The Brush Strike Family is an exercise in dynamic, gestural brush type design by Francesco Canovaro. The typeface contains no lowercase set, but it doubles the uppercase with a strikethrough alternate set to be used for dynamic logo design and unusual word highlighting. Two weights are available with consistent design: the light weight (Brushstrike Light aka Lightstrike) can work together with the heavier regular weight but can also be used in white on dark background for light effects.

Christmas Holiday is a fun and cute display font. It has a playful style and great readability. It’s perfect for Christmas cards, branding, stationery, blog design, custom art, custom stamps, custom embossers, book, apparel, packaging, headline, or much more! It will add a unique feel and looks stunning to any design project! This font is PUA encoded which means you can access all of the cute glyphs with ease! It also features a wealth of including ligatures.

Smurrie means ‘sludge’ in Dutch. It is not an exact translation, but as good as I could find. The name refers to the rounded, blob-like shape of the glyphs. I think this font would look very good on posters, book covers and T-shirts. Smurrie is an all caps font, but upper and lower case differ and can be used together. Smurrie oozes with charm, fun and happiness and comes with a whole bunch of diacritics.

What started out as a typographic exercise to produce the TypeTrust logotype turned out to be the product of obsession. Epic is the culmination of two years of work that has yielded a versatile and respectful contemporary garalde. With a full complement of six weights and true italics, the family offers itself as a true workhorse. Numerous standard and discretionary ligatures, majuscule ligatures, stylistic alternates and swash characters ensure visual interest as an effective headline face.

80’s technotronic meets out of this world style in Rutland AOE. From its beefy weight to its narrow counters, Rutland AOE started as a digitization of a film typeface called Maccaro by LetterGraphics. This bulky technotastic typeface was taken from its limited character set and fleshed out to include an expanded language glyph set. This interstellar alphabet funhouse screams electronica/house flyers, space games, alien invasions and more. Rutland AOE is ready to abduct your designs.

Big headlines, big mastheads, big cover art. Big, big, big–big is best when big. The exquisiteness of Freight Big Pro’s hairline strokes and elegantly pointed serifs provide a striking contrast to its surroundings. Very useful when you really wanna knock someone’s socks off but with the touch of a feather so they’ll know something happened but not how it happened. Freight Big Pro, sublimely subliminal. Go ahead, slip one on (or under) your covers–we won’t tell.

Pind-O-Rama is quite an unconventional font, with strange counters and shapes and choices and interlocks that just stand out. For sometimes fitting in is absolutely not wanted. Pindorama is how the native Tupi people originally called Brazil before colonization by the Portuguese. This font draws inspiration from a book on Brazil colonial background, precisely from a 1961 edition - the book was first published in 1943. Unfortunately the cover design is uncredited. Why fit in? Let's stand out!

Config was influenced by geometric sans with circular forms but the proportions have been condensed by incorporating straight sides for a design that is sturdy and efficient yet friendly. The neutral design with subtle details makes it functional for type setting in small and large sizes. Its clean nature makes it readable at small sizes but the touch of character—as seen in the notched joints, rounded details, and horizontal/vertical terminals—make it interesting at large sizes.

