Modern and bold, LemonTwist gives your designs a little zest of fresh feeling...

A great headline face very bold and graphic. Not recommended for small sizes!

This bold and high contrast typeface is mainly used for extreme outstanding headlines.

A Bold Powerful Geometric design. Great headline face; works well in many applications.

FG Nadja is bold and beautiful - with a real artistic flair around her.

Grand brother of Super National in extra bold. Looks nice in all size.

The bold presence is in every weight you choose - for packaging, signage etc.

Xaltid is a somewhat odd, decorative, calligraphic typeface in plain and bold weights.

Almighton is an aesthetic vintage typography font, inspired from the past, elegant signage, gold leaf , sign painting and old label product. Almighton comes with tons of alternates characters to make more eye cacthy . It is suitable for authentic logos, headings, sign painting, posters, letterhead, branding, magazines, album covers, book covers, movies, apparel design, flyers, greeting cards, product packaging, and more.

A smooth contemplative Antiqua with aspiring to the sky ascenders, inspired by the Quietism philosophy. Clarity of the mind is achieved by bringing the body into a state of calm and contemplation, and this is reflected in the design – the quiet horizontal serifs (body) are opposed to the peaky soaring ascenders (mind). The design also features four optical size subfamilies with different x-height and contrast, oldstyle diagonal stress, oldstyle figures by default, smooth details and slightly dark texture. Variable axes: Weight, Contrast, X-Height. Scripts: Latin, Greek, Cyrillic. Languages: 480+. The complete list of supported languages: michaelrafailyk.com/quietism Kerning: 4553 class-to-class pairs. Hinting: Not applied. Format: TTF – OpenType with TrueType outlines. Variable Font: Quietism Variable provides more options than static versions, and has three axes: Weight (Thin–Black), Contrast (Low-High), and X-Height (Low-High). Variable fonts includes thousands of styles that you can access using a sliders on graphic editor or via CSS on web browser. Mixing different axes gives you extra styles not represented by static fonts. Optical Size: The typeface is represented by four subfamilies: Text (low contrast, high x-height – for paragraph 10-20 pt), Deck (medium contrast, medium x-height – for subheading 20+ pt), Display (high contrast, medium x-height – for heading 72+ pt), Poster (high contrast, low x-height – for big size 120+ pt). Small Caps: Lowercase letters and Oldstyle Figures are replaced with Small Capitals forms. Capitals to Small Caps: Uppercase letters, all figures, and some punctuation are replaced with Small Capitals forms. Case Sensitive Forms: ()[]{}‹›«»-–—•·#%‰@ and Arrows are centered on capitals. Oldstyle figures are replaced with Lining figures. Oldstyle Figures: 0123456789 #%‰. Designed to work with lowercase letters. Used by default. Lining Figures: 0123456789 #%‰. Figures are the same height as uppercase letters (cap height). Proportional Figures: Lining, Oldstyle, Small Caps, Capitals to Small Caps. Tabular Figures: Lining, Oldstyle, Small Caps, Capitals to Small Caps. Ordinals: adehnorst. Superscript, Subscript, Numerator, Denominator: 0123456789. Fractions: ¼½¾⅐⅑⅒⅓⅔⅕⅖⅗⅘⅙⅚⅛⅜⅝⅞⅟ (precomposed). Any other fractions (even those typed through a slash) will also be displayed correctly, with the automatic replacement to Numerator + fraction + Denominator. Slashed Zero: All 0 figures. Contextual Alternates: Number sign character (#) before uppercase letters is replaced by its version centered on capitals. Hyphen character (-) between two uppercase letters is replaced by its version centered on capitals. First of two TT letters is replaced by its alternate form. Letters vwy before the letters fijmnprtuvwxy are replaced with an alternate shorter versions that fits better in the context. Contextual Alternates (Greek): ΆΈΉΊΌΎΏ. Greek uppercase accented characters lose their tonos accent and retain only dieresis in All Caps and Small Caps modes. Turned on by default. If you need tonos accents in All Caps then turn off Contextual Alternates (calt) feature. Stylistic Alternates: FTГТИЦЩцщ and their versions with diacritical marks. Stylistic Set 01 “Arrows”: Left <- Right -> Up Left Right <-> Up Down North West South East \> South West Stylistic Set 02 “Round-Square Cyrillic”: ДИЙЍЛФвгджзийѝклнптцчшщьъю characters are replaced with its Bulgarian or Russian forms. Stylistic Set 03 “Cyrillic Tse Shcha short tails”: ЦЩцщ characters are replaced with its alternate form with short tail. Stylistic Set 04 “Cyrillic I full serifs”: ИЙЍӢ characters are replaced with its alternate form with inner serifs. Stylistic Set 05 “FT bent inward serif”: FTГ characters and their versions with diacritical marks are replaced with its alternate form with right head serif that bent inside. Stylistic Set 06 “Small Caps centered on Capitals”: Small Caps are vertically centered on uppercase letters. Standard Ligatures: fi fl fb ff fh fj fk ffb ffh ffi ffj ffk ffl. Discretionary Ligatures: Th ct st. Localized Forms: 52 character substitutions for Azeri, Bulgarian, Catalan, Dutch, German, Kazakh, Macedonian, Moldavian, Polish, Romanian, Serbian, Tatar, Turkish. Glyph Composition/Decomposition (Diacritics): Full Latin and based Vietnamese set of diacritics (571 characters). Precomposed.

