Information displays have an aesthetic of their own. Functional design where transmission of information is key — and best in real time. The Realtime typeface is not meant to recreate the appearance of those applications, instead it takes inspiration from them. The result is a technical yet friendly design with details that serve function and visual impact alike. As a monospaced typeface it lends itself to tabular designs, sturdy columns and tidy layouts. Nevertheless Realtime comes with a feature for setting continuous text — a proportional design employable through OpenType — it further comes in five weights, from light to black, and with a character set that covers over 200 latin languages. Please see the Realtime Type Specimen PDF in the gallery. A soft version of Realtime is available separately: Realtime Rounded. Its soft edges apply warmth to the otherwise rather technical appearance. Thanks for visiting!

Welcome to Sazone, a font that represents the essence of the future with a stunning modern and futuristic twist. Are you looking for the perfect solution for modern, futuristic, sci-fi, and future-themed projects? Sazone is the answer. Sazone is a font specially designed to bring an extraordinary and stunning visual experience. Each letter is unique and conveys a sense of the future, showing astonishing sophistication and innovation. The main benefit of Sazone is its ability to deliver unrivaled style. With a unique and exclusive character, this font will give a modern, classy, and futuristic look to every text you use. Every detail is carefully thought out to create a standout and stunning impression. Also, multilingual support, allows you to display text in multiple languages without restrictions. This gives you the flexibility to reach a global audience and convey messages effectively in the most relevant contexts. Take your projects to the next level with Sazone. Let this font be the catalyst for your visual success in creating eye-catching future looks. It doesn’t matter whether you are designing logos, posters, or websites, Sazone will give off a distinctive feel, exude sophistication, and deliver an unforgettable experience. Explore endless possibilities and make your vision come true with Sazone. It’s time to enter a spectacular and amazing future. Choose Sazone and let this font become an indispensable part of your vibrant, modern, futuristic, sci-fi, and future projects. What’s Included : - File font - All glyphs Iso Latin 1 - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Sharp End fonts support Latin Based Languages only (see Tech Specs). Sharp End's creation is inspired by Gothic sharpness shape but only applied to the ends of normal letters. Make the font look beautiful and elegant, look as semi-serif, as calligraphic touch or others. The base of the Capital Characters is set a little bit lower than the small cases/lowercases. On small/normal size typing, the difference is less visible (obscure), but will be more visible/more clear as the typing set larger. Thus, Sharp End fonts will work well for both text and display. The fonts has also character variants. The character variations (in PUA) set in 5 stylistic sets ss01 ... ss05 (see Sharp End opentype features poster). So, these character variations will be easier accessible in more common application such as MS Words, Text Edit or the others. The glyphs may also be accessed via Character Map, Character viewer, insert character, insert symbol or other similar tools. You can use Sharp End for most of typing and design means such as: greeting, invitation, wedding and other cards; books, magazines, news, banners, logos, Pamphlets, advertising etc., for printing or digital/web display. As addition, with 3 weight variants, the regular will fit for longer text for normal use, while the bold and semi-bold is more suited for the covers, impressions, titling, Logos, design or other usage. With its smoothness curve and sharp ends, Sharp End will pairs well to most fonts of various kinds: Sans Serif, Serif, Handwritten, Scripts and others. As the example in one poster, Sharp End is paired with Astonice and Apresia Script (ornamented script font, one of the richest letter variations and ornaments). Thank you for visiting. Again, thank you very much for downloading this awesome fonts.

Introducing "Metal Thorn" – a font that seamlessly blends the raw power of metal with the edgy intensity of thorns, all wrapped up in a cutting-edge cyber aesthetic. This font is a manifestation of metal brutalism, designed to make a bold statement with its fierce and avant-garde personality. Metal Brutalism Concept: Inspired by the industrial strength and unapologetic nature of metal, Metal Thorn embodies the essence of brutalism, creating a visual impact that is both commanding and unyielding. Fierce Thorn Design: The thorn elements within the font give it a sharp and aggressive edge, adding an extra layer of intensity. Each character is crafted with precision, making Metal Thorn a formidable choice for those who seek to convey strength and determination through typography. Modern Cyber Feel: Infusing a touch of cyber aesthetics, Metal Thorn transcends traditional boundaries. Its sleek and futuristic design elements make it perfect for projects that demand a contemporary, cutting-edge vibe. Extensive Glyph Set: With a generous set of 1014 characters, Metal Thorn ensures versatility and flexibility in your design projects. From standard Latin characters to multilingual support, this font caters to a wide range of creative needs. Alternate and Ligature Support: Unlock even more design possibilities with alternate characters and ligatures. Metal Thorn allows you to experiment with different letterforms, providing options for a customized and dynamic typographic experience. Multilingual Support: Metal Thorn breaks language barriers, offering comprehensive multilingual support. Communicate your message globally with ease, as this font accommodates a diverse range of languages. Whether you're working on a poster, branding, digital art, or any other creative endeavor, Metal Thorn is your go-to choice for a font that demands attention. Elevate your designs with the raw energy of metal, the fierceness of thorns, and the modern sophistication of cyber aesthetics – all encapsulated in the captivating Metal Thorn font.

