Westbrook JNL is a simple monoline all-caps font with a strong Art Deco feel. It's light, delicate appearance is great for announcements, ads and retro materials that wish to evoke the elegance of the 1930s and 1940s.

This sanserif has 18 faces from Light to the Black Italic. Conqueror Sans keeps the vigorous design peculiar to all members of this family, but at the same time it is more neutral, than its having serifs relatives.

Alipe Script is a new script typefaces family. Alipe Script family has light, medium and bold fonts, all with ligatures, alternates and a set of ornaments. It can be used for text as well as for titling applications.

Formal yet light-hearted, Loure is an ideal font for the best of times. Modest Art Deco influences imbue a century of history behind Loure's fresh 2022 gaze, while a few unexpected swoops deliver intrigue alongside clean legibility.

Italian Futurism (1908-43) was one of the 20th century's first and most influential avant garde art movements. Futurist typography sought to disrupt traditional notions of harmony, space and composition on the printed page. The bold and jarring shapes of this set faithfully recall a tumultuous era in both Italian history and Italian graphic design.

Strima is a geometric sans serif typeface that stands for minimalism and legibility. With over 1000 glyphs and extensive language support Strima offers full professional typographic features. The Strima family consists of 4 weights: light, book, medium and bold.

Boomtown is a bold, slightly cursive font for advertising, headlines, packaging design, signposts or posters. Although it is highly constructed, it has some handwriting attributes, too. An italic font is in my planning and maybe a light style, too.

Deco Bevel is a filter font based on Deco, an original Open Window classic. It came about while I was experimenting with light and shadows using 3D rendering software and Photoshop. Its ideal use is as a display font.

Toscography is inspired by vernacular and naive hand-painted walls and signs from Brazil. It feels organic, spontaneous and fresh and it has a light texture on its characters that makes it feel like it is starting to decay.

This light weight Display font includes Basic Latin, Latin 1 Supplement, Latin extended A, Cyrillic + Bulgarian Cyrillic + Ukrainian Cyrillic, Armenian. May be used in titles, posters, labels, etc. Publisher: GHEA Fonts Designer: Edik Ghabuzyan, Yerevan, Armenia. Creation year 2020.

Creion is a minimal round font, perfect for 2.0 logos and contemporary headlines. Creion fonts is an exclusive type fonts inspired by design elements. It includes a light version, a regular version and a bold version for strong type.

LyuLin is a modern sans-serif font and contains 24 styles. Available in 6 weights and its italics and condensed forms. LyuLin Heavy Italic weight and LyuLin Light Condensed are free, so you can use them for your projects.

Jazz Gothic is a digitization and expansion of an early 1970s film type from Franklin Photolettering called Pinto Flare. This type became an instant titling classic with jazz and soul album designers; then it caught on wildly with film and television designers. Blue Note and Motown would not have been the same without this face. Jazz Gothic is a simple geometric idea, quite likely originally inspired by the heavier display weights of Futura. The resulting product is a versatile message-driver that stands quite strong and cherishes the limelight, yet shows a playful and artistic side within its curvy thick swashes and rebellious unicase forms. In the hands of a good designer, Jazz Gothic eliminates any doubt about the delivery of the message or the attractive purposeful way it is delivered. It is the kind of typeface that loves a design program's bells and whistles. Knock it out of dark or light backgrounds, shade it, mask-alize it, roughen it, stretch it, squeeze it, and the message will still stand larger than life. Jazz Gothic comes in two fonts, a main one with a full character set to accommodate the majority of Latin-based languages, and a second one that contains about 50 alternates and swashed forms. The OpenType version is a single font that has all the alternates and swashes at the disposal of the buttons of OT-savvy program palettes.

Bohemian Hunter Bohemian Hunter is an All-Caps contemporary display / spur serif typeface. It comes packed with 9 different font files including 3 weights. What's included? 9 Font Files Light, Regular, Bold Clean, Rough, Stamp Versions Western European Characters Included

Hulk mad. Hulk so mad, Hulk broke font. Puny Comicraft no like mashed up font! Hulk no care. Hulk like to talk like Hulk has mouth full of marbles. Hulk smash! Get FightingWords and Hulk promise not punch your lights out.

Alonga is modern serif family that comes in 3 weights: Light, Regular and Bold. Characterized with high contrasted stems and sharp triangular serifs ñ all wrapped in elegant geometric letter shapes. Contains Tabular and OldStyle Numerals, Ligatures, Numerator, Denominator and Fractions.

A chic and simple geometric hand font. Maisy comes with a set of icons and is perfect for fashion, marketing, books, websites, magazines, film and television. Maisy comes in two font styles (basic/wide) and four weights (light/regular/bold/black).

Toshi Omagari’s revived Sachsenwald design can be the perfect choice for distinctive headlines and brand identities for music, movies, video games and more. The revised design includes a regular and light weight – maintaining its distinctive design traits and adding more versatility.

Sunlight JNL takes the classic wood type from Jeff Levine's Twelve Oaks JNL and shatters it with bursts of light for a novelty effect. Limited to a very basic character set, it's best used for short words and phrases in headlines.

Highrise is a sans serif typeface inspired by tall industrial structures. Works great as both bodycopy and logotype, as the lowercase is clear and concise, but the statuesque caps letters can grab full attention. Available in Regular, Light and Bold.

