Around 2018 or 2019, the State of Florida introduced new letter and number characters on its auto plates. Inspired by this change, Jeff Levine Fonts offers up a digital version of this lettering named New Car Tag JNL, which is available in both regular and oblique versions (for those who want a more sporty look). Some people prefer a rounded 'zero' to differentiate between the regular zero and the letter 'O'. You can find this alternate character located on both the solid bar and broken bar glyphs.

Aaaaand here it comes! New sans serif typeface NORTH STAR. Pure geometric forms – this is what makes these fonts look so special. Ad materials, logos, posters and so on so on. The font comes in Regular and Bold, both are Latin multilingual and have uppercase letters, lowercase letters, numbers and basic punctuations. Thanks to its geometric shape you can also make an additional effect with combining different colors in the one letter and adding shades. Its easily done in AI after you convert your text to outlines.

Tisdall Script is based upon the brush-drawn script lettering of Hans Tisdall, who was the designer of many distinctive lettered book jackets for Jonathan Cape in the 1950s. Michael Harvey, also a designer of lettered book jackets, long admired Tisdall’s style and so, with the blessing of his widow, designed this typographic tribute. The augmented Tisdall Script Plus version, has many alternative characters and ligatures, together with Opentype features, to enable their automatic substitution where the application in which they are used permits.

Pich is a typeface that imitates vivid and free hand-drawn lettering. Each lowercase letter has three alternates and Contextual Alternates feature substitutes them producing random-like effect. Also you can choose required letter from the Glyphs palette. In addition to this Pich has a set of ligatures (both Latin and Cyrillic). All these features allow Pich to look hand-crafted, unique and natural. The font was initially created for Pichshop company. Pich was selected among Top-100 of Russian design (2010) according to the Kak magazine.

ITC Serengeti is a font of narrow, high reaching capital letters designed by Bob Alonso in 1996. In the form of small caps, the letters combine to make words. This font is at the same time modern and nostalgic, with letters like N and M being reminiscent of those on posters in the 1920s. One can also interpret this small caps alphabet as one influenced by the Jugendstil. ITC Serengeti should be used only for headlines and display in point sizes of 18 or larger.

The Raleigh Hotel at 18th Street and Collins Avenue on Miami Beach is an Art Deco landmark and part of the city's popular tourist district. A vintage matchbook from the hotel had its name hand lettered in what is now Beachfront Hotel JNL; available in both regular and oblique versions. The lower case letters have been made more traditional, eliminating the Deco-influenced "overhangs" present on the capital letters, and an alternate "E" from the original matchbook design is available on the bar and broken bar keys.

Racoste is a retro vintage lettering font style. Use this display font to add that special retro touch to any design idea you can think of!. Equipped with all complete characters ranging from uppercase letters, lowercase letters, numbers, punctuation marks and multi-lingual support, this font is ready to be used in any project. Very suitable for logotype, Stickers, Packaging design, Cricut Project, headlines, brand identity, t shirt or apparel industry, posters, magazines, books, YouTube, Instagram, websites, or any of your creative design projects. Enjoy!

Avaleigh is an elegant high-end serif fonts family in 3 styles. Avaleigh is a tall narrow serif font with an impressive appearance. Each letter is carefully crafted which will give the impression of an extraordinary visual experience. Avaleigh font can help you complete various projects such as brand logos, headlines, products, social media posts, web and much more. Avaleigh fonts feature opentype, kerning, ligature and alternate packed in 3 styles: Light, Regular and Bold. Avaleigh fonts include uppercase letters, lowercase letters, numeral, punctuation and multilingual support.

Baguet Script is a modern brush script family. It has three weights in italic and upright styles. The letters has soft terminals and slight bounce. Baguet Script has two sets of uppercase letters, one is more simple and the other is flashier. It has also three different types of matching initial and end swashes for lower case letters and multiple options for ascenders and descenders. So if you are looking for soft, friendly and modern script with lots of options and versatility check Baguet Script.

