DALEK PINPOINT is a clean and precise version of K-Type’s distressed DALEK typeface, a small caps face with overtones of Greek, Phoenician and Runic alphabets, based on Dalek comic book lettering from the 1960s. The package includes Regular and Bold weights, plus an Italic and Bold Italic which are optically corrected obliques. The fonts contain a full complement of Latin Extended-A characters, and now include Greek capitals and small caps.

The cover lettering of a 1940s issue of a romance comic spotted in an auction online was the inspiration for Monthly Adventures JNL. Classic in its Art Deco look, this condensed outline font is evocative of the hand-lettered titles used during the Golden Age of the comic book. Available in both the original outline version and a thick, solid version with the outline removed, as well as oblique variations of both.

An image of a vintage British lettering stencil set [probably circa 1960s] spotted in an online auction inspired North End Stencil JNL. The original lettering was a hybrid of both stencil and solid letter forms, but for the digital version all of the characters were given the stencil treatment. North End Stencil JNL is named after a district in London, and the type face is available in both regular and oblique versions.

Based on William H. Page’s Clarendon Extended wood type from the 1800s, Clarified JNL is digitally available in both regular and oblique versions. In the days of wood and metal type, foundries often made changes to an existing design to make their font more unique and different from their competitors. Clarified JNL is different from Clarenwood JNL (which is partially based on another wood type Clarendon and features many alternate letter forms).

Our Luckiest Softie Pro is a softened variation of our Luckiest Guy Pro typeface, inspired by hand-lettered vintage 1950's advertisement. The charm of the original typeface is enhanced with softened corners to give the typeface a more cuddly charisma. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

Antique Slabserif JNL is a reinterpretation of Monotype's Modern Antique 26, released in 1909. The name of the typeface is an oxymoron because Modern conflicts with Antique. Despite many critics of the "mechanical" look of the font's design, it has developed a bit of charm with age and the passing of time. Available in both regular and oblique versions, Antique Slabserif JNL can be used as both a text and headline font.

Festiva is based on lettering found on a 1960s kitchen appliance catalog. It evokes ’60s TV and pop culture while still having a contemporary feel. The fun exuberant flavor of this face is perfect for parties and celebrations. The letters dance across the baseline and the lower case wants to be an upper case but just can’t quite make it. P22 Festiva Regular includes a full unicode European Character set (Western, CE, Turkish, Romanian, etc).

Ares is a crisp all-caps display typeface suitable for sci-fi logos and titles. It owes its peculiar futuristic vibe to angular, top-heavy letters that hang from the cap-height instead of sitting on the baseline. The typeface consists of six subfamilies available in 10 weights, as well as as two variable fonts of three axes: Weight [wght], ranging from 1 to 1000, Mid-height [MHGT], ranginf from 0 to 1000, Tracking [TRAK], ranging from 0 to -40. The mid-height axis affects the typeface's waistline, including crossbars, and divides the fonts into three subfamilies: Ares Lo, Ares, and Ares Hi. These three families are solid-stroked, and the other three families are their stencil-stylized counterparts: Ares Broken Hi, Ares Broken, and Ares Broken Lo. The tracking axis is only available in the variable versions, and proportionally affects the kerning, thus helping set the type more tightly without effort. Ares supports a wide range of Latin-based orthographies, including not only European, but also Vietnamese as well as major African languages like Hausa, Fula or Ewe.

Centerpiece is Psychedelic typeface refers to a style of typography that emerged in the 1960s during the height of the counterculture movement. It is characterized by its bold, vibrant colors, and graphic designs that incorporate abstract shapes, curves, and patterns. The psychedelic typeface is often associated with the mystical and surreal since it draws inspiration from altered states of consciousness experienced through the use of psychedelic drugs. It also incorporates a variety of lettering techniques such as bending, twisting, and outlining. The typefaces have a distinctive look that evokes a sense of free-spirited creativity and experimentation. Psychedelic typefaces can be used for various purposes, including posters, album covers, and promotional materials. To sum it up, psychedelic typeface is a unique style of typography that was popularized during the 1960s and is still relevant today. It incorporates bold colors, graphic designs, and a range of lettering techniques that create an eye-catching and trippy aesthetic. It is a testament to the counterculture movement and the power of artistic expression.

