An example from the vintage lettering book "100 Alphabets Publicitaire" ("100 Advertising Alphabets") provided the inspiration for French Lettering JNL. This stylized Victorian [or Western] type face evokes the era of fanciful lettering design from the late 1800s. Available in both regular and oblique versions.

Adhesive Letters JNL was drawn from sample letters and numbers once manufactured by the Tablet and Ticket Company of Chicago. Originally sold under the brand name of Willson's, these gummed letters were available in a number of styles and sizes.

The idea for Gummed Letters JNL came from an online auction of some foil-embossed gummed letters from the 1940s and 1950s. One particular set was of a sans serif face that hadn't been produced in decades, and Jeff Levine felt it was worthy of a digital treatment.

Linotype Syntax™ Letter is reminiscent of the style of the Roman Rustic capitals and is an earthy, almost snappy companion to the other Linotype Syntax™ typefaces. Instead of subtly expressing the rhythmic dynamism of handwritten letters, this face is more overt about its connections to writing movements, such as the lead-in and exiting terminals, and the organic branching of round strokes from main stems. Linotype Syntax Letter was designed especially for office communications, and it does add a warmer, more personal touch to such documents — while still combining nicely with the more formal Syntax relatives. With six weights, their matching italics, as well as small caps and old style figures, this typeface family has a total of 24 weights.

Letters and Lace is a replica of hand-crafted lace letters. Delicate and artistic, these letters will give warmth to any text. Comes with a full set of accented characters.

A vintage set of die-cut letters and number by Village Toys (circa 1930s or 1940s) featured a playful, bold serif typeface. This is now available digitally as Toy Letters JNL, in both regular and oblique versions.

An child's 3D block letters.

Cilcle TwoLetter Monogram Logo Font Family with OpenType magic that can adjust to front and back letters, there are 10 frame variations that you can access at numbers 0-9 how to activate it simply by adding a number in front of your initials, typing something (0AB - 9AB) it will automatically compose . you can use it on any Logo project it is perfect to add to your collection. Cilcle TwoLetter font FAMILY – includes 9 weights (Thin, Extra light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Black) : Cilcle TwoLetter Thin Cilcle TwoLetter Extralight Cilcle TwoLetter Light Cilcle TwoLetter Regular Cilcle TwoLetter Medium Cilcle TwoLetter Semibold Cilcle TwoLetter Bold Cilcle TwoLetter Extra Bold Cilcle TwoLetter Black Hope you enjoy. Intuisi Creative

Printed Letters JNL is from stamped impressions made by a children's sign making set by the Superior Marking Equipment Company of Chicago - circa the 1940's. The set consisted of individually mounted rubber stamps - easy enough for happy kiddies to print signs, name plates or (unfortunately for their parents) on the walls... Limited character set.

Mimeograph Lettering JNL is based on one of the numerous plastic lettering templates once manufactured by the A.B. Dick Company of Chicago and is available in both regular and oblique versions. The mimeograph utilized a porous drum which inked the backside of a waxed stencil sheet. Unlike traditional stencils which have cut out areas that are directly inked or painted, a mimeo stencil has the area to be printed scratched away by removing the wax coating with a stylus. The resulting image allows the ink from the drum to seep through the sheet and transfer to the blank paper. As with a companion font (Mimeograph Template JNL), the character shapes follow the routed letters of the template, complete with rounded terminals. A previous font release [designed with flat terminals and some alternate characters] is available as Interoffice Memo JNL.

A 1916 lettering book provided an example of a slab serif alphabet with Art Nouveau influence designed by Thomas Wood Stevens. This alphabet served as the model for Nouveau Lettering JNL, which is available in both regular and oblique versions.

In the 1909 edition of the Atkinson Sign Painters’ instruction books is an extra bold sans serif alphabet and numerals called “Advertisers’ Thick and Thin Plug”. This hand lettered display face is now available digitally as Sign Lettering JNL in both regular and oblique versions.

Pentagram TwoLetter Monogram Logo Font Family with OpenType magic that can adjust to front and back letters, there are 10 frame variations that you can access at numbers 0-9 how to activate it simply by adding a number in front of your initials, typing something (0AB - 9AB) it will automatically compose . you can use it on any Logo project it is perfect to add to your collection. Pentagram TwoLetter font FAMILY – includes 9 weights (Thin, Extra light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Black) : Pentagram TwoLetter Thin Pentagram TwoLetter Extralight Pentagram TwoLetter Light Pentagram TwoLetter Regular Pentagram TwoLetter Medium Pentagram TwoLetter Semibold Pentagram TwoLetter Bold Pentagram TwoLetter Extra Bold Pentagram TwoLetter Black Hope you enjoy. Intuisi Creative

The rounded hand lettering for the circa-1920s sheet music title "I'm On My Way Back Home" inspired the font design for Lettering Pen JNL.

