Miraversa is a display font inspired by calligraphic capitals. It's a typeface with characters of remarkable width, delicate serifs, and beautiful contrast. Most of the letterforms are round, with generous curves. It works as charming drop caps, beautiful titles, and nostalgic compositions. You can use this font on book/cover title designs, product labels, logos, posters and stationery. Features: Basic Alphabet All Uppercase and Punctuation Numbers and Symbols Language Support

Graffick is a mechanical style created by merging a little traditional type design & typography with a little basic graffiti lettering theory. Extra ascenders and descenders have been added to many of the capital letters to add a more varied & specialized appearance. This layered type system provides for the easy creation of outline/fill effects with regular, italic, wide and outline styles as well as baseline & caps-height alignment options.

Based on a fifteenth century Textura Blackletter typeface, Octoberfest has a companion with Lombardic style capitals, Octoberfest Alternate. Both Octoberfest and Octoberfest Alternate use the OpenType ligature feature to automatically substitute a subtly unique pair of distressed characters when any lower case character is keyed twice in a row. The Pro versions of Octoberfest and Octoberfest Alternate extend the character set to support Eastern European and Baltic languages.

Fonts based on handwritten forms enjoyed a revival in popularity in the 1930s. Diskus was designed by Martin Wilke in 1938 and exhibits many traits of modern script and brush typefaces. The informal and energetic Diskus is a script and brush font for daily use and the capitals can be used as initials mixed with other fonts. Diskus is particularly good for titles or texts in middle to larger point sizes.

Created by Swedish designer Bo Berndal in 1999, Linotype Dala Text can best be described as a softer, friendlier blackletter. Blackletter refers to typefaces that evolve out of Northern Europe's medieval manuscript tradition. Often called gothic, or Old English, these letters are identified by the traces of the wide-nibbed pen stroke within their forms. Linotype Dala Text most resembles the fraktur type of blackletter. Fraktur types were popular text faces in Northern Europe until the 20th century. Inspired by Swedish folklore, this fraktur is much softer and rounder than most examples. Its connection to the Scandinavian folkloric tradition makes Linotype Dala perfectly suited for such texts as fairy tales, medieval stories, and other things that might appeal to a child's sense of adventure. To strengthen the medieval fairy tale look, use Linotype Dala Text together with other elements of the Linotype Dala family: Library's Linotype Dala Pict and Linotype Dala Border. The characters in these two supplementary fonts were inspired by medieval and renaissance folk art, and were also drawn by Bo Berndal, making them a perfect match. All three styles of the Linotype Dala Family are part of the Take Type 4 collection from Linotype GmbH."

Natalia Script is a calligraphic manuscript modern, dynamic and pretty with swashes. Can be used for many purposes. such as title, signature, logo, wedding invitations, letterhead, signage, labels, newsletters, posters, badges, etc. Natalia Script features Open type, including the initial and terminal letters, ligatures and International support for most Western languages ​​included. Files included: Natalia Script (Otf) To activate OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign and CorelDraw X6-X7, Microsoft Word 2010 or later. How to access all of the alternate characters, using the Windows Character Map to Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all of the alternate character using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn Natalia Script PUA encoded with Unicode, which allows full access to all the extra characters without having to design special software. Mac users can use Font Book, and Windows users can use the Character Map to view and copy one additional character to paste into your text editor / favorite applications. Thank you very much for looking and please tell me if you have questions.

Spirited, unaffected and buoyant, the ITC Oldrichium type family pays homage to the calligraphy and typeface designs of Czech designer Oldrich Menhart. “I came upon one of Menhart's typefaces over a decade ago,” says George Thompson, designer of ITC Oldrichium. “I've been collecting examples of his work ever since.” Thompson was born in Chicago and grew up in north-west Indiana. “While I've been an educator and general graphic designer for over 30 years, lettering and type design have always been an important part of my work,” he says. Thompson now spends much of his free time designing typefaces. ITC Oldrichium is a subtle melding of the shapes and proportions of Menhart's Manuscript typeface, the energetic strokes of his calligraphy, and Thompson's own design skills. The result is a distinctive, powerful, and exceptionally versatile typeface family. Available in light, regular, demi bold and bold weights, with corresponding italics for all but the bold, ITC Oldrichium is comfortable setting both text and display copy. In addition to the basic weights, Thompson has created an Engraved version for those times when an especially powerful statement is called for.