Jackerton is a playful, hand-drawn typeface inspired by the doodles of the designer's father. Every word is a puzzle with pieces changing and shifting as you type. Over 50,000 words in more than 100 latin-based languages have been scrutinized to make sure each combination of letters fits together precisely from the 2,000+ ligatures.

An Art Nouveau alphabet that has stood the test of time, Nicholson French, by legendary sign-painter Frank H. Atkinson, is over 100 years old and going strong. In modern typographic trim, it comes with OpenType feature replacement options and multi-language support, from standard Latin-1 to Latin Extended-A, Greek and Cyrillic.

Lazy Boutique is and exciting and beautiful piece of work. It's 100% handmade and slightly irregular in an organic way. I've added X different versions: Regular, Line, Fill and Curl - mix and match to find your favourite kind of look . Use Lazy Boutique for your products that needs a handmade, organic and exciting look!

Nazgul is a modern dynamic sans serif font with subtle vintage characteristics. It works perfectly for film posters, headlines, block letters, subheadings, logo designs, big banners, classic and decorative typography, web designs, packaging and more. The two styles, Regular and Outline, include more than 100 ligatures and alternate characters allowing for versatility in design.

Grimalda is an elegant serif typeface with taste of modern and simplicity. It is perfectly for magazine cover, headline, wedding invitations, logo, brand, and many more. Grimalda have more than 100 characters of ligatures and alternates. You can create any imagination with this serif font. What's included? - Uppercase & Lowercase Characters - Multilingual support - Ligatures & Alternates Characters

RM Sans has been designed to offer an useful but inexpensive family of 5 regular weights; 3 condensed weights; 5 outline weights and an 'eco' alternative. Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

Lippy is designed to give a 100% lipstick feel. The reason the lipstick feel is so authentic is because the original sketches were actually drawn in lipstick, taken into illustrator, retraced and then edited carefully in Fontlab. If you're after a lipstick typeface with an authentic feel, then lippy is the one for you.

The original metal Neue Haas Grotesk™ would, in the late 1950s become Helvetica®. But, over the years, Helvetica would move away from its roots. Some of the features that made Neue Haas Grotesk so good were expunged or altered owing to comprimises dictated by technological changes. Christian Schwartz says Neue Haas Grotesk was originally produced for typesetting by hand in a range of sizes from 5 to 72 points, but digital Helvetica has always been one-size-fits-all, which leads to unfortunate compromises."""" Schwartz's digital revival sets the record straight, so to speak. What was lost in Neue Haas Grotesk's transition to the digital Helvetica of today, has been resurrected in this faithful digital revival. The Regular and Bold weights of Helvetica were redesigned for the Linotype machine; those alterations remained when Helvetica was adapted for phototypesetting. During the 1980s, the family was redrawn and released as Neue Helvetica. Schwartz's revival of the original Helvetica, his new Neue Haas Grotesk, comes complete with a number of Max Miedinger's alternates, including a flat-legged R. Eight display weights, from Thin to Black, plus a further three weights drawn specifically for text make this much more than a revival - it's a versatile, well-drawn grot with all the right ingredients. The Thin weight (originally requested by Bloomberg Businessweek) is very fine, very thin indeed, and reveals the true skeleton of these iconic letterforms. Available as a family of OpenType fonts with a very large Pro character set, Neue Haas Grotesk supports most Central European and many Eastern European languages.

