Looqie - Beauty Display Sans Serif Is my new elegant with Regular and Italic serif font that will bring in your projects a touch of Beauty Looqie - Beauty Display Sans Serif will work perfectly for fashion, e-commerce brands, trend blogs, wedding boutiques or any business that wants to appear upscale. Flip through all the previews and get inspired like I was while creating this font Looqie also Suitable for Logo, greeting cards, quotes, posters, branding, name card, stationary, design title, blog header, art quote, modern envelope, book design any DIY project to make your art/design project look pretty and trendy. Features : Uppercase & Lowercase Numerals & Punctuations (OpenType Standard) Accents/Multilingual characters PUA Encoded 29 Ligature Check my other Font here : https://gilarstudio.com/ Give it a try! You will surely love it! Thanks and have a wonderful day, Gilar :)

Konrad Kachelofen was a printer in the city of Leipzig beginning around 1483. He printed many works by contemporary authors and also many of the classics. He acquired an unusually large amount of typefaces for his shop, a place that included a wine bar and book store. This type face is based on Typ.11:340G GfT510 Gesamtkatalog der Wiegendrucke and is similar to Proportional Lime’s “Kachelofen'' font. The major differences are that the whole miniscule set is slimmer and the majuscule set has different style glyphs and this face was used solely for titles and section headings because of its sharper and clearer appearance at large point values. Konrad probably died in 1529 after passing his business on to his son-in-law Melchior Lotter, who also went on to fame as an industrious and illustrious printer.

Anadolu was inspired by the distinct style of sign lettering in rural Turkey, and refined based on sign lettering in Hungary. Shown here are samples in Turkish and Hungarian, as well as Finnish and Estonian, two other languages in the Finno-Ugric language group with Hungarian. The slight curve at the tops of ascenders and bottoms of descenders is inspired by the linguistic process of "vowel harmony" in Turkish and Hungarian. Anadolu is the Turkish name for Anatolia, the peninsula where Turkey lies. The name recalls another sans-serif typeface named for its country of origin. The tittle on the i is reimagined as a diacritic, and the dotless ı is reimagined as the basic, prototypical i. Too many typefaces treat diacritics as afterthoughts. Since diacritics are integral to the languages that inspired Anadolu, they were designed as core components of the typeface.

“So-called Baskerville Old Face of the type foundry Stephenson Blake & Co. of Sheffield. The Script is probably not immediately linked to Baskerville, but it is very much influenced by it. It is one of the most beautiful types of which the mats still exist; it has an incomparably different spirit than the ‘streamlined’ re-cuts of today’s Baskerville. Even keeping the general restraint extremely expressive. According to Berthold Wolpe (‘Signatures’ No. 18), the punches were cut and shown in samples in 1776 by Isaac Moore, who came from Birmingham to Bristol.” – Jan Tschichold, “Meisterbuch der Schrift”, Notes On The Plates, Page 231 Publisher note: I wanted to improve the contrast between thick and thin, reduce some ink-traps and give stems, serifs and links a smoother overall feel. I have also added some alternative letters and old style numerals.

Street art style is endless. Here comes a font with a cool and fun graffiti tagging style. Coupled with ornaments that make it more attractive. You can access the ornament by typing underscore + underscore + number (1-14). Example: __14. The program must support the opentype feature or contain a glyph panel. Suitable for merchandise designs, posters, stickers or album covers. Features: Uppercase, Lowercase, Numeral, Punctuation, Multilingual & Ornament. Multilingual contained: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Thanks!

As with any attempt at a new typeface, you want to create something different. A difficult task as most legible fonts are based on something previous. Somatype isn't actually based on any particular font but it has unavoidable similarities to others. The important difference here being the distinctive quirk of the connection points going opposite to the norm; exemplified best by the lower case d & e. Once devised, the unique characteristic was applied wherever possible, keeping the rest of the characters in a sympathetic, rounded style. I first designed this in the light weight version, seeing it working best as a large open display font for magazines etc. but realized it would be too light for body copy at small scale, so, medium and bold weights were created to resolve that issue. Incidentally, the word ‘somatype’ literally means body-type.

