Introducing Molgen Modern Display Serif Font Molgen Modern Display Serif Font is a distinctive and versatile typeface designed to make a statement. With a unique blend of classic serifs and contemporary display elements, it is a font that encapsulates the perfect balance between tradition and innovation. In the world of typography, Molgen is your gateway to elegance and modernity. Key Features: Serif Meets Display: Molgen is the epitome of a harmonious coexistence between the timeless serif font and the contemporary display style. Its serifs are pronounced yet not overwhelming, making it an ideal choice for a wide range of applications. Versatility: Whether you're designing a striking logo, crafting eye-catching headlines, or preparing an elegant invitation, Molgen can handle it all with grace and sophistication. Distinctive Characters: Each character in Molgen is meticulously crafted, ensuring that every letter oozes character and charm. From A to Z, you will find unique touches that set Molgen apart. Multilingual Support: Whether your audience speaks English, French, Spanish, or any other language, Molgen has comprehensive multilingual support, ensuring that your message is clear and effective worldwide.

Right Beginning is adorable and cute fonts, there are various variations in each upper and lowercase letter, making this font suitable for you to place and use in any of your projects or in any media you want, this font is surnamed script with cute and beautiful nuances. It also has a charming modern character, perfect for Halloween and Cristmast nuances. This charming font also offers the beauty of abstract typography harmony for a wide variety of design projects, including digital natural handwriting for designs, quote designs, for social media business designs, advertisements, trademarks, food and beverage promotion banners, text, posters, a signature, and all designs require handwriting or whatever design you want. This font is equipped with uppercase, lowercase, numbers, punctuation marks, swhases and several variations on each character including multi-language. This font is best suited for open type friendly applications. How to get alternative glyphs from open type fonts: http://adobe.ly/1m1fn4Y PUA Character Code - Fully accessible without additional design software. do not hesitate anymore start using this font. and Feel free to send any message you want to convey.

Waltowns is a dynamic and expressive typeface that captures the essence of street art with its bold and energetic design. The letters are characterized by organic shapes, reminiscent of marker strokes on urban surfaces. The font exudes a raw and brave vibe, reflecting the spirit of graffiti culture. The font includes a diverse set of characters, allowing for creative and eye-catching compositions. Whether you’re designing posters, album covers, or any other graphic project, Waltowns inject a sense of urban attitude and artistic edge. Its versatility makes it suitable for a wide range of applications, making your designs stand out in the crowd. Waltowns is not just a font; it’s a statement. It represents expression, the vibrancy of the streets, and the bold creativity that defines graffiti art. Use Waltowns to bring a touch of urban authenticity to your design projects and let your creativity run wild on the walls of the digital world. FONT FEATURES Additional Accents 68 Languages Kerning SOFTWARE RECOMMENDATION Adobe Photoshop CC 2020 or later Adobe Illustrator CC 2020 or later

Introducing our newest font Yegufet its name made in original handwriting that has a young, powerful and energetic character, of course it is very suitable for use for modern and vintage projects, the beautiful and beautiful letterforms make this font look charming for you to use in any of your design projects. This magical font also offers the beauty of abstract typography harmony for a wide variety of design projects, including natural handwriting in digital form for designs, quote designs, for social media business designs, advertisements, trademarks, food and beverage promotion banners, text, posters, a signature, and all designs require handwriting or whatever design you want. This font is equipped with uppercase, lowercase, numbers, punctuation marks, swhases and several variations on each character including multi-language. ================================================== This font is best suited for open type friendly applications. How to get alternative glyphs from open type fonts: http://adobe.ly/1m1fn4Y PUA Character Code - Fully accessible without additional design software. do not hesitate anymore start using this font. and Feel free to send any message you want to convey.

stajn-type.com — Stajn Pro Type Family Website where you can get DEMO version of Stajn Pro Book Stajn Pro was designed upon a main goal of using this typeface to set larger amount of text. The slightly condensed proportion allows for more content per page while large x height with its larger counters improves legibility and readability while used on smaller sizes. Despite the fact that Stajn Pro was designed as a body text Type Family, it works as well as a display too. Wide variety of weights as well as interesting, strong and at the same time beautiful character along with some stylistic alternate makes Stajn Pro a useful typeface in a field of editorial, magazine and promotional materials design. The Stajn Pro character includes some humanistic typeface characteristics, which add some softness and elegance in its strong and stable presence. More information about development, usage and characteristics of a Stajn Pro Type Family at stajn-type.com If you have any other questions please do not hesitate to write me at info@stajn-type.com

