The Duero is one of the major rivers of the Iberian Peninsula, flowing from its source across northern-central Spain and Portugal to its outlet at Porto. The "Duero viñatero", is an area of the Duero Valley where its famous wines are produced. "Duero", a new script font designed by Olcar Alcaide. Its slight bounce and intentional irregularity gives your words a wonderful flow. The thick and thin strokes in this typeface combine balance and harmony. "Duero" has OpenType features such as Stylistics and Contextual alternates, Swashes, Ligatures, that allow you to mix and match pairs of letters and a Central European language support to fit your design. This will help your creativity and make it easier to make the impressive and elegant typographic work.  "Duero" looks good on food packaging, logo design, business-cards, fashion, magazines, menus, book covers and much more!

“Blackduck” font is a typical Gothic, usually named “Blackletter” . This typeface was born with the name of “Textur” and developed from Carolingian cursive. It was used in the middle age as sacred script, became increasingly narrower, his vertical lines were emphasized and his strokes very compacted to save space. Along the time the early German print typefaces derived in others styles that were more readable such as Schwabacher and Fraktur, very popular in Germany and sometimes associated to the identity of the country. The font "Blackduck" was inspired mixing carefully the last two “Blackletters”. We try to joine some characteristics of both to reach good legibility without loosing the strong impact and powerfulness of the shapes. Some minuscules like the “o” “c” “e” “d” are rounded on both sides, while both strokes join in an angle at the top and at the bottom. Some other lower cases are formed by an angular and rounded stroke. This font contains a full set of OpenType features; swashes, stylistics alternates, old style figures (Arabic numeral were carefully shape integrated), ligatures and some extras ornaments were added to help in your design. "Blackduck" includes diacritic signs for Central European languages.

Like Phenix out of the ashes the former Schriftguss hot-metal font „Rautendelein“ has come to live again. Carina Pro was carefully extended for multilingual use, and contains a few alternates which can be activated via the swash OpenType feature.

Beehive is an Art Deco inspired display typeface with a unique slant, each word fits below one another neatly, which is perfect for creating stylised titling and logos. Beehive is made to look like a vintage, art deco styled typeface, the font is ideal for branding, posters, band artwork or album covers and endless other uses. Great for titling or medium sized text, made to be as big as possible because of the thin lines.

HotTamale is suitable for display and text. Its large x-height provides excellent legibility at small point sizes. It is bouncy and playful, yet unlike some fonts that are exaggerated or distorted in style, HotTamale is highly refined. Avoid the monotony of repeating glyphs! HotTamale includes OpenType contextual alternates for a random and spontaneous appearance. HotTamale is vivacious, warmhearted, direct, and suitable for packaging, restaurant use, websites, magazines, lively heads, sub-lines, and children’s books.

Jazz Gothic is a digitization and expansion of an early 1970s film type from Franklin Photolettering called Pinto Flare. This type became an instant titling classic with jazz and soul album designers; then it caught on wildly with film and television designers. Blue Note and Motown would not have been the same without this face. Jazz Gothic is a simple geometric idea, quite likely originally inspired by the heavier display weights of Futura. The resulting product is a versatile message-driver that stands quite strong and cherishes the limelight, yet shows a playful and artistic side within its curvy thick swashes and rebellious unicase forms. In the hands of a good designer, Jazz Gothic eliminates any doubt about the delivery of the message or the attractive purposeful way it is delivered. It is the kind of typeface that loves a design program's bells and whistles. Knock it out of dark or light backgrounds, shade it, mask-alize it, roughen it, stretch it, squeeze it, and the message will still stand larger than life. Jazz Gothic comes in two fonts, a main one with a full character set to accommodate the majority of Latin-based languages, and a second one that contains about 50 alternates and swashed forms. The OpenType version is a single font that has all the alternates and swashes at the disposal of the buttons of OT-savvy program palettes.