Introducing Choret Fudyng, a font with a captivating Bubble style that will elevate your designs to new heights. This font family offers a range of options to suit your creative needs, including the enchanting 3D, classic Regular, and elegant Light variants. Whether you're designing logos, posters, or social media graphics, Choret Fudyng has the perfect style to make your text pop. Each letter is meticulously crafted with attention to detail, ensuring a visually pleasing and harmonious look. With Choret Fudyng, you can effortlessly add depth and dimension to your typography, creating stunning visuals that leave a lasting impression. Choret Fudyng is not just a font; it's a complete typographic solution. With full support for PUA Unicode, this font allows you to access a wide range of additional characters and symbols, expanding your creative possibilities. It's also designed to be multilingual, enabling you to effortlessly communicate in different languages and alphabets. But that's not all - Choret Fudyng takes ligatures to the next level. With an extensive collection of ligature options, this font lets you create fluid and seamless connections between characters, enhancing the overall aesthetic appeal of your designs. Whether you're designing logos, branding materials, or invitations, Choret Fudyng's ligatures will add a touch of elegance and sophistication. Experience the power of Choret Fudyng and unlock a world of typographic versatility. With its PUA Unicode support, multilingual capabilities, and abundant ligature options, this font is a must-have for any designer or creative enthusiast. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn’t have Glyphs panel, you can install additional swashes font files.

Eyadish is an entertaining, comic, and childish font. The name of this font is originally derived from two main syllables. The first one is "Eyad-" which refers to my first name and the second syllables is "-ish" which means characteristics of or relating to. Hence, "Eyadish" refers to the characteristics that "Eyad", the typographer, himself has and had during his childhood. I do like this font for its childish and comic shapes. I have decided to design this font trying to leave a humble and personal imprint regarding the magic and innocent world of all children. Frankly, it is my most favorable designed font. This font comes in two different weights with facilities for writing and publishing in different alphabets included in various Latin and Cyrillic texts and scripts. "Eyadish" is primarily designed to be fit with all prints of kids, children, and juveniles' products. It is major usage is in advertisements and publications. It is suitable for T-shirts, books' covers of children such as fairy tales and comic stories, advertisement light boards in malls, and titles in parental, childish, comic, and other related magazines. "Eyadish" also can be printed in many children's products such as garments, towels, shoes, socks, toys, pacifiers, diapers, exhibitions, festivals, books titles and contents, medicines' packages, kindergartens' signs, buses, comic and TV series, kids and children organizations and charities names, images, software, foods including milk cans, candies, chocolates, and other related products. The font is extremely and distinguishably attractive when it is used with various, and vivid colorful letters and words in posters, cards, and placards. "Eyadish" is specifically designed for commercial, educational, cultural, and social purposes related to infants, babies, kids, and children. The main characteristic of "Eyadish" Typeface is in its childish look that remains when anyone reads or types or even deals visually with its characters.

Thalweg serif typeface is a project focused on the digitalization and development of the Thalweg font. The font was originally designed in 1993 by the Bulgarian artist Ivan Kyosev. In 2018 Ani Dimitrova began the revival of the Thalweg font and converted the drawings into a digital form. The existing set of characters required some necessary expansions such as the development of capital letters, alternative symbols and many other functions. Furthermore, some additional weights were developed which aimed to make the font more complete. Thalweg was completed in 2020 with 16 weights ranging from Thin to Black with extra drawn italics and small caps versions, each style containing more than 1100 glyphs. The font comes with an extended coverage of the Latin, Cyrillic and Greek Scripts. All of the weights are specifically equipped for complex, professional typography with Open Type Features. These features include: Small Caps, Ligatures, Discretionary Ligatures, Superscript, Subscript, Tabular Figures, Old-Style Figures, Circled Figures, Arrows, Matching currency symbols and fraction. The Thalweg serif typeface is a perfect choice for body text, branding design, web design, editorial design and more. Ivan Kyosev (1933-1994) was one of Bulgaria’s most famous artists whose work influenced several generations of bulgarian designers. He was born on February 5, 1933, in the city of Burgas. In 1957 he graduated in illustration at the National Academy of Art in Sofia led by Prof. Iliya Beshkov. Mr. Kyosev was a member in the management of the “Graphics and Illustration” section in the Union of Bulgarian Artists, member of the UBA board, artist in the publishing houses “September” and “World”. Together with Boris Angelushev, he worked on the layout design of the “Literary Front” newspaper. Furthermore, in 1963 - 1964 he was the main artist in the publishing house “Prosveta”. Ivan Kyosev excelled in the field of illustration, book design and library layouts in various genres (classics, children's literature, poetry, journalism, memoirs, etc.). He is also the author of many fonts.

JMTF Robin is a new post-modernist typeface in the spirit of Art & Crafts, born as a concept of a reformulation of a Gothic traditional building structure. Interestingly medieval structural architectural rescue form is for creating a font of traits absolutely contemporary without losing its artisan flavor. JMTF Robin is then a modular typography with very specific characteristics that provides an innovative texts while an appearance of great personality. Early versions of Robin was winners in Letras Latinas 2006. JMTF Robin representing a before and after in terms of contemporary texts composition. JMTF Robin is a typeface family that is presented in a wide variety of forms, from JMTF Robin in condensed forms to other roman proportions like Robin9, ideal for text, also JMTF Robin comes in Shadow and Double Outline. I dedicate this letter to creative genius William Morris father of modernism.