Changing Times JNL was inspired by the hand lettering on the cover of the 1929 sheet music for "Wedding Bells (Are Breaking Up that Old Gang of Mine)". While the font’s name is an extremely vague reference to the subject of the song itself, it also represents the fact that the lettering style (still reflecting some Art Nouveau influence) welcomes the dawning of the Art Deco movement with the thick-and-thin line letter forms. The type design is available in both regular and oblique versions.

This Alfatih font is inspired by calligraphy writing, with modern classic characters. We can use this font for calligraphy book writing, Quran cover writing, film titles, t-shirt designs, magazine titles, web, posters, book titles, logos, country names, brands, billboards. Alfatih font, offers you: 1. Uppercase characters (All uppercase letters, 4 models) 2. Ligature (22 two-letter characters) and Alternate Styles 2. Ligature (8 characters three letters) with alternative styles, we can use it for logos 3. Multilingual Support (Europe Latin West), Numbers and Punctuation

The FiveOh fonts are caps-only with extreme contrast.. They are decorative or display fonts with a carefree, wobbly look. FiveOh-One and FiveOh-Shadowed contain the same set of letters on upper and lower-case keys. FiveOh-Two, Three, and Stars contain different interior decorations on upper and lower cases. Thus there are eight different sets of letters in the five typefaces. FiveOh-One can serve as a base layer with the other four fonts layered on top of it to give letters with two colors.

Transitional serif font inspired by the italian’s lettering tradition, in particular by the street sign letters you can find around Florence. All elements are designed to be elegant and easy-to-read, even in a long blocks of text. -- The HT Fera Text is freely inspired by the typographical tradition of Florence's municipality and its streets. Letters shape, contrasts, junctions, stems, teardrops, they are all the result of careful research carried out on the Dante's streets, redesigned in a contemporary mood. -- hype-type.com / kidstudio.it

Hello! We introduce our product called Allison Dream. The Allison Dream font is a modern Hand lettering. We give you a swash to make your design look more awesome. Allison Dream font is great for logotype, Branding Design, Logo Design, Digital Lettering Arts, T-Shirt/Apparel, Poster, Magazine, Signs, Advertising Design, wedding invitation and any hand lettered needs. Allison Dream font Features : Upper and Lowercase Standard Characters, Punctuation, Numerals and Multilingual. PUA Encoded Characters – Fully accessible without additional design software. Ligatures and Stylistic Alternates.

Inspired by an Austrian artist Erwin Wurm's Fat series, Erwin is a typeface that evokes visual associations of overeating letters, giving the impression of letters on the brink of bursting. This design seamlessly combines an analog sensibility with a bold touch. Erwin is a typeface with a sense of fragility and vulnerability, deeply rooted in analog emotions. Each character is not derived from a model but crafted through a hand-drawing process, making every letter a unique and independent form. This approach reduces regularity between characters while preserving their artistic qualities, resulting in an unconventional letter flow. Erwin underwent a handwriting process but doesn't exhibit an overtly hand-drawn style. Instead, it is a unique display typeface, featuring artistic, comic-style, and humorous elements.

Introducing a new retro font called “Billy Sham“. Inspired from retro typography and lettering in the 70’s and 80’s combine with bold typography style. With a total of 534 glyphs with 359 alternate, you can make letter combinations for lettering with a lot of options. Come with open type feature ( a lot of alternates and end swash), its help you to make great lettering. Billy Sham best uses for Logotype, heading,cover, poster, logos, quotes, product packaging, header, merchandise, social media & greeting cards and many more. This font is also support multi language. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw.

