Hadron is a fusion of gothic black letter and foundational letter forms. It has a heavy flat pen influence but is combined with more modern letter forms for increased legibility over that offered by black letter fonts. Unlike most black letter fonts, Hadron can be set all caps using the first level of caps. A basic design kernel based on the caps “O” and “H” was created first. These letter forms consist of an interplay between curves and straight lines with abrupt transitions and also possess some of the geometric crispness of a modern sans serif. The rest of the Hadron font was developed around this “O” and “H” kernel. This font could be used for any application requiring a formal black letter or foundational lettering look. Hadron could also be used for invitations, brochures and posters. The first level of caps and lower case is basic enough to set a large body of text. It could also be set all caps at that level.

Features: Chella Lyfe Print: Uppercase letters, numbers, & extended punctuation We Offer Non-English support for the international designer as well Same stroke thickness with each font, so you don't need to make any time-consuming adjustments to get it looking right! This is such a fun new display font, perfect for creating quotes, logos, or just adding a hand-written touch to any project! While other fonts usually take some size adjusting to look just right, The ChellaLyfe variations in stroke thickness for upper and lower case fonts, so you can so it can display creativity and life in every stroke! Each font also has alternates for each letter, so when you type uppercase or lowercase for each font, the letters will change slightly. For example, tying in all caps with the Script font will connect each letter, whereas typing all lowercase will disconnect each letter.

Highand – Gothic Font A Font of Horror Highand – Gothic Font encapsulates the essence of terror, designed meticulously to send spine-tingling shivers down your spine and evoke chilling emotions. Dreadful Display Furthermore, Highand’s unnerving aesthetics deliver an atmosphere of dread, creating an unforgettable and unsettling experience for your audience. It’s the perfect choice for spine-tingling displays that demand immediate attention. Terrifying Typography With every character, Highand conjures a feeling of impending doom. Its jagged edges and macabre curves create a nightmarish impression that lingers in the mind. Ideal for Horror-themed Projects Highand is tailor-made for horror-themed projects. Whether it’s for spine-chilling horror movie posters, eerie Halloween invitations, or haunting haunted house flyers, this font sets the eerie tone with sinister grace. In Conclusion Highand – Gothic Font is your sinister accomplice in design, evoking fear and suspense with every meticulously crafted letter. Embrace the darkness and plunge your audience into an abyss of fear. Make your displays truly terrifying with Highand’s chilling presence, ensuring an unforgettable and spine-tingling experience that leaves a lasting impression of horror.

Free interpretation of the classic Gothic Tuscan 1, by William Hamilton Page.

Civic Triline was inspired by a beautifully lucid (and hand lettered) example of municipal signage. It is a clear and easy to read sans serif display face, constructed of one thick and two thin lines. Civic Triline is an ideal typeface for making stylish signage or lettering posters with a modern yet distinctive look.

Wolfram is a bold display font based on an Art Nouveau type design from Germany. It features very thick letter forms with gnarled edges simulating antique printing, though the letter forms are stylish and rather modern looking. It's a striking font - excellent for buttons and other places you want to provide some strong emphasis.

Samuel Welo was a sign painter who had published in the 1920s and again in 1960 his “Studio Handbook – Letter and Design for Artists and Advertisers”, prolifically hand lettering all of the type style examples within the pages of the publication. In 1930 Welo also published “Lettering - Practical and Foreign”. From this book comes a thick-and-thin hand lettered Art Deco alphabet – now available digitally as Sightseeing Tour JNL in both regular and oblique versions.

Celadon is a Modern Calligraphic Script Font based on letters written with a pointed pen. Celadon is an elegant font with high contrast between thick and thin lines. It has a slightly bouncy style butcan still be considered a balanced and classic font. The flourished alternate letters adds that little extra touch to your invitations and projects. All the letters, both uppercase and lowercase has one or more alternate letters. The alternate letters are available also for all the diacritics. Multilingual support for all European languages.

Bandes is a bold, thick lettered, retro styled display font. Whether you use it for cartoon related designs, children games or just any creation that requires a lovely touch, this font will be an amazing choice.