Nomadic Blackletter font, also known as Gothic or Old English font, is characterized by its bold, ornate and decorative style with thick vertical and thin horizontal strokes. They are highly ornamental and are distinguished by their black, high-contrasting nature. Features of Nomadic Font: Ornate and Decorative: Nomadic fonts are highly ornamental, artistic and decorative, making them ideal for titles, headlines, logos, and other design applications where a touch of sophistication, elegance, and class is required. Strong and Bold: Due to its bold strokes, Nomadic fonts exude strength and power, making them the perfect choice for logos and branding, especially in fields such as music, fashion and sporting industries. High Contrast: Nomadic font creates a high contrast between the thick and thin strokes, creating a unique visual appeal that is not found in other fonts. Gothic Style: Nomadic font originates from the Gothic period where it was commonly used in manuscripts and inscriptions. This style has persisted through the centuries and is still popular today. Use of Capitals: Nomadic fonts make use of stylized capital letters with exaggerated loops and curves, adding to the uniqueness of the font. In summary, They are excellent for logos and headlines, providing a touch of elegance and sophistication. However, their complexity limits their use in large amounts of text.

Versatile EP is a powerhouse of 9 fonts that make design and logo creation effortless. While other sans-serif fonts tend to be rigid and cold, Versatile stands out with it's warm and natural feel. It's generous x-height aids in its legibility and function, and the forms are classic yet modern allowing this font to live up to its name as a truly versatile workhorse for your next design or layout. Use it by itself, or in combination with Versatile 7 layer font package (Sold Separately.) https://www.myfonts.com/fonts/charlesborges/versatile-bold/ Versatile EP contains 3 body styles, and 6 shadow fonts including striped and solid in different weights. Versatile EP is not just for the Graphic Designer. It's well suited for the Sign Maker, Cricut and Silhouette users, and anyone else who uses a vinyl plotter. It weeds beautifully in cut vinyl. Its different layers allow the user to stack multi-colored vinyl to create one a kind signs and displays. Versatile EP is ideally suited for advertising and packaging, logo, branding and creative industries, poster and billboards, signage as well as web and screen design. What's included: 9 Fonts included in for one low price: 3 body fonts and 6 different shadows. 1,462 Glyphs (Characters) in each font for a total of 13,158 Glyphs per style pack. Over 200 Languages supported including Cyrillic, Bulgarian Cyrillic and Greek. A massive library of Alternate Characters: Latin, Extended Latin and Cyrillic Alternates including their Diacritic and Small Cap counterparts. Superscripts, Subscripts, Numerators, Denominators, and Scientific Inferiors. Small Caps in Latin, Extended Latin and Cyrillic include Numbers, Punctuation, Diacritics and Alternates. Extended currency symbols including Bitcoin. Fun assortment of speech bubbles. Unlimited fractions. PUA Encoded Versatile EP makes designing fun!

Ni is a kind of typographic love letter, revealed in three distinct, yet close, type formulas. Ni Serif is a contemporary serif typeface with slight diagonal modulation, amazingly legible, and with a very steady rhythm that allows a wonderful performance, especially in long passages of text. Ni Sans closely match the design characteristics and proportions of the serif counterpart. Ni Sans undeniably shows the strong calligraphic influence that comes from Ni Serif, resulting in a very comfortable humanistic typeface, suited both for print and digital environments. Ni Slab is not a simple Sans with serifs attached. Despite the thick and strong serifs, Ni Slab is a gentle mixture of the DNA of the Serif and Sans counterpart and does not intend to reflect any mechanic approach.

Ni is a kind of typographic love letter, revealed in three distinct, yet close, type formulas. Ni Serif is a contemporary serif typeface with slight diagonal modulation, amazingly legible, and with a very steady rhythm that allows a wonderful performance, especially in long passages of text. Ni Sans closely match the design characteristics and proportions of the serif counterpart. Ni Sans undeniably shows the strong calligraphic influence that comes from Ni Serif, resulting in a very comfortable humanistic typeface, suited both for print and digital environments. Ni Slab is not a simple Sans with serifs attached. Despite the thick and strong serifs, Ni Slab is a gentle mixture of the DNA of the Serif and Sans counterpart and does not intend to reflect any mechanic approach.