURES - Stylistic Alternates - Ligatures - PUA Encoded - Uppercase and Lowercase letters - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word Hope you Like it. Thanks.

Willard T. Sniffin deserves the credit for this charming little stationery and greeting card typeface developed for American Type Founders in 1930. Capital letters show an occasional hint of ornamentation and lowercase letters are of the linking variety. The original set of exquisite alternate characters (A,B,G,T,V, W, o, s) has been included in this digital version. Adonis Old Style is ideal where a 1920s or 30s script-like lettering look is required. Adonis Old Style with Alternates is also available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

STF Eclectic Web is the ultimate web design dingbat tool - with 80 icons designed for creating e-commerce, navigation, and interface designs. Use it as a starting point in your favorite vector program, or use the icons as is - they are optimized for sizes down to 20 point and anti-alias beautifully in all of the major applications (any smaller than that and you're on your own…) Shopping carts, directional arrows, buttons galore! It's like a pinata in font format, surprises for everyone! This font includes: a new button, order, buy, and close buttons, home, security, email, search, and a host of other icons and images to make designing your next website a breeze!. Most of the icons are shown Available in Mac and PC formats, in TrueType and Postscript formats. License it today!

Beatgh is a modern, cool, beautiful, and very suitable display font to support your presentation and support in marketing your products and business

52 cool Buddy Parts, each one with it's own goofy looks on his face. Can you tell which one reminds of you? *g*

Rock Logo is an all caps, display typeface, inspired by old cool rock/metal band logos. It has many alternates, swashes and ligatures.

Why do we need another typeface? This is a prickly question often asked of typeface designers. Depending on who you ask, the answer in simplified form is usually one of two: 1. As the basis of written communication, type design carries social responsibility, so we must continue to improve legibility. 2. Type design is a form of artistic expression. Without art, life is not worth living. The best work, of course, accomplishes both. Xavier Dupré, the designer of the Malaga typeface family, has at least one leg securely planted in the latter notion. He believes, like others, that within typeface design most legibility needs have been worked out and that today we are satisfying aesthetic desires. We design typefaces to differentiate our communications. Type design is primarily a formal exercise reflecting our personal quirks, technological obsessions, and cultural heritage. In case of Dupré’s work, issues of cultural heritage and personal quirks are of particular consequence. An incessant traveler, he visited the following countries during the development of the Malaga type family: Thailand, Malaysia, Indonesia, Myanmar, Cambodia, Vietnam, France, Belgium, and finally, Spain, where his choice for the name Malaga originates (Malaga is a port city in southern Spain). Dupré’s home is where his laptop is. He travels with a 12- or 15 inch PowerBook, without a printer, and with sporadic access to his reference books and other historical documents. All he needs is a table and chair. He even learned to design without a mouse since hotel and cafe tables are often too small to also fit a mousepad. Dupré is the new global designer who can take disparate influences and fluidly process the information into a coherent whole. Malaga is a case in point. It is inspired by ideas ranging from blackletter to Latin fonts, and from the Quattrocento’s first Venetian antiquas to brush stroke types. This makes Malaga a richly animated font saturated with unorthodox detail. Its black and bold weights are particularly suited for headlines and short texts, while the subtle modulation and moderate contrast in the regular and medium weights makes it perfectly readable in extended text settings. While Malaga doesn’t claim to resolve any particular legibility issues, it is nonetheless perfectly readable and will impart any design with a healthy dose of visual character.

Vander Bly is a modern font with a futuristic style that is very suitable for various circles. This font is designed in such a way for needs such as selling all products and services in the world, design, fashion and TV shows, etc. This font is perfect for needs like creating products, brochures, invitations and tickets. It has a wide range of applications and will suit any type of design.With it, you can create a unique brand that reflects your style and taste. It's a great option for any business because of its versatility, as well as its modern design and futuristic style. It includes various ligatures and fractions, and is perfect for creating all kinds of headlines and logos.

