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  1. Kilburn by Talbot Type, $19.50
    Kilburn is a no-nonsense, condensed Gothic sans-serif. For over a century the condensed sans-serif has been the 'go to' font for gravitas and authority. Kilburn continues in the fine tradition of fonts such as Franklin Gothic, News Gothic and Trade Gothic offering a contemporary interpretation of the condensed sans-serif — functionality with personality. Equally at home as both a text and display font, Kilburn is available in five weights from Thin through to Black.
  2. Core Magic Rough by S-Core, $20.00
    Core Magic Rough is a textured version of Core Magic which is a layered type family consisting of seven 3D effect layers, eight 2D effect layers and one shadow effect layer. Uppercase and lowercase letters are separated by such features that counters are opened or closed. Core Magic provides other closed counter styles such as numbers with opentype feature (Stylistic Alternatives). Using Core Magic Rough with Core Circus Rough could make your works more charming and special with endless combinations (at least 262,551 kinds). This family is really nice for book titles, headlines, logotypes and any artworks.
  3. Magic Bounce 3d by Sipanji21, $15.00
    "Magic Bounce" is a cute display font with three unique layers: regular, inner shadow, and outer shadow. This font is designed to add a playful and charming touch to your designs. The regular layer provides a delightful and whimsical appearance, while the inner and outer shadow layers add depth and dimension, giving your text a bouncing and magical effect. With its versatile layers, "Magic Bounce" is perfect for creating eye-catching headlines, posters, invitations, and other designs that need a touch of fun and enchantment. Embrace the magic of creativity with this delightful and versatile display font.
  4. Browood by Alit Design, $15.00
    Presenting the 🗯️💬The Browood Layered Comic Font💬🗯️ by alitdesign. The Browood Layered Comic Font is inspired by the style of letters in comics that have less serious and fun characters. The lettering of the Browood Layered Comic Font is a sans serif with display font characters which gives a fun and design impression for children. The Browood Layered Comic Font has 3 layered font. The Brootahh font is perfect for creating designs with non-serious concepts, designs for children, book headers, and of course for text on comics. The Browood Layered Comic Font also gets a bonus character of 230 Comic-themed illustrations that make creating designs even easier. Simply by downloading The Browood Layered Comic Font creating a Comic and non formal themed design is very quick and easy. The Browood Layered Comic Font is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with comic, non-serious, pop art, game mobile and fun design. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Browood Layered Comic Font contains 544 + 230 bonus glyphs with many unique and interesting alternative options. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.
  5. ITC Angryhog by ITC, $29.00
    The name Angryhog came out of nowhere out of free association. "When you're working on a typeface on the Mac it demands a name from you which I find a bit confrontational" says Donaldson. ITC Angryhog brings together Roman and Gothic influences in a quirky and sophisticated display face. Characteristic of this typeface are its sharp, pointed forms, especially noticeable in the serifs, which give ITC Angryhog a restless, almost aggressive feel. It is as though the letters have a mind of their own and ignore all rules and regulations. ITC Angryhog is a perfect typeface for comics or satire, best suited to short to middle length texts and headlines.
  6. Empire State Deco by Comicraft, $19.00
    Every face tells a story but this font is 77 stories high (1,046 feet with antenna included)! A lofty companion to Empire State Gothic , Empire State Deco is a tall, stately font containing four different styles, sometimes contradictory, united by the desire to be modern. Those familiar with the Exposition Internationale des Arts Décoratifs et Industriels Modernes will notice a post-postmodernism combined with the fine craftsmanship and rich materials for which those awfully nice chaps at Comicraft are known. During its Art Deco heyday, Comicraft represented luxury, glamour, exuberance, and faith in social and technological progress -- this new font recaptures those halcyon days in letter form.
  7. Roadhouse by Kimmy Design, $10.00
    Roadhouse is a layering typeface family that is part of the greater Evanston type collection, which is inspired by American typefaces commonly used at the turn of the century leading up to Prohibition. Roadhouse reflects the style of lettering used on tavern signage and printed ephemera during the early 20th century. The family comes with 31 layering fonts, from top layers like bevels, highlights, stripes, outlines, as well as extruding and drop layers. It also includes 2 script fonts, upright and oblique, as well as 9 complimentary text fonts for smaller text settings. Either get the entire family of extrusions, bevel angles or the basic family with ready to use fonts that don’t need to be layered. Roadhouse is a great display typeface for logos, branding, packaging, and advertising.
  8. ITC Lubalin Graph by ITC, $40.99
    ITC Lubalin Graph® was initially designed by Herb Lubalin and drawn to fit the requirements of typographic reproduction by Tony DiSpigna and Joe Sundwall in 1974. Its underlying forms are those of Lubalin's previously released ITC Avant Garde Gothic, but its shapes were modified to accommodate large slab serifs. Its condensed weights, which include small caps and oldstyle figures, were later additions by Helga Jörgenson and Sigrid Engelmann in 1992. The family, with its generous x-height and overall tight fit has come to represent the typographic style of American graphic design in the 1970s. The typeface is at home when paired with mid-century modern design and spare sanses or more traditional text faces from the period. ITC Lubalin Graph covers four weights in its condensed width from Book to Bold, and five weights in its normal width.