Ever since we started publishing on MyFonts in 2009, we've received requests for a typeface to complement our popular dingbat fonts. So here it is: LiebeErika. Friendly and polite, rather thin, extra narrow, and of course‚ carefully hand-crafted. LiebeErika’s casual and warm style is perfectly suited for invitations and personal correspondence. It’s even in the name: German phrase, Liebe Erika‚ translates to, Dear Erika, the beginning of a personal letter. But LiebeErika is not limited to English or to the German character set. It supports many other languages, too! LiebeErika comes with a stunning variety of ligatures and alternative forms available through OpenType features. (Please make sure your software supports OpenType if you wish to use the advanced features.) The font contains over 500 glyphs, so it’s actually two or three fonts in one. If you like this font, you may want to look at LiebeOrnaments, our perfectly matching set of swashes and curls to complement LiebeErika. By the way: LiebeErika gets along great with our wide range of illustrative fonts such as LiebeCook, LiebeFish, and LiebeTweet.

The extensive Wolverton family was inspired by a turn of the 20th century luggage label designed by the London and North Western railway. The Wolverton family combines period flair and charm with respect for the modern need for legibility and purposefulness. The family has at its heart four Body text faces (regular, italic, bold and bold italic). These are complimented by three display text faces, offering upper and lower case letter forms, all offered in regular, oblique, bold and bold oblique forms. Four all-capital based display design are also included if offered in the same four style, making an extensive and flexible family suitable for a wide range of uses; everything from setting large amounts of text to large scale signage and poster work. Wolverton offers a unique blend of charm an modern flexibility, why not give it a try today? All faces include lining and old style numerals and are extensively kerned. Individual faces are all economically priced and substantial discounts offered for the purchase of larger sets of typefaces.

Introducing Natalisa, a sophisticated sans serif font that brings a perfect balance of elegance and versatility to your design projects. With its clean lines and modern aesthetics, Natalisa is ideal for creating sleek logos, captivating headlines, engaging advertisements, and eye-catching branding materials. Crafted with meticulous attention to detail, Natalisa offers a harmonious blend of uppercase and lowercase letters that seamlessly complement each other. Its refined letterforms lend a timeless appeal, making it suitable for a wide range of applications. Whether you're designing for print or digital platforms, Natalisa will elevate your projects with its sleek and professional look. Not limited to its visual appeal, Natalisa is packed with essential features. The font includes a comprehensive set of numbers and punctuations, ensuring seamless integration into your designs. Its multilingual support allows you to effortlessly communicate your message in various languages, making it a versatile choice for global projects. With PUA encoding, Natalisa provides easy access to special characters and glyphs, expanding your creative possibilities. Additionally, the font offers ligatures that enhance the fluidity and elegance of your typography.

Ansage does not claim to be neutral; it escapes from the rationalist sans of closed strokes and regular forms. Meaning Announcement in German, Ansage is versatile and communicates effectively across a broad range of media and formats such as branding, posters, websites, apps, titles and compositions with little spacing). Ansage is a sans serif font with a strong personality that emerges from an interest in and the study of a wide variety of typographic specimens of Gothic fonts from the nineteenth century. The design process behind Ansage brought about constant transformations in form; the result is a compact and robust font, with a large x-height, small ascenders and descenders, and open terminals that grow in expressiveness as it increases in weight. It is available in 10 weights, ranging from Hairline to Black, and 3 widths – Condensed, Regular and Expanded – plus italics, which make a total of 60 perfect variables to combine and contrast with each other. In addition, it also includes multiple open-type functions such as alternative styles, Old Style Figures, Tabular Forms, fractions, case sensitive, ligatures and more.