As part of the day job I had to trace an old hand drawn logo of a Masonic Lodge from a very poor scan. When I finally got to the end of it I had almost a whole alphabet and I really liked the hand drawn uneven quality, so I made up the rest of the letters and set about making it into a font. I roughened up all the edges for an even older look, added a host of OpenType features and hey presto, Masonic Lodge was born. There are two versions of each letter and number which automatically alternate when contextual alternates are set, more alternates for O and o characters, a good amount of interlock style L and T ligatures (uppercase) and a square & compass ornament. Use it for pub signs, secret society meetings, monster movie titles and pub menus.

Einer Grotesk is a timeless sans-serif typeface family of 16 fonts, made with perfection in every aspect of design. Created with a special focus on readability and visual aesthetics, this typeface can transform your design projects to another level of craftsmanship. Handcrafted and designed with powerful OpenType features in mind, each weight includes extended language support, including Western European & Central European sets. A total of 294 glyphs are included. Einer Grotesk is a perfect choice for graphic design, text presentation, web design, print, and display use. The typeface can be an amazing option for beautiful branding, logo/logotype design projects, marketing graphics, banners, posters, signage, corporate identities as well as editorial design. Adding extra letter-spacing for the Caps will make this font perfect for minimal headlines and logotypes as shown in promo images here.

Blend is a hand drawn collection that takes its cues from the visual universe of bakeries and coffee shops. The name refers to the combining of different kinds of coffee beans to get a balanced taste, and Blend does just that, although here each typographic flavor can also be enjoyed separately. Projects such as branding, children’s books, wedding invitations and labels are sweetened with this cute family. The bouncing informal Script programmed with Open Type offers a wide range of features like ligatures, swashes, endings, initial forms and lots of alternates. Use professional software that widely support Open Type features. Otherwise, you may not have access to some glyphs. Keep the Standard Ligatures feature always active. For further information about features and alternates, see the User Guide Blend has extensive Western, Central and Eastern European language support. Make some coffee and enjoy!

If you'd like to scream, but you have no self esteem, or you'd love to start a fight, but you're scared of the night, I made this font for you all, whether you're short or tall. Monden is wide, gentle and fun, but it wasn't born under the Sun, it was my intention to make it unique, I surely hope I didn't make some freak, it looks a bit classical, in moments maybe here and there radical, but it surely is really graphical with a dose of something magical. Want a logo, poster or any other design, but you'd rather cry and then run, even this description sounds lousy, at least it isn't so drowsy, so meet Monden family from our hood and keep your spirit in good mood, and do the things on any way you think they should.

Here comes a New font, Introducing Roselle It's Fun Script Font is a Textured Natural Style and Authentic classy style, this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. Roselle a Natural Script Hand Drawn feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes,photos, photography overlays, signs, window art, scrapbooking, tags and so much more! It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. This font is PUA encoded which means you can access all of 22 Ligatures glyphs.

Don your Flying Suit and tighten up your Atomic Powered Jet Pack buckle! Pencil in your pencil-thin moustache and stick your head into that Rocketeering Helmet! It's Zero Hour, 9am, 1949! Five Days a Week, you ARE the King of the Rocket Men, ready to Burn out your Fuse on a Timeless Flight into Outer Space Alone! Mission Control has advised our Space Race Typeface that Mars is not the kind of place to raise your kids and, furthermore, it's gonna be a long, long time until touchdown brings you round again to find you're not the man they think you are at home. You are in fact a ROCKET MAN; not a postman or a milkman, you're a modern man, a higher-than-a kite flying masked hero on your first manned flight to Infinity and Beyond!

Monotype’s hot metal Bell series from 1931 was based on original types made by the punchcutter Richard Austin for the foundry of John Bell in the 1780s. The different sizes of Monotype’s series were not all based on the same model. As type historian James Mosley wrote on Typophile, “For 18 point and above (the metal type was cut in sizes up to 36 point) Monotype’s model was a larger type [than the model used for the text sizes], the ‘Great Primer’ cut by Austin. This has greater contrast in the capitals and a flat foot to letter a.” The digital Bell closely follows the design of the hot metal 18pt version, and is therefore somewhat lighter in color than the text sizes of Monotype’s original metal face. James Mosley’s Typophile article can be found here.