Lamiran is a Distorted Wavy Font . You're not going to write a novel with this font, I will tell you that but... if you want something seriously psychedelic thats part art and part font, then this is the font for you. Using it sparingly to mix and match with a clean sans serif or go all out for a good time. Thanks, Have a wonderful Day. Ragamkata

Wargear is a black display type. Simple in a good way and tough look. This font designed with tight kerning making this font a perfect choice if you want a bold way in your design. The font is great to create a logo tagline, flyer header, or even magazine title. Features: All Standard Glyphs Multilingual Support Numbering & Punctuation Thankyou for Choosing this font Regard, Grontype

Roselates is a modern script and sans font duo. With light script and thin condensed sans stroke, fun character with some of ligatures. To give you an extra creative work. Roselates font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text. Make a stunning work with Roselates font. Cheers, MaulanaCreative

Poster Paint is a fun shocard alphabet which came about from Jim Rimmer’s admiration of Goudy Stout, a design he liked in spite of the fact that Goudy himself claimed to detest it. Extremely eye-catching and humourous to a fault, Poster Paint is an ideal fit for fun environments like theme parks, concession stands, cofee and juice bars, and in print design for children books and fun food packaging. Poster Paint was updated and remastered for the latest technologies in 2012. It comes with a glyphset of over 375 characters, and supports the majority of Latin-based languges. 20% of this font’s revenues will be donated to a GDC scholarship fund, supporting higher typography education in Canada.

Salma Alfasans is a modern sans serif font, created on February 25, 2021. The main inspiration for this font is its modern geometry and bold design, but looks elegant and smooth. This font is well-crafted and has almost no contrast at all. The advantage of the Salma Alfasans font is that it is very appropriate when used as a heading, but also looks good when used as body text. With many weight options, you can freely adjust the design scenario based on your needs. Salma Alfasans is very good for logos, branding, books (headings, sub headings, and body text), invitations, business cards and others. SALMA ALFASANS UPDATE VERSION 2.0 Update Details: - New designs and mayor changes - Tabular and proportional lining figures - Tabular and proportional oldstyle figures - Stylistic set for a, l, y, and G - Numerator, denominator, and fractions - New ligatures for ff, fi, fj, ft, fk, ffk, and more - Case sensitive, and - Arrows Language Support: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, , Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Thank you. Alifinart Studio alifinart@gmail.com Instagram | Behance

Chub was inspired by and dedicated to: Jimmy Dean Pork Sausage, J Otto, Ben & Jerry, Spunk, Chuck Jones, Run DMC, those teenage kids with their big baggy pants, French Market coffee, George Clinton, Bill Clinton, Chistina Ricci, Sesame Street and the letter C. God bless all those big, fat, fun things that make life grand.

No Dr. was inspired by an old movieposter lettering for the 1962 movie "James Bond: Dr. No". Just like the original Dr. No, No Dr. has a diabolical charm. It was developed into a font family that combines distinctiveness with versatility. It has a good readibility as a textfont but also looks great as a Headline. The two widths and the two weights give you a big choice. Intended to become an interesting alternative to the much used DIN Schrift, it has now developed into a highly functional family of it's own.

Elephant Party playfully dances along its baseline in bold and rounded style. This warm and friendly whimsical design has lots of trunk space and is reminiscent of groovy ‘60s and ‘70s typography where letter spacing was admittedly tight, but cozy. Like snuggling up to a warm fire while toasting marshmallows. Like snuggling under a warm blanket. Like, well, you get the point. Elephant Party is an equitable font that includes a diversity of multilingual support, and will communicate your message with a funky, retro vibe and festive mood. It’ll break out into a happy dance across a wide variety of your design projects ranging from children’s books, t-shirts, posters, logotypes, product packaging, merchandise, branding and beyond. And it’ll groove across a variety of environments from print to digital media. So come on in, join the “Party”, it’s ELEPHANTASTIC! Digitized by John Bomparte.. ***Breauhare’s My Left Hand font makes a cameo appearance on the poster of Chocolola bars.

Have you ever searched for a font that looked like it was really someone's handwriting, only to find that it was too feminine or too hard to read? I used to want a font like that, too, until I discovered that a font like that had been residing in my attic, in letters to me from my late grandfather. Not only was I thrilled to have a font like this at hand, but also one that would be a memory of my grandfather every time I used it. He was a hard-working man, raising a family during the Depression, yet was still fun-loving, kind, and generous. We called him Grandhappy. As a wedding present, I received from him rolling pins and a cutting board made of 8 different kinds of wood that he pieced together. In this font, the bullet is a rolling pin in honor of that! Other than the fact that this is a font from the hand of one greatly loved, my favorite thing is that although a True Type Font, it has some features of an Open Type font. There are many alternative letter choices available through the use of little-used keys on the keyboard and alt codes. This font was chosen to portray Jay Gatsby's handwriting in The Great Gatsby (2013).