Anabella is a typeface made for the Master’s Degree in Typography at the University of Buenos Aires. It is inspired by the posters of pizzerias located in Naples, Italy; in order to be used in the pizza franchise Giuseppe in Buenos Aires, Argentina. The font preserves and rescues gestural features of these posters, adding a vertical axis and high contrast, typical of the Italian types that arrived in the city product of the immigration. The stroke with brush provides a more organic quality to the sign and provides connotative features. The family has three variables for the different applications that may be required in a pizza place: Italic for bodies greater than 16 pt, Roman for short texts up to 14 pt, and Stencil for use in brands and titles. Anabella was selected to participate in the eighth typography biennial Tipos Latinos.

Banished was inspired by posters for the 1968 Cult Cinema Classic, “Astro Zombies”, but it exudes the rough and tumble, chewed up and spit out Old West era. Banished dives head first into all of the nostalgic clichés of the old west, as well as the cult classic that inspired it. Here's what's included with Banished: 388 glyphs - including Capitals, Lowercase (Alt. Capitals), Numerals, Alt. Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the 6th graphic for a preview of the characters included) Contextual Alternates that auto-switches between Capitals & Lowercase (Alt Capitals) glyphs, as well as Numerals and Alt Numerals for visual randomness. To access the Contextual Alternates feature, you will need to be using software with Opentype compatibility otherwise you can access the alternate glyphs via a Glyphs panel. Stylistic Alternates feature that swaps all default Numerals with their Alternates Numerals Font is provided in TTF & OTF formats. The TTF format is the standard go to for most users, although the OTF and TTF function exactly the same. Here's why Banished is for you: You're in need of a good rustic slab serif typestyle with a narrow width and gritty feel You're planning a Western themed party and need a unique western typeface You're a fan of the 1968 Cult Classic "Astro Zombies" as just have to have the font to match You've got one of those Old West photography studios and need a great Wanted poster font You just like to collect quality fonts to add to your design arsenal

Introducing Future Flow typeface - 8 fonts Looking for a font that combines classic elegance, romance, and a futuristic vibe? Look no further than Future Flow! This unique typeface offers eight distinct font styles, each with its own personality and flair. Plus, it's designed to support a whopping 87 different languages, making it a versatile choice for designers and creatives around the world. So whether you're creating a logo, designing a website, or crafting a marketing campaign, Future Flow has got you covered. Try it out today and see where its flowing curves and sleek lines can take you! Language Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusi,i Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian, Bokmål, Norwegian, Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu FEATURES Uppercase, lowercase, numeral, punctuation & Symbol Regular and italic Cut, display, futuristic, line, stencil, two line styles 8 fonts No special software is required to type out the standard characters of the Typeface. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Hi there! Let me introduce Symply – a handwritten signature-style font. Symply is perfect for logos, branding, quotes, blog headlines, magazine and book design, product packaging, web design – or for any text on postcards and your favorite photos. Symply contains: a standard set of characters with wide multilingual support: Western-, Central- and Eastern-European, Baltic, Turkish, Latin-type Africans, and Asian (94 languages in total) 2 additional sets of alternative characters for lowercase letters 8 alternative characters for some initial letters 28 ligatures for double letters and frequent combinations a bonus font with 62 swashes and doodles Symply has two types of embedded auto-replacements: lowercase letters without connecting strokes (for a case of the last character of the word), and ligatures (for a case of two letters that do not pair well together). These features work well in many apps (even simple ones like Notepad/TextEdit), and if you need to customize their application – you could use programs that support OpenType features (for example, Adobe apps or CorelDraw). All these additional glyphs are PUA-encoded, so if your software does not support OpenType — you could access them through Character Map (Windows) or Font Book (Mac) Swashes and doodles come in a bonus font, Symply Swashes. To type them, please press keys with letters A – X, a – x, and numbers 0 – 9 I hope you will like Symply and create great designs with it! And if you have any questions, feel free to contact me via e-mail: triple.hely@gmail.com

Introducing "Masked Hero," a dynamic and commanding font that stands tall as a bold, oblique, all-cap typeface. This font is not just a collection of letters; it's a visual narrative of strength, speed, and superhero prowess. "Masked Hero" takes typography to new heights by incorporating uppercase letters adorned with intricate wing patterns, elevating your design into a powerful champions. The uppercase characters in "Masked Hero" aren't just letters; they're symbols of superheroic identity, each adorned with wing-like patterns that evoke a sense of flight and strength. These letters become the emblem of your design, embodying the essence of masked heroes ready to leap into action. To provide designers with unparalleled flexibility, "Masked Hero" is equipped with alternates for both uppercase and lowercase letters. This feature allows you to customize the appearance of your text, giving you the creative freedom to push the boundaries of typographic design. The alternates enhance the visual impact of your message, ensuring that every word becomes a statement. With a sharp and bold aesthetic, "Masked Hero" is tailor-made for projects that demand speed, strength, and a touch of superhero flair. Whether you're designing a logo for a masked vigilante, creating dynamic sports-themed graphics, or crafting the name of a superhero, this font is your ally in making a bold statement. Masked Hero offers you: 1. 4 options of letters, All Caps (All options of the characters are included in one font) 2. Numbers and Punctuation 3. Multilingual Support (Latin Western Europe)