Not to be confused with the prolific, 1980s British super-star graphic and type designer Neville Brody, this brush script typeface was designed in 1953 by the American type designer Harold Broderson. Broderson worked for ATF (the American Type Founders), who were the original publishers of this design. Body is a brush script face that mimics the show card style of lettering, which was very popular throughout the United States during the first half of the 20th Century. The letters appear as if they were drawn quickly and spontaneously with a wide, flat lettering brush. The lowercase letters connect to each other, cursive script style. Brody is the perfect display face to provoke a nostalgic feeling for the 1950s. Anything having to do with apple pie, home cooking, or last minute sales would look great in this face. You could outfit a whole supermarket signage system in a snap with Brody. If you need the original version with more lettered characters then Brophy Script is a good alternate,

A modern black-letter, so to speak. Composed of a few basic elements with a wide-quill ductus. Faber Fraktur was based on the idea that it must be possible to create a modern black-letter type. The typeface is ”constructed“ according to the same principles as a script without serifs: as few varied basic forms as possible, omission of frills which make the type difficult to read and repetition of similar forms. The typical contrasting strokes of the original handwritten black-letter script are retained nonetheless. The elements of this typeface were even pre-formed with the quill. All characters are reduced to their basic skeleton. The fanciness and manifold ”breaks“ or fractures typical of black-letter typefaces are considerably reduced to just a few essentials. Faber Fraktur is a very legible type perfectly suitable for long texts. It does not appear nearly as foreign and archaic as the old black-letter fonts. The capital letters especially have a charm of their own radiating a kind of playfulness in spite of their severe form.

Introducing our new Font called Maybe This font has a young, powerful and energetic character, nuances of Halloween and Christmast, of course it is very suitable to be used for modern and vintage projects, the beautiful and beautiful lettering makes this font look charming for you to use as a title, logo or anything else in any design project. you. This charming font also offers the beauty of abstract typography harmony for a wide variety of design projects, including digital natural handwriting for designs, quote designs, for social media business designs, advertisements, trademarks, food and beverage promotion banners, text, posters, a signature, and all designs require handwriting or whatever design you want. This font is equipped with uppercase, lowercase, numbers, punctuation marks, swhases and several variations on each character including multi-language. ================================================== This font is best suited for open type friendly applications. How to get alternative glyphs from open type fonts: http://adobe.ly/1m1fn4Y PUA Character Code - Fully accessible without additional design software. do not hesitate anymore start using this font. and Feel free to send any message you want to convey.

Limon was entirely hand drawn and carefully digitised to get accurate curves but keeping the handmade look. The script fonts are smart scripts, plenty of alternates designed to preserve the calligraphic rhythm. Limon is a beautiful option for menus, magazine covers, wedding invitations, cards and all kind of stationery, packaging and labels. Default positional forms appear while you are writing when Standard Ligatures and Contextual Alternates features are on. Just keep them activated and let Limon Script do the rest. It warrants that all the connections will look good. Also, you can activate stylistic alternates, swash, titling and stylistic sets to have options for capitals, initials and terminals. Each Script Font reaches a total of more than 2900 glyphs (languages for every alternate included). Use professional software that widely support Open Type features. Otherwise, you may not have access to some glyphs. For further information about features and alternates, see the User Guide. Limon has extensive Western, Central and Eastern European language support. Limon Script matches very well with Dress and Chonky When life gives you Limon, make a beautiful design!

Introducing our newest Font, Kentya the name This font is made with elegant calligraphy nuances and there are so many kinds you can combine various kinds of font choices to get the beautiful writing you want, this font is also good for writing your name and trademarks and logos and words, sentences that beautiful of course with the right typography harmony. This font also offers the beauty of abstract typography harmony for a wide variety of design projects, including natural handwriting in digital form for designs, quote designs, for social media business designs, advertisements, trademarks, promotional banners, posts, posters, signatures, and all. the design requires handwriting or whatever design you want. This font is equipped with uppercase, lowercase, numbers, punctuation marks, swhases and several variations on each character including multi-language. ================================================== This font is best suited for open type friendly applications. How to get alternative glyphs from open type fonts: http://adobe.ly/1m1fn4Y PUA Character Code - Fully accessible without additional design software. do not hesitate anymore start using this font. and Feel free to send any message you want to convey.

Oswald Cooper is best known for his emblematic Cooper Black™ typeface. Although he was responsible for several other fonts of roman design, Cooper never drew a sans serif typeface. But that didn’t stop George Ryan from creating one. Ryan saw a sans serif example of Cooper’s lettering in an old book and decided that it deserved to be made into a typeface. Ryan’s initial plan was to make a single-weight typeface that closely matched the slender and condensed proportions of the original lettering. While the resulting Oz Handicraft™ typeface proved to be very popular, Ryan was not satisfied with the limited offering. So, between other projects – and over many years – Ryan worked on expanding the design’s range. The completed family includes light, semi bold and bold weights to complement the original design, plus a matching suite of four “wide” designs, which are closer to normal proportions. Fonts of Oz Handicraft include a Pan-European character set that supports most Central European and many Eastern European languages.