Madelican is a beautiful combination of modern and classical calligraphy, inspired by the handwriting of Italian women and ancient manuscripts. I think calligraphy has an advantage for the alternate characters, Madelican has tons of possibilities for just one letter. My exploration of this fonts was not as easy as in my imagination, it took several trial and errors for the perfect balance of the style. Madelican is very suitable for weddings, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires a classic, formal or luxurious touch. Almost all letters have more alternate than others, it is fine because the limitations of the shape of the letters. It must be readable and legible. Every letter that I've chose are only the best on it and fit with the character style. Multi-lingual support and up to 16 stylistic alternates. If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows). And feel free contact me if you have a question.

Graziella Script is a calligraphy script font that comes with exquisite character changes, a kind of classic decorative copper script with a modern twist, designed with high detail for an elegant style. Graziella Script Manuscript is attractive because it is smooth, clean, feminine, sensual, glamorous, simple and very readable, because of its many fancy letter joints. I also offer a number of decent stylistic alternatives for multiple letters. Classic styles are very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes. . . . . . . Graziella Script has 436+ Glyph alternative characters, including multiple language support. With OpenType features with alternative styles and elegant binding. The OpenType feature works automatically, but you can access it manually and for the best results necessary for your creativity in combining these variations of the Glyph. I really hope you enjoy it! I can't wait to see what you do with the Graziella Script! Feel free to use the #Black Studio tag and the #Graziella Script font to show what you've been up to.

In spite of its angular appearance, Origami is composed almost exclusively of curves. Designer Carl Crossgrove derived the typeface from experiments in designing a low resolution type. The resulting face is reminiscent of Eastern European expressionist designers such as Oldrich Menhart and Vojtech Preissig. It is paired with an equally angular chancery italic. Origami works effectively for short blocks of text or at display sizes, while the capitals are especially suitable for titles.

This family of decorated initial letters was inspired from a French catalogue dedicated to engravers, embroiders and jewelers. unfortunately, we don't know the name of the illustrator, no more than the publisher, because a large part of the pages seems to have been lost or have been damaging, so, we have had to redrawn a few of figures. The font is containing standard Latin capitals without diacritics, identically repeated in lower case keys, and numerals.

GL Miraflores is a nice slab serif font with the name of a Spanish village. It is an elegant vintage resource perfect for decorations, but also works perfectly for plain text, as you can see in the previews. The origin of the inspiration to create it is in the free font 'Molesk' as you can see in the capital letters. Hope it will be really useful for your arts from now on.

Articulated is a sans serif font with a focus on soft, rounded corners. The concept is that the Capital letters have the characteristics of lowercase letters, in order to create unique experiences. Articulated is a perfect choice for headlines, unique branding, logo design, posters, marketing, banners, logotype, user interface and editorial design. Handcrafted by Laurens Art Ramsenthaler, each weight supports most Central European & Eastern European languages. A total of 298 glyphs are included.

Rusulica Antique distinct aroma & flavor Rusulica Antique is a modification of the erstwhile script. With rough edges it has a distinctive appearance, rich aroma and antique charm. Because of its ornamental and playful design, it offers plenty of possibilities. Rusulica Antique has a high contrast. Its edges are rough and there is an alternate for almost every capital letter. The typeface’s x-height is bigger than usual and it is constructed at a 30° angle.

German type designer Yanone created this FontFont in 2013. The family has 3 weights and is ideally suited for advertising, packaging, logo, and branding as well as web and screen design. FF Antithesis provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

PT Orden™ was designed by Oleg Karpinsky in 2000-2001 and licensed by ParaType. Orden is a genuine Cyrillic typeface, it contains antique Cyrillic letter forms such as d, z, N with a diagonal stroke, symmetrical Y ,× and Ù, rare in modern typography. Another specialties: one alphabet and old style figures. Lower case consists of upper case letters except for some alternative variants of the capitals. For use in advertising and display typography.

Akon Font Family comes in 2 weights; Regular and Bold. It is completely hand-drawn. The Akon Font Family has a few ornaments and stylistic alternates, ligatures, small capitals, Scientific Inferiors and so. This font family would fit in your mobile application designs magnificently and is a great choise for poster design. With this font family, you can create eye-pleasing and nice works such as posters, printings, t-shirts, adds, magazines etc.