Monogramma is a set of 676 beautiful and unique Monograms plus some doubles. There is one monogram for each possible letter-combination! For easy use I packed the monograms in 13 packets. One for two starting letter each. So if for example you look for the monogram "GW", you must choose the packet "Monogramma-GH" -- the G-combinations under the uppercase letters. You now have to type a capital "W" and Bingo you have the combination GW! Some letter-combinations have doubles, just check the numbers 0 to 9 if there is anything to be found. If you buy the whole set of monograms you get the basic font free of charge! Your long-distance (this was a lot of work) font-designer Gert Wiescher

Introducing a new retro font called “Curly Keken“. Inspired from retro typography and lettering in the 70’s and 80’s combine with bold typography style. With a total of 534 glyphs with 359 alternate, you can make letter combinations for lettering with a lot of options. Come with open type feature ( a lot of alternates and end swash), its help you to make great lettering. Curly Keken best uses for Logotype, heading,cover, poster, logos, quotes, product packaging, header, merchandise, social media & greeting cards and many more. This font is also support multi language. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw.

These letters were created directly by my wife's hand, then I processed it into a vector and turned it into an aesthetic font, i.e. Double Fresh handwritten font. Handwritten like a note, this font features all caps, with three variations of each letter, and lots of ligatures for a natural imperfect look. It's perfect for that hand-lettered social media quote, logos, or adding a handwritten touch to any project. Mix & match the stylistic alternate or ligature, so that you’ll have lots of different letters for that unique look & feel! What’s included: ALL CAPS LIGATURES STYLISTIC ALTERNATE MULTILINGUAL SUPPORT NUMBER & PUNCTUATION Have fun creating with this brush font and let me know if you’ve any wish, suggestion or feedback 🙂

The source of inspiration for MFC Patisserie Monogram is a letter set from the book, "Letters and Lettering" by Paul Carlyle & Guy Oring, published in 1938. This elegant decorative style was shown as Capitals & Numerals only, but we've expanded it out to include Capitals, Smallcaps, Numerals, an Ampersand, and ornamental parenthesis, brackets, and braces. MFC Patisserie Monogram can create one, two, or three letter monograms as well as basic headline and titling settings. It is a refined look that is as darling as it is delicate. The numeral set and bullet dividers allow for more detailed and personalized monograms. If you want an even more customized look, you can add any of a handful of brackets, braces, or parenthesis to surround your monograms in a complimenting style.

Bannetters (Banner Letters) was designed to alternate two letter sets. Both sets are formed on parallelograms, with one set of parallelograms sloped upward to the right and the other sloped downward to the right. When alternated, the result is a zigzaggy line of text. In applications that support the OpenType feature contextual alternatives (calt), the two sets of letters are automatically alternated. The Bannetters family has two styles, one with straight outer edges and the other that rounds these shapes for letters that have curved exteriors. Both styles are largely monospaced and monoline (not to mention weird, strange, and unusual). The tiling pattern of text created by Bannetters makes it attention-grabbing and appropriate for signage, posters, advertising, and other uses where eye-catching text is desired.

This unassuming sans serif, lettered by Toronto based artist Lisa Mavian of Post Calligraphy, is loaded with robust and charming features and illustrations. OBSERVATIONS Specimen IV is a clean, hand-lettered sans with a quirky personality that does not take itself too seriously. These humble and winsome characters are sure to be a winning addition to your flock of fonts! DEFINING CHARACTERISTICS OpenType programming, formal title & preposition word art, Roman numerals, old-style numerals, realistic double-letter ligatures, complete set of swashed uppercase alternates, select swashed lowercase alternates, complete set of swashed numerals, select swooping descender alternates, 7 complete sets of alternate uppercase letters, 52 graphic iconography alternates. POTENTIAL SIGHTINGS Wedding menus, signage, logo design, chocolate packaging, children's literature, mobile apps.

Introducing Auteur, a graceful, full-featured script font with tons of alternate characters and OpenType features. Hand-lettered with a heavy right slant and realistic disconnected letters (connected versions also included), Auteur’s casual elegance is particularly well-suited to invitations, branding, and editorial design. Auteur comes with more than 1200 glyphs! Specific OpenType features include contextual alternates, stylistic alternates, optional initial and final forms, multiple alternate glyphs for many letters (accessed through the glyphs panel), multilingual support (including multiple currency symbols), ligatures, multiple numeral forms (standard, tabular, proportional oldstyle), and ten ampersand styles. Perhaps the most fun thing about Auteur is that it includes multiple versions of all ascending and descending letters, making it lots of fun to play with layouts and compositions.

