Taro Why do designers make more and more geometric fonts? There are already many geometric sans in the world. Because It is a natural flow of design. It is true that we like geometric type instinctively. Taro was designed to archive a good balance between the following three things geometrically. 1. To be Natural, Flowing, Organic. 2. To be Neutral, Unbiased, Universal. 3. To be legible, distinguishable, readable. Consists of eight weights and their matching italics. Supporting almost all latin languages. All-caps text for one line or a few is as wonderful as normal mixed-case typesetting.

Introducing Merilux - Modern Luxury Serif Merilux is a sleek and modern serif font that offers a touch of luxury to any design. With its sleek lines and elegant curves, Merilux is perfect for creating sophisticated and stylish designs for branding, logos, heading, magazines, product packaging, invitation, monograms, merchandise, poster book title, movie title or pull quote, social media, headers, editorial content, and more. FEATURES - Stylistic Alternates - Ligatures - PUA Encoded - Uppercase and Lowercase letters - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word Hope you Like it. Thanks.

Not of the Alps but from Los Andes. It tastes a lot more like wine than cheese. Neogrotesk is a versatile and functional workhorse typeface with a neutral look and Latin flavor. The font includes multiple typographic features such as alternates, ligatures, small caps, case-sensitive punctuation, arrows as well as lining, old style and tabular figures. Neogrotesk is the perfect choice for editorial, corporate and advertising design. This 40-style type comes in 5 weights with matching italics and contains 770 glyphs. The complete set consists of 4 sub-families: Essential, Essential Alt, Pro and Small Caps.

Zirkle is a monoline font in which the upper-case letters were designed from circles or bits of circles, with interior straight lines. It was the first font I designed in Fontographer when Fontographer was still in version 2 and the most advanced Macintosh was the Macintosh II. I have heard from people who like it, but it was designed not to meet some need but to play with the geometry of circle-based letters. ZirkStressed is a “squared” version that was the result of playing with a font distortion program, which in this case produced a result that seemed interesting.

Sun-tanned, smooth, and fluid. Suave Script is based on disconnected calligraphy originating from a how-to lettering book from the 1950s. The uppercase letters dance, and then dance some more - Samba, Tango, Mambo or Candombe - take your pick. The lowercase flows like honey waiting to be licked off the comb. A rare gem - depicting the sweet hustle and bustle of life of a history-rich urbanism. Suave Script is at once fashionable, human, and creative. For this new Pro version a number of endings, ligatures and an extensive range of languages were covered (Western and Eastern European, Baltic, Turkish, Maltese and Celtic)

»AlphaOne« is my newest addition to the experimental Alpha-font-collection. I just had to do this one! It is based on Paul Renners fonts, but has got nothing to do with them, I just took the widths and some basic forms. No – or hardly no – optical corrections were made to the glyphs. I wanted the pure geometric forms to come to life. This was a lot of fun to design, I especially like the »Q« with the negative tail. I did make four weights, but nothing is normal with this font, so weight doesn’t really mean anything. Have fun!

Anlinear is part of a series of constructed typographic experiments from the young Swiss designer Michael Parson. In the Anlinear family, which contains three separate weights, Parson has successfully created a fabulous display of alphabets out of the sole arrangement of lines at right angles to each other. The letters in this face virtually groove with the beat as you set them in text. Like a musical score, they provide a fantastic look just right for your next flyer. This family of fonts looks best when set in larger point sizes, in headlines or other display settings.

The typeface LED pixel is designed from 2020 for the font foundry Typo Graphic Design by Manuel Viergutz.The font system (sans-serif, slab serif, small caps & unicase) of the display typeface is inspired in the past and present. 60 + 1 (icons) font-styles (Circle, Circle Outline, Cross, Hex, Hex Outline, Line, Square, Square Cross, Square Half 1, Square Half 2, Square Outline, Square Circle, Square Star, Star, Triangle × 4) with 903 glyphs (Adobe Latin 3) incl. 300+ decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ❤️ or #SMILE for

We designed Mrs White for our next book for children. We needed a clean script that would give a feeling of a primary school handwriting. Mrs White is filled with ligatures and contextual alternates which gives her very smooth line of text. Scripts shouldn't be used without lowercase letters so we added a small caps for headlines and acronyms. Check out the manual for more information on how to use Mrs White. Polish language use latin characters but we would like our Eastern neighbors to be able to enjoy Mrs White so we added cyrillic alphabet (script and caps).

