Christmas Energy is a whimsical script font with a relaxed theme, featuring a lovely style. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! Add it confidently to your favorite creations and let yourself be amazed by the outcome generated.

Cintia Bela is a smooth, elegant, and flowing calligraphy font perfect for your favorite projects. Fall in love with its completely different and timeless style, and use it to create spectacular designs! This font is PUA encoded, which means you can access all the glyphs and sweeps with ease!

Smithalia is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Calligata is a stylish and Lovely font suitable for a wide spectrum of applications. From greeting cards to headlines, this font will guarantee a romantic touch to each of your creations! This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Love Sunday is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create! Love Sunday is PUA encoded which means you can access all of the glyphs and swashes with ease!

Andalusia Felistica is a lovely and delicate script font that exudes elegance and class. This font was particularly crafted for those who need a beautiful and refreshing look to their designs. Andalusia Felistica is PUA encoded which means you can access all of the glyphs and swashes with ease!

Sastica Nora is a smooth and elegant handwritten font. Its distinctive, rounded font makes this font a masterpiece. Fall in love with its incredibly versatile style and use it to create spectacular designs! This font is PUA encoded which means you can access all glyphs and swashes with ease!

Royagna Display font. Its cool look makes it the perfect choice for logos, branding, invitations, stationery, wedding designs, social media posts, and so much more. Rayogna font is PUA encoded which means you can access all of the glyphs. Features : Alternate Characters Numbers and punctuation Multilingual PUA encoded

Agaleoz Display font. Its elegant and cool look makes it the perfect choice for logos, branding, invitations, stationery, wedding designs, social media posts, and so much more. Agaleoz font is PUA encoded which means you can access all of the glyphs. Features : numbers and punctuation multilingual PUA encoded

A family of soft, rounded, yet bold display faces which can successfully be used in conjunction with one another. Due to the modular nature of this design there may be a very slight lack of smoothness to the curves at extremely large point sizes (around 200 pt and above).

Aranekie is a modern sans serif font inspired by the bold and thin serif fonts. Aranekie comes in 4 styles, regular and italic styles that are perfect for documents, and Aranekie Dxy which can be used for display fonts such as logos, pamphlets, book covers and many other projects.

Beauty Valentinos is a beautiful light handwritten font with a unique feel and a stunning impact. It will add a luxury spark to any design project you wish to create! This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Black Devils Monoline Graffiti Font This font designed so that users can use it more easily and make graffiti designs easier. Black Devil is very suitable for use in various media such as; packaging, logos, labels, posters, shirt designs, bulletins, typography, and many other media, especially with graffiti look.

Mangana Sega is a bold display serif font with a retro design. Mangana Sega is equipped with alternate and ligature, which will add an elegant and luxurious impression to every project you make. Mangana Sega is PUA encode, which mean you can easily access all required alternates and swashes.

Martha Script feels equally charming and elegant. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards, and any other design that needs a handwritten touch. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Cervin Asenoy is a Modern Display font created especially for projects that need vintage and Retro typography! Use it for projects like magazines, banners, stationery, branding, name tags, invitations, and more. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Freethinker is an irregular brush script with a hipster look and feel. This brush font benefits from OpenType features such as ligatures (and their alternates), stylistic alternates, design elements. The font can be used in branding, greeting cards design, packaging design, webdesign and publishing. It is fully unicode mapped.

Valentina is an elegant calligraphy font. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Malte Thai is a geometric sans-serif typeface, inspired from the modern age. Designed to use as type play, headline, quote and for composition. Malte come with nine weights that mappings to CSS font weights. Malte supported many languages as included extend latin glyphs. This package included Thai scripts.

Vabioxe - Amazing Monoline Graffiti Font This font designed so that users can use it more easily and make graffiti designs easier. Vabioxe is very suitable for use in various media such as; packaging, logos, labels, posters, shirt designs, bulletins, typography, and many other media, especially with graffiti look.

