Attempting to marry the warm friendliness of the Cubano typeface with the versatility, functionality, and geometry of Eurostile has resulted in Cubenzis. After finishing the regular weight, I realized that it reminded me of old Soviet military hardware, something you might see on the outside of a tank or rocket, so i made the decision to include a full Cyrillic alphabet as well. It feels very sci-fi to me and i can imagine it being used as signage on a ship or as a warning label on machinery.

It's time to just let it snow! Deniart’s Snow Crystals typeface is an original design featuring 62 unique symbols. These charming snow crystals are sure to add elegance to all your winter designs - the set includes traditional style snow crystals as well as an assortment of bonus characters such as star-bursts and holiday accents. This font comes with a PDF guide to put all these special characters right at your fingertips! Note - if you want an even broader range of snow flakes, you may also like our second snow font known as "Star Crystals".

Introducing, Cailyne Typeface. A modern and elegant San serif with an italic version. It is designed with a touch of modern look and feel, making it ideal for projects that demand a touch of class. This type of font is perfectly made to be applied especially in logos, headlines, signage, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting/wedding cards, packaging, fashion, makeup, stationery, novels, labels or any advertising purpose. Features : All Uppercase and Lowercase Number & Symbol Supported Languages Ligatures PUA Encoded Hope you enjoy our font!

Forest Shaded is the work of Martin Wait. It is reminiscent of the countless eccentric advertisement typefaces at the turn of 20th century. The industrial revolution in England saw the beginning of business advertisement and demanded ever more new and showy typefaces. Forest Shaded is an ornamental outline font and its thick figures have lively, even eccentric, forms, whose shading makes them look three dimensional. Forest Shaded is reminiscent of display window and metal sign typefaces of the late 19th and early 20th centures and is perfect for headlines in large point sizes.

A comprehensive set of initials (usually referred to as Uncials, Lombardic Initials, or Lombards) of the French variety, adapted from Bergling, J.M. (1918), Art Alphabets and Lettering (Second Edition), Chicago: Blakely-Oswald Printing Company. The font contains over one hundred glyphs, including character outlines for two-color layering. Suitable to accompany most Gothic (especially Textura and Rotunda) and many Roman typefaces, or to be displayed as drop caps or in full titles and headings. Specimen, detailed character map, OpenType features, and font samples available at Alter Littera’s The Initials “Bergling A” Font Page.

Force is a contemporary sans serif ultra-black family designed by Ricardo Esteves. There are 4 font styles: Force Regular, with a upright roman structure; Force Italic, with more cursive lowercase forms; Force Shadow, that can be used alone or as a second layer to Force Regular; and Force Dingbats, containing some pictograms. Each font file has some OpenType features: discretionary ligatures, fractions, subscript and superscript. The Force family is suitable for big-size high impact situations like posters, headlines, titles, magazines, packaging and many others you may creatively think of.

The goal with South Island was to make a font that looked authentically handwritten. Each character had to perfectly flow into the next and maintain a nice balance between variation and legibility. The typeface retains all the texture and grit of the original handwritten characters, making it especially powerful when used for large headers. South Island comes in a regular version, and a second version which contains alternate versions of each letter A-Z (both upper and lowercase). Try pairing it up with a more traditional serif or sans serif font for endless possibilities.

Spark a revolution for a better future with Spark Sans. Super clean and geometric, this display typeface is ideal for tech, transportation, electronic music, revolutionary products or other disruptive ideas that move us beyond the present. Spark Sans has a relatively high x-height and squared off curves that give it a distinctive look while still maintaining a minimalist aesthetic. The design originated with custom lettering for the Primitive Spark identity, which became the foundation for the bold style. With 260 glyphs, Spark Sans is a great choice for many languages with Latin characters.

Super Ultra Supra - Futuristic Font is a bold, rigid, and thick typeface that exudes a distinct sci-fi or futuristic vibe. Its ultra-modern appearance carries a powerful impact, making a bold statement in design. With three versatile font versions at your disposal, you can easily adapt this font to suit your specific design or thematic needs. Additionally, the inclusion of ligatures adds an extra layer of uniqueness and versatility to this font. Ideal for logos, branding, posters, titles, magazine layouts, sports-related designs, and any projects that demand a strong and modern font.