The collection Oro y Plata (Gold and Silver) is a Mexican style blackletter, dedicated to the three big silver cities – Taxco, Zacatecas and Guanajuato. Taxco is more angular compared to rounded Zacatecas and elaborate Guanajuato. The fonts contain small capitals, ligatures, initial forms, contextual alternates and other OpenType features. The special feature is a stylistic set of superscript caps with possibility to underline them. It supports all the European languages using Latin alphabet.

ITC Arid was designed by Rob Leuschke in 1997 as a lively calligraphy typeface which looks as though it was put to paper with a piece of charcoal. Generous capitals mix harmoniously with the more reserved lower case characters and the forward slant of both create a dynamic impression. Arid should be used in point sizes of 12 and larger and is well-suited for headlines and short to middle-length texts.

hadowfield is a fantasy font which was inspired by the hand lettering on the Spiderwick movie posters (which itself was apparently based on Hand Skript One). Every glyph was drawn by hand, using a gel pen on 160 grams paper. Shadowfield will look good on anything fairy-like - book covers, toy packaging and even bottles of home-made mead! Comes with swashed alternates for all capital letters and some lower case ones as well.

Roundy was designed by F.K. Sallwey and appeared with Linotype in 1993. This calligraphy font is true to its name with its soft, round characters. The regular strokes give text an easy, relaxed feel. For variation and emphasis, Sallwey included swash capitals in this font. As initials, the swash characters add zest to texts and can be combined with other alphabets. The calligraphic elegance of Roundy is a perfect contrast to constructivist typefaces.

In 1937, Morris Fuller Benton designed Empire, titling capitals that became the headline style for Vogue magazine. In 1989, David Berlow revived it for Publish magazine, adding an italic and a lowercase, both unavailable in the original. He revisited Empire in 1994 with Kelly Ehrgott Milligan, adding two heavier weights, small caps, and an elegant set of Art Deco–flavored oldstyle figures, ultimately expanding it to a seven-part series; FB 1989–94

Spirodelic is a funky pop-art font with a sassy vintage vibe. This all-capitals design incorporates coiled spirals into the letters, and will add a lot of swirly psychedelic fun to your designs. It's great for retro seventies looks of course, but really also works well on anything modern that needs a loose and lighthearted touch, like kids books, toy packaging, flavored drinks, clothing lines, surf gear, logos... you name it.

Affront is Carsten Raffel's first font for fontkingz. It is a very extended computer-generated font-family with three members: regular, light and a stylish doublette-version. Affront fonts include a full character set. The capital letters are monospaced, some of the lower case letters look very unique. This font works best for logotype- and headline design. It looks good on futuristic refrigerators, Science-fiction film posters and modern dance music cd-compilations.

The name says it: This font is made for usage in story-telling, movies, legends, fairy tales, sagas. It will tell about strength and bravery, forgotten tales and ancient kingdoms. You may use it for headlines, slogans and advertising. The style with real capitals will enlarge your potential of design. The fonts are offering a huge character set for usage in many languages. Also thousands of kerning pairs within both styles are obligatory.

The origin of this typeface is a Polish catalog cover dated 1936, made by I. Rubin. The word ”Graficz” (included in the poster copy) seemed appropriate as a name for this typeface with its typical ”Central European look”. The original letters are more ”thin” (light weight) than the MRF interpretation and only consists of capital letters. Lower cases and almost all standard character signs have been added, in order to make it more functional.

Scottish typefounders exerted a strong influence on the development of "transitional" typefaces, the bridge from "oldstyle" (Jenson, Garamond) to "modern" (Bodoni, Didot) designs. Scotch Roman designs were first cut by Englishman Richard Austin and cast by the Scottish typefounder Alexander Wilson and Son in Glasgow. Scotch Roman font has wide proportions, short descenders, bracketed serifs, and large, strong capitals. Its subtle charm makes it suitable for any text setting, particularly books and magazines.