Warning: works with contextual alternate-feature, which is not showing here. Covergirl is a script typeface that works all by itself. It has a very high contrast, but works also in smaller sizes. It is a display typeface. Covergirl is based on handwriting. The basic shapes are transformed to a very high contrast strict form and the hairline runs through the words in an amusing lively way that simulates the writing by hand. Its scandinavian designed handwriting, decorated, but also very minimalistic. While writing the letters will be substituted by one of the variations of the letter, that will make sure that the letters connect well. When writing in only UPPERCASE a much more simple letter shape will substitute the default.

Idiom is an extra-condensed, tightly spaced display face with congruent forms exuding a strong sense of rhythm and elevation. The basic stenciled geometric shapes are reminiscent of the decorative style found with P22 Albers and Futura Black. Careful consideration of each letter's construction, relative to all characters, lends Idiom a decided sense of cohesion and sophistication. The included non-traditional 'weights' (Medium and Bold) are completely blacked out, creating entirely new letterforms that exhibit a very stark, contemporary sense. Increasing the versatility of the Idiom family, a selection of OpenType features allow access to a set of contrasting linear punctuation forms, unconventional ligatures, case-sensitive punctuation and more. Features include: Basic Ligature set including 'f' ligatures (ae, oe, fi, fl, ff, fh, fj, ft, fa, ct, st, rt, ot, ta, sa, mi, si, vi, su, oc, oo, ru, ib) Alternate characters (M, W, T, ß, _, $, @, (), {}, [], /, \, |, -, –, —, +, -, ±, ≤, ≥, , «, », and more) Case forms (shifts various punctuation marks vertically to a position that works better with all-capital sequences, in this case the numerals or letters with ascenders) Slashed zero Full set of numerators/denominators and superscript/subscript Automatic fraction feature (supports any fraction combination) Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

In 1939 the Stephenson Blake Company bought a very popular script called Undine Ronde and began marketing under the name Amanda Ronde. Although Undine/Amanda was quite popular and can be seen in many advertisements from the 1930s and 1940s, there seems to be no surviving record stating the original foundry or designer. We thought that six and half decades of dust layers over the once-popular typeface were enough, so here and now you have its complete and expanded digital incarnation, Adore. It is quite easy to see why this typeface was popular. A round script with graceful meaty curves is rarely found and can be used in plenty of applications. Wedding paraphernalia, chapter titles, posters, poetry, book covers, religious literature... you name it, Adore can fit it. Aside from its totality being unmatched by currently available designs, Adore also possesses some of the most unique and imaginative letter shapes. The narrow loops on the B, P and R, the minuscule-like Z, the looped b and d, the descending h... all these shapes contribute to a breathtaking and adorable calligraphic work unlike any other. The original design came in a basic alphabet, but we have updated it for current digital technologies, and expanded it to include plenty of alternates and ligatures, as well as some ornaments. The Postscript Type 1 and True Type versions come in two fonts, the second containing the alternates and extras, while the Open Type version is a single font containing all the alternates and extras in conveniently programmed features, easily accessible at the push of a button in OpenType-supporting software. We also encourage you to take a look at Typodermic's Mecheria font, which is further experimentation with the same letter forms, resulting in a quirky, friendly, curly, angular gothic-like creature.