Introducing Fontena - A Font Family ! The Fontena - A Font Family will work perfectly for fashion, e-commerce brands, trend blogs, wedding boutiques or any business that wants to appear upscale and chic. The Fontena - A Font Family also Suitable for Logo, greeting cards, quotes, posters, branding, name card, stationary, design title, blog header, art quote, typography, art, modern envelope lettering or book design, happening style like handdrawn design or watercolor design theme, craft design, any DIY project, book title, or any purpose to make your art/design project look pretty and trendy. Features : Numerals & Punctuations (OpenType Standard) Accents/Multilingual characters (AÀÁÂÃÄÅCÇDÐEÈÉÊËIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸỲŸÆŒßÞ) PUA Encoded No special software is required to use The Fontena - A Font Family Check my other Font here : https://gilarstudio.com/ Give it a try! You will surely love it! Thanks and have a wonderful day, Gilar :)

The different fonts in the Why Square family are an extension of the designs begun in Zoran Kostic's Just Square family. Why Square's lowercase letters are all more condensed versions of Just Square's letters, and in some of the fonts, the uppercase letters are wider. The first five fonts are the different weights of Why Square (UltraThin, UltraLight, Thin, Light, and Regular). Here, all of the characters--both upper and lowercase--are more condensed versions of the geometric letters from the Just Square family. The next five fonts (UltraThin, UltraLight, Thin, Light, and Regular weights) include identical lowercase letters to those from the first five fonts in the family, but their capitals are considerably wider. These may be used as initials, either with the other fonts in the Why Square family, or with the Just Square family.

Hollywood Revue JNL gets its design inspiration and name from a vintage movie poster for "The Hollywood Revue of 1929". The letter style shows early Art Deco influences, yet the hand lettering was done in the late 1920s toward the end of the Art Nouveau period. MGM produced this early "talkie" all-star musical with a cast that included Jack Benny, John Gilbert, Conrad Nagel, Laurel and Hardy, Buster Keaton, Joan Crawford, Norma Shearer, Polly Moran and many others. This is the motion picture where Cliff ("Ukelele Ike") Edwards introduced "Singin' in the Rain" (composed by Arthur Freed and Nacio Herb Brown). Years later, Freed was a producer at MGM and gathered up many of the songs he and Brown wrote during the 1920s to form the musical core of the 1952 Gene Kelly-Debbie Reynolds-Donald O'Conner musical "Singin' in the Rain".

Gothiks Round Compressed is the rounded version of Gothiks Compressed. It is a 6-weight display sans-serif influenced by Texturas. The rhythm and verticality of Texturas can be easily identified on the letters with diagonal strokes like A N M K k V v W w X x Y y Z z: here they are all vertical. This kind of morphology was chosen because it accepts condensation in a very natural way, giving to this sans-serif a very unique personality. It has an extensive character set—with extensive language support—and many OpenType features like fractions, small capitals and different figure sets. Default figures align with lowercase. The typeface’s name refers to the plural of the word Gothic, which in turn can refer to both sans-serifs or Blackletter, depending on geographic location. Use it BIG!

Initially released in 2013 Corbert was a big hit and was named one of the most popular fonts of the year by MyFonts. Following on from its success the design is updated and remastered to meet the latest standards of The Northern Block and to satisfy critical issues put forward by the most demanding of users. A geometric sans serif typeface influenced by Bauhaus and the early modernist era. Precise shapes are optically adjusted to create a clear, natural typeface with excellent legibility. Corbert is a regular, self-evident design that works well across a wide range of applications. Details include nine weights with matching italics and over 540 characters per style. Opentype features consist of five variations of numerals, including inferiors, superiors, fractions, alternative lowercase a, e and g, and language support covering Western, South, and Central Europe.

Copperplate was the classic nineteenth century engravers typeface, consisting of capitals and small caps only. Among others (for example Deberny & Peignot) F. W. Goudy's cut for ATF around 1901 is probably the most widely known. Copperplate typefaces are traditionally used for business cards and all that "serious" stuff. My Copperplate Classic is a completely new design, based on some old samples. To make it look more up-to-date and elegant, I gave it some extra swings here and there. The old fonts were all designed with clogging corners or points that can break off in the minds of its designers. Today we do not have those problems any longer, so I could give my Copperplate Classic real sharp pointed serifs. To give you more choice I now added this medium cut in three variations, medium, sans and rounded! Enjoy! Gert Wiescher