Hello Hellen is a lovely and delicate script font that exudes elegance and class. This font was particularly crafted for those who need a beautiful and refreshing look to their designs. Hello Hellen Script is PUA encoded which means you can access all glyphs and swashes with ease!

Balnuettes is a lovely and delicate script font that exudes elegance and class. This font was particularly crafted for those who need a beautiful and refreshing look to their designs. Balnuettes is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Respawn - Handwritten Brush font with a Rough style and dramatic movement. This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, and etc. This font is PUA encoded which means you can access all of ligatures.

sefara is a serif font that can also be used as a display font. Sefara has many alternates and ligatures in it, making it easier for users to choose the style they want. Sefara is very suitable for documents, invitations, brochures, book covers, fashion magazines, and much more.

Gift feels equally charming and elegant. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Introducing the new "Ballast" font, an natural and unique handwritten font. For those of you who are needing a touch of natural and unique. It’s perfect for stationery, greeting cards, branding and much more! This font is PUA encoded which means you can access all of the great glyphs.

Valesta is a modern handwritten font. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Betalina is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Cap off your project with this all capital letter font. Bold and stylish with hand lettered appeal. Great for any paragraph or headline that demands attention.

Conrad X. 'Cobb' Shinn (Sept. 4, 1887- Jan. 28, 1951) was a Fillmore, Indiana-born post card illustrator who sold a series of successful novelty postcard lines which included (among others) Charlie Chaplin, automobiles and the Dutch culture in the beginning years of the 20th Century. After serving in World War I, Shinn found the market for novelty postcards dwindling, and he also lent his artistic skills to cartoon features and illustrating many children's books [including his own, under the nickname 'Uncle Cobb'] which taught easy step-by-step drawing methods. Some time in the 1920s, he eventually migrated into the field of supplying electrotypes and stereotypes of 'stock cuts' of photos and line art to the printing trade. In the days of letterpress printing, this was the forerunner of paper clip art and its successor, electronic clip art. Purchasing many of his designs from 'journeyman' artists of the time, the diversity of Cobb Shinn's stock cuts library grew with the passing years, reflecting changing times, styles and topics. Some of the illustrators whose signed works were presented in Shinn's 'CUTalogs' [as he called his stock cuts catalogs] include Mary Clemmitt, Louis H. Hippe, E.C. Klinge, Nelson White, Harvey Fuller, Bess Livings, Lois Head, Harvey Peake and Van Tuyl. Upon his passing in 1951, it's not known how long the Indianapolis-based company existed before finally closing its doors. One of the more popular series of cartoons were the line illustrations of men and women affectionately called 'little big head guys' by many modern fans of these cuts because the heads of the characters were drawn somewhat larger than the rest of their bodies. Shinn Kickers JNL is a collection twenty-six of these illustrations, and just like a kick in the shin (as the pun in the name implies), these charming cartoons get your attention.

Beat Fool is my latest layered font. I love making layered fonts, because the possibilities are almost endless! Play around with transparency and your favourite colorschemes and patterns to create awesome effects! Beat Fool comes in two layers that plays well together. One layer is solid and can be used for shadow, fill, texture or other creative parts of your design. The second layer is the "Regular" one - the outline that made the basis for the font. I wanted the handmade and handwritten brushstrokes visible, to keep the flaws which makes the look more authentic. Every letter has 4 different versions, again to make things more natural and kind of random! Both layers can be used alone or as described, together - and since it has multilingual support, you can be creative in all kinds of languages! :)

Proudly present "Simply Harmony -Vintage Monoline Font" Simply Harmony comes with 2 styles that have their own characteristics. Simply Harmony Regular : has a clean and elegant style. This font has a more modern feel, so you can apply it to modern-themed projects. Simply Harmony stamp: this font has a rough style both in the middle and the edges of each letter, this font has a vintage feel and can be applied to various needs. This font has 114 awesome alternates and has 311 total glyphs, there are various kinds of alternates that you can use as you wish. I really hope you enjoy it – please do let me know what you think, comments & likes are always hugely welcomed and appreciated. More importantly, please don’t hesitate to drop me a message if you have any issues or queries. Thank you