Are you ready to bring some dark and edgy vibes to your designs? Look no further than the Hellfire Flames | death metal font! With its black fire-inspired design and brutal form, this font is perfect for adding a touch of darkness to your work. Hellfire Flames is a death metal font that embodies the essence of infernal power and brutal energy. The font's letters take the shape of black flames, with a raw and aggressive design that will leave a lasting impression. The font includes both uppercase and lowercase letters, as well as a range of symbols, numerals, and foreign language support, making it a versatile tool for any project. Hellfire Flames also offers an array of extraordinary and unique death metal ornaments. These intricate designs are perfect for adding a touch of dark ambiance to your project, and are sure to impress any fans of the genre. Hellfire Flames is perfect for anyone looking to add a touch of darkness and aggression to their design projects. It's especially well-suited for projects related to death metal, black metal, gothic, horror, and other genres of heavy music. This font is also great for creating logos, album covers, merchandise, and other graphics that need a raw and intense look. Its unique death metal ornaments make it a great choice for adding an extra level of detail and flair to your designs. So why settle for boring fonts when you can unleash the power of darkness with the Hellfire Flames? Get ready to create designs that are truly unforgettable and take your work to the next level! ——— Hellfire Flames features: A full set of uppercase and lowercase Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features +238 Total Glyphs +50 Death Metal Ornaments and Splatter included! ———

Sharp End fonts support Latin Based Languages only (see Tech Specs). Sharp End's creation is inspired by Gothic sharpness shape but only applied to the ends of normal letters. Make the font look beautiful and elegant, look as semi-serif, as calligraphic touch or others. The base of the Capital Characters is set a little bit lower than the small cases/lowercases. On small/normal size typing, the difference is less visible (obscure), but will be more visible/more clear as the typing set larger. Thus, Sharp End fonts will work well for both text and display. The fonts has also character variants. The character variations (in PUA) set in 5 stylistic sets ss01 ... ss05 (see Sharp End opentype features poster). So, these character variations will be easier accessible in more common application such as MS Words, Text Edit or the others. The glyphs may also be accessed via Character Map, Character viewer, insert character, insert symbol or other similar tools. You can use Sharp End for most of typing and design means such as: greeting, invitation, wedding and other cards; books, magazines, news, banners, logos, Pamphlets, advertising etc., for printing or digital/web display. As addition, with 3 weight variants, the regular will fit for longer text for normal use, while the bold and semi-bold is more suited for the covers, impressions, titling, Logos, design or other usage. With its smoothness curve and sharp ends, Sharp End will pairs well to most fonts of various kinds: Sans Serif, Serif, Handwritten, Scripts and others. As the example in one poster, Sharp End is paired with Astonice and Apresia Script (ornamented script font, one of the richest letter variations and ornaments). Thank you for visiting. Again, thank you very much for downloading this awesome fonts.

Monarda™ is Terrance Weinzierl’s take on the loud and splashy brush scripts of the 1950s. It’s energetic, playful, and equally at home in hardcopy headlines as it is in interactive banners. In addition to the basic alphabet, OpenType® fonts of Monarda are also awash in super-sized swash caps, contextual alternate characters and ligatures. Pair Monarda with a mid-century structural sans like Trade Gothic® or a sturdy slab serif like Egyptian Slate™ to create typographic counterpoint that’s confident, compelling and memorable! Named for a riotous bright red flower that attracts butterflies and humming birds, Monarda is a rare combination of flamboyance and effortless beauty. Weinzierl describes it as “casual yet precise: a stiff denim jacket or perfectly white sneakers at a formal event.” Monarda clearly stands out – and always fits in. Well, almost always. Drawn for print, the design’s robust x-height, open counters and wide apertures also make Monarda screen-friendly. Monarda can be perfect for a wide variety of food and lifestyle applications as well as travel, stationery and packaging projects. Advertising campaigns and product branding are also well within its reach. Monarda works best when used large – but economically. Two or three words are its sweet spot. Think: product name, print headline or the lettering on the side of a truck. It could easily become your go-to design for projects that call for a script with a bright personality and fearless demeanor. The excellence of Weinzierl’s work has been recognized by the Type Directors Club and Print Magazine. When not working on creating new typefaces, he augments his professional practice through calligraphy, lettering, and letterpress printing. Monarda is another winner from Weinzierl’s creative mind and talented hand.

