Brume font is a bold, attractive and beautiful font. "Easy to read, modern and elegant look but stylist", this will be the first words that your client says to your design using this font. Comes with uppercase and lowercase. It has many alternates character with nice curve that you can arrange to create a nice logo lettering, or use it as a display face on a poster and add a few alterations to it to make a beautiful eye catching words. Brume font is best for logo lettering, headlines, product packaging, t-shirt design, wedding theme, poster, book cover, wedding invitation, Christmas and more To access alternate: In Adobe Photoshop go to Window - glyphs In Adobe Illustrator go to Type - glyphs

About Cita Pro Hi there please say hello to "Cita Pro" the latest collection from @faldykudo, Cita Pro is a serif typeface with a taste of old style, its very beautiful with a timeless aesthetic and has a very wide range for various design situations. Cita Pro is perfect for both display and body text because it has a very good readability. Cita Pro has 14 style and 7 weights, - from Thin to Bold and Matching calligraphic italic. Cita Pro also has special alternate characters in complete uppercase from A-Z . it is to give a different look for your display design. thanks, hope you would like and accept "Cita Pro" as part of your family. thank you in advance­

Atlan—a Latin ‘spin-off’ of classic geometric sans typefaces. Remembering typefaces like ‘Kabel’ by Rudolf Koch, while paying attention to current design needs, was the starting point for ‘Atlan’—a simple, elegant and appealing font. This typeface is based on highly expressive sans-serif geometric fonts of the 1920s. We challenged ourselves to reinterpret these characteristics, without losing expressiveness, in order to create a functional and versatile design. This process resulted in a font with display features, well-suited for light, uniform-coloured texts. The family offers a variety of styles from the elegant Thin weight—ideal for publishing and corporate websites—to the Heavy variant (perfect for logotypes and packaging), which reveals the stylistic elements of the typeface.

Gudrun Zapf von Hesse designed the first sketches of Alcuin in 1986. The namesake of this typeface was an advisor of Charlemagne and was responsible for the writing reform of the Carolingian era. Alcuin was born in 735 in England, became an abbot in Tours and died there in 804. It was the idea of Zapf von Hesse to develop a modern text type based on the forms of the Carolingian minuscule. To create a text type that is excellent for a wide variety of applications, typical handwritten elements had to be discarded while still retaining the flow and character of handwriting. Alcuin with its strong calligraphic expression may be used in books, magazines, and also in the area of printed office communication.

NorB Sans Expanded is my first sans serif font, it's a friendly smooth sans serif font with 3 weights: Regular, Medium and Bold each with italic version. It includes over 1000 glyphs + OpenType features (Access All Alternates, Small Capitals From Capitals, Case-Sensitive Forms, Discretionary Ligatures, Denominators, Fractions, Historical Ligatures, Kerning, Standard Ligatures, Localized Forms, Numerators, Ordinals, Small Capitals and Superscript.) This font would be perfect for both texts and titles, and pairs beautifully with other fonts already in your library, especially handwritten and serif fonts. The resultant texture is lively but not intrusive, and makes for a friendly and readable text. You may use it in everything from logotypes to social media posts, website and magazine layouts to poster designs.

Yet again, a font inspired by my work as a kindergarten teacher! The other day, I had a conversation with some of the kids, about what they ate for breakfast. Some had oatmeal, some bread and others yogurt. But this kid - he insisted that every morning, his mother would serve him cookies, “morning cookies”. It sounded too good to be true, and when I asked his mother, it turned out that “cookies” were actually bread, but to make it sound more appetising, they called it cookies! The letters are rounded and in some way quite naive, but still clear and legible. With an extreme ascender and descender, the font stands out with its oddities. I’ve added 3 different versions of each lowercase letter!

QATORA is a display font with a Japanese motif. Each letter in this font is distinct, resulting in harmony and beauty when composed into a word or sentence. When you use this font, your entire project will be beautiful and perfect; your audience will be fascinated; your project will be distinctive; and, of course, you will win the audience’s heart with a unique project appearance thanks to this font. Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out

Cream Opera is a bold sans-serif font family. The combination of simple and geometric elements renders a bold design. It can be used to create almost all types of design projects like print materials and web design. Just use your imagination and your project will become more alive and vivid than ever with one of the Opera fonts. You want to make a greeting card or a package design, or even a brand identity? Feel free to play with all font styles, that will lead you to your next successful project. 10 styles (Thin, Light, Regular, Medium, Bold, Black, Outline, Inline, Stencil, and Western) Oblique font is available Numbers & Punctuation Extensive Language Support Thanks for looking, and I hope you enjoy it.