Kate Greenaway was a very famous British (1846-1901) author and illustrator of childrens books. Her books were an outstanding success in English publishing during the Victorian period. Recently I found these sweet Mignonettes in an old foundry specimen book. Mignonettes is derived from the French word "mignon" which stands for lovely, charming, sweet, delightful, pleasant and that does exactly describe these little drawings. I already published a Kate Greenaway's Alphabet a couple of years ago. So here is my second installment. Yours, Kate Greenaway fan Gert Wiescher

Anargya is a timeless beauty classic serif typeface that exudes elegance and sophistication. Its meticulously crafted letterforms showcase a harmonious balance between thick and thin strokes, creating a sense of timeless grace and legibility. With a refined, high-contrast design, Anargya brings a touch of traditional charm to contemporary designs, making it a versatile choice for branding, editorial, and luxury aesthetics. Its gracefully tapered serifs and graceful curves imbue it with an air of sophistication and refinement, making it a perfect choice for projects that demand a timeless, classic typographic style.

The Techno sound of the 1990s, a personal computer, a font creation software and some inspiration had been the sources to the F2F (Face2Face) font series. Alessio Leonardi and his friends had the demand to create new unusual faces that should be used in the leading german techno magazine "Frontpage". Even typeset in 6 point to nearly unreadability it was a pleasure for the kids to read and decrypt the messages. About Al Retto: "Al" means "Alessio Leonardi" and Retto "straight", but if you read it as an italian world means "in the a**".

Novarese font is the work of designer Aldo Novarese. He created 218 typeface cuts but as he was writing his book, Alfabeta, he decided to include only those he considered indispensable. He divided his fonts into 4 categories and in the designing of Novarese, took the best characteristics of each group and combined them into this font. In the style of Latin stone scripts of the second century BC. Novarese is a well-balanced and relatively wide text font with classic forms. ITC Novarese™ font field guide including best practices, font pairings and alternatives.

Bricksram is a sleek and modern geometric sans serif font that draws inspiration from popular typefaces like Futura, Gotham, and Proxima Nova. With its own unique flair and minimalistic design qualities, Bricksram is the perfect choice for those looking to achieve a clean and contemporary look across a variety of mediums. Featuring sharp angles and smooth mathematical curves, Bricksram's meticulous balance creates a super clean and eye-catching aesthetic. With a choice of eight different font weights, this versatile typeface is ideal for demanding design applications like websites, logos, mockups, apps, ads, and more.

Federico is a typeface based on the handwriting of Federico Garcia Lorca, the eminent Spanish poet and playwright (1898-1936). Original version was designed for a book about Lorca. The face has two styles. One looks like an original poets writing, the second looks like if Lorca would write with a ball pen. Federico includes many alternative glyphs and ligatures, which make it look like a real writing of an emotional, negligent, creative man. Despite the fact that Garcia Lorca has written in spanish, the font has western and eastern european, cyrillic, turkish letters.

Kecumik, a stunning Glamour Serif typeface, seamlessly blends elegance with modern sophistication. Its graceful letterforms exhibit a harmonious balance of curves and serifs, exuding a timeless allure that captivates the eye. Kecumik’s intricate details and refined strokes contribute to its distinctive personality, making it an ideal choice for projects that demand a touch of glamour and a nod to classical aesthetics. Whether used in editorial design, branding, or luxury packaging, Kecumik’s versatile charm elevates any visual composition, embodying a sense of refined beauty that resonates across diverse design applications.

Ronna Penner's Sketchley is a 2001 winner of ATypI's bukva:raz! design competition, held recently in Moscow. Inspired by handwriting samples and unable to find a typeface to satisfy her needs, Ms. Penner decided to create her own. The result is this warm, casual script. The compliment of characters demanded the creation of two fonts. Sketchley is considered the base font and should be used for basic layouts. Sketchley Swash has numerous initial, medial and final swash characters that, when used thoughtfully with Sketchley, can recreate the look of hand drawn calligraphy.

Features: Characters: Uppercase letters, Lowercase letters, numbers & extended punctuation Ligatures and Stylistic Alternates Non-English support for the international designer Deflexure is a luxury modern script font. This font is perfect for wedding event design, such as wedding invitations, wedding event organizer logo, and any design related to weddings. This font is also perfect for writing quotes, print-on-demand design like t-shirts and mugs. Each lowercase font also has alternates for each letter, so when you type lowercase for each font, the letters will have other style options.

