The pattern for this font was found in the 1906 specimen book for the Keystone Type Foundry under the name Ancient Gothic, which is a pretty accurate description of the particular appeal of this typeface. Use it liberally anytime you want to add an air of mystery or menace...or simply some quaint charm. Both versions of the font include complete Latin 1252, Central European 1250 and Turkish 1524 character sets, with localization for Moldovan, Romanian and Turkish.

Treppenwitz (literally: ‘Staircase Wit’) is a German word describing a conversational remark that only occurs to someone after the opportunity to make it has passed. I love words like this: they can sum up a whole sentence or a complex train of thought. Treppenwitz font is hand brushed. It’s a little uneven, a little shaky, but will look good on product packaging and book covers. Comes with loads of diacritics and double letter ligatures as well.

Moonbandit proudly presents, Typerisme. The modern take on the typewriter font. This typeface is perfect for your old, retro, vintage distressed look without going overboard. Huge kerning to boost clarity. Use it for body text, headline, title, one liner, anything! this typeface is versatile.

Inspired by the classical “Fell Types”, especially the charmingly quirky weights designed by Peter De Walpergen. WT Solaire is a liberal interpretation of those cuts, meant for the digital age. Its design reflects an elegant tension between tradition and modernity. Its elegance and sharpness make it a perfect fit for any project that requires impact and subtlety at the same time. It is especially meant for editorial design, be it magazines or books, but it also works well with images.

Hagia Signature. Is a unique and natural script font. Its general appearance is in the form of light brush strokes and free flowing. Like the dancer's hand movements when we make upstroke and downstroke. Thick-thin in irregular but blended in harmony. It is a style that liberates expression, full of soul and character. We created this font for branding and only for branding. it's a great font applied to modern logos. Equipped with 99 ligatures to make a natural impression

The inflatable font you never knew you always wanted! With its two axes you can literally blow this variable display font up and watch it float away… Uppercase display font built on OC Format Sans Print Bd Support for 84 languages 6 preset static Inflate styles gradually inflate and stay on the baseline. 6 preset static Float styles gradually inflate and rise from the baseline. Baseline punctuation and certain symbols don’t float to provide a grounded context. Various un-inflatable symbols carry over from Format Print Bd because they might come in handy as is. With a complete alternate set and double number ligatures years and zip codes don’t look repetitive (think 1991 – 10022 that sort of thing) Double letter ligatures prevent visual repetition in words like “balloon” and “coffee”.

Appelstroop literally means ‘Apple Syrup’ in Dutch, but it is also know as Apple Butter; a slightly sweet & sour goo that you can use to sweeten things, or, as we do in Holland, spread it on a sandwich. It’s delicious, give it a try! Appelstroop font is a chunky, slightly eroded affair. It is mostly all caps, with a few lower case glyphs thrown in for good measure. Use this sticky font for your product packaging, toys and kids book covers!

Inky Fingers… Well, the name says it all! This rather obese font was made by hand (literally) using my index finger, some sheets of paper and a lot of Chinese ink. As the eco-paper absorbed quite a lot of ink, I had to do a second ink-run! Inky Fingers is a very legible typeface, ideal for headlines, books and posters. It comes with Babylonian language support - including the Schwa/schwa glyphs for the Azeri speaking crowd. Ain't I nice?

Au Revoir - saying goodbye is one of the hardest things in life, but in a sense it is also beautiful: there is a promise of seeing each other again, as 'Au revoir' literally means: 'to the next time we see one another'. Au Revoir font is slightly cursive, elegant without being posh, simple and legible. You could write a poem or a farewell letter with it, but I guess its simplicity lets you use it in various other, less dramatic, designs.

Millefeuille literally means ‘thousand leaf’. It is a French dessert, consisting of many very thin layers of puff pastry and such fillings as whipped cream, custard, fruit, etc. Millefeuille font is a hand drawn display typeface, ideally suited for invitations, posters and product packaging. Comes with a rich filling of diacritics.

Tangelo is a fun, casual display script that could be more accurately termed a unicase – it borrows characters liberally from the lower case, but scales them up to cap-size. Tangelo is ideal for kid-friendly products like candy packaging, game boards or apps, and clothing labels. It includes 115 alternates and swash characters for a convincingly hand-lettered look. See what’s included! http://bit.ly/2lW33tt These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

A hand-drawn font inspired by the menu from a tearoom in York. York Handwriting is simple but with accentuated features, creating an effect that is decorative and distinct while still being clear. Giving the look of chalk or wet-wipe pens, this font will provide you with texture to make your work stand out, almost literally. With York Handwriting, any design can be granted the humble, homely look of a small, side-alley tearoom, especially with the emphasised x-height helping the text to stand out.