Marit Otto about New Daily: This typeface design has a modern but yet classic appearance. That is why she listens to the name New Daily. I took some elements from the Art Nouveau and Art Deco (type) styles. And modernized it by cultivating the beautiful curved features of both styles and playing with the stylish fluid lines and open structures. By adding a bit of the no-nonsense office look of a typeface like Nimbus Sans a new but familiar look occurs. This typeface is very readable and useful for many purposes. It has a playful distinguished character.

Robert Trogman originally designed Buxom for Fotostar in 1975 with lettering from Herman Spinadel. Trogman’s design is an old-fashioned headline face, whose style feels at home in a number a different periods: the Wild West, the 1960s–70s, and once again today! Buxom is an all caps typeface with a three-dimensional effect: each character looks like it sits atop a trapezoidal shape, whose right side is always shaded. An inline around each letterform enhances this shadowy image. Buxom is best used in large display sizes as a single word, or single line of text.

SK Klyaksa is an experimental font inspired by the most striking and unusual artistic techniques of graffiti art. Its non-standard shapes, rounded points and hypnotic curved lines immerse you in the world of bright colors and unlimited creative freedom on the streets of the city. The SK Klyaksa font plays on the contrast between lightness and heaviness, creating an effect of brightness and dynamism, creating bright and emotional compositions that perfectly emphasize youth and individuality. Like graffiti art, the font speaks its own language and provokes bold decisions in graphic design, bringing originality and character to any project.

ITC Kumquat is the work of American designer Eric Stevens. He started with the logo for his company, Tower of Babel Design, and expanded upon the Mesopotamian look to create a typeface to match. Stevens imagined drawing figures in the sand with a stick and how this method would change the way one usually draws characters, usually with lines replacing curves. Most characters are slim but a few, like the uppercase A and L, were made to contrast with the rest. ITC Kumquat is a great display typeface for anything which should have an antiquated feel.""

A condensed font using constructivism history to convey the cold hearted steel of machinery and progress. Gridlock tries it's best to fit as much info as possible in a small space neatly in line and with the subtle curves and smoothness of bent steel. The inspiration for Gridlock actually came accidentally after designing some lettering for a self-promo project and it needed something that just was condensed with visual appear. So imagining about how condensed fonts feel, I imagined them being squished together just like cars in traffic are forced to work together to make it to their end destination.

STF Eclectic Three contains dingbats and a special set of glyphs which make it simple and easy to create registration and fill-in forms for print materials. Create rules with hash lines, fill-in boxes and many other variations. Also includes handicapped, recycled and arrow right/left symbols. The Eclectic family is legendary, with a cult-like following among the inititated. With over 100 characters in the complete set, you'll find yourself using Eclectic Three almost daily to add spice to your otherwise san-serif typographic existence. Available in Mac and PC formats. License it today!

Hexatype is part of a series of typographic experiments from the young Swiss designer Michael Parson. In this font, Parson has created an intriguing system of lines that form into letters, all based off of a hexagonal grid. Text set in Hexatype takes on an interesting honeycomb-like appearance. For a different effect, try overlapping individual letters, or use a few of Hexatype's letters together as elements in a logo. A good companion to Hexatype is Linotype's Ned Std. These two fonts, as well as eight more experimental designs by Parson, are included in the Take Type 5 collection."

Cozy up with a warm cup of Latte! This friendly typeface uses the highest quality hand-roasted glyphs blended with some wonderful rounded serifs and ball terminals to create a bold, earthy flavor that can't be beat. Available in 14 robust styles, including true italics, Latte is a great way to give your next project a warm, friendly, and natural feel. You’ll pick up on subtle notes of OpenType features like stylistic alternates (on 41/52 Latin characters+diacritics), fractions, ligatures, oldstyle and lining figures, and more. Latte is the perfect ingredient to bring a kind, peaceful feeling to your next project.