ITC Florinda was designed by Luis Siquot in 1997 and consists exclusively of capital letters. The basic forms were influenced by old favorites like Franklin Gothic, but Siquot ornamented the classic forms with symmetrical knobs which look like pieces of lead left over after pouring the forms. This gives the figures a playful, constructed look. When used in a text, the horizontal lines seem to come together to draw a fine line through the middle of the lines of text, giving it an ornamented character. ITC Florinda should be used exclusively for headlines or display.

Mesquin is an all uppercase sans serif font with geometric shapes of characters. It is inspired by lettering from the industrial and good old past, but it still has a strong modern appearance. Its allows versatile design options and works perfectly for headlines, logos, posters, packaging, T-shirts, postcards and much more.

Introducing, Mortina - a vintage sans serif font duo. Inspired by 50s 60s signages, this font made to bring back the good ol' days. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Two fonts (Thin and bold style) numbers and punctuation multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Introducing, Chopader - a vintage sans serif font duo. Inspired by 50s 60s signages, this font made to bring back the good ol' days. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Two fonts (Thin and bold style) numbers and punctuation multilingual PUA encoded Only caps We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Nibbles is a linear dingbat typeface inspired by the theme of food and food trucks. With symbols ranging from burgers, pancakes, or desserts, to food trucks and toilet signs, this font aims to cover all your hungry design needs! To help with its application, each pictogram can either be found through its glyph placement or by simply typing out the name of the food item. Type burger and presto, your burger pictogram will appear! With its simple application and extensive symbols, Nibbles can be used for branding, menus, editorial layouts, posters, and any food related projects.

An open-hearted humanist sans-serif. Playful and friendly. Faible is everybody’s darling. You cannot not like this good-natured humanist typeface. Sure, it’s a typeface for serious work—but all serious work is better when you put a smile on your face and a whistle on your lips. The typeface itself isn’t rooted in calligraphy, but there are quite some details in Faible that reference handwriting and add a friendly, humanist facet to its appearance. Take the bowls of B, P, and R: they are merrily bulged, like balloons about to take off. The curved leg of the R adds to this joyful mood. Faible’s italics are rendered playfully, too: they’re not merely sloped Roman styles. Rather, they were designed independently with an internal dynamic that sets them apart on the page. With its trademark glyphs, the swooshin’ K and k, and its friendly details, Faible will radiate optimism in display sizes, titles, and headlines. That makes it a great choice for book covers, posters, editorial design, branding, corporate design, advertising, and packaging. Nontheless, it’s carefully spaced and equipped with plenty OpenType features—a reliable tool for short texts and body copy, too. The font family consists of six weights (ranging from Thin to Black), each with its corresponding italic style. Faible’s glyph set contains more than 600 characters, allowing you to enhance your layouts with ligatures, different sets of figures, case sensitive forms, arrows, and other necessities for the ambitious typographer. Faible is the typeface that puts “fun” back into “functional”.

Southern colonialist is a new slab typeface from Intellecta, based on ancient advertisements from the Wild West of America Good for titling and display usage; in many styles.

Thornback is a hand-drawn font that uses quick, scribbled strokes to create it's slightly messy sans-serif characters. The detailed letters make it a good choice for headlines but it's also bold enough to add a homemade touch to smaller text blocks while keeping things legible.

Introducing a new layered bold script called Brayles. It is inspired by hand-lettering, bold script logotype and kids fonts. Brayles comes with OpenType features such stylistic alternates, contextual alternates, swash, ligatures good for logotype, poster, badge, book cover, t-shirt design, packaging and any more.