I started Rainmaker Script by hand sketching a huge amount of letters to find the right tone. After having enough I picked the characters that I liked and begun composing a font out of them. With this method I ended up with the Rainmaker Script - an elegant signature style connected script with natural variation in the rhythm. Rainmaker Script is great for branding, headlines and packaging. It’s equipped with (automatic) Contextual Alternates that keep the flow natural and variable. There’s also Swash, Stylistic and Titling Alternates, and even more alternates can be found for some characters from the Glyph Palette. From the Glyph Palette you’ll also find a handful of ending swooshes and ornamental strokes that can be combined with the font. All the extras in Rainmaker Script are PUA encoded so you can access them in most graphic design software.

Roller Poster is named after Alfred Roller. In 1902, Roller created a poster to advertise the 16th exhibit of Austrian Artists and Sculptures Association, representing the Vienna Secession movement. The exhibit was to take place in Vienna during January & February 1903. The location is not mentioned because everyone in Vienna knew it would be held at the exhibit hall in the Secession Building at Friedrichstraþe 12, a few blocks south of the Opernring, near the Naschmarkt. Designed by Joseph Maria Olbrich in 1897, the buiilding has been restored and stands today as one finest of the many fine examples of Art Nouveau architecture in Vienna (see vienna_secession_bldg.jpg). Because of its dome, it is called “the golden cabbage.” The poster itself is unique. The word “secession” is in one type style and takes up two-thirds of the elongated poster. At the bottom of the poster are the details in a different lettering style. It is this second style at the bottom that is the basis for the font Roller Poster. In keeping with our regular naming conventions, we were going to call it Roller Gezeichnete (hand-drawn), but the wonderful play on both words and the shape of the three S’s in secession was too compelling. In November 1965 there was an exhibit of Jugendstil and Expressionist art at the University of California. Alfred Roller’s Secession Poster was part of that exhibit. Wes Wilson was designing promotional material at Contact Printing in San Francisco. Among their clients was a rock promoter named Bill Graham, staging dance-concerts at Fillmore Auditorium. Wilson saw the catalog from the UC exhibit and Roller’s lettering. Wilson adapted Roller’s letter forms to his own fluid style. The result was the poster for the August 12-13, 1966 Jefferson Airplane/Grateful Dead concert at Fillmore put on by Graham (BG23-1). Wilson continued to use Roller’s letter forms on most of the posters he did for Graham through May 1967, when he stopped working for Graham. The posters were extremely successful and the lettering style along with Roller’s letter forms were picked up by other artists, including Bonnie MacLean, Clifford Charles Seeley, James Gardner, and others. The Secession poster and the Fillmore posters have inspired a number of fonts in addition to ours. Among them are JONAH BLACK (& WHITE) by Rececca Alaccari, LOVE SOLID by Leslie Carbarga and MOJO by Jim Parkinson. Each is different and yet each clearly shows its bloodlines. Our font differs in two ways: 1) the general differences in the interpretation of the letter forms and 2) the modification of the basic letter form to incorporate the diacriticals within the implied frame of the letter, after the manner of the original design by Roller. We borrowed Carbarga’s solution to the slashed O and used it, in a modified form, for other characters as well to accomplish the same purpose. We recommend that you buy ours and at least one of the other three. According to Alaccari, a version called URBAN was released by Franklin Lettering in the 70’s (and is shown on page 51 of The Solotype Catalog). For comparison of our font to original design, see image files roller_poster_2s.jpg of original poster and roller_poster_2sx.jpg showing reconstruction using our font for the lower portion (recontructed area indicated by blue bar). Please note the consistency of character width. In the lower case, 23 of the basic 26 letters are 1/2 EM Square wide. The ‘i’ is an eighth narrower, while the ‘m’& ‘w’ are one quarter wider. All the Upper Case letters are 1/8 EM wider than the lower case. This is to make it easier to fill a geometrical shape like a rectangle, allowing you to capture a little of the flavor of Wes Wilson’s Fillmore West poster using only a word processor. We have also included a number of shapes for use as spacers and endcaps. If you have a drawing program that allows you to edit an ‘envelope’ around the letters to distort their shape, you can really get creative. I used Corel Draw for the gallary images, but there are other programs that can accomplish the same thing. The image file “roller_poster_keys.jpg” shows the complete character set with the keystrokes required for each character (see “HiH_Font_readme.txt” for instruction on inserting the non-keyboard characters). The file “roller_poster_widths.jpg” shows the exact width of each character in EM units (based on 1000 units per EM square). You will notice that the font is set wide for readability. However, most programs will allow you to tighten up on the character spacing after the manner of Roller & Wilson. In MS Word, for example, go to the FORMAT menu > FONT > CHARACTER SPACING. Go to the second Drop-Down Menu, labeled ‘Spacing’ and select "condensed' and then set the amount that you want to condense ‘by’ (key on the little arrows); two points (2.0) is a godd place to start. Let your motto be EXPLORE & EXPERIMENT. Art Nouveau has always been one of my favorite movements in art -- I grew up in a home with a couple of Mucha prints hanging on the living room wall. Perhaps because of that and because I lived through the sixties, I have enjoyed researching and designing this font more than any other I have worked on. Let’s face it (pardon the pun), Roller Poster is a FUN font. You owe it to yourself to have fun using it.