ID Monotrap is a display monospace typeface, specifically designed with equal width for each letter across the glyphs set. With mono weight, maintaining consistent stroke thickness throughout its parts, giving it a distinct and modern aesthetic.

French Wine JNL is an Art Deco thick-and-thin type design based on the hand lettering from a vintage poster for Monarch Cabernet Sauvignon wine. The typeface is available in both regular and oblique versions.

Thanks Friend is a beautiful script font with thickness suitable for greeting card designs, invitations, t-shirt sublimation, event lettering, and crafts. This font features a lovely swash in all lowercase and several ligatures and alternatives.

Roxy Vp comes in bold, its a cool, robotic and thick lettered display font. This font is ideal for writing web designs, business cards, or pretty much anything else that requires a modern and techno touch.

The German designer Emil Rudolf Weiss originally created Weiss Rundgotisch for the Bauer typefoundry in 1937. In their catalog for the typeface, Bauer began with this quote from Leonhard Wagner: The round gothic (rundgotisch) script is the most beautiful kind of script; she is called the mother and the queen of all the rest." While designing Weiss Rundgotisch, Weiss was inspired by Renaissance types cut by the Augsberg printer Erhard Ratdolt. Ratdolt had spent some time in Venice, which is most likely where he became familiar with round gothic letters. This sort of letterform was never as popular in Germany as Fraktur or Gotisch may have been, but round gothic types were used there for centuries to represent arts and craft feelings, as well as old-fashioned handwork. For a blackletter typeface, Weiss Rundgotisch is very similar to normal serif and sans serif designs, especially its uppercase letters, which seem to have some uncial influence in them as well. Therefore, Weiss Rundgotisch is more legible for contemporary readers, making this an excellent choice for anyone looking to set text, logos, or headlines with in blackletter. Weiss Rundgotisch was apparently quite a difficult typeface to design, even for a master designer like Weiss. He began work on the face in 1915; Weiss Rundgotisch's development took over 20 years to complete."

Angars Runes is a Middle Age style rune typeface. With engraved letterforms and gothic curves, this font is the perfect addition to a medieval project. The font was drawn and created by Måns Grebäck in 2019. Use the symbols plus + period . multiply × colon : for decorative separators. Angars Runes contains all characters you will ever need, as well as numerals and alternate letters. This is a font with multilingual support.

Ledbury is a calligraphic display face, inspired by hand lettered specimens and combining Roman and Blackletter elements. It is designed with an extensive range of ligatures and stylistic alternate forms to preserve that hand written look. Use Ledbury for posters and banners, whether you need an Elizabethan touch or a hint of the Victorian Gothic Revival. A typeface Mr Augustus Welby Northmore Pugin would be proud to employ!

Mystery Show JNL was modeled after the hand lettered titles found on various early episodes of the 1950s TV suspense program "Alfred Hitchcock Presents". The design emulates characteristics found in Frederic W. Goudy's Copperplate Gothic [a sans serif of equal stroke weights with tiny spurs added], but is considered a serif font by the addition of the spurs. Mystery Show JNL is available in both regular and oblique versions.

In the MacKellar, Smiths & Jordan type specimen book of 1892 are examples of Lining Gothic Extended, a wide sans serif typeface. A lining font has the numerals aligned with the capital letter height, rather than following the “Old Style” method of smaller figures that could also descend below the baseline. Order Form JNL is the digital version of this design, and is available in both regular and oblique versions.

Want to go bold with a classic and elegant look? Introducing Wukang Blackletter font. Our latest gothic font evokes confident elegance with striking details on each side of the lettering. This font can be used in a variety of projects to create a vintage and elegant style. Use it to enhance visual projects, titles, or banners, packaging with a bold classic look that exudes style, elegance, and strong personality.

Backbone is a unique blackletter font. It’s suitable for use in various projects such as gothic letters, tattoos, headlines, posters, magazines, newspapers, t-shirts, labels, and any other designs that you wish to create. Get inspired by Black metal and It will add an edgy feel to any crafting project! Bold and spooky, Ideal for any October project or Halloween party, this font will become your top choice in no time!