Angelliey is a beauty script based on a modern calligraphy with natural hand writing look and feel. It can be used as digital signature as well. It has many alternates and ligatures which contain many swashes that you can play with. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

ITC Luna is the work of Japanese designer Akira Kobayashi. He turned to the designs of the 1930s for his inspiration for both ITC Luna and ITC Silvermoon. Luna is designed to fill the gap between a pure Art Deco display face and an ordinary text face," says Kobayashi. "It has an Art Deco style but is still fairly easy to read. It can be used in short passages of text. As for individual characters, I especially liked the distinctive O, shaded only on one side. Lowercase a and g are also unusual, but they are somehow legible enough in text matter." And for a finishing touch on his Luna, Kobayashi added the charming moon face as an extra character.

Quilt Patterns Three was inspired by the patchwork designs used in quiltmaking in early America. There is an assortment of 94 patterns located under the character set and shift+character set keys. Quilt Patterns Three is based on the nine patch pattern, a block that is 3 squares by 3 squares, the most basic and most common. The nine patch pattern can be subdivided into 6 squares by 6 squares, 9 squares by 9 squares, etc. Characters of Quilt Patterns Three can be typed in a vector drawing program and then converted to paths/outlines, color may then be added to various parts of a given pattern. Patterns can be stacked horizontally and vertically creating an infinite number of quilt designs.

Somersault is a nonchalant, rough edged, hand painted, brush font, with a spontaneous personality. With its natural charm it brings cheer and lightness to any design. Alternate characters for upper and lowercase letters and lots of ligatures enable you to avoid repetition of identical glyphs.They are managed by Opentype features such as stylistic alternates, swashes and discretionary ligatures. Somersault also comes with some fun extra's like strokes, hearts and splatters to play with. Somersault is PUA encoded, so no special design software is needed to access all glyphs. You can easily access all of them in Fontbook (Mac) or Character map (Windows). Somersault is paired with Somersault Tall, a complementary all caps font. The result is a versatile font duo. A perfect match.

FM Valentines Pro consists of 50+ hand-lettered love expressions and sentiments for various romantic purposes: from St.Valentine's greeting cards to email/ letter signatures, to engagement, wedding and anniversary accessories and gifts. Most of the expressions are in English, with some additions in other languages, such as French, Spanish, Italian, German (for example 'Te quiero', 'Amore', 'Je t'aime', 'Ich liebe dich', etc.). All the words and phrases are original and handwritten - a high quality calligraphy for your projects. In addition there are 10 hand-drawn heart icons in the digits' glyphs. (0-9) I Love You | Happy Valentine's Day | Miss You | Be Mine | Kiss Me | Love Me | Will You Be My Valentine | Love | Ich Liebe Dich | Te Quiero | Amor | Je t'aime | Amour | Amore

Quilt Patterns One was inspired by the patchwork designs used in quiltmaking in early America. There is an assortment of 94 patterns located under the character set and shift+character set keys. Quilt Patterns One is based on the nine patch pattern, a block that is 3 squares by 3 squares, the most basic and most common. The nine patch pattern can be subdivided into 6 squares by 6 squares, 9 squares by 9 squares, etc. Characters of Quilt Patterns One can be typed in a vector drawing program and then converted to paths/outlines, color may then be added to various parts of a given pattern. Patterns can be stacked horizontally and vertically creating an infinite number of quilt designs.

Sinuous but sturdy; ornate but legible - Gambit Nouveau is modern-day design created in the spirit of Art Nouveau. This delicate and natural typeface features tapered spurs, compact swashes, and spiral curling. You will find it ideally suited for announcements and invitations as well as decorative headlines. And for your convenience, Gambit Nouveau comes equipped with corner and free-standing ornaments plus a wide range of alternate characters. Gambit Nouveau is also available in the OpenType Std format. Some new features including initial forms and old style figures have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Professor Minty is a cartoon-inspired kind of comic font with a lotta bounce and a whole buncha spooky fun. Both regular and bold are based on Chank’s first fonts, Mister Frisky and Uncle Stinky. The Bold version is brand new in 2011, never before available. But here both of those fonts are combined into one extra-savvy font that does all kinds of tricks. It has many extra special OpenType features, like Swash, Contextual Alternates and Small caps and more. There’s even a “decaf” feature (Stylistic Set #1) which tones it down a bit if the account people think it is just too exciting. Works good for Halloween, Christmas and Valentine’s Day, oddly enough. Who knew those three holidays had anything in common?