The Nightfall is a romantic typefaces. bold, elegant & fun vintage script font. Can be used for various purposes.such as logos, wedding invitation, t-shirt, letterhead, signage, news, posters, badges etc. The Nightfall features 300+ glyphs and 100+ alternate characters, ligatures, swash and multiple language support. View all glyphs here: http://s28.postimg.org/7osts7ezx/All_Glyphs.jpg To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. How to get access alternate glyphs from open type fonts: http://youtu.be/iptSFA7feQ0 There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw

Copperplate was the classic nineteenth century engraver's typeface, consisting of capitals and small caps only. Among others (for example Deberny & Peignot) F. W. Goudy's cut for ATF around 1901 is probably the most widely known. Copperplate typefaces are traditionally used for business cards and all that "serious" stuff. My Copperplate Classic is a completely new design, based on some old samples. To make it look more up-to-date and elegant, I gave it some extra swings here and there. The old fonts were all designed with clogging corners or points that can break off in the minds of its designers. Today we do not have those problems any longer, so I could give my Copperplate Classic real sharp pointed serifs. To give you more choice I now added this light cut in three variations, light, sans and rounded! Enjoy! Gert Wiescher

To be independent or to be dependent? The formula “one plus one is one” is here essential for this to work. The different cases, upper and lower is dependent on one another. To give us clarity they have to work together, to be like one the upper and lower cases must work together. Expedition One works best in InDesign or equivalent software. How to use it: write your text in lower case, copy the text frame and ”Paste in Place”, change your lower case text to upper case (you do that under top menu->type->change case). Change colour if you want to and maybe change the blending mode in the effects window to “multiply” makes it even more sparkling. On numbers and ampersand for example, you have to use the glyph window in InDesign to find their second half.

"Hi there, thank you for passing by. Colllab Studio here. We crafted best collection of typefaces in a variety of styles to keep you covered for any project that comes your way! Mister Arigato is a modern, unique calligraphy font inspired by traditional Japanese and Korean brush lettering. It gives you that little extra something you always been looking for. We do more than just type, we help you show how much you care in your most precious brand. This font is a great option for any project that involves sending letters as a decorative piece of artwork (attach it to a mug, or place on a greetings card), or for use for branding purposes(headline, logo, etc.). Though it is not double-width, the letters easily tailor to any word-spacing. A Million Thanks www.colllabstudio.com

In his 1538 book on measurement, Albrecht Dürer gave clear descriptions and drawings about the proportions of the letters in both Roman and 'fraktur' alphabets (from Latin 'fractura', meaning that it's broken up with lots of different angles rather than smooth curves). Here is the fraktur alphabet as a font completed for use today, with a few characters modernised and some gaps filled. Of course there are countless examples of fraktur fonts already circulating, and indeed one foundry even has another version of this particular one; but we have different approaches to some of the questions raised, we have aimed at a more even tracking (horizontal spacing), and the 260 glyphs in our version include accents and other diacritics, and the modern symbols which Dürer would surely have embraced if he had had access to the internet.

"Hi there, thank you for passing by. Colllab Studio is here. We crafted best collection of typefaces in a variety of styles to keep you covered for any project that comes your way! Introducing Black Dope is a bold brush font, it has a strong character. Inspired by the bold lettering found in classic show-cards and advertisements, it will add character to any design. This font is a blast from the past and a step into future. It’s bold, it has a strong character and it is full of life. Works perfectly in small size and large size. Eye-catching details show the temperament of the font. especially if you need to put a unique and strong character designed for your posters, headlines, T-shirt designs, labels, signage nameplates, brands etc. A Million Thanks www.colllabstudio.com

Important! There is a whole new redesigned version (remake) of Uni Sans called Uni Neue . The Uni Sans font family includes 14 weights - seven uprights with seven italics. It is characterized by excellent legibility in both - web & print design areas, well-finished geometric designs, optimized kerning, excellent web-font performance and legibility etc. Inspired by the classic grotesque strong typefaces like DIN and Dax - Uni Sans has his own unique style in expressed perfect softened geometric forms. The font family is most suitable for headlines of all sizes, as well as for text blocks that come in both maximum and minimum variations. Uni Sans font styles are applicable for any type of graphic design in web, print, motion graphics etc and perfect for t-shirts and other items like posters, logos. PDF Specimen also available - click here .