Proudly present Faya stencil modern ligature. Faya is a font designed with a modern stencil style that blends classic elements with elegant contemporary touches. Featuring ligatures that offer design flexibility, Faya is suitable for various graphic design needs, including posters, banners, logos, and more. Don't forget to use all caps too in your mixing and matching - it adds contrast and impact to your type design. Design tips! : Tighten your letterspacing for larger titles to create a range of looks. Crafted with meticulous attention to detail, Faya's letterforms are bold, sharp, and geometrically-shaped, catching the eye with their visually appealing design. The font boasts high clarity and legibility, offering a range of different letter variations such as elegant uppercase and lowercase letters. With its clean yet stylish appearance, Faya is perfect for modern and minimalist design applications. Font Features : Lettres, numbers, symbols, and punctuation, alternates and ligatures No special software required they may be used even in canva, any basic program /website apps that allows standard fonts That's it folks! Multilingual Support Language Support: Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Spanish, Swedish, Swiss-German, Uzbek (Latin) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Kindly check over on Instagram! https://www.instagram.com/clevustudio/ Have a Good Day !

The Bonyad font family, designed by Naghi Naghashian, was developed considering specific research and analysis on Arabic characters and definition of their structure. Bonyad is a modern Sans Serif font family.The Bonyad innovation is a contribution to modernisation of Arabic typography; gives the Arabic font letters real typographic arrangement and provides for more typographic flexibility. Bonyad supports Arabic, Persian, and Urdu and includes proportional and tabular numerals for the supported languages. The Bonyad Font family is available in six weights; Thin, Light, Regular, Demi Bold, Bold and Heavy. Its intuitive design arrangement fulfills the following needs: It is precisely crafted for use in electronic and print media. Bonyad is not based on any pre-digital typefaces and it is not a revival. Rather, its forms were created with today’s ever-changing technology in mind. Bonyad is suitable for multiple applications, and gives the widest potential for acceptability. It is extremely legible not only in its small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Bonyad's simplified forms may be artificially oblique with InDesign or Illustrator, without any degradation of its quality for the effected text. Bonyad is an eye-catching and classy typographic image that developed for multiple languages and writing conventions. Bonyad uses the very highest degree of geometric clarity along with the necessary amount of calligraphic references. The Bonyad typeface is of a high vibration that is finely balance between calligraphic tradition and the contemporary sans serif aesthetic commonly seen in Latin typography.

Transport New is a redrawing of the typeface designed for British road signs. In addition to the familiar Heavy and Medium weights, Transport New extrapolates and adds a previously unreleased Light weight font originally planned for back-lit signage but never actually applied. Version 3.0 of Transport New features significant improvements including numerous outline and spacing refinements, and a full complement of Latin Extended-A characters. Also, to align Transport New with the 2015 release of Motorway, the other typeface used for UK road signage, Italic fonts for all three weights have been added. Originally designed by Jock Kinneir and Margaret Calvert beginning in 1957 and first published on the Preston bypass in 1958, the original Transport font has subtle eccentricities which add to its distinctiveness, and drawing the New version involved walking a tightrope between impertinently eliminating awkwardness and maintaining idiosyncrasy. The Grotesk roots of the glyphs were investigated and cheekily fine-tuned – uncomfortably close terminals of characters such as 5, 6, C, G, and e were shortened, the S and s were given a more upright aspect and their protruding lower terminals tucked in, overly wide glyphs like the number 4 were narrowed, and some claustrophobic counters were slightly opened up. The question mark was redesigned and parentheses given some stroke contrast. The x height was edged fractionally even taller. The Heavy font is actually more of a Bold, and the Light is pretty much a regular weight, but the original nomenclature has been retained for old times’ sake.

The starter point of the Wienerin typeface is based on the work of Austrian designer and artist Carl Otto Czeschka who was part of The Wiener Werkstätte, an early twentieth century association of designers, architects, craftsmen, ceramists, jewelers and other graphic arts in his country. This collective of artists was influential for both Bauhaus, art deco and Scandinavian design. Wienerin is a revision and expansion of the Olympia typeface designed almost 100 years ago by Czeschka but adapted for contemporary use with the inclusion of numerous alternative signs and ligatures. Variable font technology allows a greater variety of weights to be achieved. One of the features of the original design was the inclusion of "eifassungen" or modules to create frames. Wienerin presents a repertoire of 500 in 3 weights. With an upward elongated design we have decided to also create a version of the typeface with a larger x-box that allows for a wider use of the typeface family. Because of its contrast it is ideal for use in delicate design pieces such as editorial design, elegant labels, stationery and fashion. All styles of the Wienerin typeface family cover most Latin languages.

ABOUT FAMILY: What makes "Alaturka" elegant, friendly and contemporary is its very rounded curves with very open terminals. "Alaturka" has been designed with a higher "x-height" than other fonts in its class to make tiny readability more obvious in any use situation. It will be ideal for use in small sizes such as business cards or mobile applications. This typeface is also equipped with powerful OpenType features to satisfy the most demanding professionals. It has solid features like case sensitivity, small, true capitals, full ligatures, tabular figures for tables, old-style figures to elegantly insert numbers into your sentences, and more alternative characters to give personality to your projects. FEATURE SUMMARY: - 2 style: 1From 1923 To 2023 - 8 weights: Thin, Extra Light, Light, Regular, Medium, Bold, Extra Bold, and Black. - 3widths: Normal, Narrow, and Condensed. - Matching italics (12º) for all weights and widths. - Matching small caps for all weights and widths. - Lining and old-style figures (proportional and tabular). - Some alternate characters - Unlimited fractions. - Automatic ordinals (1st, 2nd, 3rd, etc.). - Extended language support: Most Latin-based scripts - Extended currency support. You can enjoy using it.