Ready to make your branding spark? If you need to create a big, bold logo for your business, work on a poster for an event, or whatever your project may be-then this is the perfect font for you. Peach Daisy-A Sans Serif Font Peach Daisy is a new modern sans serif font. This font was carefully crafted and inspired by luxury fashion in the world. It creates a luxurious, rich, exclusive and elegant look in design. It’s thin brush strokes and imperfect baseline give it a fun and stylish. So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, lettering and more. Features: Ligatures Alternates Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio

Art Deco turned mundane objects into graceful, sensual works of art, with a nod towards the opulent and extreme. Art Deco sought to build upon the elements of Modern Art movements by focusing on the principal object and removing the extraneous elements found in the Victorian era and in Art Nouveau. The concept of "form following function" and the technological advances of the early 20th century played a very important role in defining the direction of Art Deco. Popular images included stylized people, svelte animals, tall buildings, sleek vehicles and exotic scenes. Art Deco typographic designers were also inspired by these diverse themes. P22's Art Deco font set shows the influence of a cross section of some of the various European and American Art Deco styles.

In Holland, all kids have a six week long school holiday during the summer months. To prevent chaos, traffic jams and other madness, the government has divided the country in three regions (North, Middle and South) and school holidays start a few days to a week and a half apart. For kids this is the best time of the year, as they can have fun for a month and a half, but for us parents this sometimes is a bit of a logistic nightmare, as we still have to work! Six Week Holiday is an ode to the chaos of summer. It is a cute handmade ‘school’ font that will put some sunshine in your designs! Comes with extensive language support.

The other day, I was thinking how time flies and how my kids grow up so fast. In the blink of an eye, they had turned from babies into almost-teenagers. They're not teenagers yet, but given their tantrums, it does feel like I have three teenagers in the house... ;-) Ogenblik, in Dutch, means: ‘in the blink of an eye’, ‘lightning fast’, or ‘for a brief moment’. It’s similar to the German ‘Augenblick’, which means exactly the same. Ogenblik was made with the same dried out marker pen that helped me create my font Castlerigg. I guess it had more than one extra font in it! Ogenblik is a bit of a grungy, yet quite legible and neat font. Comes with multilingual support.

Patmos Sans is a carefuly hand crafted sans serif font, inspired by the art of the cyrillic calligraphy, as well as the script of the Greek Orthodox art. The font contains Latin, Greek and Cyrillic alphabets and supports Central, Eastern, Western European, Baltic, Turkish, Greek and Russian languages. Patmos Sans has a variety of stylistic alternates and classes, titling altrenates, discretionary and standard ligatures and it is fully unicode-mapped (PUA encoded). The standard ligatures of the font, are 4 decorative ornaments, that you may add at the end of a word and they fit perfectly with the titling alternates. All you have to do is to make sure that ‘standard ligatures’ are activated in your application, then type "d" and a number from 1 to 4.

Mentalis is modern bold script font. Made carefully to get the best curves and unique form that never exist before.This font is comes in uppercase, lowercase, punctuations, symbols & numerals, stylistic set alternate, ligatures, and washes. Mentalis is Suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc. This font is suitable to use as a logotype / wordmark / label, etc with its unique and bold characters makes it stand out from the crowd. Files Include : Basic Latin A-Z and a-z Numbers Symbols PUA Encode Multi-language Support Thanks and have a wonderful day, If you have any questions, please get in touch with us Don't forget to check out our other products.

Random But Perfect is Nice Bold Script Font - A stylish and quirky new bold script. Random But Perfect font was created to look as close to a readable bold script as possible by including over a lot ligatures, titling, and swash. This font is for those who want to show something strong and modern. You may use this font if you want to attract modern buyers. The font design seems to show that you have a passion in the business and give your love to the products and services you are offered to customers. Because it is an eye-catching bold script font, you can use it for a variety of purposes including design, branding, signature, logo, poster, and many more.

Linotype Bix Plain, from Argentinian designer Victor Luis Garcia, is part of the Take Type Library, chosen from the entries of the 1999 International Digital Type Design Contest for inclusion on the Take Type 3 CD. The font is composed exclusively of capital letters. The figures have constructed basic forms and show the influence of the advertisement types of the 1920s, with all their well-mannered details. The lower sections of the graceful letters are white and set against a black background, the upper sections are black on white. This makes the overall picture look as though written on stripes and gives the delicate letter stability. The nostalgic-modern Linotype Bix Pleain is best for headlines in point sizes of 18 or larger.

