This "Leaf" font has been swirling in my head for years - I remember my sister and I making letter formations like these when I was young. It was exciting to see the lettering look even better on paper than it did in my mind! "Leaf" surprised me by having two distinct looks: in size 24 or smaller, the look is delicate, because your eye doesn't see any space in the letters. In size 28 or larger, the eye can discern spaces, which gives a different facet to its personality. As much as I like this font when viewed on a monitor screen, it really shines when printed. The "Leaf" font is a perfect blend of quaint hand-written style mixed with crisp letter formations. This font has a very "happy" quality to it. May using it bring a little more happiness to your day!

This typeface was drawn to create short headlines (quickly) for one of my projects (a set of illustrations featuring The Evil Rat, imagined character). Each character (here I mean "glyph") has it's own personality, mostly evil one (jokingly) — that is why the font is called "The Monsters". The font was drawn on paper, then scanned and traced. It has both Latin and Cyrillic sets, since it was used with both. Monsters are good for short notes of comic or ironic style.

Check out other members of the Pocket family: Pocket and Pocket Serif This hand drawn font has a subtle rough texture, and lots of alternate swash characters to start and end words. It is perfect to give an extravagant but whimsical look to your projects. It has support for most western and central European languages, and has alternates for most letterforms accessible through Opentype features, allowing for variations that make it look authentically hand-drawn. It also has extra ligatures, swashes, and catchwords.

Some time back, a few basic characters were drawn out (possibly inspired by some vintage sheet music) and set aside for a future font project. Despite being incomplete for a few years, this once-forgotten design is now available as Deco Revival JNL, in both regular and oblique versions.

Fondy Script is a hand-drawn brush typeface, created by Måns Grebäck during 2018. It is a bold, sporty font in high quality, with soft and rounded characteristics. The font support hundreds of languages and contains contextual and stylistic alternates. Use ¤ after any word for a decorative swash.

Keswah is a calligraphic display font inspired by the heritage of Middle Eastern typography. Each letter is carefully drawn by hand and then digitized to add subtle stroke variations. This font is suitable for a variety of your design needs, especially for designs that require a middle eastern theme

Tomarik is a vibrant hand-drawn type collection and a playful addition to any creative depository. Assembled with the "pick-and-mix" idea in mind, it offers a great variety of flavour and zest. Tomarik features nine distinctive weights and includes OpenType features such as fractions, inferiors and superiors.

GROOVY HAPPY FONT A hand-drawn, bubbly font with a groovy look! There are three fonts included : Regular Outline Extrude. GROOVY HAPPY is perfect for: shirts, retro designs, procreate, stickers, logos, branding, greeting cards, Cricut projects, posters, magazines, social media, prints and more! Have a great day, Haksen

Taking its name from the arabic word for "king", Malik is a flared sans serif typeface family designed in 2020 by Andrea Tartarelli. The designer wanted to find a way to bridge the classical letterforms of Roman Old Style typefaces with the readability of contemporary sans typefaces. This was achieved by using the so-called flared serif that emerges gradually from the stem of the letter, ending in a sharp angle. It's something that also reminds of the peculiar shapes of the Simoncini Method, invented by italian type designer Francesco Simoncini to get a sharper definition of letterforms. To this blend of classical elegance and modernist expertise, Malik adds the calligraphic influence of modern masters like Frederic Goudy or Ed Benguiat, visible in signature details like the reverse contrast uppercase B, or the calligraphic lowercase k. Malik also means "owner", and this font surely wants to rule the page. It manages to be extremely readable when used in body text size, but looks surprising and expressive in display use. The inclusion of the Malik Heavy Display weight, with its black texture balanced by deep inktraps, allows for striking logo design. The weight range of the family is extremely wide, including a Book alternative to the Regular weight for fine-tuning readability, a range of light display weights and a solid choice of bold weights for branding, all coming with matching true italics. The 16 cuts of Malik have been equipped with all the features you need to solve your editorial and design challenges, including a wide language coverage (thanks to over one thousand latin and cyrillic characters) and a complete set of open type features (including small capitals, positional numbers, case sensitive forms). Alternate characters and stylistic sets allow you to fine-tune your editorial and branding design by choosing variant letter shapes. Malik is the typeface for everyone who wants to design like a king...or like he doesn't care who the king is!

Here comes a New font, Introducing ROCKA It's Bad Hand Drawn Font is a Natural Brush Style and Authentic classy style, this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. ROCKA is a natural Hand Drawn feel. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes,photos, photography overlays, signs, window art, scrapbooking, tags and so much more! It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes.

BluHead Studio continues its collaboration with British designer Roy Preston by producing Krete, Roy’s latest text family. This first release of 12 weights includes Light, Book, Regular, Medium, Bold, and Black, each with a drawn italic.

Danielle Smith describes her friendly, hand-drawn typeface family, available in roman and italic, as ‘non-élitist and accessible’. Originally created for a theatre project at Massey University, Dandy is reminiscent of Pablo Ferro’s hand-lettering.