SHILIA – AN ARABIC FONT THAT LIVES HAND IN HAND WITH LATIN TEXT CHARACTERS A special design principle underlies the Arabic font Shilia created by Mamoun Sakkal: the form of the characters means that they harmonise happily with sans serif Latin fonts, such as Univers. Because of this, Shilia is the ideal choice for any bilingual project and for use in international corporate branding. Shilia™ had its beginnings in the 1970s. Taking one of the oldest variants of Arabic script, the minimalist Kufic, as his inspiration, Mamoun Sakkal fashioned simple stroke shapes that are combined according to a geometric grid. Shilia is at home in both worlds, that of the East and that of the West. And although Shilia has been primarily designed to be used as a display font, it is also ideal for setting shorter texts. Before being published by Linotype, Shilia underwent major adaptation and updating, and is now available in the modern OpenType format. Mamoun Sakkal increased the characters available per individual typeface variant to over 1,800, and his daughter, Aida Sakkal, worked on programming the extensive OpenType features for the font. There are numerous ligatures that can be used to provide suitable variation and avoid repetition within a given context, and many special features such as the dots under the initial and final segments of words being automatically centralised. Shilia not only supports Arabic, but also Persian and Urdu. Special character combinations for setting texts in these languages, particularly Urdu, are provided through OpenType. And there are a total of 19 stylistic sets with additional character variants available to the user. An example of Urdu text Shilia is available in eight weights, from UltraLight to Black. The corresponding condensed versions are in the course of preparation. Along with the Arabic characters, all of the typeface versions include matching Latin alphabet letters of Adrian Frutiger’s Linotype Univers® family, making Shilia intrinsically suitable for setting bilingual texts. A set of ornaments carefully designed to allow for numerous compositions of bands and decorative patterns rounds off the range of characters on offer. With its 21 weights, Shilia is one of the most extensive of Arabic typeface families that is currently on the market. Its clear and well-balanced forms emphasise the linear nature of the font without allowing it to appear sterile or artificial. Shilia not only cuts a good figure as a display font for signage or in artistic projects, thanks to its substantial range of features, the font family can also be used to set texts, such as corporate and administrative documents. In addition, but the full compatibility between the Arabic and Latin characters makes Shilia the perfect choice for international and multilingual design projects.

Introducing Catwing—the typeface that takes inspiration from the old school manual typewriters that dominated offices and homes alike. With its unique blend of sleek and clean lines, Catwing is the perfect typeface for any project that requires a touch of vintage charm. With its proportionally spaced letters, Catwing sets itself apart from the other scripts out there. It’s a typeface that’s versatile and perfect for all kinds of designs. You can use it in all caps, making it perfect for headlines and titles that need to grab the reader’s attention. The Regular style of Catwing is a clean and classic design that will add a touch of elegance to any project. But for those who want to add a bit more texture and character, there’s the Fuzz style. This version features a unique texture that gives your project a more authentic and genuine feel. One of the most exciting features of Catwing Fuzz is its custom letter pairs. These pairs are automatically swapped to produce a more realistic look that’s reminiscent of the old manual typewriters. With Catwing Fuzz, you can add a bit of history and character to your project. So, whether you’re designing a retro poster or a vintage-inspired logo, Catwing is the perfect choice. It’s a typeface that captures the essence of a bygone era and brings it to the modern world. Give your project that touch of nostalgia with Catwing—the typeface that’s as timeless as the typewriter itself. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing Junegull, the typeface that seamlessly blends retro-tech design with a contemporary twist. With its friendly all-caps rounded sans, Junegull is like a breath of fresh air—a perfect combination of technological prowess and gentle charm. But don’t let its cuddly appearance fool you; Junegull is like a murderous mechanical teddy bear, with a sharp edge that’s ready to take on any design challenge. For those who crave something wilder, Junegull Beach is the font for you. This wild sibling is perfect for those who want to take their designs to the next level. With Junegull Beach, every letter pair is carefully crafted to give you a more realistic, sandy feel. It’s like taking a walk on the beach, with every letter a grain of sand that transports you to a world of creativity. What sets Junegull Beach apart is its tailor-made pairs, giving you a font that’s uniquely yours. Whether you’re designing a logo, a website, or a poster, Junegull Beach will help you stand out from the crowd with its dynamic and playful style. So why settle for an ordinary font when you can have Junegull and Junegull Beach? With their retro-tech design and contemporary charm, these fonts are a must-have for any designer looking to create something truly extraordinary. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

I am First Contact, a super ultra condensed all caps font with support for over 90 languages and over 540 ligatures. I am a cutting-edge font that is both cool and chic, yet still personal. I am perfect for a wide range of design projects, from logos and branding to headlines and posters. I am the future of your typography. I am the font that will take your designs to the next level. I am bold, I am confident, and I am here to make a statement. I am not like other fonts. I am not afraid to be different. I am unapologetically myself. I am First Contact, and I am here to shake things up. I am the perfect font for anyone who wants to stand out from the crowd. I am the font for the bold, the brave, and the innovative. I am First Contact, and I am the font for the cool kids. I am the font for the trendsetters. I am the font for the people who want to be ahead of the curve. I am First Contact, and I am here to help you create something truly unique. I am more than just a font. I am a movement. I am a call to action. I am a challenge to be different. So what are you waiting for? Use me today!