Linotype Pide Nashi is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. German artist Verena Gerlach created a typeface which looks almost like Arabic at the first glance, only with the second do the familiar forms become clear. Rounded lower case letters, generous, sweeping capitals and diamond-shaped ornaments give the font its Arabic feel. The exotic Linotype Pide Nashi is best suited for short and middle length texts and headlines and especially for ornamental texts.

VineStreet a place somehow familiar to everyone in the English speaking world. It might be just around the corner or the next town over. This font gives that aged feel of comfort and familiarity and the authority of tradition. The example for this font was derived from a ecclesiastical history published by the Caxton Press of the Sherman & Co. of Philadelphia and was originally developed prior to 1867. This font has over 1000 defined glyphs and small caps included.

Rum Soft Serif is a soft version of Rum Serif with softly rounded outer corners. Rum Soft Serif is a text & display family suitable for any purpose, any media, any size. A humanistic modular Serif in five weights containing small caps, italic, swashes, alternative characters, old style, lining, tabular & proportional figures. Design date: 2011-2023 The complete family consists of Sans Serif & Serif in both sharp and soft version + the display fonts Rum Plakat & Rum Silhouette.

Introducing Logisco - a sleek and versatile display font family that combines modern geometry with a retro-cool vibe. This six-font collection boasts soft, rounded corners that add a dash of playfulness to any project. Logisco Light, Regular, and Bold offer a range of weights to fit any typographic need, while the Stencil variations add a unique edge to your designs. Whether you're creating sleek logos or funky posters, Logisco has you covered with its stylish and versatile letterforms.

Rum Soft Sans is a soft version of Rum Sans with softly rounded outer corners. Rum Soft Sans is a text & display family suitable for any purpose, any media, any size. A humanistic modular sans serif in five weights containing small caps, italic, swashes, alternative characters, old style, lining, tabular & proportional figures. Design date: 2001-2021 The complete family consists of Sans Serif & Serif in both sharp and soft version + the display fonts Rum Plakat & Rum Silhouette.

Quavo is a round sans font family, including regular and oblique font styles. Round corner of letters show the soft and friendly vibe and some letters for instance: letter a, b and d, they all have a tail at the end. It's sort of personal preference, for I want to add some ornamental elements in this font. Quavo can be applied in lots of areas. Including but not limited in titles, posters, book pages and big display canvas.

To snuggle is "settle or move into a warm, comfortable position" - that is exactly what I did with making this chunky seriffed font. Well, maybe not a position, but a comfortable mood! I tried to mix some gentle grafitti moves and comic letters, and then a touch of the classic goofy pizzadude style - and the result is this cheeky font called Snuggle Punk. Full of round corners and fat lines - sounds like a nice cup of coffee! :)

A geometric typeface. Smooth corners are mixed with straight angles to form a strong. These make Aquari ideal for almost any type of graphic design. Its unique look is well suited for corporate identity, its precise drawing for branding and poster design. The character set includes various OpenType features and a broad language support with German and Polish special signs. Details include 3 weights, with European character set, manually edited kerning, stylistic alternatives and Opentype features.

ROMANICA is a relaxed humanist sans with subtly curved corners and slightly flared glyphic terminals that are expressively angled where appropriate. Romanica has the authority of the ages without the harshness of many classically inspired typefaces. All eight fonts include a full complement of Latin Extended-A characters, Welsh diacritics, Irish dotted consonants, and additional oldstyle numerals. ROMANICA is available in three packages - • Basic Family (Regular, Italic, Bold & Bold Italic) • Light (Light & Light Italic) • Medium (Medium & Medium Italic)

Neo Phalanx is a rectangular, circular & curvy modern display sans inspired by Ancient Greek mass military formation. The difficulty of make this font is balancing rounded corner & sharp edge. There are letters like "M W A H R N K S Z" provides a unique personality in the title display. Numbering and punctuations also designed in unique styles to deliver different visual language. This font is suited for variety of applications from poster to branding, advertising, digital.

Gratique is a semi-rounded sans-serif typeface. The curvature of the corners fits perfectly and makes it look so cool. Gratique comes with 3 different font variants, namely medium, bold, and black. Gratique is perfect for headings, typography, branding, mockups, or any other design you need especially for a sans-casual style, it will work really well. FEATURES: - STANDARD CHARACTER SET -Case Sensitive Forms -Denominators -Fractions -Historical Forms -Standard Ligatures -Scientific Inferiors -Subscripts -Superscripts -Multilingual Support, etc.