Uma is a typeface family consisting of two weights: light and bold. The typography is fresh, informal and friendly at first glance, but the constructive architecture makes it elegant and modern. It works equally as well in large or small sizes, and the combination between the two weights is very interesting to work with. It is a contemporary typeface, ideal for use in magazines, brochures, flyers and advertising among other applications. Uma may seem simple at a first glance, but it is very functional and professional, with aesthetic enchanting details. Uma has a wide range of functionality and has a great personality. Designed by Ariel Di Lisio and digitized by Ale Paul, Uma includes alternates, fractions, ligatures and a wide range of latin languages.

IMPERFECTION Is a hand-written san-serif font inspired by human imperfections (mistakes). This is the first font created by LIGHTDESIGNS. It has no consistency in it's design which made the font looks like a lot of mistakes has been made. But this is done with purpose. With these characteristics, the font is given the name "IMPERFECTION', With surprising font and glyph designs, the intent of this font design is to pass a message that says, "SUCCESS IS NOT THE ACHIEVEMENT OF PERFECTION, BUT THE ACCOMMODATION OF IMPERFECTION™ This font design will be a fit in every design project it is utilised like logos, posters, flyers, magazine, card designs e.t.c. This font can be nicely pairs with script fonts & San serif font.

Darka is a splendid, mysterious dark lady reincarnated in digital vectors as an original blackletter font. Her gothic, medieval, nocturnal attributes take the form of sharp terminals, seductive curves, calligraphic flair and complex character. Darka blends the balance of Textura, the flow of Fraktur and the elegant lowercase-to-uppercase ratio of Bâtarde into a stylish, inventive typeface with a Mexican soul. Starting as a personal, calligraphic hand, Darka slowly evolved into digital type, developing alternate glyphs, flourishes and special signs to preserve its hand-written origins and delicate tension, making it an excellent display typeface and, surprisingly, even a distinctive, crisp font for short texts. Darka received an Award of Excellence at the Type Directors Club of New York annual competition.

Good Castyll is our newest display font, and it has a laid-back, unique feel to it. It was created with a genuine hand touch, so it seems natural when viewed. This font is ideal for adding a touch of class to your creative work. Start creating fantastic projects with this font, and you’ll notice a distinct difference in the way it’s used. This font is perfect for games, sporting events, branding, banners, posters, movie titles, book titles, quotes, logotypes, and more. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a complimentary font family, both for titles and subtitles and sentence text, start using our fonts for your amazing projects.

Introducing Minimalist VONESA – a new nostalgic serif revival that will blow your mind. I've started looking at classic serifs with a narrow 80's & 90's range, and wanted to make the perfect one for you too! VONESA Minimalist is a beautiful nostalgic upper and lower case typography that looks amazing in upper and lower case settings as Display, Logo and body text. One thing to note about VONESA Minimalist is that the letter spacing is intentionally set for clean readability if you want to use it for body types, so I recommend setting the spacing a bit tighter for display use (around -20 to -40 should be!). Thanks for watching, and come and say hello on Instagram! https://www.instagram.com/mordex.studio/ ~Mordex.Studio

Garetra Serif s a sophisticated variable serif font with with many weight you can choose. It has 12 weight styles which you can play around to match your project, whether for a standout headline, or for a tagline, you name it. Perfect to be applied to the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : variable font with 6 weight style regular and slant uppercase & lowercase numbers and punctuation multilingual alternates & ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Cervo Neue Condensed is the new perfected and Condensed version of Cervo Neue, containing 18 variants. It differs from the previous version of Cervo with the higher accents over glyphs, enlarged punctuation, old-style numerals and the newly added varieties Semi Bold, Bold, Extra Bold and Black. Additionally, there is the variety of grotesque. Font Cervo is inspired by a “You And Me Monthly” published by National Magazines Publisher RSW „Prasa” that appeared from Mai 1960 till December 1973 in Poland. Recently, Cervo Neue Condensed has started being used as a display text in „Przekrój Magazine” which was published in years 1945–2013 in Krakow (2002–2009 in Warsaw) as a weekly and again from 2016 as a quarterly journal in Warsaw.

Papercute Inline is a cute layered hand-drawn font designed by Fanny Coulez & Julien Saurin in Paris. Inspired by paper cutting, this font is easy to read, and easy to play with 8 different styles, including 3D, outline, full or dotted line, that you can use alone or together. To do so, you can simply superimpose them with a compatible software like Photoshop, then choose a color for each, making your works charming and unique. This font, finely designed for cards, book titles, headlines or any artworks is the Inline version of Papercute . Just click on our foundry name to see it! You could follow us on our Instagram: instagram.com/sc.type We hope you will enjoy our work. Merci beaucoup!