That's a special horrific font with an intricate pattern of bones. All letters are put together of nonrecurring elements drawn individually by hand. The classical forms as we see it sound afresh with the bones attire.

One of six fonts inspired by old stencil lettering guides, Jeff Levine has drawn a font which captures the feel of simpler times when signs and posters were stencilled by school children, teachers, librarians and shopkeepers.

Canadian Animals is a picture font with highly detailed illustrations drawn by hand. Comes in outline and silhouettes, it is easy to colour in photoshop. These detailed vector illustrations will help you create your ultimate design.

This font is not a historical one. Although to make it was quite time-consuming (each glyph was hand-drawn separately, except for the ligatures), this cartoon or comics style font is just made for fun.

Crossbar - Natural Hand Drawn Typeface Introducing of our new product that inspired by Street Tagging, graffiti style with a fun theme very good for graffity poster, Hip Hop music, kids poster, flyer, childrenbook, cartoon, comic etc

One of six fonts inspired by old stencil lettering guides, Jeff Levine has drawn a font which captures the feel of simpler times when signs and posters were stencilled by school children, teachers, librarians and shopkeepers.

One of six fonts inspired by old stencil lettering guides, Jeff Levine has drawn a font which captures the feel of simpler times when signs and posters were stencilled by school children, teachers, librarians and shopkeepers.

One of six fonts inspired by old stencil lettering guides, Jeff Levine has drawn a font which captures the feel of simpler times when signs and posters were stencilled by school children, teachers, librarians and shopkeepers.

One of six fonts inspired by old stencil lettering guides, Jeff Levine has drawn a font which captures the feel of simpler times when signs and posters were stencilled by school children, teachers, librarians and shopkeepers.

A light sans serif designed for Susanna Lakner’s 22 Days mail art project. The characters were drawn on each of 22 evenings throughout November 2004. In December the drawings were scanned to create the Susanna font.

Baby Garland is a beautiful script font with a modern and elegant feel. It has a classy look that can be used for logos, branding, invitations, stationary, cards, wedding designs, social media posts, and any other design that requires a handwriting touch. This font is PUA encoded which means you can access all glyphs and swash easily! It features varied base lines, fine lines, beautiful flying machines and incredible alternatives. Thank you

profonts Oxford was originally designed by Christine Lord in 1960 and digitally re-mastered by profonts in 2009. The font contains lower case characters only. It is a multi-line display design with a continuous connecting horizontal line that combines all characters. This combination makes it special and very sporty. profonts Oxford is ideal for any design of sporting character.

GaoYah Display Thin is a type in very thin line, GaoYah means Elegance in Mandarin, some characters build in unique shapes can make a good memory. This font is suitable for huge titles display, in which way the line and detail shows elegance. It will make good performance in dark background as well. Including Basic English and Western Europe languages.

Mrs Berry is a hand drawn typeface designed for one of our books. You can use it as a regular monochrome typeface or layer different styles to achieve colorful combinations. Mrs Berry has upper and lowercase characters and supports both Latin and Cyrillic scripts.

Flavored with a cool set of discretionary ligatures, and infused with delicate sweetness, Suntea is quirky and refreshing! Suntea Caps keeps it bold with all-caps and alternates for each character. Hand drawn and delicious, let Suntea quench your thirst for a friendly font.

Bastard is a contemporary blackletter typeface and was one of the first created using a personal computer. It was drawn using primitive font design software in 1988, and refined and published two years later. It has now been revised to feature an expanded character set.

Ceriel is a font inspired by fairy tale books, this font is drawn so that it will get a natural touch or feel. This font can be used for promotional posters, social media branding, work titles, book titles, movie titles, and in other designs.

Mulled Wine is a beautiful and elegant hand drawn brush font, and will emphasize your individuality in any project. You can also use it to create a logo or templates, invitations, blog, branding, marketing, book covers, magazines, advertising, stationery, logo design and much more.

Meet Auntie Lee - a hand drawn and playful sans serif! An upper-case-only font with upper-case-variants on the lower-case letters. With three happy versions - regular, outline & thin - you just can't go wrong! Don't forget to pay Uncle Lee a visit!

Gentil is a charming hand-drawn typeface. It comes in two weights along with two handy accessory fonts, one packed with darling doodles and the other loaded with lovely frames. Versatile, this very friendly family will certainly fit easily a wide range of design applications.

Bartleby is a hand-drawn all caps display font. It has over 300 glyphs and several variations on the standard alphabet with all those €xtra pesk¥ foreign characters too. It is available in 3 weights regular, bold, black and as a family of all three.

Zodor JNL is modeled from the packaging for injection-molded plastic letters used as a teaching toy for youngsters in the early 1960s. The hand-drawn alphabet on the sides of the package was quirky enough to merit being made into a digital font.