Cora is a sans serif with an experimental bent, offering a large x-height, some contrast of stroke weight, and capitals inspired by classical lettering. The large x-height gives it a voice with a little more volume so that those in the back of the room have no trouble hearing. Because the letters seem slightly large, Cora remains clear at smaller point sizes. It is a typeface intended to perform well on screen without losing its attraction in print and the nature of its shapes allows for condensation or expansion without becoming severely distorted. The uppercase exhibits classical proportions found in ancient Roman inscriptions, which provides opportunities for setting titles in all caps. Cora Opentype Pro has a full range of numerals for every use, small caps, the most common open type features and supports many languages that use the latin extended alphabet. It is available in a range of three weights plus Italics. CoraBasic is a reduced version of Cora. It is still an OT-font but without any particular features except of a set of ligatures, class-kerning and language support including CE and Baltic.

Kamui is a font designed by Carlos Fabian Camargo G. and used to write headlines. Its strategy makes it ideal for covers and advertisements with Japanese-style manga comics requiring latin style. Precisely its purpose was inspired by typographical classics such as Mistral by R. Excoffon and Zapfino by H. Zapf that then were diluted by separate strokes as blackletter calligraphy. However, high doses of miscegenation and lettering untimely torn between 50% esthetic and 50% legibility. That way his radical expression is highly profitable for composing and designing words and phrases with Eastern look. And more importantly, the writing seems drawn quickly with thin-tipped brush staining over a rough surface, from that process comes the idea of corroded outlines and changes in contrast. In conclusion, some diagonal strokes, horizontal, curved and vertical stand or hide from their simulation of scarcity or abundance of ink clots. That way each stroke seems inconsistent, footprint of the 423 brush drawing glyphs in Regular Kamuy. In that sense, the OpenType features included are: Standard Ligatures, Contextual Alternates, discretionary ligatures, swash, stylistic alternates, alternatives for titles, ordinals, fractions. And to end the Variable “Kamuy Dingbats” has is 52 fictitious drawings and zamurais.

We are really happy to introduce you to Cinta, a brand new elegant sans serif font designed for text. It has a humanistic skeleton, dressed up with a hand-made mechanical suit, which made it rush, audacious. A dedicated tribute to the breakdown of mestizo music rhythm, bright, dreamy but completely real. Full of a broad variety of weights and versions, it’s able to produce subtle changes in the typographic stain. Perfect to make delicate hierarchy both in web and text and show the world their family background undoubtedly. Prudent and thrifty, condensed forms and with a generous x-height, it almost accidentally saves space and avoids being a spendthrift. Discreet even in the italic, slightly slanted to produce a subtle change of look on web use, will make a delightful for the most exquisite users with the audacity of modernity. Classic but not silly. Generous in abundance, with small caps, old numerals, denominators and numerators, fractions, ligatures, all you need to survive in the new modern life of Opentype with elegance. Polyglot, with support for Latin languages, Central European and Cyrillic. A delicate friend who will delight ladies and gentlemen who are discerning and cosmopolitan.

What makes "Logopedia Next" unique is that it has a strong body, upper and lower case letters are the same size and work in perfect harmony. All letters in the character have "alternatives" in various numbers. This feature provides you variety in your designs. It is possible to take your designs to the next level by using "Logopedia Next". "Logopedia Next" is ideal for especially logo design, advertising and packaging, branding and creative industries, banners and billboards and signage as well as web and screen design. "Logopedia Next" provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Logopedia Next 500 Regular” forms the central point. Logopedia Next comes 3 weights and italics total 6 types. The family contains a set of 543 glyphs. Classes and Features, Stilistic Style, Fractions and Old Style Numerator just one touch easy In all graphic programs. Logopedia Next"" is the perfect font for web use. Be sure to check out the other siblings of "Logopedia". - Logopedia Now - Logopedia Now Soft - Logopedia Next - Logopedia Next Soft You can enjoy using it.

Creatives understand the compulsion to make something of worth. And each creative person has a toolbox they grab from often. Letterboard Lite is the narrow geometric sans that can headline or support whatever project is next on your list — the one unfussy tool you’ll use time and again. ‍ With its geometric shapes, Letterboard is a ground-floor sans that stabilizes the foundation upon which everything else will be built. It cements the context unobtrusively without begging to be acknowledged. Pair Letterboard with any script typeface and it will highlight that script’s qualities, whether capricious or elegant. Pair it with a serif or slab serif for an obvious change of tone: With a modern slab, trends will be respected, but it will act more coy with an old-school chunky slab. Letterboard’s geometry is easily subsumed as a partner to a range of serifs, from classics to the latest releases. These qualities and its narrowness make it easy for Letterboard to be used as a large display font in headlines or branding applications. ‍ Letterboard comes with 270 characters necessary for setting over 150 Latin-based languages: A–Z with diacritics, lining numerals, and the most common punctuation and symbols.