»Artis« is the name for my latest art-project-font. Obviously I just chopped off the last »t«. Then I looked it up on Wikipedia and what do you know, it is of latin descent. »Ars Gratia Artis« which means »art for arts sake« or in French »l’art pour l’art«, a perfect font name. If I would cut off the »s« as well it would mean disambiguation and that in turn is, what I just did here. Enough disambiguation! »Artis« is a modern classical beauty with extreme contrast between up- and downstrokes that make it unique with a touch of art deco and showing Renaissance roots. But – »Artis« is a twin-font that has an elegantly decorated twin sister »Artis-Swing«. Between the 2 fonts you have endless possibilities for combination. I love these twins! It is a great everyday workhorse with seven weights from ExtraLight to Bold and all the necessary weights in between. Great for short copy and elegant headlines! With 879 Glyphs it is a truly European font designed for all Central European and Latin using countries. »Artis« has a set of Cyrillic that is – besides Russia – also good for Serbia, Macedonia and Ukraine. It has oldstyle- and lining-, tabular- and tabular-oldstyle-figures and many ligatures. »Artis« comes in Sans and Swing and is an elegant, playful and friendly font. Enjoy!

Introducing Starboy - The Hottest Bold Serif Display Font of the Moment! Starboy is here to redefine your design game with a boldness that's right on-trend. This dynamic font duo features both a regular and outline version, making it the ultimate choice for designers who want to stay ahead of the curve in today's design scene. The regular version of Starboy is a powerhouse of bold serifs and stylish sophistication, perfect for creating designs that make a bold statement. The outline version takes this to the next level, adding an extra layer of modernity and versatility to your projects. In a design world that's constantly evolving, Starboy stands out as the go-to font for capturing attention and creating memorable visuals. Whether you're working on cutting-edge branding, striking headlines, or contemporary packaging, Starboy's duo of fonts ensures your work aligns with the latest design trends. Here's what you get: Regular, Outline All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Follow my shop for upcoming updates, and for more of my work, Thank you!

Cas Pixalatte Typeface - Dive into Y2K Nostalgia with Pixel Perfection Unleash the power of pixelated aesthetics with Cas Pixalatte Typeface, a cutting-edge font inspired by the iconic Y2K era. This unique typeface is a masterful blend of typography, graphic design, and pixel art, crafted to infuse your projects with a distinct visual style that's both nostalgic and contemporary. Two Distinct Pixel Font Styles Tailor your designs with precision by choosing between the 'Regular' and 'Rounded' styles, allowing you to achieve the perfect balance between retro charm and modern aesthetics. Multi-Language Support Cas Pixalatte goes beyond borders, offering comprehensive support for Latin-based languages across Western Europe, Central Europe, South Eastern Europe, South America, Oceania, and Esperanto. Why Cas Pixalatte? Here's what sets it apart: Visual Versatility: Whether you're working on a gaming interface, website design, or branding project, Cas Pixalatte adds a unique visual flair, making your creations truly stand out. Easy Integration: With a range of file formats, seamless integration into your design workflow is guaranteed, ensuring a hassle-free creative process. Global Appeal: Break language barriers with multi-language support, allowing you to reach audiences around the world without compromise. Elevate your design, embrace nostalgia, and make a lasting impression with Cas Pixalatte Typeface. Discover the possibilities, unlock creativity, and transform your projects into unforgettable visual experiences.