A revival and major expansion of a 1926 Ludwig Wagner Schriftgiesserei typeface called Titanic, Lexington is the ultimate art deco expression of the high times of signage and theater during the first half of the twentieth century. Big feminine caps and cozy direct minuscules make for a unique combination rarely found in other deco faces. Topped off with the humorous and quite suave tall and pointy ascenders and descenders of the alternates, Lexington makes for a versatile and uniquely eye-catching display face beneficial to poster art, book covers, classy menus, product packaging and music paraphernalia. The original specimen Hans van Maanen worked from showed the majuscules, minuscules, figures, and 4 alternates of some ascending minuscules. This new digital version includes all of the above, plus many more additions: - Plenty more alternates, for some caps as well as for all the ascending and descending lowercase. - Three different size variations for the comma and the period. - Oldstyle figures. - A full complement of accented characters to support more Latin-based languages than ever, including Baltic, Celtic, Turkish, and Central/Eastern European languages. - A Handtooled style variation that covers both the main character set and the alternates. Lexington was named after Manhattan's Lexington Avenue, home of the some of the most famous and polished art deco architecture of the 1920s and 1930s. Lexington and Lexington Handtooled come in all popular font formats. The OpenType versions combine their respective alternates with the main character sets, for ease of use within OpenType-savvy applications.

The Neuzeit Office family is designed after the model of the original sans serif family Neuzeit S™ , which was produced by D. Stempel AG and the Linotype Design Studio in 1966. Neuzeit S itself was a redesign of D. Stempel AG’s DIN Neuzeit, created by Wilhelm Pischner between 1928 and 1939. Intended to represent its own time, DIN Neuzeit must have struck a harmonious chord. DIN Neuzeit is a constructed, geometric sans serif. It was born during the 1920s, a time of design experimentation and standardization, whose ethos has been made famous by the Bauhaus and De Stijl movements in art, architecture, and design. Upon its redesign as Neuzeit S in the 1960s, other developments in sans serif letter design were taken into account. Neuzeit S looks less geometric, and more gothic, or industrial. Separating it from typefaces like Futura, it has a double-storey a, instead of a less legible, single-storey variant. Unlike more popular grotesque sans serifs like Helvetica, Neuzeit S and especially the redesigned Neuzeit Office contain more open, legible letterforms. Neuzeit Office preserves the characteristic number forms that have been associated with its design for years. After four decades, Neuzeit has been retooled once again, and it is more a child of its age than ever before. Akira Kobayashi, Linotype’s Type Director, created the revised and updated Neuzeit Office in 2006. His greatest change was to retool the design to make its performance in text far more optimal. Additionally, he created companion oblique to help emphasize text.

The name of this font brings back memories of an old fried chicken restaurant in Willow Springs Illinois circa 1960’s and 1970’s, my family would all get in the car and take a long drive down to an old country road Illionis Rt 171 through a forest preserve where we’d come upon the old Willowbrook motel with a bar and restaurant next door. The restaurant was called Kegal’s, when you entered the building you had to walk through the smoky bar first to get to the restaurant, I can still see the hard wood floors with all the finish worn off from decades of foot traffic. Up until the mid 1960’s Kegal’s used to raise their own chickens behind the restaurant, back then fried chicken in the Midwest was either coated in flour or bread crumbs, Kegal’s was covered in a beautiful layer of golden bread crumbs. Before your meal arrived they’d bring a basket of dinner rolls along with crackers, bread sticks and country butter, on the side they’d serve coleslaw with a vinegar sauce, which is very common in the Midwest, the first time you try it your face puckers up like you just sucked on a lemon but you get used it over time. After waiting for what seemed like forever to a child the waitress comes out of the kitchen with a huge tray of that golden deliciousness and your mouth begins to water, in her other hand was another tray filled to overflowing with crinkle cut french fries all made by hand, I’d eat a hole handful of those french fries first then take a bite of that tender juicy farm raised chicken. Today a fine Italian restaurant occupies the old Kegal’s building and the motel is long gone, only my fond memories remain. Fast forward to 2020 and FontMesa has just made some Fried Chicken as an eight weight type font family with alternates. With the Fried Chicken slab serif font family we’ve broken some rules by removing a few of the slabs on certain letters for a unique homemade look. Fried Chicken is perfect for your next product label, t-shirt design, logo, headline or cookbook cover. Treat yourself to some good ol’ Fried Chicken today.