Ellograph® CF is a charming monospaced font family with easy readability and striking cursive italics. A generous x-height and short descenders allow for even, organized lines of text. Beautiful as a coding font and in logos, headlines, and text. With its clean construction and expressive italics, Ellograph® CF stands as a versatile font family on its own. It also pairs well with a wide array of typefaces – contrasting Ellograph with a serif like Artifex CF or Wayfinder CF is effective and beautiful. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

The inspiration for this font came from a wall-writing in Cuba. At first glance we thought: "There is something wrong with the wall-writing." But a closer look revealed, that it just mixed up different stroke-styles. That "feature" became the designing principle behind CA Segundo: Round characters like O, U or C are available either with a fat or a thin stroke, whereas other characters with orthogonal lines come in two different styles – uppercase characters emphasize the vertical strokes, while lower cases emphasize the horizontal strokes. This gives you the opportunity to design just while you type.

Life is a journey and every journey has their own special moments that give a deep personal feeling and memories to always remember. The Historium family is an attempt to capture that. A Harmonious Set: Historium comes with full set of uppercase, lowercase, alternate uppercase, alternate lowercase, ligatures, discretionary ligatures, contextual alternate, subscripts, and superscripts. Please see preview 5 to see the detail. OpenType Support: Please use a software or app that support opentype panel so you can easily access all the characters set like Adobe Photoshop CC, Illustrator CC, Indesign CC, MS Word 2010 or higher, QuarkXPress, ETC.

Weiss Modern Gothic is the first digital re-creation with a lot of improvements of a late seventies well-known edited typeface by Bauer. At the time known as Weiss Initials Extra Bold or Weiß Modern Gothik, the design was inspired by the famous Weiß Initialen N°2 drawn by Emil Rudolf Weiß (1875-1942); also father of the non-less famous "Neuland" typeface. Strangely, this beauty seemed abandoned while sister-flared faces like Friz Quadrata, Flange, Serif Gothic or Romic are in a new wave of revival. Hoping this one will not again disappear... Happy new life.

I like orange juice. Come on, who doesn't? Orange juice is the drink of heroes; it's the elixir of life; it's the gods' own ambrosia. Suco De Laranja means orange juice in Portuguese and I named this font thus, just because I love the stuff! Suco De Laranja is a very narrow, very gentle typeface with a rough edge. It comes in a variety of languages and guess what? I have added Cyrillic as well. Just to be complete. So there you have it: a font named after a juice. Take a sip and enjoy! На здоровье!

Jesus Saves is a font based on the familiar old logo that has “JESUS” hidden within a maze-like set of multi-branched vertical bars. The characters appear to be an alien, cryptic language at first sight, perhaps even a Japanese, Chinese, or Korean language, thanks to the unusual figures created by the combinations of various letters. It is a teaser for the eyes, as well as a visual feast of De Stijl-type art. It is an attention-getting font that is cool to look at, an eye puzzle that is enticing to decipher. It’s a great font to use for striking logos (see Gallery Images) by the judicious use of ligatures, where in word settings ligatures may be used at the beginnings of words, the middle or the endings of words. Jesus Heals is the missing spaces from the Jesus Saves font, sort of like a doughnut hole font! If you use this font to fill in the spaces in the Jesus Saves font, it becomes whole, or healed, thus the name. Jesus Lives is a raised block/3D or three dimensional version of Jesus Heals. For color combinations in apps that support layering, Jesus Lives synchs and has perfect kerning register with Jesus Heals, as Jesus Heals has with Jesus Saves. The digitization was done by fontmeister John Bomparte.