Ready for Anything BB is a classic comic book lettering font designed with a Speedball C-6 pen nib, giving it supremely versatile letter-forms to complement any comic book art. As if that weren't enough, it also features contextual alternates that swap through six versions of every letter, three versions of every number, exclamation point, and questions marks. It also automatically corrects errant serif-I, and creates a bouncy baseline for any more than three consecutive letter!

Samuel Welo was a sign painter who had published in the 1920s and again in 1960 his “Studio Handbook – Letter and Design for Artists and Advertisers”, prolifically hand lettering all of the type style examples within the pages of the publication. In 1930 Welo also published “Lettering - Practical and Foreign”. From this book comes a thick-and-thin hand lettered Art Deco alphabet – now available digitally as Sightseeing Tour JNL in both regular and oblique versions.

A font perfect for not just one, but many projects! Introducing Oceanwide Pro, a sans that loves to be used in just about any situation! Designed with ultra clean lines and versatility in mind, Oceanwide wants to be your new favorite sans! Oceanwide’s ultra clean letters work anywhere you want to communicate orderliness and competence, and designed to build trust and rapport with your audience. Its wide proportions make it ideal for display and logo use. Oceanwide especially shines for white/bright letters on black/dark backgrounds! That’s because the inside shapes are nearly perfect circles in many weights. Here's a quick video tour of Oceanwide Pro by Dave Lawrence, including all the great things Oceanwide can be used for! We've tested Oceanwide for these industries, with stunning results!: Tech Arts Fashion & Style Business & Branding Corporations Logistics Architecture Food and many more... Oceanwide can be used for: Headers Subheadlines Logos Even body text, if tracked. Print & Screen The styles it can take are also many. It's great for: Modern/minimalist design Flat design Cut out design User Interface (UI) Technical designs In combination with text effects, even for grunge and other situations. And many others... DESIGN FEATURES Simplicity Tall x-height Hand-sloped obliques (italics) Narrow spacing Semi-wide proportions Expert kerning Well proportioned, usable lights & extra lights Large caps Great ALL CAPS MODE Uppercase punctuation Uppercase spacing with California Type Foundry’s Smart Tracking™ Advanced fraction support Proportional lining figures Thick joins Smooth curves Sturdy—great for textures and effects Variable font available Latin Pro character set for Central European languages. That's the writing for over 782 languages and transliterations worldwide! DESIGN STORY—THE FORGOTTEN SANS by Dave Lawrence, Lead Designer, California Type Foundry Adrian Frutiger was the 20th century master of sans, but I didn't realize he had made—not one—but TWO geometric sans! It wasn't until I had purchased the book “Adrian Frutiger: Typefaces”. I had hoped to someday meet Adrian Frutiger, but he passed away that very same year. Here is the story of Frutiger's forgotten sans. Back in 1968, Frutiger was approached by Pentagram to make a design for British Petroleum. They wanted a "new version of Futura". However, they wanted him to make a couple adjustments. First, they felt that Futura was "too fiddly." By this, they meant that it narrowed too much at the joins. (Joins are for example where the round and straight parts of the 'd' meet.) This is something that is necessary for small print text (to prevent ink clogging), but is not necessary at large sizes. Second, they