German type designer Jakob Runge created this FontFont in 2014. The family has 20 weights and is ideally suited for advertising & packaging, logo, branding as well as web & screen design. FF Franziska provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Winston was inspired by strolls through downtown Winston-Salem, NC. Back in the 60's, 70's and 80's Winston-Salem was responsible for supplying tobacco and hosiery to people around the world. Now, smoke stacks and ghost signage fill the downtown area. Winston blends the modern city aesthetic with the vintage influences of classic advertising. All Caps typeface Capital letter alts US and Western European language support OTF file format

Postman is a typeface inspired by old documents, banknotes and leading product brands. It has cursive and elegant capital letters and its lowercase letters are actually small caps of geometric shapes as if they were made of metal and nailed with bolts. It is ideal for classic products that consider nobility and tradition among their virtues. It evokes classic products that lasted over time. Includes OpenType features, like ligatures, alternates, and more.

ALS Rundgang is a decorative font designed specially for advertising purposes that reminds one of electronic display boards and bitmap typefaces. It includes only capital letters. Some of the letterforms are deliberately misshaped to have a teenage angular look‚it’s a bit crazy and out of proportion. Rundgang is well-suited for any youth-aimed design, such as various event and campaign materials, periodicals, flyers, leaflets, posters and other youngish marketing stuff.

Note: This family only contains Capital letters Jadeite is a geometric monospaced display font. The typeface has a distinct style inspired by the Mid-Century Modern era and designed to be easy to read. The Jadeite name comes from a mineral form of jade and also represents a color of green, reminiscent and popular of the 1950’s era. Jadeite is great for display work, quotes, invitations, film credits, fashion, architecture, posters and headings.

ScriptArt is a modern hand-made font that combines calligraphy, typography and graffiti. This project is inspired by calligraphy and its modern interpretation. Simply put, it is a conscious effort to turn symbols or words into a visual composition. Scriptart comes with a set of capital letters and punctuation marks. This font can be used for many design projects, including printed materials, logos, fashion design, and so on. Supported languages: English, Russian, Ukrainian.

The Keepsake™ family has five members that can be combined to provide a range of creative options. Rich with OpenType features including discretionary and contextual alternate characters and ligatures, and other stylistic alternates. Each face includes three options for every capital letter and multiple lowercase options. All five fonts support Latin, Eastern European and Baltic languages. Other features include four decorative elements, and optional old-style figures accessible by supporting application’s OpenType menu.

A 1930s WPA (Works Progress Administration) poster promoting national parks depicts Native Americans overlooking the land with the tag line "his hunting ground of yesterday". The hand lettering of that text is reminiscent of Futura Black and similar Art Deco stencil-influenced type designs, but is rendered in an oblique lower case with no capitals. Re-drawn as Sandwich Shop JNL, the typeface is now available in both regular (vertical) and oblique versions.

Rail grandeur precision & leverage Rail type family is a tough conveyance mechanism for large and lengthy information packages. It offers great reading comfort and avoids unnecessary friction. The precise construction of this slab serif signals greater legibility and capacity. Rail is designed to provide reading enjoyment. It’s suitable for complex typography projects like magazines and annual reports. The typeface’s x-height is approximately 68% of its capitals. The italics are constructed at a 11° angle.

This typeface pays homage to numerous Victorian and Art Nouveau predecessors, while straying somewhat beyond their usual conventions. All lowercase letters ascend in unison, whereas capitals descend below the baseline. A rigid set of uniform strokes keeps the chaos reigned in, while various calculated inconsistencies affect a vaguely hand-drawn quality to this quirky, downright decadent font. Comes packaged with the standard complement of alpha-numeric glyphs, punctuation marks, mathematical symbols, and Western European diacritics.

ITC Bette is a particularly elegant calligraphic design from the hand of Patty King. Refined and friendly, this vertical script appears to be drawn with a brush held delicately at a right angle to the page. The unconnected letters and flared ascenders create a feeling of spontaneity, while the design's vertical stress produces a calming counterpoint. Many capital letters drop comfortably below the baseline, and terminals echo a flick of the wrist.

Arethusa Pro is a versatile font after the 'transitional' style – a style that has been evolving for 250 years. The balanced design of familiar letter forms blends form with function to create highly readable text. Twelve fonts organised in three sub-families provide a range of weights and styles. Language support includes Greek and Cyrillic and each font contains small capitals, superscript, fractions, ligatures, old-style numerals, case-sensitive forms and other opentype alternatives.