About the Product Minty Foxs layered Font Minty Foxs is a layered fonts that appear with various styles such as Extrude, Engrave, Shadown and outline version, This font comes with an bold and shadow effects. this font to complement your perfect vintage design or Retro! a collection of letters inspired by retro 70s typographic designs with original handwriting. perfect for branding, logos, stickers, posters, vintage designs, screen printing on t-shirt, wall art and more! Minty Foxs includes: Stylistic Alternates, Ligatures & Stylistic Sets. You can choose an alternative style, Stylistic Sets per letter and Glyphs. By using Glyph in software programs like Photoshop, Illustrator and CorelDraw X version. You can also access this in many other programs by using your character map (Windows) or font book (Mac). Let's play with "Mint Foxs" for the beauty of your next design project.

Adolf Rusch von Ingweiler, was in the 19 th century known mysteriously as the “R'' printer. He was the first printer North of the Alps to introduce the new Roman style of type known now as Antiqua. He was active in the city of Strasbourg from around the early 1460's to 1489. One wonders if the unusual form of “R'' was a personal conceit. This font is, therefore, an Antiqua style font and has over a 1000 defined glyphs with wide support for medieval characters that have since fallen out of use. The baseline was slightly tidied up in order to give the printed text an even cleaner look than the original. The letters are very close approximations of the original type catalogued by the “Veröffentlichungen der Gesellschaft für Typenkunde des 15. Jahrhunderts” as Typ.1:103R GfT1197.

The Seol Sans design offers a fresh palette for designers working with the Korean alphabet, particularly those looking to pair Latin and Korean alphabet (or Hangul) forms without creating typographic friction. The choices for Hangul fonts that work well with humanist Latin typefaces are limited. As Monotype’s first original Korean design, the Seol Sans typeface is a humanist take on the traditional rigid and hard designs of Hangul characters. The Seol Sans design more closely resembles the natural curve of hand-written characters. Seol Sans features Neue Frutiger for its Latin glyphs, and works harmoniously with Neue Frutiger World and Monotype’s CJK typefaces Tazugane Info (Japanese) and M XiangHe Hei (Chinese). Seol Sans is a great choice for global brands using a Sans Serif design looking to maintain their visual identity, and communicate with a consistent tone of voice in the Korean market.¶

Gothiks Round Condensed is the rounded version of Gothiks Condensed. It is a 6-weight display sanserif influenced by Texturas. The rhythm and verticality of Texturas can be easily identified on the letters with diagonal strokes like A N M K k V v W w X x Y y Z z: here they are all vertical. This kind of morphology was chosen because it accepts condensation in a very natural way, giving to this sans-serif a very unique personality. It has an extensive character set—with extensive language support—and many OpenType features like fractions, small capitals and different figure sets. Default figures align with lowercase. The typeface’s name refers to the plural of the word Gothic, which in turn can refer to both san-serifs or Blackletter, depending on geographic location. Use it BIG!

Hi there! I'm happy to present you my new font! Adrim is a modern symbols and lines display font. Each uppercase character have a unique pattern with moon, stars and leaves. Here are also clear font option. It is perfect to use in any vintage logos, branding, flyers, product packaging, romantic stationery, ecology posters, astrology blog design, holiday invitations. What you will get: * Pattern and Clean styles * Uppercase and lowercase * Numbers * Symbols * Ligatures * Punctuation * Multilingual support If Adrim font family is not ok, please check out Avery https://www.myfonts.com/fonts/kaer/avery/ I hope you enjoy this font. Follow my shop to receive updates of products and the very hottest news! If you have any question or issue, please contact me: kaer.pro@gmail.com Please request to add additional characters and glyphs if you need! Thank you!