Introducing our newest gothic font called WAXEN, presenting a vintage and elegant style. With a classic Roman typeface, this font evokes confident elegance with striking details on each side of the lettering. This font can be used in a variety of projects to create a vintage and elegant style. Use it to enhance visual projects, titles, or banners, packaging with a bold classic look that exudes style, elegance, and strong personality.

Within the pages of “The Essentials of Lettering” by Thomas E. French and Robert Meiklejohn (circa 1912) is an example for creating a sans serif alphabet and numerals. The lesson plate is entitled “Upright Single-Stroke Gothic”; a basic monoline font most useful for architectural and drafting plans because of its easy-to-read properties. This type design is now available as Drafting Class JNL, in both regular and oblique versions.

Caster is a thick poster script, created by Måns Grebäck during 2019. It is a high quality typeface and has energetic, drama-filled letter forms. It contains all necessary symbols and supports a wide range of languages.

Mahgin is a bold and thick lettered serif font. Fall for its assertive style and use it to create distinct designs. This font is PUA encoded which means you can access all glyphs and swashes with ease!

A couple of pieces of sheet music from France [circa 1925] offered the inspiration for Chanson De Paris JNL (Song of Paris), which is available in both regular and oblique versions. This hand lettered Art Nouveau style features a unique take on thick-and-thin lettering which foreshadows the Art Deco typefaces to come during the 1930s.

The hand lettered title found on the 1938 sheet music for "I Haven't Changed a Thing" is a condensed Art Deco thick-and-thin sans serif with rounded corners. Reminiscent of office door and similar signage, this classic bit of lettering from the past is now available as Personnel JNL in both regular and oblique versions.

Spirrevip is for that moment when you need something legible, organic and obviously handmade at the same time. The letters are straightforward, yet variable in thickness of strokes, height and width. Spirrevip is definitely playful and serious at the same time. I have added 5 slightly different versions of each letter, and they automatically changes as you type!

The hand lettered film credits for 1937’s “Make Way for Tomorrow” were done in a sans serif design with an ever-so-slight flare and a slightly semi-calligraphic look. Unusual in both style and varying character thicknesses, the lettering has been digitally redrawn as Retirement JNL, which is available in both regular and oblique versions.

The Metalista font was created as a sign of undying admiration for the persistence of heavy metal culture. The angled font of almost fixed width proportions combines capitals with small letters for more variety and better definition of individual letters. Stressing the horizontal strokes subdued the historical Gothic character and emphasized a more modern signature, which is far different from the majority of current attempts at a modern adaptation of Fraktur fonts. We offer Metalista in three styles, or rather widths to be exact: Speed is inspired by the whiplash pace of 70s and 80s speed metal, and can tell and perform a lot even in a very small space; uncompromising Death balances on the fine line between expression and readability; and Metalista Black is the universal go-to, whether as megalomaniacal titles sprawled across the entire LP cover or as tiny texts for glam rock CD booklets.

The Engraver’s Square Gothic—like its rounder cousin, the engraver’s sans serif, Sweet® Sans,has been one of the more widely used stationer’s lettering styles since about 1900. Its minimal forms, made without curves, were popularized long ago by bankers and others seeking a serious, established feel to their stationery. One might argue that the design is a possible precursor to Morris Fuller Benton’s Bank Gothic® typeface. Sweet® Square is based on antique engraver’s lettering templates called “masterplates.” Professional stationers use a pantograph to manually transfer letters from these masterplates to a piece of copper or steel that is then etched to serve as a plate or die. This demanding technique is rare today given that most engravers now use a photographic process to make plates, where just about any font will do. But the lettering styles engravers popularized during the first half of the twentieth century remain both familiar and appealing. Referencing various masterplates, Mark van Bronkhorst has drawn Sweet Square in nine weights. The sources offered just uppercase, small caps, and figures, yet similar, condensed examples had a lowercase, making it possible to interpret a full character set for Sweet Square. Italics were also added to give the family greater versatility. The fonts are available as basic, “Standard” character sets, and as “Pro” character sets offering special characters, a variety of typographic features, and full support for Western and Central European languages. Sweet Square gives new life to an uncommon class of typeface: an early twentieth-century commercial invention that brings a singular verve to modern design. Its unique style is as useful as it is novel. Bank Gothic is a registered trademark of Grosse Pointe Group LLC.