This font titled "Punchado" original was designed in light of its sharp angels and bold impact type. This font would theme in the realm of: engineering, technology, science fiction, science, futures, etc... This font could be described as energetic, and motivational.

A revival based on the Harry Winters design 'Roslyn Gothic' released by VGC in 1972. We've added a new light weight and several alternate glyphs. Ryder Gothic contains all the high-end features expected in a quality OpenType Pro font.

Introducing Storia! Storia is a contemporary script font inspired by a vintage script style. Storia has two weight options (regular & Light). Storia also include multilingual support. Storia Perfect for branding, merch, ads, social media, packaging, and many more. Thank You.

Introducing a curly label font named "Bakehouse". This family includes three styles - Regular, Light and Thin. Samples you can find on the preview. This font will look great on any retro design like poster, t-shirt, label, logo and more.

Prevya is a display family. Inspired by the metalwork of the early twentieth century. Have appropriate characteristics for ornamental titles. Is accompanied by a light version for featured texts and it has a shadow layer to combine in beautiful designs.

Lightning Christmas is handwitten font featuring stars light. It will add an awesome to any design project that you wish to create! This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

The Liberty font was designed by William T. Sniffin and released in 1927. This script is very fine, with a light color. Liberty can be used on stationery and packaging and is also suitable for short pieces of copy in brochures.

Here's a wide, very light version of the widely known font P. T. Barnum (or French Clarendon, if you prefer). We have used this to good effect as secondary lines on old fashioned stationery. Reads well in very small sizes.

The Tecn@ Standard family was designed so that its characters are legible and easy to interpret in any writing; among them, the descriptive memory of plans for example. Tecn@ Standard complements the Tecn@ Background Light and Dark Square Triangle font family.

Emirose consists of 4 weights: Thin, Light, Regular and Bold, all equipped with many ligatures and alternative letters that look cute and classy. They work very well for your work such as logos, brands, packaging, posters, invitations, headlines, posters, and more.

Designed by Nick Shinn. Digitally engineered by Steve Jackaman. Humanist sans serif with a calligraphic cut and tall ascenders. Light, Medium and Extra Bold designed by Nick in 1985 for Typsettra; Steve added the Book and Bold weights, and the Italics.

Reminiscent of lettering used on old stock certificates from the late 1800’s. With its extra wide letters and ornate features, LHF State Fair commands attention. Get over 60 bonus panels and ornaments when you purchase the set (Regular, Lined & Light).

A friend bought me a Chinese calligraphic brush set in a beautifully decorated box. I started to letter the alphabet on parchment, in my own hand, using quick strokes and found the resulting script had an interesting energy to it. After further refinement in my font application software 'Swordtail' was born. A great free-hand script.

This font set was developed for the Albright-Knox Art Gallery and is inspired by their collection of Pop Art. Artists such as Warhol, Lichtenstein, and Rauchenberg sought to blur the lines between high and low art as well as the boundaries between art and everyday life. The alphabets and extras in this set reflect that spirit.

A sign in a London storefront, ca. 1930, pitching—surprise!—Smart Frocks provided the visual cues for designing this typeface. Singularly stylish, hip and haughty and decidedly Deco, this is the smart font to use! This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Introducing Neon Font called Retrolight A unique Fonts with Retro Style can make your logotype become more interesting. inspired by real world neon light signs, it features minimal letter forms with smooth rounded corners and, true to real neon tubes, strictly uses lines with open start and end points. This font is perfect for adding your own glowing light effects or can be used to actually design real world neon signs. Retrolight fonts is perfect for your project and allows you to create designs, headlines, posters, logos, badges, t-shirts and many more that are beautiful. It is also best used for posts, logos, posters, certificates, labels and more.

Introducing “Venice Serif - Font Family” – a functional serif type system with a sleek structure which gives a strong personality while still maintaining high readability. Developed in three weights with matching obliques. The full set of weights (Light, Regular and Bold) counts more than 350 glyphs. The end result is a family with full multilingual capabilities and a coverage of several languages based on the Latin alphabet. This fashionable font family is the ideal choice for advertising, corporate design, packaging, editorial and branding. Specifications: - Files included: Venice Light, Venice Regular, Venice Bold with corresponding obliques - Multi-language support (Central, Eastern, Western European languages) - OpenType features

BRIGHT LIGHT! A handwritten script brush font, all caps. BRIGHT LIGHT font is suitable for branding, logotype, apparel, T-shirt, Hoodie, product packaging, quotes, flyer, poster, book cover, advertising, etc. Whats Include? Opentype support Multilingual support PUA encoded Features: All uppercase, numerals, punctuations, and ligatures Accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu, Adobe InDesign, Corel Draw, even work on Microsoft Word Please message me if you're unsure of any language support. Thanks for looking, and I hope you enjoy it! Please don't hesitate to drop me a message if you have any issues or queries.

The Cannon family is the result of combining the clean aesthetics from a classic sans neo-grotesque with a touch of a geometric design. The result is a simple but dynamic typeface with retro and technological airs. Cannon is ideal for robust advertising, bold brand identities and packaging, also suitable for high impact headlines and short texts. This type family consists of 36 variants and 9 weights (thin, extra light, light, regular, book, medium, bold, extra bold, black), matching italics for all weights and widths, matching small caps for all weights and widths, alternate characters and extended language support. We are proud to introduce: Cannon.