Introducing a new script font called Orlande. Orlande was created with a brush pen. It comes with opentype features and multilingual support. Orlande is good for logotype, poster, badge, book cover, t-shirt design, packaging and any more. FEATURES : - Uppercase - Lowercase - Number - Punctuation - Multilingual - PUA Encode - Opentype

Melodiously Script is handwritten signature style font with stunning brush characters. Include OpenType alternates and common ligatures. Ideal for logos, name tag, handwritten quotes, product packaging, merchandise, social media & greeting cards. Try the alternates and ligatures to give your designs looks good, fresh, casual, stylish, and modern.

Introducing of our new product the name is Urban Rebel Graffiti Font. Urban Rebel inspired by graffiti style with a fun theme very good for graffity poster, Hip Hop music, kids poster, flyer, childrenbook, cartoon, comic etc FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Hello, Introducing Bold and Cute Fonts Grateful Everyday. this font rounded good for your Graphic. Frendly use, Easy to Read. What's Character Included ? Uppercase Lowercase Symbols Numerals Multilingual Support Thank You, Regards.

This frivolous 6-font typeface was inspired by playing with my food one evening. I began to wonder what it would be like to draw a typeface with a pipette and liquid... the result is Fluid. A key feature are the contextual alternates that substitute an alternate second glyph when typing double letters, this gives a more natural feel to the resulting text. It’s a fun typeface from my back catalogue that was originally released in June 2018. Enjoy playing!

Are you trying to find a font to get your brand globally accepted? Worry no more as Decking is the key to unlock the door. Decking is a racing-themed script font to give you artistic, firm impressions due to the balance between solid designs and unique strokes on the edges of each character. The font’s thickness is able to show you the power to any title or header you make. In addition, Decking is still suitable to apply to smaller-sized texts owing to its good legibility. The available features in this font are: Stylistic Sets Ligatures Swashes Multilingual Supports PUA Encoded Numerals and Punctuations Decking fits best for various designs, such as posters, banners, logos, book covers, headings, printed products, merchandise, social media, and more. Find out more ways to use this font by taking a look at the font preview. Enjoy your experience with this font and feel free to contact us for further product information or trouble complaints. Thank you and wish you good luck with your designs.

Lovan will bring an elegant, romantic and warm feeling of love to your design project. Equipped with a choice of Alternative Characters and Discretionary Ligatures, all of which are PUA Encoded. Lovan will be a versatile font because it can be used as a Display Font and is still good for writing text.

MetroBots is a fun loving, non-traditional but very functional family of 6 fonts made of big city skies, the long tropical morning shadows of ancient ziggurats and entire pueblo villages, nestled into the steep cliff-sides of sage-topped mesas in south western deserts. This is a good solid, but kind of whacky looking display type family borrowing from the heft of good old-fashioned children�s wooden building blocks and the look and feel of both modern and ancient pueblo architecture. With a bit of the not-so-subtle expressiveness of a comical robot on a WD-40 high on the side.

Sortland is single weight font inspired with vintage serif typography. By it’s design, Sortland is condensed, contrasted and typeface with tall x-height. It radiates with distinctive charm and warmness as soft lines and rounded corners make friendly impression on words made with Sortland. Sortland recommends itself for package design, posters, outdoor and indoor graphics, logo and websites either for headlines or paragraphs. In terms of markets, it’s ideal for beverage, food and cosmetics, but also for movies, magazines and books. Comes with Small Caps and standard Ligatures.

Phat Chance is a funky, in-your-face font that has strong overtones of modern rap and hip-hop culture. Its broad, fluid line evokes the beat of modern music, the rhythm of contemporary dance, and the power of videogame computer graphics. It is essential for marketing companies targeting: ⁃ the music scene: CD covers, posters, music videos, presentations ⁃ the movie scene: posters, ads, promotion material, copy, movie titles ⁃ the theatre scene: posters, programs, ads, promotions ⁃ the fashion scene: hangtags, posters, brochures, signage, ads ⁃ the fast food market: packaging, promotions, menus, signage ⁃ general packaging ⁃ general advertising