UUeirdie is weird. The Condensed-Light style was derived from the star-serifed font Asterx by replacing the star serifs with a rounded flare serif. Widening that style resulted in UUeirdie-Regular and the bold was then constructed to complement it. The warped version was a result of play with a font distortion program. Although the glyphs have sharp corners, they do not have straight lines. The UUeirdie faces are rough, irregular, and maybe a bit creepy.

Louis is a faithful digital rendition and expansion of a design called Fanfare, originally drawn by Louis Oppenheim in 1927. Redrawn digitally by Rod MacDonald, and engineered in-house by Canada Type, Louis includes the many alternates that came with the original design, and then some. It was also expanded into three variations, including a soft-cornered style, and a rough woodcut one. And of course, the codepage support covers the majority of Latin-based languages.

This sans-serif font made by the Indieground Team is perfect for titles, logos, editorial design, packaging and web design. It fits every graphic design or typography-related project. The slightly rounded corners of the letters give an elegant line to your text and quotes. A font with a minimal atmosphere that will give a cool style and weight to all your artistic compositions. This regular commercial version includes the full characters set shown in the preview.

Spilled Ink is a handwritten typeface designed to complement illustrations. Inspired by the idea of spilled ink that spreads and fills the shape of letters. Therefore, the symbols do not have sharp corners and looks smooth, soft and cute. Spilled Ink is intended for use in headlines, so lowercase have the same height as uppercase, allowing them to be used as alternates. Make your stories fabulous with Spilled Ink! Scripts: Latin, Greek, Cyrillic, Hebrew Language count: 480+

Brontoburger is defined by its loose, laidback appearance but stops short of being too rough around the edges. Its softened corners produce a warm, friendly look suitable for many applications. This display font is playful enough to be featured on toy packaging but suitable for business cards as well. Try the 3D Extrude version for a book cover or poster. This 3 member family is equipped with Basic Latin, extended Latin, diacritics, Cyrillic, symbols, punctuation, and kerning.

The complete family contains 24 weights, 1568 glyphs in each font, and supports OpenType features. RAlt sub-family has rounded corners. Everest Pro family is ideally suited for advertising, packaging, brand identity, books, magazines, logotype, software, sports as well as web and screen design. Everest Pro OpenType features list: zero, ordn, case, locl, c2sc, smcp, frac, subs, sinf, tnum, sups, numr, dnom, dnom, onum, lnum, pnum, ss01, ss02, ss03, ss04, ss05, ss06, ss07, ss08, ss09, dlig, liga, salt, hist

Great for branding and headlines, Kijs is a serif type with a twist. Kijs is a “nature font” that communicates earthiness with a free spirit and personality. Kijs has slightly overfilled joints and corners for a natural print look, rounded terminals, and many alternate letters for design variation and for creating a truly organic feel. The thinner font weights speak to natural elegance and sophistication, and bolder weights reveal a concept of flow and organic matter.

Quan Geometric is an altered modified from the form of the original Quan Pro typeface. Designed to be more Corporate, the font family has flat terminals that harmonizes with sharp corners. With all of these features, “Kelpt Sans” is a prominent, eye-catching and unique typeface. It comes with 8 weights with slim option in order to suit for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing, as well as packaging.

The Wright-Regan Instrument Company (Wrico) was one of the leading manufacturers of lettering templates for many years. Aside from their own line of products, they also did custom manufacturing. A series of lettering guides called “Mimeostyle” for the A. B. Dick Company of Chicago (produced for use in making mimeograph machine printing stencils) featured an art Deco squared letter design with rounded corners. This is now available digitally as Template Sans JNL, in both regular and oblique versions.

Level is a spurless sans serif family that takes a more calligraphic approach to the popular square sans. The subtle swelling and shrinking in the strokes of the curves and terminals contrast with the slight squared corners for a sans family that straddles the line between machine-made and human-crafted. Generous spacing and simple, narrow construction make for airy text that still conserves real estate on the page. Three weights include italics and small-caps + old-style numbers.

Friendly in lowercase; sophisticated in capitals. Visby® CF is a geometric font family inspired by the stark beauty of the Arctic. Straight lines and sharp corners mesh with subtle humanist influences, giving Visby a blend of precision and warmth. Includes Latin and Cyrillic scripts. Visby® CF pairs well with contrasting softer typefaces, particularly text-friendly serifs like Artifex CF and Addington CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.