Entered into the bykineks culture typeface edition. This 2nd edition typeface is inspired by the meander curves and waves often found in the culture and art of the Hellenistic era. The specifications for this font are bold typeface script, high contrast slope classification, stress axis, and X height. Comes with various alternatives for each upper and lower case letters. small offer a variety of silicates or optimal shapes for a given placement, having binding and sweeping characteristics. Suitable for coffeeshop branding needs, web design, stickers, apparel, invitation cards, and others. Consists of 503 glyphs support Languages ​​: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, ColognianCornish, Croatian, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician ,Double,Germany,Gusii,Hungary,Inari Sami,Indonesia,Ireland,Italy,Jola-Fonyi,Kabuverdianu,Kalaallisut,Kalenjin,Kamba,Kikuyu,Kinyarwanda,Lithuania,Lower Sorbia,Luo,Luxembourg,Luyia,Machame, Makhuwa-Meetto , Malagasy, Malt Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sobia ,Shambala , Somalia, Spain , Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin) Volapük, Vunjo, Walser, Zulu.

Typer Pro (formerly Consul Typewriter Pro) is a modern OpenType font family reviving the look of old typewriters. Its carefully converted forms are detailed enough even for high pointsizes while keeping a reasonable number of outline points. Typer Pro comes in two variants: Typer Pro Mono is strictly monospaced (all characters occupy the same amount of horizontal space – this way old typewriters usually operated). However, sometimes a more even appearance may be desirable. Therefore, Typer Pro Text has been proportionally altered for a more pleasant and balanced look. Moreover, it is possible to achieve both proportional and monospaced look in both families via Stylistic Sets. You can choose from four different weights in each family and pick characters from its extensive glyph set. Typer also contains a number of Stylistic alternates, randomly replaced alternative letters to avoid the repetition of letters in a word. Typer Pro is a versatile typeface and is perfectly legible even at small sizes and on-screen. When printed, it looks best at its original size around 11–12 pt. Typer supports many OpenType features and offers great multilingual support for most of Latin-based languages. Feel free to download the detailed PDF Specimen.

Peridot is not just another typeface – it's a multifaceted sans serif type system crafted with passion and precision by Foundry5. Painstakingly developed through long hours and a keen focus on every minute detail, this typeface boasts a high-quality 10 weight family with matching italics in 6 widths, and the highly versatile variable format. Brimming with character, Peridot invites you to experiment with its various stylistic variants, allowing you to tailor the typographic tone to fit your creative vision perfectly. The diverse range of widths and styles in Peridot offers a dynamic typographic toolbox, ready to inspire and captivate even the most innovative designers. Peridot PE supports Cyrillic, Greek, and Latin and covers over 370 languages. It includes all required localised variants, tabular numerals and currencies, fractions, clever discretionary ligatures and many more features. Peridot performs in varied environments – from branding, display, corporate use, editorial, advertising, poster, web, screen usage etc. Think of any other use case as well, and Peridot will perform. Peridot comprises 120 static fonts, family packages, and variable support. It is the gem you ought to have in your collection.

Early in my career as a graphic designer I purchased a book on Japanese packaging. With it, I came to notice that Japanese characters used mostly a modicum of strokes. This font was my attempt at trying to balance the familiarity of a Latin alphabet with the unfamiliarity of Kanji and Kana. It was more of a typographical challenge than usual; since going too much in either direction would defeat the purpose. I would like to think that, for the most part, I got the balance right. Sakura has a glyph count of 389 and supports the following languages Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkmen, Upper Sorbian, Vunjo, Walser, Zulu

Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design. Optimized for web, tablet and smartphone applications. Also “Bosphorus” is a perfect screen display font. Technical information: “Bosphorus” provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Bosphorus 50 Normal 53 Regular” forms the central point. The first figure of the number describes the stroke thickness: 51 Thin to 56 Black. 5 Width / 6 Weights and italics also “Bosphorus” total 60 types. The family contains a set of 530 characters. Case-Sensitive Forms, Classes and Features, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. You can contact me at buyuksel@hotmail.com, pre-purchase and post-purchase with questions and for technical support. UPDATE: 1- Some glyph unicode error correction / 04-06-2018 - Euro Unicode - Idottacent Unicode - Oganec Unicode - Middot Unicode 2- New Version 2.0 / 25-06-2021 You can enjoy using it.

The retro-inspired design of Aviano Copper Variable echos the bold style of America’s Gilded Age. Inspired by the copper-inscribed intaglio printing designs of the early 20th century, the powerful, wide character shape of this font walks softly across your page while carrying a big stick. To create the right balance, small wedge serifs were added onto Aviano Sans, giving you a sophisticated style that looks and acts like it belongs nowhere short of Boardwalk. Developed to a new level of excellence, this design offers a wide range of weights from thin to black. There's full multilingual support of all Latin-based languages and five stylistic sets, swash designs, and 1000 glyphs per weight, including some unique ligatures. Number options include old style figures, tabular figures, and superscripts. Unique median spur alternates, swashes, and ligatures will help you customize every single design. The feel of last century’s personal and business correspondence is waiting for you in this member of the Aviano family. While ideal for headings, displays, logos, and short texts, Aviano Copper’s use for everything from letterhead to wine labels may just give you the monopoly you’re looking for.