Quill-formed roman/gothic with an olde-worlde flavor. Some background in the designer's own words: "A series of fonts came to mind which would be rooted in the medieval era -for me, a period of intense interest. Prior to Gutenberg's development of commercial printing with type on paper in the mid-1400s, books were still being written out by hand, on vellum. At that time, a Bible cost more than a common workman could hope to earn in his entire lifetime. Men like William Tyndale devoted their energies to translating the Scriptures for the benefit of ordinary people in their own language, and were burned to death at the stake for doing so. Those in authority correctly recognized a terminal threat to the fabric of feudal society, which revolved around the church. "This religious metamorphosis was reflected in letterforms: which, like buildings, reflect the mood of the period in which they take shape. The medieval era produced the Gothic cathedrals; their strong vertical emphasis was expressive of the vertical relationship then existing between man and God. The rich tracery to be seen in the interstices and vaulted ceilings typified the complex social dynamics of feudalism. Parallels could be clearly seen in Gothic type, with its vertical strokes and decorated capitals. Taken as a whole, Gothicism represented a mystical approach to life, filled with symbolism and imagery. To the common man, letters and words were like other sacred icons: too high for his own understanding, but belonging to God, and worthy of respect. "Roman type, soon adopted in preference to Gothic by contemporary printer-publishers (whose primary market was the scholarly class) represented a more democratic, urbane approach to life, where the words were merely the vehicle for the idea, and letters merely a necessary convenience for making words. The common man could read, consider and debate what was printed, without having the least reverence for the image. In fact, the less the medium interfered with the message, the better. The most successful typefaces were like the Roman legions of old; machine-like in their ordered functionality and anonymity. Meanwhile, Gutenberg's Gothic letterform, in which the greatest technological revolution of history had first been clothed, soon became relegated to a Germanic anachronism, limited to a declining sphere of influence. "An interesting Bible in my possession dating from 1610 perfectly illustrates this duality of function and form. The text is set in Gothic black-letter type, while the side-notes appear in Roman. Thus the complex pattern of the text retains the mystical, sacred quality of the hand-scripted manuscript (often rendered in Latin, which a cleric would read aloud to others), while the clear, open side-notes are designed to supplement a personal Bible study. "Tyndale is one of a series of fonts in process which explore the transition between Gothic and Roman forms. The hybrid letters have more of the idiosyncrasies of the pen (and thus, the human hand) about them, rather than the anonymity imbued by the engraving machine. They are an attempt to achieve the mystery and wonder of the Gothic era while retaining the legibility and clarity best revealed in the Roman form. "Reformers such as Tyndale were consumed with a passion to make the gospel available and understood to the masses of pilgrims who, in search of a religious experience, thronged into the soaring, gilded cathedrals. Centuries later, our need for communion with God remains the same, in spite of all our technology and sophistication. How can our finite minds, our human logic, comprehend the transcendent mystery of God's great sacrifice, his love beyond understanding? Tyndale suffered martyrdom that the Bible, through the medium of printing, might be brought to our hands, our hearts and our minds. It is a privilege for me to dedicate my typeface in his memory."

Engel is a revival of a classic wood type font, in a large array of variations in the family.

Eckhardt Headline JNL is a bold, condensed sans serif font. This is part of a series of typefaces popular with the sign trade. Named in honor of the late Albert Eckhardt, Jr. - a talented sign writer and a good friend of type designer Jeff Levine - it is available in both regular and "slant" for extra emphasis.

This contrast serif typeface is good for display use. Bandera Display has six weights with original italics. It catches attention in headlines of posters and magazines. It works well with Bandera (slab serif), Osnova (sans serif) and Bandera Text (serif) fonts. Bandera is Spanish for ‘flag’. And Bandera is a symbol of Ukrainian fighting for freedom for many years.

Spring is in the air! My chickens are broody and are sitting on an ever increasing pile of eggs; my fruit trees are budding and the sun is shining! Sunny Weather is a happy kind of font: it was handwritten, using a Sharpie pen. It comes with double letter ligatures and a good dose of vitamin D!

Gadiani font is made into a nice and elegant font. Perfect for all your design projects, such as invitation cards, product logos, food brand logos, thank you cards, business card logos and more. Many alternatives will help you create whatever design you need like cute and girly handwritten letters and any other designs that require a beautiful handwritten touch! Enjoy :) Contains full set: -Uppercase -Lowercase -Alternative -Ligatures -Punctuation -Number -Multilingual support. Need help or have questions let me know. I'm happy to help. Thanks & Congratulations on the Design.