First introduced by the American Type Founders Company in 1906, Railroad Gothic was the quintessential typographic expression of turn-of-the-century industrial spirit—bold and brash in tone, and a little rough around the edges. A favorite for the plain speak of big headlines, Railroad Gothic quickly gained popularity among printers. Its condensed but robust forms were likely a source of inspiration for later families of industrial sans serifs. The design feels like a cleaned-up version of some earlier Victorian gothics, notable for their uneven proportions and awkward letterforms. ATF offered a number of sizes of Railroad Gothic as metal type, with cuts varying in design considerably from size to size. Creating this new digital version involved interpreting the characteristics of different sizes and making some aesthetic choices: where to retain the design’s familiar unstudied gawkiness, and where to make improvements. The new ATF® Railroad Gothic features a measured, harmonious interpretation of the original, and has been extended with four new weights (each bolder than the last). The heaviest weights are carefully designed to keep counters open, no matter how dense the overall effect may be, maintaining legibility at any display size. This contemporary rendition of a historic American design boasts a full Latin character set, including glyphs undreamed-of in the heyday of railroads.

Malou Verlomme’s Madera is a typeface made strictly for graphic designers, created as an indispensable type toolbox that can meet the needs of both print and digital environments. Verlomme has drawn on his extensive experience creating bespoke type for major brands, and Madera is a “typographic synthesis” of this work. Although designed as a restrained sans serif, the typeface has some punchy personality – with sharpened apexes that inject flavour into the design, particularly in the darker weights and when set at all caps. Madera sits alongside fellow geometric designs such as Proxima Nova, Gotham or Avenir, offering a straight-talking tone of voice but with some extra bite. If you’re a large corporation, with a typeface being used in many different environments you want something that's just the right balance of visibility and legibility to sustain an extensive amount of communication.” “The design is very solid but it doesn’t go out of its way to attract attention,” explains Verlomme. “It still has a fair amount of warmth and personality, in a very understated manner. The Madera typeface family has 32 fonts: Upright, Condensed and Italics. It is available in OpenType CFF and TTF fonts formats. Each typeface contains over 650 glyphs with extensive Western, Central and Eastern European language support. It also supports OpenType typographic features like alternatives, ligatures and fractions. Madera Variables are font files which are featuring two axis and have a preset instance from Hairline to Extra Black.

Typek is a sans serif typeface for the lovers of minimal design and great curves. Typek outlines' professional shapes are perfect for large display usage.. Perfect for branding, posters, web and publications. The idea is to treat the letters' stroke create absorbing and interlaced shape. The design of small interfering in letters' construction makes Typek unique. Typek contains uppercase, diacritics and digits. The Typek Family is in two versions: Regular and Outline. Outline version can be an interesting addition and decoration for the Regular version.

Chevalon is a versatile serif font consisting of 7 styles. Inspired by medieval roman letter, the Chevalon is like a glorious horse that has a strong yet elegant appearance. Each Chevalon letter is carefully crafted. Chevalon fonts can help you complete various projects such as luxury brand logos, journals, business cards, headlines, products, social media posts, web and much more. If you are involved in a project that requires strong, elegant and professional writing, Chevalon font is perfect to help you get it done.

This font family is the first collection of almost all pictograms, signs and letters that refers to the topic of White Magic, witches and witch hunt. There are plenty of witch symbols, astrology signs, woodcuts and witch letters. The cryptic symbols are explained in an extra style. In addition to the symbols the scripts contain both: a digitized original manuscript from the ending 18th century and a modified newer script version. Bringing the light of the Enlightenment to the dark ages of suspicion, chasing and unjustness!

Nova Caere is a typical urban calligraphy, gestural with its fast lines, with short and slightly noticeable ascender and descender traits. Condensed lower case and rounded capital letters are quite similar in height. Nova Caere has been studied for alternating upper and lower case inside the words of the text, so as to reinforce their expressive content. Stylistic variations that combine particular couples of letters have been developed, as well as some descender traits have been highlighted that can be employed to characterize words and phrases.