The family keeps growing, Ciutadella Slab is the ‘serif’ counterpart of the popular Ciutadella font. The former alternate characters like 'a', 't' and '&' are now the default ones (and the former default characters are now the alternates), giving way for a typeface more suitable for texts. Thus, the new Ciutadella Slab is not only a great headline family, it will also work in texts of intermediate length and size. Especially appropriate for magazines, brochures or branding. This new addition provides even more versatility to the family started with Ciutadella and Ciutadella Rounded. It is available in Open Type format and includes Alternate Characters, Ligatures, Tabular Figures, Fractions, Numerators, Denominators, Superiors and Inferiors. It supports Central and Eastern European languages. As the sans version, the type family consists of 10 styles, 5 weights (Light, Regular, Medium, SemiBold and Bold) plus italics. For more details see the PDF.

Montecatini takes its cues from the elegant Stile Liberty travel posters of Italy in the early 1900s. In its successful first release by Louise Fili Ltd in 2017, the typeface introduced distinctive ligatures typical of the time when Art Nouveau emerged as a worldwide phenomenon. Now Montecatini has been expanded into 24 alluring styles, spanning 6 weights and 4 widths. With the addition of these new styles, Montecatini has a dynamic capacity for comprehensive use and pairing. Everything looks better in Montecatini, from book jackets to monograms to packaging and logos—and the wide selection of ligatures, weights, and widths makes copyfitting a delight. Montecatini Pro’s ligatures are setup as contextual alternates. If you would like to try out Montecatini Pro’s ligatures or learn more about the font, please visit: https://www.louisefili.com/montecatini-pro

Willard T. Sniffin designed this extra condensed art deco typeface for American Type Founders in 1932. Low-waisted capital letters curve in stunning geometric fashion next to large, oversized lowercase letters. The heart of this classic design is undeniably 1930s but it also looks just fine in contemporary situations. Many of the original alternate characters plus a few new ones have been included in this complete digital version. Newport Classic with Alternates is also available as an OpenType font. This version now contains small caps, lining and oldstyle figures, prebuilt fractions, stylistic alternates, word ornaments and a wide assortment of f-ligatures. These advanced features currently work in Adobe Creative Suite InDesign and Illustrator. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

The genesis of Apron font type family is inspired by soft-vertical structure of airplane window. On the other hand Apron is making a reference to technological design mentality of early 2000's. In short texts it has stable view and also humanist effect. Very suitable for mobile apps, web designs, sportive & technological product packs and ads designs. Especially Narrow Bold and Condensed Bold Italic weights have fluid and strong expression for striking headlines. User friendly Apron serves rich opentype properties; small capitals, alternative letters (a, c, e, g, k, l, q, s, y, A, C, G, K, M, N, R, S, 3, 6, 9), stylistic sets, standart and optional ligatures, oldstyle figures, tabular linings, arrows, bullets and wide money currencies, fractions and math symbols. Now please fasten your seat belts and enjoy it.

Introducing the sanserif font Goda. We design this very tempting and beautiful font with gentleness and yet still fit if you use it in various projects with masculine and feminine themes. We designed this san serif family font by paying attention to the combination of each letter to create a beautiful impression and appearance, making it easier to answer your needs, both formal and non-formal needs. This font is perfect for a wide variety of design projects, sporting events, branding, banners, posters, movie titles, food and beverage, technology, quotes, clothing, logotypes, and more. Of course, your various design projects will be perfect and amazing if you use this font because this font comes with a font family, both for titles and subtitles and sentence text, start using our fonts for your amazing projects.

A lot of time and effort has been put into the process of creation the Boos Font. A careful analysis of the current font market and overly increasing customer needs have shaped Boos' final appearance and content. We don't have a precise target audience for Boos, since the amazing amount and structure of the chosen characters enables a very wide utilization. It will be best suited for headlines for classy magazines. It's look and feel came from a different designing approach, so that it can successfully satisfy the needs of even the neediest. Shining with calm and dignity, while in the roots being aggressive, it has successfully connected classic and modern styles - representing it's largest value. Medium, bold, black and light versions are included in the complete package, at a discounted price!