"Lilla Letter Lover" is a captivating font designed specifically for children's books. This delightful typeface brings an element of playfulness to reading, while also enhancing phonemic awareness. The font's remarkable strength lies in bridging the gap between handwritten and printed letters. For early readers, this transition can be challenging, but "Lilla Letter Lover" simplifies the process. It merges the familiar aspects of handwritten letterforms with the clarity of printed text, providing a seamless reading experience. This feature ensures that children can comfortably navigate both forms of writing, enhancing their overall literacy skills. The whimsical charm of "Lilla Letter Lover" instantly captures young readers' imaginations. Each letter is thoughtfully designed with basic shapes and simplicity in mind, for an experience where letters come to life, fostering a love for reading and storytelling. Additionally, "Lilla Letter Lover" offers a unique opportunity for sight-based spelling learning. The visually distinctive presentation of words helps young readers to develop a strong visual memory of spelling patterns. This visual association enables them to recognize and recall words with ease, strengthening their reading and writing proficiency. In summary, "Lilla Letter Lover" is not just a font; it is an enchanting gateway to make reading a joyous adventure for children of all ages.

Inkpad Letters JNL joins a number of fonts that were reproduced by Jeff Levine from inked impressions of various rubber stamp printing sets.

Inline Lettering JNL was directly inspired by the opening title of a classic 1940s horror film, "The Invisible Man's Revenge".

Merry Bauble Letters is designed to complement our 'Merry Baubles' fleuron typeface. Quite simply, it's a set of Christmas Tree ornaments with letters painted on them…

Lettering Project JNL was based on one of the many templates made by the Wood-Regan Instrument Company (also known as Wrico). Their sign making kits allowed anyone using the templates, special ink pens and alignment guides to create professional looking lettering with a minimum of experience.

Sometimes lettering without any frills or formality gets a message across better than the use of fancier typefaces. The simple charm of the hand-lettered phrase "Safety Comes First" found on a vintage WPA (Works Progress Administration) poster served as the model for Basic Lettering JNL.

A circa-1940s textbook for the Esterbrook Drawlet Pens (similar to Speedball pens) offered numerous samples of lettering that could be obtained by following the simple directions and using the book as a guide. One example was a classic Art Deco design made with a round nib pen, and it has been redrawn digitally as Lettering Book JNL in both regular and oblique versions.

From a vintage textbook on "modern" lettering circa the 1930s or 1940s comes a simple chamfered sans with oddly irregular shapes. Amateur Lettering JNL is available in both regular and oblique versions.

Blackletter fonts are timelessly beautiful and still very popular. At some point, it seems that every type designer discovers the beauty of these forms and the great pleasure in creating blackletter characters. Like also Dutch designer Coen Hofmann who, after designing Caxtonian Gothic, has designed yet another Blackletter font: Holland Gothic. Holland Gothic reminds of the 18th century »Duytsch« typefaces of Joan Michael Fleischmann and Christoffel Van Dyck. But Hofmann was mainly inspired by the Dutch calligraphers from the 17th and 18th century. Holland Gothic develops its full charm and beauty at larger sizes because of the hairlines in the upper case characters. To enable users composing texts in the style of our ancestors, Coen Hofmann added a series of pre-composed ligatures, also in combination with the long s, plus an alternate form for the lower case r which was used in combination with letters b, d, g, o, p, v, and w.

This is a Vanderburgh and Wells wood type cap font from 1877. We don't know if the originators made a lowercase for it, but we did. Most effective in larger sizes.

A Bitstream version of News Gothic that was created by Morris Fuller Benton for American Typefounders and first appeared in 1908. There is the standard American sanserif of the first two thirds of the twentieth century with narrow proportions and a large x-height. Despite, or perhaps because of, the font’s unconventional relationships in proportion and form, News Gothic has long been a popular typeface for almost any use. Cyrillic version developed for ParaType in 2005 by Dmitry Kirsanov. Greek extension designed by Dmitry Kirsanov in 2009.

Advertisers Gothic is bold and brash, like the city it comes from, Chicago. It was designed by the accomplished German-American matrix engraver, Robert Wiebking, for the Western Type Foundry in 1917. As its name suggests, it was designed for commercial headliner work, much as Publicity Gothic by Sidney Gaunt for BB&S the year before. See our Publicity Headline. Alternate letters ‘A’ & ‘S’ are provided. The most popular ad words “Free!”, “New!” and “Sale” (with both esses) are provided at an angle for dramatic tension. Advertisers Gothic became quite popular because it was effective. It can work equally well for a flyer advertising a non-profit event as for a magazine product ad. This font refuses to be a wimp. Use it boldly. Advertisers Gothic ML represents a major extension of the original release, with the following changes: 1. A total of 335 glyphs (compare) with added glyphs for the 1250 Central Europe, the 1252 Turkish and the 1257 Baltic Code Pages. 2. Added OpenType GSUB layout features: pnum, ornm, liga, hist & salt ˜ with total 13 lookups. 3. Added 209 kerning pairs. 4. Revised vertical metrics for improved cross-platform line spacing. 5. The most popular ad words “Free!”, “New!” and “Sale” (with both esses) are provided at an angle for dramatic tension The zip package includes two versions of the font at no extra charge. There is an OTF version which is in Open PS (Post Script Type 1) format and a TTF version which is in Open TT (True Type)format. Use whichever works best for your applications.

Advertising Gothic is based on a style of fonts from the 1920s which was commonly used in advertising and poster design. The style is clearly influenced by the Art Deco movement. It combines deco style decorated initials with dramatic capital letters. The font comes in two different versions. Advertising Gothic Plain features initials which do not have the deco decorations and less fancy letter forms. Advertising Gothic Deo features deco embellishments on the initials and more elaborate versions of the main letter forms.