The Vtg Stencil fonts from astype are based on real world stencils from several countries. In the case of French stencils the challenge was special, because of the varieties of different widths and weights between the stencil sets – so I made France No. 1, No. 3 and No. 5. The most unique and eye-catching elements of typical French stencils are the figures 1, 2, 3, 7 and a specially 5. The figure 5 changes in style on smaller stencil sizes, its bobble getting replaced by something like a “breve”. The letters J and Q can differ in style too. While the local stencil lettering styles are gradually disappearing in other countries, there are regions in France, such as Normandy and Brittany, where these stencils are still in use today. They are used for technical lettering, which is what stencils were originally intended for, but also for ads and information signs in a more artistic or patriotic context. Over the time, these stencil letters became a globally recognized landmark of French design and French taste. All styles offering an extended Latin character set. » pdf specimen «

Klein PDF Specimen Klein is Zetafonts love letter to the grandmother of all geometric sans typefaces, Futura. Starting from a dialogue with Paul Renner’s iconic letterforms and proportions, Francesco Canovaro and Andrea Tartarelli decided to depart from its distinctive modernist shapes with slight humanist touches and grotesque solutions - with some design choices evoking the softness of humanist sans serifs like Gill Sans. The end result is a workhorse superfamily of 54 fonts with full multilingual capabilities and coverage of over two hundred languages using latin, cyrillic and greek alphabets. The original display-oriented family, developed in nine weights with matching italics (from the hairline thin to the sturdy black), has been paired with a text version (with slightly higher x-height, better readability and maximum legibility at small point size) and with a condensed version, to be used for space-saving display solutions in editorial and advertising formats. With a name that is both a nod to its humble functionality and an homage to french nouveau realiste artist Yves Klein, this typeface aims to become your next trusted companion in all your adventures in print, digital and motion design.

This is a decorative and steganographic Braille font based on Lorraine Cross pattern. As the Lorraine cross splits space into six areas, it may be used to represent Braille glyphs. Provided Glyphs * Lowercase letters (a..z): a White cross and Black square dots * Uppercasecase letters (A..Z): a Black cross and White square dots * Special characters (e.g. !#$%*+<>{}()[]...) * Decorative glyphs (provided in black and white as well) Glyph code intervals - Codes 48..57: Bullets (0..9 digits) - Codes 130..150: 'White Stars' - Codes 192..233: 'Black Stars', Black border glyphs and other black patterns. - Codes 214..233: Border/Decorative glyphs (Black) - Codes 235..255: Border/Decorative glyphs (White) - Codes for Cross w/o dots: Black (192), White (235) - Codes for Cross and 6 dots: Black (191), White (234) - Code for 'Half-width space' (166) Posters 1. Logo: illustrates usage of border glyphs 2. Meta: Two big Lorraine Braille glyphs drawn with pattern glyphs 3. Stars: illustrates usage of 'Star' and pattern glyphs 4. Bullets: illustrates usage of bullet glyphs (0..9) 5. Human rights - Article 1 NB: - Encoding is: Windows Latin ("ANSI") - Published in two versions: Commercial and Free for personal use

Perfora is the typographic antidote to our relentlessly anxious and uncertain times. On one hand, Perfora is heavy, monospaced and brick-like. It feels secure, permanent, reliable. On the other, Perfora is extra variable—stretching taller or growing wider as needed—so all your words can fit perfectly together. And this seeming contradiction is the sweet spot we’ve all been missing: sturdy but not rigid. Named for its punch-hole shaped counters and eyes, Perfora is a flexible powerhouse that’s easy to use, stack, and click into any shape. Use it to assemble everything from dynamic logos to posters and festival lineups, from seamlessly responsive titles to instantly recognizable product lines. Perfora features two uppercase styles—rounded and angular—punctuation, numbers, latin diacritics, and stylistic alternates for a subset of characters. It also includes 19 ornamental glyphs to compose with flair and add some rhythm to your copy. It’s available (and recommended) as a variable type (.ttf) for designers using compatible platforms. It’s also available in opentype format (.otf) as a set of 25 static fonts, spanning 5 widths and 5 heights. Perfora was created by In-House International, designed by Alexander Wright and developed by Rodrigo Fuenzalida.

Extenda is a variable width sans serif type family designed by Francesco Canovaro with Andrea Tartarelli and Cosimo Lorenzo Pancini.It been created to provide designers with a powerful but flexible tool to create strong headlines, logos, and display text with tight spacing and maximum space coverage. Rather than providing a family of weights, it gives you a fine-grained range of widths to choose from, allowing maximum control in display editorial uses, and proportional size variation in logo design, keeping consistent appearance and readability. From the vertical, ultra-condensed and thin Pica, Nano and Micro weights to the wide and ultra-bold Peta, Exa and Yotta weights, all Extenda fonts include an extended character set covering Latin languages as well as ones using Cyrillic and Greek for a coverage of 200+ languages. Full Open Type features are included, from small caps to stylistic alternates, positional number forms and discretionary & standard ligatures. The 11-weights family is complemented by the Extendable special weight, that uses Open Type scripts to create a dynamically scaling typeface where each letter becomes automatically tighter or wider than the previous one.