ATTENTION COSTUMERS! A new version of this font was released in 2019. Take a look: Breathe Neue Reaching a total of more than 1000 glyphs, Breathe Pro is Maximiliano R. Sproviero’s gift of the year. The aim of the designer was once more to give the user the chance to play and travel from very formal and conservative letterforms to the amazing world of swashes and flourishes. Possibilities of alternating and ligating characters in this font are absolutely fantastic. After his last creation, Parfait Script, Lián wanted to make a more universal font. Delighted by typographic works of Didot and his followers of the beginnings of 1800, Maximiliano R. Sproviero started what became another obsessive project, which is now named Breathe, “cuando las letras respiran...” what could be translated as “when letters breathe”, due to the feeling that you are reading letters that are alive. Breathe comes in two styles which have a significant difference as regards to the quantity of glyphs available inside. If you want to get the most complete style, with over 1000 glyphs, (including contextual alternates, stylistic alternates, swashes, terminal forms, titling alternates, historical forms, stylistic sets, standard ligatures, stylistic ligatures, decorative ligatures and frames) then your choice should be Breathe Pro. On the other hand, if you are interested in having a less decorative font with the nice touch of Lián’s style, then your choice should be Breathe Standard, a more limited version of Breathe, including terminal forms (leaves) and frames. With Breathe Pro you will surely have fun at the same time you are designing and that is not an unimportant thing. The world of type-designers is growing each year, and the features of Open-Type are letting them think their creations as if they were truly pieces of art. At least, Breathe Pro is inspired in the Art of our predecessors, those who with a pen loaded of ink would decorate each letter, each page in such a lovely way. Yes, -lovely- is the word. We would not have the amazing lettering artists, calligraphers, typographers of nowadays if that -love for letters- had not traveled from generation to generation. Breathe Pro is an example of this love. An example of what Maximiliano R. Sproviero feels about typography and letters. Pssst... Look for more images and the User’s Guide at the gallery section to see it in use! http://origin.myfonts.com/s/aw/original/89/0/46067.pdf

K-Type’s ‘Banks & Miles’ fonts are inspired by the geometric monoline lettering created for the British Post Office in 1970 by London design company Banks & Miles, a project initiated and supervised by partner John Miles, and which included ‘Double Line’ and ‘Single Line’ alphabets. The new digital typeface is a reworking and extension of both alphabets. Banks & Miles Double Line is provided in three weights – Light, Regular and Dark – variations achieved by adjusting the width of the inline. Banks & Miles Single Line develops the less used companion sans into a three weight family – Regular, Medium and Bold – each with an optically corrected oblique. Although the ‘Banks & Miles Double Line’ and ‘Banks & Miles Single Line’ fonts are based on the original Post Office letterforms, glyphs have been drawn from scratch and include numerous adjustments and impertinent alterations, such as narrowing the overly wide Z and shortening the leg of the K. Several disparities exist between the Post Office Double and Single Line styles, and K-Type has attempted to secure greater consistency between the two. For instance, a wide apex on the Double Line’s lowercase w is made pointed to match the uppercase W and the Single Line’s W/w. Also, the gently sloping hook of Single Line’s lowercase j is adopted for both families. The original Single Line’s R and k, which were incongruously simplified, are drawn in their more remarkable Double Line forms, and whilst the new Single Line fonts are modestly condensed where appropriate, rounded letters retain the essentially circular form of the Double Line. Many characters that were not part of the original project, such as @, ß, #, and currency symbols, have been designed afresh, and a full set of Latin Extended-A characters is included. The new fonts are a celebration of distinctive features like the delightful teardrop-shaped bowl of a,b,d,g,p and q, and a general level of elegance not always achieved by inline typefaces. The Post Office Double Line alphabet was used from the early 1970s, in different colours to denote the various parts of the Post Office business which included telecommunications, counter services and the Royal Mail. Even after the Post Office was split into separate businesses in the 1980s, Post Office Counters and Royal Mail continued use of the lettering, and a version can still be seen within the Royal Mail cruciform logo.

Standard Request is 100% handmade, and was inspired by both grafitti and comic book lettering. When viewed at large sizes, the handmade look and feel really stands out - at the same time, Standard Request, is super legible even at really small sizes. I've added 5 slightly different versions of each letter, and they automatically cycle as you type!