The Serif Hand is a handwritten font designed by Fanny Coulez and Julien Saurin in Paris. We wanted to create the most generic, readable and balanced serif handwritten font, to work well in every kind of design. It’s an all-caps font with 5 finely balanced weights with alternates: all the uppercase letters are a bit different from the lowercase letters. We also designed a playful dotted weight, to add a fancy touch if needed. We hope you will enjoy our work. Merci beaucoup!

Lilypaly is a modern and elegant font with a lot of stylistic alternates for your beautiful project. I made this font carefully so that each letter could be connected well and elegantly either using alternate or not. Lilypaly includes start and ending swash, and middle swash for some letters, this is very easy to use. Lilypaly is perfect for many different project such as logos & branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything.

Circolino is calligraphic script typeface set that is inspired by the letterforms taught in Italian schools. Each letter combination is designed to tie in perfectly within the word. In this regard, many contextual alternatives and letter variants have been designed, especially to make a more calligraphic feel. The Circolino character set consists of two families: Circolino Classic and Circolino Sport. The Classic Family has an almost vertical tilt axis, while Sport Family has a much more pronounced tilt axis that gives it more dynamism and movement.

Oneself is Handwritten Font This font describes about girly, feminist, elegant, dynamic, humanist, easy to use and will bring a good harmony when the letters are connected and paired each other. FEATURES - Uppercase and Lowercase letters - Support Ligatures - Numbering and Punctuations - Multilingual Support - Works on PC or Mac USE Oneself works great in any branding, logos, magazines, invitation, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, quotes and any projects that need handwriting taste. Enjoy using! Thanks. HIRO.std

Clichy is a delightfully handwritten font with strong character. Clichy is a font inspired by the successful Nuit font, looking for the same harmony and casual character, Nuit's rounded strokes are now straight. Clichy has even more stylistic alternatives, decorative characters, ligatures, initial and terminal forms in upper and lower case, that allow you to mix and match pairs of letters. Also, with Clichy it is possible to write in capital letters. Clichy will help your creativity and make your typographic work expressive and elegant.

Magic Love is an amazing hand lettered script font, looking attractive and natural. Every single letters have been carefully crafted to make your text looks beautiful. This font contains over 260 glyphs, including over 57 alternate characters with swashes. It has over 60 extended Latin characters for multilingual support. Magic Love is suitable for invitations, branding, advertising, poster design and more, and is also PUA encoded so all characters are accessible via Character Map, Font Book, or the font management program of your choice.

Ridiculous is a complete whack-a-doodle sans-serif font inspired by the titling sequence from the 1964 film, "Yours, Mine, and Ours". Fun and full of personality, it is a lettering style that is completely insane. With ligatures enabled, the font will auto-substitute between cases for an even more random appearance. With a pseudo unicase character set, and offbeat letter weighting, Ridiculous is pure lunacy to typeset with, with ligature combinations that are quirky surprises. You’ll find this font will live up to it's name.

Smyrna is a hand-drawn font family comes in two weights; light and regular. Thanks to its randomize effect, you can write 4 options for each letter. When the Smyrna Font used in OpenType-savvy applications, its Stylistic Alternates feature produce a random-like effect on the terminal points of the letters. So, typing is no longer monotony; it's returning full of fun. The name "Smyrna" comes from the city I live, Izmir. Smyrna is the name of the ancient city located at modern Izmir.

Kodiak was designed by 40+ year sign painting veteran, Brian Grant, and is loosely based on the works of many great sign painting masters. Brian and Charles Borges de Oliveira teamed up to bring this beautiful sign painters classic to the digital age. Kodiak retains the warmth of a hand lettered font without being stiff and mechanical. Great for period style lettering to modern day logos. With over 160 alternates and 10 ornaments you are bound to find the right look for your next design!

Introducing Angelica Jealous is a monoline script font with a handwritten style an authentic and fashionable. This font is very special because it has a large selection of additional letters built in with a set of alternate uppercase and lowercase letters and the Angelica Jealous was built to match the handwriting style as closely as possible with the addition of 72 custom ligatures. This font looks very awesome for quotes, branding, logos & branding, weddings, watermark, web, crafting, social media, product design, advertisements, and much more.