Cowhand is a display typeface designed by Toshi Omagari to keep words at one specific width. Words of one letter will have one very wide character, words of two letters will have characters of half that width and so forth. At the maximum of 20-letter words, characters become very tightly compressed. The design of the Cowhand typeface is inspired by western style block printing with reverse stress that is characterised by chunky slab serifs. This Lite version of the typeface was designed as part of a font marathon over the course of 3.5 days in Monotype’s NY office. Please Note: these "Lite" fonts are offered with a limited character set. Monotype is proud to support Room to Read’s work in literacy and girls’ education through our font marathon initiative.

Discota - Fluffy Display Font embodies the retro coolness of the 80s and 90s, exuding a playful and groovy aesthetic reminiscent of those iconic decades. Its rounded, boogie-inspired design with soft edges and friendly appearance makes it an ideal choice for projects aiming to evoke nostalgia or a carefree, energetic atmosphere. Discota effortlessly captures the spirit of the past, making it the perfect choice to infuse your creative work with a touch of nostalgia and a whole lot of fun. Choose Discota to bring the funky and stylish aesthetics of the 80s and 90s to your designs, creating a memorable and captivating visual experience. This typeface enhances a wide range of design projects, including greeting cards, packaging, brand identity, posters, and more, adding eye-catching and trendy appeal.

Introducing our newest font called Brifa. Fonts that have unique letters create a distinctive impression when applied to words or text. We designed this san serif family font by paying attention to the combination of each letter to create an elegant impression and appearance making it easier for you to use it according to what you need, both formal and non-formal needs. This font is perfect for a wide variety of design projects, sporting events, branding, banners, posters, movie titles, food and beverage, technology, quotes, clothing, logotypes, and more. Of course, your various design projects will be perfect and amazing if you use this font because this font comes with a font family, both for titles and subtitles and sentence text, start using our fonts for your amazing projects.

Grange Text is optimised for smaller text sizes, having more open character shapes and spacing. Use the non-text version of Grange for larger sizes and headlines, which has tighter spacing and detailing. Grange is the Device interpretation of the classic “Grot” thick/thin sans style. Unlike the traditional models on which it is based, Grange takes a rational, consistent approach across wide range of weights and widths for contemporary use. The font includes alternative curved and straighter versions of key characters, most obviously the lower-case ‘g' and capital ‘R', allowing the font to take on either a sharper or warmer, more playful appearance. These can be toggled on or off using the ‘Alts' feature in Illustrator, or ‘Stylistc Sets’ in Indesign. Contains proportional, lining and tabular numerals.

Estragon is a vivid sans-serif text face with venetian influences, suitable especially for books. It is remarkable for: its light slant, to the right, for most of the verticals, its small sized uppercase letters making it suitable for languages where they are often used (for example German,) and its just lightly inclined true italics. For a wide language support, Estragon contains a lot of accented characters including the polish kreska. It is generously equipped with ligatures, special and alternate characters as well as various kinds of numbers: besides the standard old-style figures to be set as part of text copy there are small-cap and tabular numbers as well as a set of fraction figures. Estragon comes with two weights, uprights and true italics, each with small-caps.

Nadishaq - Arabic Font is a captivating typeface with a unique Arabic letter theme. Each character in this font is meticulously crafted using the basic Arabic letterforms, resulting in a font that authentically captures the essence of Arabic script. It retains the distinctive features of Arabic letters, such as dots and swashes, which adds an extra layer of authenticity to your designs. Perfect for logos, packaging, branding, books, titles, and posters designed with an Arabic theme, Nadishaq seamlessly integrates into designs focusing on the Arabic language and culture. It's a font that encapsulates the beauty and intricacies of Arabic script, making it a versatile choice for a wide range of projects. With its Arabic-inspired design, Nadishaq allows you to infuse an authentic Arabic touch into your creative works, making them truly stand out

The genesis of ApronSoft font type family is inspired by soft-vertical structure of airplane window. On the other hand ApronSoft is making a reference to technological design mentality of early 2000's. In short texts it has stable view and also humanist effect. Very suitable for mobile apps, web designs, sportive & technological product packs and ads designs. Especially Narrow Bold and Condensed Bold Italic weights have fluid and strong expression for striking headlines. User friendly ApronSoft serves rich opentype properties; small capitals, alternative letters (a, c, e, g, k, l, q, s, y, A, C, G, K, M, N, R, S), stylistic sets, standart and optional ligatures, oldstyle figures, tabular linings, arrows, bullets and wide money currencies, fractions and math symbols. With reduced file size, it’s softer now!