Botanica is a 100% brush written font family with inky texture that was inspired by modern trends in brush lettering and design. The fonts look good both together or separately and possibilities are only limited by your imagination. Two types of initial and terminal swashed makes the Script font a good companion in wedding invitations design.

Lillyanstar is a casual handwriting font. It included opentype features Ligature. Lillyanstar support multilingual more than 100+ language. This font is good for logo design, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Lillyanstar font. Cheers, MaulanaCreative

Righttoast is a modern script font. It's a clean store with high contrast line. It readable in short text. Righttoast includes opentype features Ligatures. It support multilingual more than 100+ language. This font is good for logo design, Movie Titles, Books Titles and any awesome project you create. Make a stunning work with Righttoast script font. Cheers, MaulanaCreative

I bet a lot of people would love to have a Veggie Spray - I bet they would use it to turn candy, ice cream, cakes and other fattening products into something more healthy! Well, this font has zero calories and is 100% handmade, and comes with contextual alternates - which means that every letter has 5 different versions!

This addition to the Whiz-Bang Woodtype series in based on a 100+ year-old typeface originally named Medallic. Due to the highly ornate nature of this font, it has a limited character set (no math operators or footnote accessories). The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

With an obvious nod to Art Deco, this font offers a stylish design with distinctively elongated ascenders and descenders. Includes: Western European, Central European, Baltic & Turkish sets. Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

Hello, Introducing the new hand brush fonts Roasted. Roasted is truly hand made by 100%. This fonts have a Stylistic Set. You can access the Stylistic Set with lowercase too. Still have a good readibility and strong font. What's Included Inside The Fonts ? Uppercase Lowercase Numerals Symbols European Multilingual Stylistic Set 1 Stylistic Set 2 Thank You, Regards!

Modisframe is a modern stylish Signature font with light mono-line stroke. This handwritten font has 100 ligature that multilanguages supported. Modisframe has the character of spontaneity and decisive mood. It will look great for digital signature, logotype, quotes, greeting cards, labels, packaging, social media overlays, prints, ads or make elegant wedding invitations and much more

Hachitos is a modern casual signature font. Hachitos included opentype features Ligatures and extra swash. Hachitos support multilingual more than 100+ language. This font is good for logo design, Movie Titles, Books Titles, a short text even a long text letter and any awesome project you create. Make a stunning work with Hachitos signature font. Cheers, MaulanaCreative

Introducing True South Authentic Hand brush Fonts. this font made by 100% real brush to get real texture, strong but still calm. good for your product digital ads, thumbnail video, movie poster, book cover. as long you can match your graphic this font should be an option. What's Character Included ? Uppercase Lowercase Symbols Numerals Multilinguals Thank You, Regards!

Lansonia is a modern calligraphy font with a dancing baseline and a clean, classic and elegant touch. It can be used for various purposes such as headings, signature, logos, wedding invitations, t-shirt, letterhead, signage, lable, news, posters, badges etc.Hello Bella Script features 300 total glyphs with 100 alternate characters including OpenType Stylistic alternates, ligatures and international language suppor

Purplemonths is a Modern Signature script font inspired by modern script nowadays, it is casual and fancy font. Purplemonths includes opentype features Ligatures. It support multilingual more than 100+ language. This font is good for logo design, Movie Titles , Books Titles and any awesome project you create. Make stunning work with Purplemonths Signature font. Cheers, MaulanaCreative

It is amazing how much laundry I have with 3 small kids! Sometimes it feels like I spend half the week sticking laundry in the machine, or hanging it out to dry. Spinwash is a nice brush font. It smells like ‘summer breeze’, is 100% environment friendly and will take the stains out of your designs.

Thoolloves is a Cute modern calligraphy font. It's a clean store with high contrast line. It readable in short text. Thoolloves includes opentype features Ligatures. It support multilingual more than 100+ language. This font is good for logo design, Movie Titles, Books Titles and any awesome project you create. Make a stunning work with Thooloves handwriting font. Cheers, MaulanaCreative