Elliptical The squareness of curves. That was the elliptical – in more than one sense – notion being explored in the making of FS Hackney. The squareness of curves and vertical terminals to create a gentle, soft sans serif, with a little bit of magic. A momentary thought – “It doesn’t have to be like this” – provided the spur to explore the verticals and skeletons of letterforms beyond conventional type design limits. A 12-month gestation period gave rise to a font with a larger-than-usual character set, including non-lining figures, small caps and superior and inferior numbers. It’s a collection that speaks confidently for itself. Assertive It was the Hackney carriage – the black London cab – that gave this font its name, not the north London neighbourhood. Solid, dependable, effective and built to last, FS Hackney was honed to perform in all conditions. Cool, compelling lines and a satisfying overall simplicity lend FS Hackney its assertive air. Assured, versatile and effective; just like a black cab (but without the grumbling). Machined Over a string of meetings, Jason Smith and FS Hackney designer Nick Job worked out how to infuse Nick’s sketched letterforms with Fontsmith’s familiar geniality. “Nick is very meticulous and produces very clean design work,” says Jason. “Hackney is ideal for branding as it’s very clear and its quirks are sensible ones, not odd ones, that don’t distract from the message.”

Matisse's paper cutouts inspired Gail Blumberg, Adobe art director, to create a typeface of figures. Her biggest challenge: keeping each Cutout design in scale. It's not easy to make a standing figure, like 'Y,' to be the same size as a curled up figure, like 'G,'" Gail says."

I met her in a saloon called Little Texas. I was drinking mescal like it was vodka. She, tossing midgets like they were lawn darts. When the betting was closed, she launched an extra from The Wizard of Oz an impressive five meters, grabbed her margaritta and sat down.

Rabid is an inky, messy, super distressed display font. It's part charcoal, part chalk strokes, add a splash a of red and it starts to look like blood. Why SO Serious? It has about 200 glyphs including all those extra pesky foreign features. O Hope you like it.

GEOMETRICAL PERFECTNESS Every letter of miometry has a ratio to one another SHARPNESS Due it's design,it has a elegant look at first sight RATIONALITY It can even be used in every kind of rational system like patterns etc INSPIRED BY Concepts like futurism,transhumanism,cyberpunk,cyberworld etc

With ascenders and descenders gone tall and wind-bent just the right way and capitals of enough weathered artistry to touch off waves of mystique and experience, Almond Script is calligraphy gone rusty and textured like only Angel Koziupa and Alejandro Paul can make it. Scarred and wavy like an exhausted warrior, slim and delicate like a tango dancer, this typeface is a unique convergence of the rough ancient brush and the modern Latin elegance. Nine out of ten packaging design experts agree: Almond Script has nothing to do with whitening your teeth, but it certainly can brand your product like no other script can. Designed by Koziupa and digitized by Ale Paul this font cover all your packaging needs!

A loose sans for all mod happenings, beatnik poetry readings, hootenanny hoedowns and kartoon kapers. Ya dig? Also included is a flourished swash variation which is most definitely not intended for caps-only use.

Nathilda is a flowing handwritten font, described by an elegant touch, perfect for your favorite projects. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Longtime is drawn with thick font with a retro style and includes several swash characters. Longtime is suitable for product logos and labels, in cafes, restaurants, magazine titles, business cards, invitations, and product branding.

Clothe is a vintage handwriting typeface. The genuine calligraphic style gives any project a handmade feeling.. Drawn and put together by Måns Grebäck, this font supports hundreds of languages. Use [ ] { } for swashes. Example: Clothe[

Brestonk is a new font with textured stroke detail, also provided some ligatures and extra swashes. Perfect for projects posters, logos, product packaging, invitations, greeting cards, brands, news, blogs, everything including personal charm etc.

Anubis, the first DSType font at MyFonts is back in an improved Pro version. AnubisPro, a slab serif font with a contemporary feel, with Central Europe diacritics, swashes and ligatures, available in OpenType format.

Yapa is a display font. Ideal for eye-catching titles, logos and labels, based on the Arya and Prevya typefaces. It is based on Roman proportions, but is accompanied by swashes and decorative ornaments.

Intervensi is an elegant, hand drawn signature font, perfect for wedding card design, logotype, website headers, fashion design and much more. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Swash

Anyelir script is a tasty and friendly brush font packed with OpenType ligatures, swashes and lots of alternate characters. The family has an character set supporting Western European, Central European and South Eastern European.