wanted it to be entirely geometric, using the circular shape with minimal optical corrections. Unfortunately this font was not even used very consistently in the BP brand. A haphazard mix of Futura and Frutiger's BP font ensued. It was then replaced by another font design very soon after. My design is different in several ways. First, the commas and quotes are a more modern style. I tried his original commas, but these just didn’t work to 21st century eyes. Second, in his drawings, Frutiger went for a more standard u with a downstroke on the right. However, Oceanwide has a simpler u. Third, I made more optical adjustments. At the direction of his employer, Frutiger reluctantly put no font optical corrections into the letters. So I think my optical adjustments are similar to what Frutiger would have wanted. Fourth, I extended the weight into the light and extra light ranges. Fifth, the rest of the font I created according to the principles of Adrian Frutiger, but with no sources for inspiration. Here is Frutiger’s design philosophy, in his own words: “If you remember the shape of your spoon at lunch, it has to be the wrong shape. The spoon and the letter are tools; one to take food from the bowl, the other to take information off the page... When it is a good design, the reader has to feel comfortable because the letter is both banal and beautiful.” The words about the spoon were the ones I kept in my mind as I tried to make the curves ultra smooth, and the shapes ultra simple. Hopefully this font is a worthy successor to the font that inspired it. Released on the 93rd birthday of Adrian Frutiger, to celebrate the life and achievements of this amazing designer. ——————— Simplicity. Versatility. Oceanwide.

We are pleased to present Akageeh Retro Condensed Sans, a contemporary, elegant, and bold font. Your projects will have a timeless, refined, and contemporary feel thanks to this font. This font is excellent for branding and logo design. Akageeh is a lovely option to add elegance to your designs because of this font’s special qualities, which include ligatures, alternatives, and many others. You can play around with this font easily to produce fancy designs. What’s Included : - All glyphs to fulfil ISO Latin 1 - Alternate, ligatures - Simple installation - We recommend using applications supporting OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include multilingual support

Introducing Glaudia Script, a smooth, elegant typeface with ligature and alternatives to authentic handwriting nuances. Glaudia Script comes with Regular, and looks great on business cards, envelopes, logos, signage, greeting cards, wedding materials, packaging, and more! Simple for a polished contemporary style. No special software is needed to use Glaudia Script, although the Fly Panel or Character Map is very helpful in accessing alternative glyphs. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions. There are several additional ways to access alternatives / swashes, using Character Maps (Windows), Nexus Fonts (Windows), Font Books (Mac) or software programs such as PopChar (for Windows and Mac).

Sadigu san serif is a unique font family that can help you stand out from the rest. Every style in this impressive collection is made to help you get the most out of your designs: advertising, posting, and many other creative projects are all made easy with this beautiful typeface. This font can be easily optimized for any project or client thanks to its many OpenType features and 18 different styles. With our newest font family, you’ll be able to create stunning looks in minutes. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.