Alexander Quill was originally designed in the early 1980s to be cut in 14 point for casting into foundry type for the setting and printing of limited edition books at Pie Tree Press, Jim Rimmer's private sanctum. This alphabet exhibits traditional calligraphic tension, which helps its simple, somewhat octagonal forms play well together for an easy read. Its setting expresses a dramatic sense of history or fantasy. Alexander Quill was updated and remastered for the latest technologies in 2012. It comes with plenty of built-in alternates, a glyphset of over 410 characters, and supports the majority of Latin-based languges. 20% of this font's revenues will be donated to the GDC Scholarship Fund, supporting higher typography education in Canada.

Introducing our brand new black metal font! It is Rusted Sabbath, baby! This savage death metal font can be used for logos or branding and your metal band name without having to pay for expensive logo-making services. You can immediately make your band or brand logo name by buying this font. Combine it with the death metal ornaments and make your death metal design with ease! This black metal typeface is perfect for logotypes, t-shirts, vintage badges, branding, packaging, posters, clothing brands, horror movies, album covers, and many more! ——— Rusted Sabbath features: A full set of uppercase and lowercase Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features +295 Total Glyphs +Death Metal Ornaments included! ——— Rusted Sabbath Includes: Rusted Sabbath Regular

Bombelli is a font that looks like it has been handwritten by a meticulous architect in one of those hand-drawn blueprints of the old days. I chose the name to honor one of my ex-bosses -- a graphic designer-architect who taught me a lot of things when I was young and needed the money. One of the things he taught me – and probably the most important one – was to always be on time in the morning. He never said a word about me being late, but it worked. He taught me about being meticulous in detail and many other things I only appreciated much later. This clear and straightforward font deserves bearing his name. Your grateful type designer Gert Wiescher

Mido is designed with the aim to recreate all the power of the early 19h century slab serifs, but without their geometric monotony. The ambition was to make a humanist slab serif that would function both in smaller sizes, as headlines, and poster size. Careful attention has been payed to the spaces within and inbetween letters – they show slight irregularities to create dynamic negative spaces, which in turn makes the letters sit solidly together as words and sentences. Mido is suitable for packaging, posters, book covers, identities and headlines, as well as type set in smaller sizes. It comes with both upper- and lower case figures. The typeface Mido is an ongoing design project of which the first font is now released.

Crox™ Narrow is the second family of Crox™, designed for long texts and gaining paragraph spaces. It's available in 19 styles, including upright and italic, and the majority of glyphs are compressed to make a different spacing between characters. The basic English characters are provided as both numerator and denominator sets in the narrow version too; this feature may assist with the creation of fractions with letters and numbers, such as in advanced scientific fraction form scripting. Within each style, all weights support over 25 professional OpenType features, with significant coverage of western languages. and include multi-alternative characters in Styles 1, 2, 4, 10, and 11, which were initially intended for advanced usage. Specimen Crox™ is a trademark of Yassine Abdi.

With Royale, Resistenza reinvented the bifurcated Tuscan genre in a contemporary, warm and playful form. Now our aim was to complete this decorative family with an italic version of the font. Rounded terminals, fabulous fancy fun spurs with elegant and extravagant flourishing - Royale italic comes in 8 weights which can also be layered to create polychromatic effects in another nod to the Victorian era these styles were popularised. While inspired by days gone past this Royale is far from a revival as unlike the classic Tuscans which inspired its structure Royale is monoline and sophisticated in its simplicity. Perfect for display and emphasis, Royale will command attention and leave a memorable impression wherever it is used. Check out also Royale

Intro Rust is one of the biggest packages on the market, including 214 fonts. The font family is a rough version of the famous Intro. Intro Rust includes 4 sub-families - Intro Rust, Intro Script, Intro Head and Intro Goodies. It can be used to create almost all types of design projects like print materials and web design. Just use your imagination and your project will become more alive and vivid than ever with one of the Intro Rust fonts. You want to make a greeting card or a package design, or even a brand identity? Feel free to play with all the patterns and shapes, scripts or those cool fonts with the dots and that will lead you to your next successful project.

Esca is a display typeface designed by Jim Ford with highly compressed proportions yet with a subtle calligraphic touch. This Lite version of the typeface was designed as part of a font marathon over the course of 3.5 days in Monotype’s NY office. The design started with the aim of fitting 4 letters onto one sheet of paper and the resulting typeface keeps that tight proportion. The Esca design is mixed case and is ideally suited for logos, short headlines, and album covers. It has a great architectural feel to it that makes it suitable in signage applications and large scale settings. Monotype is proud to support Room to Read’s work in literacy and girls’ education through our font marathon initiative.