Morris Fuller Benton, the principal designer of the American Type Founders, designed Mariage in 1901. Mariage, which has been sold under a plethora of different names during the last century, is a blackletter typeface belonging to the Old English category. The term blackletter refers to typefaces that stem out of the historical printing traditions of northern Europe. These letters, called gebrochene Schriften, or "broken type" in German, are normally elaborately bent and distorted. Their forms often print large amounts of ink upon the page, creating text that leaves a heavy, black impression. The Old English style is a subset of blackletter type that dates back to 1498, when Wynken de Worde introduced textura style printing to England. Continental printers had been printing with textura style letters since Gutenberg's invention of the printing press fifty years earlier. Italian printers stopped using them around 1470. For northern Europeans, texturas remained the most popular form of typeface design until the invention of the fraktur style in Nuremberg. Mariage is heavily classicized sort of Old English type. During the Victorian era, designers admired the Middle Ages for its chivalric, community-based values and its pre-industrial lifestyle. Yet they also found the basic medieval textura letterform too difficult to read by present standards. They desired to modernize this old style. Today, this sort of update is often referred to not as "modernization" but as classicism. Benton's design for ATF builds upon earlier Victorian classicist interpretations of Old English/textura letters. For an example of what these Victorian designs looked like, check out the popular 1990 revival of the genre, Old English . Old English style types often appear drastically different from other blackletters. For contrast, compare Mariage to a classical German fraktur design, Fette Fraktur , a schwabacher style face, or the popular early 20th Century calligraphic gothic from Linotype, Wilhelm Klingspor Gotisch . Especially in the United States, classicist Old English typefaces are thought to espouse tradition and journalistic integrity. These features, together with the inherent, complex beauty of Mariage's forms, make this typeface a perfect choice for certificates, awards, and newsletter mastheads.

Designed by Hans Samuelson in 2023. With two weights and many variations Klip Klop offers a large set of characters for playful lettering. The flavouring is strong avant garde and the build is strict geometrical with even stroke thickness throughout. One unusual feature is that the bottom and top horizontal strokes are centered on the baseline and capital height. This renders the same optical size between the thin and the medium but different actual heights and baselines. Use it for Headlines or signage in any medium! Klip Klop!

arlia Nephan is a beautiful script perfect for branding, wedding invitations, and other romantic projects. This love centered look makes it perfect for use in all your design projects be it logos, labels, packaging designs, blog titles, posters, wedding designs, social media posts, Instagram designs, etc. Font Features: Lowercase letters start and end swash up and down style 2 Styles Connect hearts Contains full set: -Uppercase -Lowercase -Alternative -Ligatures -Punctuation -Number -Multilingual support. I hope you enjoy this font. If you have any questions, feel free to message me :) Thank you for your purchase!

Sellomitha (Handwritten/Script) is made according to its name which symbolizes charm and charisma. She is glamorous and wants to be the center of attention.This font is readable, catchy, and easy to use. This font is suitable for quotes, logo designs, magazines, business cards, and many other design projects. Sellomitha is includes: - full set uppercase and lowercase letter; - numerals; - multilingual support; - large number of punctuations; - more than 30 ligatures, and swash. Please add this font as your favourite hit like button, or follow me. I'll very happy for that and appreciated it.

Smiling Cat is a cute little font. It is an adaptation of and older font of mine: Harimau Dua. I have had many requests for a bold version of Harimau, so I started working on it, changed a few glyphs, redid the kerning and cleaned it up. Rather than adding it as an extra bold style to my existing font, I thought it’d be better to launch it as a new one. Smiling Cat is handmade, cute and quirky, it would be ideal for Children’s Book Covers. Comes with a litter of diacritics.

This font was based on calligraphic letters I made with pen size 2B.

Juline has the character like a straight-based robot, mixed with curved letters.

A hodgepodge of hand lettering... Hodgepodge Handlettered is the sister font to Hodgepodge.

LD Castle is an antique-themed storybook font with stylized letters and numbers.

Those elegant nib strokes create this unique rhythm to this cursive hand lettering.

Black Mass is a black-letter / tattoo structure with a slight progressive edge.