ST Remona Neue is a confident serif. Designed to reflect nature, it creates a sense of softness and natural expression. We pushed the concept in a usability-focused direction, to work as a bold tool and a beautiful communicator. ST Remona Neue allows for fluid designs in 3 styles. Regular, Italic, Outline and Latin based main language. The right slant advances aesthetics, brings energy and makes it suitable for modern design. The type family blends organic curves and soft repetition into strong and harmonious types. At large dot sizes you can appreciate the shape of the letters, while the same control and focus creates an even texture for small dot sizes and long reads. Fonts extend their use by providing a variety of unique language and style supports. The ST Remona Neue character set combines additional symbols, style alternatives, unique binding, and case sensitive punctuation - resulting in a stable, hardworking family ready to tackle projects of any size. Happy Designing

The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate A (Antiqua), Corporate S (Sans Serif), and Corporate E (Egyptian) is a design program of classical quality, perfectly in tune with each other. Weidemann says: “My ASE trilogy, quite like triplets, is in perfect harmony and covers all needs of modern typography!” Initially exclusively designed for DaimlerChrysler as a corporate font, the ASE trilogy may be now licensed and used without restriction. URW++ digitized the ASE for DaimlerChrysler and Prof. Weidemann and is the exclusive licensing agent for this outstanding and extremely popular typeface program. Meanwhile, URW++ enhanced the Corporate ASE family in regular, bold, italic, and bold italic by Greek, Cyrillic, and all additional Latin characters to cover Eastern Europe including the Baltic Rim, Romania and Turkey. Corporate ASE in regular, bold, italic, and bold italic is now available in the WGL 4 character complement.

Marcione is the real deal, a contemporary and dynamic condensed display font family that blends the classic Deco and Grotesk styles in a playful and modern way. This font family got personality, you can see it right away in the lowercase letters, with a diagonal stem in characters like “a”, “h”, “m”, and “n” that gives it that extra kick. You can use Marcione to create some killer designs in editorial, branding, or advertising. This font family packs a punch with six distinct styles, ranging from Light to ExtraBold, and it’s got you covered with broad Latin language support. That means no matter where you’re from, Marcione can help you make a statement. This font is highly versatile and visually engaging, a true boss. With its condensed design, it takes up minimal space while still commanding attention and conveying a sense of sophistication. Trust me, you won’t regret having Marcione in your font library, it’s the real deal.

The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate A (Antiqua), Corporate S (Sans Serif), and Corporate E (Egyptian) is a design program of classical quality, perfectly in tune with each other. Weidemann says: “My ASE trilogy, quite like triplets, is in perfect harmony and covers all needs of modern typography!” Initially exclusively designed for DaimlerChrysler as a corporate font, the ASE trilogy may be now licensed and used without restriction. URW++ digitized the ASE for DaimlerChrysler and Prof. Weidemann and is the exclusive licensing agent for this outstanding and extremely popular typeface program. Meanwhile, URW++ enhanced the Corporate ASE family in regular, bold, italic, and bold italic by Greek, Cyrillic, and all additional Latin characters to cover Eastern Europe including the Baltic Rim, Romania and Turkey. Corporate ASE in regular, bold, italic, and bold italic is now available in the WGL 4 character complement.

The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate A (Antiqua), Corporte S (Sans Serif), and Corporate E (Egyptian) is a design program of classical quality, perfectly in tune with each other. Weidemann says: "My ASE trilogy, quite like triplets, is in perfect harmony and covers all needs of modern typography!" Initially exclusively designed for DaimlerChrysler as a corporate font, the ASE trilogy may be now licensed and used without restriction. URW++ digitized the ASE for DaimlerChrysler and Prof. Weidemann and is the exclusive licencing agent for this outstanding and extremely popular typeface program. Meanwhile, URW++ enhanced the Corporate ASE family in regular, bold, italic, and bold italic by Greek, Cyrillic, and all additional Latin characters to cover Eastern Europe including the Baltic Rim, Romania and Turkey. Corporate ASE in regular, bold, italic, and bold italic is now available in the WGL 4 character complement.