The Racoon Quest is an All Caps Display Font with playful ligatures that opens possibilities for more exciting experimental typography. The font is a little Art Deco-is serif. Ideal use is large size for signages, movie or book titles and posters! The Character set contains Western, Eastern and South Eastern European Latin languages, lowercase letters are small caps. There are stylistic alternates and ligatures for both upper and lowercase letters. Hope you'll like this one, enjoy and have fun using this for your designs, Cheers, Roland

Inoxida is Oxida's softer and more graceful sister. While Oxida has become quite the common sighting on the packaging of vegetables and organic foods, Inoxida now comes to fit the bill for food packaging that can benefit from more sophisticated script lettering. Inoxida is not just a softening of Oxida’s slightly rough edges. It is a complete reworking of the way its letters were constructed, and the introduction of a smoother size relationship between uppercase and lowercase. Designed by Koziupa and digitized by Ale Paul.

Montague Script Bold is a beefed up version of the 2009 Type Directors Club Award winning Montague Script. The added weight makes it more ideal for display purposes like book titling, packaging, and headlines. Like the original award winning version, it features an energetic rhythm with loads of swashes and ligatures. Having its origin in fine sable brush lettering done on smooth vellum paper, both versions are ideal for greeting card and invitation text. There are beginning, ending, and alternate versions for almost every letter.

Alexandria Signature is a modern Signature font crafted in an elegant and professional style with alternative characters. perfect font for creating signature logos and watermarks for photography studios or personal photography logos, best for initial logo or brand signatures.Alexandria Signature includes a full set of beautiful handwritten upper and lower case letters, numbers, assorted punctuation marks. All lowercase letters include start and end strokes, providing a realistic handwriting style. If you have any questions about our fonts, please feel free to contact us Thank You Ergibi Studio

This is the Alter Rebbe of Liadi Ksav. This is a complete font with all diacritic marks (Nikud and Taamim) and also shevana, kamatz katan, dagesh hazak and holam chaser. There are 2 alternatives kinds of Lamed. The Nikud and the Trop are completily independent of the letters. You can use diferent colors in them. There is no combination of letters except for Alef-Lamed ligature. Two diferents kinds of "He" appears in the Tetragramation. You can make any kind of prayer book with this font.

Dead Face is an experimental black letter font that has a strong, abstract and segmentive appearance. Dead Face is a black letter font with unique fractures, where each fracture tends to be soft in synergy with thin strokes. Each glyph is crafted originally, so it can stand alone which can be used for logos or clothing designs. This font is also suitable for banners and posters. This font has alternate features and ligatures that are packaged in otf format. Have fun being creative using this font!

The Cacographie Calligraphy Font is a signature decorative font with which you can achieve a handwritten-type lettering feeling. Cacographie Calligraphy Font it's a multilingual lettering font with Greek (of course), Latin character set, and diacritics. This calligraphy style is perfect for your modern graphic design needs. This font has a really nice flow so you use it in a large text if you want to give them a touch of personality. It can be used on social media content, for branding or packaging.

Sometimes you just want to have fun, and "Boys on mopeds" will take you there! Boys on mopeds are a simple-minded serif font with a fun and loose twist. I've added several versions of each lowercase letter: you have 4 different versions to choose from. Enough to make your invitations, diary, posters, postcards, novels, stickers ... ahhh ... the list is long - and the use of Boys on mopeds is almost endless! Comes with a bunch of international letters, so fun is available in many languages! :)

Lunok is an all caps brush font, created to make every text look like authentic hand lettering. The all-caps marker typeface is perfect for bold headlines, posters, shirt designs, fashion brands, social media content and funky ads. Mix & match the stylistic alternate or ligature, so that you'll have lots of different letters for that unique look & feel! What's included: ALL CAPS LIGATURES STYLISTIC ALTERNATE MULTILANGUAGE SUPPORT NUMBER & PUNCTUATION Have fun creating with this brush font and let me know if you've any wish, suggestion or feedback :)