A new vintage display typeface by Ilham Herry. Started from the passion of collecting the old tin packaging with classic labels on it, the layout and composition make Ilham pretty inspired and the urge of crafting the letters is getting bigger since that day. That's what comes first as a motivation in making this Ephemera Kingsford typeface.Adapted and referencing from the real physical collectible old tins and cans to a single pack of digital fonts asset. Packed up with 9 layered fonts, 1 font as a pair, and of course ornaments and vintage panels as a vector file.Perfectly fit for display printing, handcrafted product, screen printing industry such as apparel, packaging, labels, and also sign painting, scrapbook, glass gilding, et cetera. Not every visual can go vintage but if you want to, there's no other choice, oldsport. check Ephemera Kingsford type specimen here

Less is More. This stencilled version takes away some of Didonesque’s structure while adding another level of distinguished style and supreme elegance. The Elegante fonts epitomise the style required for high-end fashion and beauty applications with their crisp curves combined with tapered serifs and terminals – instantly creating a polished and fashionable aesthetic. Didonesque Stencil was designed for large display purposes, branding, corporate identities, headlines, advertising, wedding invitations and the like. Of particular note are the minimal ball terminals which are available by activating Stylistic Set 2 – they’re perfect for adding that extra bit of magic to your typographic designs. Key Features: • 4 Stencil weights in Roman and Italic styles • 4 Stencil Elegante weights in Roman and Italic styles • 4 weights in Condensed style • Small Caps, Petite Caps, Alternates, Ligatures and Contextual Alternates • Full European character set (Latin only) • 780 glyphs per font.

Glorify SH is a Modern vintage serif typeface with Unique alternative , multilingual support with perfect kerning. This typeface is perfect for an elegant & luxury logo , classy editorial design, women's magazine, fashion brand , cosmetic brand, fashion promotion , modern advertising design, invitation card, art quote, home decoration , book/cover titles, special events, Tote bag, T-shirt, Advertising and much more. Glorify SH Features: · 4 Weights font (Regular, Italic, Outline, Semi Bold) · Uppercase And Lowercase · Alternates · Numerals & Punctuation · Accented characters · Multilingual Support · Unicode PUA Encoded If you need another format of this font, such as TTF, WOFF and WOFF2, please contact me. While using this product, if you encounter any problem or spot something we may have missed, please don't hesitate to drop us a message. We'd love to hear your feedbacks in order to further fine-tune our products. Thanks and have a wonderful day .

Zest is an informal brush script drawn with quick, thick brush strokes. While it is based on everyday handwriting, the expansive and easy flow of the script hides the care that has been given to the crafting of each character. In style it harks back to the hey-day of American lettering and calligraphy, yet it has a looseness that is thoroughly modern. Zest comes in three styles: -- Zest-Medium, which is medium-weighted and appropriate to a wide range of applications; -- Zest-Drama, in which the contrast between the the thicker and thinner parts of a brushstroke has been dramatically enhanced; and -- Zest Bezel, in which the brush strokes have been given a contemporary, square-cut appearance. Zest is ideal for invitations to stylish but relaxed events, for advertisements that are intended to create a special ambiance, for posters and for announcements.

Mukbeng Script is a bold script layered with outlines and extrusions, Mukbeng is very inspired by the famous retro typographical design of the late 60s to 70s. Made in combination with hand letters, it comes with dramatic movements and it's great for subsequent creative projects that require a retro vibe or a modern twist. Ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards. Features include: Alternative Styles, Swashes, Ligatures, Contextual and Style Sets. You can choose an alternative to substitution, Mukbeng has many variants per letter. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. There are additional ways to access alternates, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

When drawing a new font, there is a time when the final form is found – almost – but the curves are not slick and clean yet, that's what I call the "raw" form. Raw – no sweeteners added! In this family I tried to redefine this moment in type development for the eternally beautiful "Franklin Gothic". I call the design "Franklin Gothic Raw", not to be confounded with "rough". The family can be used like any good normal typeface, you hardly see any difference to a conventionally cut "Franklin Gothic" in small sizes. The charm of the design becomes obvious the bigger it becomes, then it enhances your design with its imperfections in the outline. "Franklin Gothic Raw" is therefore an extremely versatile family. I created the cuts, that I considered necessary for the seasoned designer who knows what he's doing. Enjoy!

Here comes our new font Break Parquet this is a Unique Display Font that is written casually and quickly.this a Authentic Style and classy style This font are handmade with unique font . Then crafted carefully drawn into vector format.this font is great for your creative projects such as watermar.k on photography, and perfect for logos & branding, photography, invitation, watermark,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. That is a natural handwritten feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. That is why Break Parquet is strong characteristic more natural look to your text with a more modern look to your text.