The Engraver’s Square Gothic—like its rounder cousin, the engraver’s sans serif, Sweet® Sans,has been one of the more widely used stationer’s lettering styles since about 1900. Its minimal forms, made without curves, were popularized long ago by bankers and others seeking a serious, established feel to their stationery. One might argue that the design is a possible precursor to Morris Fuller Benton’s Bank Gothic® typeface. Sweet® Square is based on antique engraver’s lettering templates called “masterplates.” Professional stationers use a pantograph to manually transfer letters from these masterplates to a piece of copper or steel that is then etched to serve as a plate or die. This demanding technique is rare today given that most engravers now use a photographic process to make plates, where just about any font will do. But the lettering styles engravers popularized during the first half of the twentieth century remain both familiar and appealing. Referencing various masterplates, Mark van Bronkhorst has drawn Sweet Square in nine weights. The sources offered just uppercase, small caps, and figures, yet similar, condensed examples had a lowercase, making it possible to interpret a full character set for Sweet Square. Italics were also added to give the family greater versatility. The fonts are available as basic, “/fonts/sweet/square/” character sets, and as “Pro” character sets offering special characters, a variety of typographic features, and full support for Western and Central European languages. Sweet Square gives new life to an uncommon class of typeface: an early twentieth-century commercial invention that brings a singular verve to modern design. Its unique style is as useful as it is novel. Bank Gothic is a registered trademark of Grosse Pointe Group LLC.

Franklin Ave. is a condensed sans serif in the style of the classics Franklin Gothic and News Gothic. Nostalgic and gives a great vintage feel. It's bold and comes in two styles: Regular and Oblique. Franklin Ave. is best used in headlines and large formats or in logos or branding.

Based on an example of [circa] 1950 Finnish embroidery lettering, Evening Out JNL is a classic Art Deco design with contrasting thick and thin lines. This elegant and stylish typeface is available in both regular and oblique versions.

Artisan Roman is one of 10 typefaces in the Engravers 1 volume. Artisan Roman is designed to give a three-dimensional look. The Artisan Roman font has highlights on the thick strokes giving the letters a raised appearance.

Negoka is a cool and thick lettered display font. It is PUA encoded which means you can access all of the glyphs and swashes with ease! Add it confidently to your projects, and you will love the results.

Sagha is a retro styled, thick lettered handwritten font, crafted to give your headlines and logotype projects a stylish touch. This font reads as strong, confident, and dynamic and can add tons of nostalgic character to your designs

Yonkers a classic gothic face a very legible face. Very suitable for various applications.

A mild grunge, a simple distressed gothic with just enough roughness to be cool.

Hermit was born like a modern and personal reinterpretation of Gothic-style alphabets, where improvisation and personal taste have led the design towards a new aesthetic mix between gothic and modern typefaces, creating new glyphs with tweaked strokes to achieve a good level of legibility. Hermit is a modern gothic font designed for brave designers and for epic designs, available in three weights and variable fonts. It is good to use for Branding and Editorial projects with texts not too small, Advertising, Packaging, Labeling, and Book or Magazine titles.

Features: Palmer Lake Print: Uppercase letters, numbers, & extended punctuation Palmer Lake Script: Lowercase letters, numbers, & extended punctuation Non-English support for the international designer Same stroke thickness with each font, so you don't need to make any time-consuming adjustments to get it looking right! Palmer Lake Print (uppercase font) letters are the same height as the Script lowercase letters, so making quotes is super easy! This is such a fun new duo, perfect for creating quotes, logos, or just adding a hand-written touch to any project! While other fonts usually take some size adjusting to look just right, Palmer Lake duo has the same stroke thickness for both fonts, so you can set each font to the same size and you're done! Plus, the uppercase letters of the Print font are the same height as the lowercase letters of the Script font (see the samples), so lining them up with one another is a breeze! Each font also has alternates for each letter, so when you type uppercase or lowercase for each font, the letters will change slightly. For example, tying in all caps with the Script font will connect each letter, whereas typing all lowercase will disconnect each letter. Test it out for yourself in the box above!