Boring Sans, designed by Cosimo Lorenzo Pancini, is a typeface family designed along two variable axis: weight and weirdness. These two parameters allow designers to explore a full range of variations on sans serif design, starting from a neutral set of proportions and evolving to a strongly contrasted and dynamic treatment, ready to raise eyebrows on social media. The basic "A" subfamily, developed in in five weights plus italics, behaves like a traditional, solid workhorse sans serif, with finely tuned proportions for optimal readability and minimal emotional impact. The "B" subfamily, developed in the same ten weights, shows a more contemporary "brutal" approach, with slanted lines, deep inktraps and stronger contrast. All these features are brought to the extreme in the ten weights of the "C" subfamily, with each letter a bombastic show of exhuberant weirdness. Each of the style variant is developed in five weight with matching italics, with a glyph set covering extended latin languages and including many alternate forms and stylistc sets. For control freaks the family package includes two variable font versions that allow fine tuning and control of the design options.

The BF Rotwang™ Pro is a contemporary new edition and re-design of a formerly design by Guido Schneider. Named after the C.L. Rotwang, the inventor of the Mensch-Maschine from the film Metropolis (1925/1926), BF Rotwang plays with the character traits of high-contrast transitional serif typefaces and Didone-style typefaces. BF Rotwang is a typeface characterized by balanced elegance. It is sensitive, sophisticated and self-confident, but unobtrusive. The heavy weights have the power and dynamic for strong headlines and exciting logotypes, the lighter cuts the elegance and lightness for use in continuous text. All letters and characters are a touch condensed, so the typeface looks compact and works space-saving. BF Rotwang™ Pro supports up to 200 Latin-based languages. The family comes with 7 weights plus matching Italics. Each font contains more than 1.220 glyphs, featuring a wide range of alternate characters, small caps, figure sets, fractions, more than 35 ligatures, many currency symbols, special characters and other useful symbols. The style sets give you the option to individualize and adjust the typeface to the requirement of your design, without changing the general visual feeling.

Neue Frutiger Tamil was created by Pria Ravichandran and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in 5 weights from Light to Bold to support the Tamil script. The typographic forms of Neue Frutiger Tamil are familiar and friendly. The Tamil shows traces of elements that is reminiscent of the calligraphic influences found in the 20th-century designs. Reflecting the modern typographic needs of the Tamil script, this type family is in the upright style. These two factors ensure that the two scripts, Tamil, and Latin pair elegantly. The result, Neue Frutiger Tamil, is an eclectic contemporary type family that bridges the past and the present. Neue Frutiger Tamil embodies the same warmth and clarity as Adrian Frutiger's original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

What makes "Logopedia Now" unique is that it has a strong body, upper and lower case letters are the same size and work in perfect harmony. All letters in the character have "alternatives" in various numbers. This feature provides you variety in your designs. It is possible to take your designs to the next level by using "Logopedia Now". "Logopedia Now" is ideal for especially logo design, advertising and packaging, branding and creative industries, banners and billboards and signage as well as web and screen design. "Logopedia Now" provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Logopedia Now 500 Regular” forms the central point. "Logopedia Now" comes 3 weights and italics total 6 types. The family contains a set of 543 glyphs. Classes and Features, Stilistic Style, Fractions and Old Style Numerator just one touch easy In all graphic programs. "Logopedia Now" is the perfect font for web use. Be sure to check out the other siblings of "Logopedia". - Logopedia Now - Logopedia Now Soft - Logopedia Next - Logopedia Next Soft You can enjoy using it.

Halcyon is a post-geometric typeface made up of 16 fonts across 8 weights. Each weight contains an upright with a corresponding true italic. Halcyon's design builds on the foundations of classic typefaces such as Futura, Gill Sans and ITC Avant Garde Gothic, by mixing their geometric structure with more modern humanist qualities and attributes. The result is a friendly and approachable personality with a sophisticated and serious edge. Halcyon feels familiar, but unique, playful but not asinine. The versatility of its character makes Halcyon a reliable choice for any design decision. With a large variety of weights, and a whole host of Open Type features, Halcyon can adapt to fit the tone of your communications. The lighter weights present a more refined and formal voice, while the heavier, oversized weights grow more exuberant. It's large x-height and open apertures increase it's legibility, making it perfect for setting large display headlines or small sized, long form text. Halcyon is a multilingual family with hundreds of accented characters, and allows for customisable characters through diacritic combinations. All European languages are already covered, alongside many more within the Latin alphabet.

Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design. Optimized for web, tablet and smartphone applications. Also “Bosphorus” is a perfect screen display font. Technical information: “Bosphorus” provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Bosphorus 50 Normal 53 Regular” forms the central point. The first figure of the number describes the stroke thickness: 51 Thin to 56 Black. 5 Width / 6 Weights and italics also “Bosphorus” total 60 types. The family contains a set of 530 characters. Case-Sensitive Forms, Classes and Features, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. You can contact me at buyuksel@hotmail.com, pre-purchase and post-purchase with questions and for technical support. UPDATE: 1- Some glyph unicode error correction / 04-06-2018 - Euro Unicode - Idottacent Unicode - Oganec Unicode - Middot Unicode 2- New Version 2.0 / 25-06-2021 3- Variable / 18-02-2022 You can enjoy using it.