The ITC Nova Lineta™ design is the first commercial typeface from Slobodan Jelesijevic. As with many typeface designs, it began as simple sketches. “I was working on a packaging design project,” recalls Jelesijevic, “and wanted an informal, slightly cursive design for the type. I could not find anything that matched my need, so I began sketching.” The preliminary design had an elegant yet fresh quality that, once developed, turned out to be perfect for Jelesijevic’s project. After its first use, however, Nova Lineta lay dormant for over a year. Other projects came and went, and new typeface ideas filled Jelesijevic’s notebook. Although Nova Lineta continued to tickle the creative crevices of his mind, no more work was done on the face. Then, in a period between projects, Jelesijevic began to polish the design – and, in the process, created extended and condensed versions to complement the normally-proportioned original. Born in Gornji Milanovac, Serbia in 1951, Jelesijevic graduated with a degree in graphic communication and lettering from the Faculty of Applied Arts in Belgrade. These days, Jelesijevic is sought out not only as a typeface designer, but also as a graphic designer and illustrator. When not working on design projects, he teaches graphic communication at the Faculty of Art in Niš, Serbia. Although it is a casual and inviting design, Nova Lineta has been carefully constructed and refined. As a result, it performs exceptionally well within a wide range of sizes and in a wealth of applications. An ample x-height, open counters and distinctive character shapes also ensure a high level of legibility. And, although at first glance Nova Lineta may appear to be a sans serif design, subtle serifs make their presence known at large sizes. Nova Lineta emanates warmth when used for extensive text, and it has a fresh quality at display sizes. The small family’s range of proportions also provides added flexibility. The result is a friendly yet powerful communication tool in a remarkably modestly-sized package.

This is the 200th font released by CheapProFonts, and again I wanted to make something special - so I have chosen to upgrade another well-known font by the infamous Fredrick "Apostrophe" Nader: Amerika! The whole character set for this stylish font has been polished for consistent baseline placement and serif thickness, and proper overshoots has been implemented. All the alternate letterforms (and some new ones) have been included as OpenType alternates AND they have now been made available with accents, too! The Greek and Cyrillic letterforms are properly encoded and kerned. I hope many will enjoy the improvements - and naturally: it is still free! ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

This family was inspired by a Type Battle over at Typophile: How would you design a font metrically compatible with Helvetica, but better than Arial? Working with preset letter widths was an interesting constraint, both a relief and a limitation at the same time. I have done all the 4 basic weights, and the skewed obliques (done to a slightly less steep 10 degrees angle as opposed to the originals 12) has been optically adjusted. The letters have been designed quite close to the german/swiss grotesk tradition, but by using super-elliptical rounds, rounded dots and slightly curved outer diagonals the end result is a friendly looking font family that still looks... familiar. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Pincoya Black Pro is a font based on lettering found on a poster from the Spanish Civil War, complemented with graphics developed in “La Unidad Popular” (Chilean political coalition) during the seventies. Pincoya has many alternate characters in Opentype format that provide multiple options when composing a text. It is an ideal font for high impact sentences, logotypes, magazine layouts, poster designs, etc. Languages include: Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian and Pan Africa Latin.

Tall, dark, and handsome; Czesko is a fancy display serif with a timeless, yet elegant look. The repetition of key features ensures contrast in line weight to provide high visibility at smaller sizes. Vertical emphasis and tight spacing make it a good choice for areas with limited workspace. Try all caps for a luxury logo or branding in the fashion industry. Other suggested uses include magazines or movie posters. Basic Latin, extended Latin, diacritics, Cyrillic, punctuation, fractions, ligatures, and kerning are all included.

HU Blueocean is a headline typeface created by imagining waves in a square glass tube. It iis designed to be used in various environments by adding decorative elements, the swaying form of waves, to the Gothic style of a full square module. There is 1 weight of HU Blueocean : Black Features : Uppercase & lowercase Numbers and punctuation Multilanguage (Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian, Pan African Latin, Dutch, Afrikaans, Basic Greek, Basic Cyrillic, Mathematical Operators) 882 Glyphs

For this Byzantine Empire calligraphy font, I had to work for 2 weeks and 3-4 hours a day and search the internet. It made me very tired, but I finally finished it, and it was good. This font can use both latin keyboard and greek keyboard. I also added Greek unicode characters. I will adapt this font to the latin alphabet, I will make the full character set font, this will take less time. I wish you good work.