Dom Loves Mary has a baby brother! Check out Fratello Nick here: http://www.myfonts.com/fonts/correspondence-ink/fratello-nick/ The DomLovesMary font family has all you need to create unique, custom stationery products. THE INSPIRATION BEHIND THE DOMLOVESMARY FONT FAMILY: DomLovesMary is named in memory of Dominic and Mary Sementelli, Debi’s in-laws. Dom and Mary were opposites who were truly “made for each other”. A snazzy dresser, Mary was feisty, loved to dance, sing, and be the life of the party. Dom was cool, calm and collected and was happy to shine the spotlight on the love of his life. They balanced each other out in a really great way. Going through some of her in-laws old photos, Debi found their wedding album. She was struck by the beautiful look on their faces as they got ready to start their life together. She saw the excitement, joy and anticipation of them envisioning “Una Bella Vita!” (A beautiful life!) She decided to create a hand-lettered font with them in mind represented by two totally different lettering styles that were, like Dom and Mary, “made for each other”. It’s her way of honoring them and sharing their beautiful life with all of the couples just starting theirs together. They truly had “Una Bella Vita” and we hope you do too. WHAT'S UNIQUE ABOUT THE DOMLOVESMARY FONT FAMILY: The SCRIPT & TEXT FONTS are lettering styles that were made to compliment each other. With a vintage, classic feel, they will add elegance to your design, while the TEXT serves to offer support with easy to read simplicity. In addition to the standard character set, each of the uniquely styled script fonts includes a collection of flourished ornaments. Use them to create corners, headers or other embellishments to complete the look. And if you really want to fancy things up, we offer two sets of 72 additional flourishes that were specifically made to add to upper and lower case letters for easy customization. Dress them up with one, two or more. It’s like choosing simple pearls or piling on the glitz! Or combine several to create unique flourished ornaments of your own. To add even more panache, we're pleased to present our ready made set of most frequently used ADD-ON WORDS. Created with the wedding client in mind, this set of 66 includes envelope friendly titles: Mr and Mrs, Mr, Mrs, Miss, Ms, Doctor, the Doctors, as well as words to fill out your invitation suite: RSVP, Respond, Save the Date, Accommodations, Directions and more! Easily create Bride and Groom signs or Thank You cards or tags with the click of a key. Or use angled words like “and, at, to, on, for, from and of” to add a special touch to your large groups of copy. PACKAGES: We are pleased to have a variety of customers. From professional invitation designers to DIY brides, publishing companies and website / blog designers among others. So we've created packages to help fit their diverse needs. Purchase just one of our beautiful DomLovesMary SCRIPT fonts, each with its collection of included flourishes or the PRO VERSION complete with ALL THREE script fonts and a combined total of over 100 flourished ornaments. Add our TEXT font, a set of FLOURISHES or ADD-ON WORDS. Love the idea of customizing your letters with all the possible combinations? We offer a special price when you purchase both sets of flourishes. Or choose our Accoutrements Package containing both sets of FLOURISHES for letter customization as well as our ADD-ON WORDS. Want to have it all? The “DomLovesMary Total Design” package is for you. Each of these packages are offered at a 25% savings. WHAT PROGRAM WILL YOU USE?: All of the font options come in both Pro and Standard format fonts. For those with programs that can take advantage of OpenType features (click on the link to see if the program your using is one of them) the Pro fonts are for you. http://www.typotheque.com/fonts/opentype_feature_support/ For others without the ability to use Open Type features, we provide all of the script fonts that comprise the Pro Version as separate versions (Regular, Contextual and Stylistic). If you are using a program like Microsoft Word, and want all three script fonts, you can still purchase the Pro Version (a $50.00 savings), and install the individual fonts bundled in the Standard Fonts folder. We have set it up so they will appear separately as DomLovesMary, DomLovesMary Contextual and DomLovesMary Stylistic in your fonts list. Exciting news! In an effort to help our customers access all the goodies that are normally only available in Open Type Capable programs (like the flourished ornaments that come with our script fonts), we have found a simple application that allows you to do just that. For this reason, we've made sure to unicode all of our characters and glyphs so that they will work in this type of program. There may be others, but we checked this one out and found that it works. Check out PopChar

SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).