Inspiration The pounding tribal rhythms of Afrobeat music is expressed through this psychedelic brand new font, Afrobeat. Every letter becomes art as every letter is elegantly placed side by side, like music notes, creating music for the eyes. Afrobeat is a musical style performed by many African artists such as Fela Kuti, Femi Kuti, Antibalas and many more, which is a fusion of jazz,funk, and psychedelic rock, originating from the 60s and was based on the political movements of Nigeria. The Font This font is perfect for when you want to use eye-catching big texts for anything from posters and flyers for concerts, events, parties, to CD covers, advertisements, and art, but it’s especially striking for printed projects. Check out also ‘Afrobeat light’

Railroad Gothic was originally designed in 1906 for ATF (American Type Founders). This uppercase-only typeface is very condensed and also heavy, giving it a distinct 19th American wood type feeling. Like those 19th Century classics, Railroad Gothic is best used when set really big. Originally designed for use in railroad signage, Railroad Gothic has since been adapted for use in many American tabloid journals, which employ it in screaming headlines. When you need to set something large and loud for the whole world to see, this old ATF classic may be right for you. Railroad Gothic is an all caps font, and is available in digital format exclusively from Linotype. The typeface is included in the Take Type 4 collection from Linotype GmbH."

Decipher, designed by Mans Greback, is an edgy graffiti-inspired font that captures the essence of street art and hip-hop culture. With its cool, calligraphic and marker-style handwriting, Decipher brings the energy and speed of urban life into your designs. Perfect for projects that require a touch of street-smart attitude, this font will take your creations to the next level. The typeface comes in four styles: the Regular style and the Symbols style, both provided in Bold. The Symbols style is a unique addition, offering a variety of tag elements such as swashes, arrows, stars, and crowns to enhance your designs further and unleash your creativity. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures, and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers. Mans Greback is a Swedish typeface designer dedicated to crafting diverse and versatile fonts. With a passion for a wide range of typographic styles, he has developed a range of fonts that are appreciated and utilized by designers around the world.

KgStuttgart1930 -- Kunstgewerbeschule Stuttgart 1930 -- is based on a printed sample of a font designed in 1930 at the Stuttgart School of Applied Arts. Found in the book ABZ, more alphabets and other signs by J. Rothenstein and M. Goodings. I recreated the grid and kept some awkward letters of this bauhaus-era inspired design. I created the missing glyphs and added alternate versions of already existing ones.

This is an original typeface designed in the Arts And Crafts style. It is similar to Arts And Crafts GS, but with a more organic hand lettering style true to the Arts and Crafts movement. It is loosely inspired by the decorative lettering of Jessie Marion King, and the Scottish style of Charles Rennie Mackintosh of the Glasgow School, from which Jessie received her training.

Yukas is a funky and sexy typeface where the proportions are based on the optical balance between black strokes and white shapes. Ideal to enjoy on a large scale. It takes its references from the psychedelic movement, old-school western movie posters, and mid-19th century American wood type with those big, heavy capital letters. Includes several Open Type alternatives to customize your design however you want.

Hello Designers! Are you ready to make your Designs rock the world? If so, we know the right solution. Now comes the Easy Headline font ready to use for your best projects. Easy Headline is equipped with Uppercase Letters, Lowercase Letters made with unique and cool shapes, Numbers, and Multilingual Support. This font is made for any professional branding project, Great for creating titles, Movie titles, Event titles, Social media titles, Book cover titles, Poster titles, branding, posters, Each letter has a unique and beautiful touch. You can see the sample preview above for comparison, stay the center of attention and classy!

Introducing Loristta is Vintage Monoline Font. This font is created with a new monoline style that always follows the growing trends. This Monoline type font has a strong character for each letter, so it is suitable for the needs of any type of work. so immediately have this font so that your product looks more elegant and cool. They work perfectly for you who need a typeface for Fashion, headline, logotype, apparel, Marchandise, branding, packaging, advertising, etc. Loristta Font has several character letters in between Uppercase Lowercase Numeral and Punctuation Ligature Unique stylish set and Alternate Multilingual Support

Introducing Sinthasta, the beautiful handwritten font with texture. Looking for a font that’ll make your branding radiate elegance, beauty, modernity and stylish? Just get ready for Sinthasta, a casual textured handwritten font that will make your design perfect. This font will work for invitation design, logos, posters, packaging, book cover, quote, social media post, etc. Just open your Opentype features while using the script font to use the ligatures and swashes. Also, this font includes alternates for lowercase. Features: Accents (Multilingual characters) Ligatures Swashes, Numerals and Punctuations. So, enjoy the Sinthasta Font and make some cool stuff!