  9. Muggy Feet by PizzaDude.dk, $17.00
    Muggy Feet is my handpainted and layered font. Mix the five different layers for realistic looking results. What makes it even more realistic is that the font uses "contextual alternates", which means that every letter of Muggy Feet has 5 different versions. Also, try to play around with the transparency of each layer of Muggy Feet. Muggy Feet is ready for your invitation, poster, book cover, packaging or signs.
  10. Strong Girls by Sarid Ezra, $15.00
    Introducing, Strong Girls - a layered font based on serif style! Strong Girls is a layered serif font that have 4 total font including regular, outline, extrude and long extrude. Like other layered font, you can stack all the style in the text so the design will looks 3D. You can use this font for any purpose like poster, sticker, vintage design, or anything. This font also support multi language.
  11. Ciseaux Matisse by Harald Geisler, $65.74
    Ciseaux Matisse was inspired by the exhibition Drawing With Scissors, which I visited at the Kunsthalle Schirn in my hometown of Frankfurt am Main in 2003 and the book Jazz published in 1947 by Henri Matisse. Admittedly, before that time I wasn’t a fan of Matisse’s work, neither his late nor the early work. That definitely changed after the exhibition. While his motifs have been overused on postcards and mouspads, in front of the originals you forget those tiny pictures. Some of the works were massive—larger than 24ft. By cutting directly into the color Matisse created shapes with strong dynamics. Years later, in 2007, I used that inspiration to cut an exclusive font for a newspaper that I designed at that time (see Gallery Pictures). Later I developed that font into the four styles featured here. The cut-out style is a paper cutout; boxed is the paper background. Both linear and boxed linear have no curved outlines, so they are more aggressive. As drawing with scissors implies, all characters are cut by hand. With only uppercase letters, this font is designed for editorial use: headlines, slogans in ads, or musical usage in posters and flyers that need the little touch of the jazz scissors. In special cases the lowercase letters contain alternate shapes to the uppercase forms.
  12. ‘DragonForcE’ - 100% free
  13. Nightbird - Personal use only
  14. Goth Titan - Personal use only
  15. Argor Got Scaqh - 100% free
  16. Fangtasia - Personal use only
  17. Romance Fatal Goth Versal - Personal use only
  18. Sleepy Hollow 2.0 - Unknown license
  19. Rammstein - Unknown license
  20. Metal as in Heavy - Unknown license
  21. Grave Digger - Unknown license
  22. Killigrew - Unknown license
  23. Nosferatu - Unknown license
  24. Plakat-Fraktur - Unknown license
  25. 5 Fingered Goth SWTrial - Unknown license
  26. CloisterBlack BT - Unknown license
  27. Brothers of Metal - Unknown license
  28. Dismembered - Personal use only
  29. Kingthings Xander - Unknown license
  30. Capitular Moldurada - Unknown license
  31. Leothric by Intellecta Design, $24.90
    a gothic family
  32. Buddha by Solotype, $19.95
    There are many Oriental-themed fonts, most without lowercase. This one originated in the German foundry of Schelter & Giesecke shortly before 1900. Use this font and an hour later you'll want to use it again.
  33. Hollywood Revue JNL by Jeff Levine, $29.00
    Hollywood Revue JNL gets its design inspiration and name from a vintage movie poster for "The Hollywood Revue of 1929". The letter style shows early Art Deco influences, yet the hand lettering was done in the late 1920s toward the end of the Art Nouveau period. MGM produced this early "talkie" all-star musical with a cast that included Jack Benny, John Gilbert, Conrad Nagel, Laurel and Hardy, Buster Keaton, Joan Crawford, Norma Shearer, Polly Moran and many others. This is the motion picture where Cliff ("Ukelele Ike") Edwards introduced "Singin' in the Rain" (composed by Arthur Freed and Nacio Herb Brown). Years later, Freed was a producer at MGM and gathered up many of the songs he and Brown wrote during the 1920s to form the musical core of the 1952 Gene Kelly-Debbie Reynolds-Donald O'Conner musical "Singin' in the Rain".
  34. Dustismo Roman - 100% free
  35. Dustismo - Unknown license
  36. Arroyo by Gajana Aslanjan, $45.00
    Arroyo is based on water flow. Little creeks on the surface of the earth formed by the action of fast-flowing water, this phenomenon inspired me to create this font. The little gaps/creeks form the letters of the font.
  37. Aquaboy by ZetDesign, $16.00
    Aquaboy fonts are display fonts that are inspired from water, bringing you to a feeling of relaxation and peace. This font is very suitable for use in water nuanced design work. let your mind flow by using this nice font. Thanks ...!
  38. Lettro Script by Ferry Ardana Putra, $15.00
    Make your own retro design with Lettro Font! Lettro is an exquisite bold script typeface inspired by the retro design from 70-80-ish. Lettro is created with a ton of stylistic alternates, swashes, and ligatures, and also comes with 5 total Layered fonts: Regular, Extrude, Extrude Outline, Double Extruded, and Double Extruded Outline. Perfect fitted layer to give you more contrast, more bold look of the title. Every glyph for alternates is curated for the best and possible without eliminating the characteristic of these fonts! Combine that many styles and create an awesome retro design! This retro typeface is perfect for logotypes, t-shirts, vintage badges, retro quotes, branding, packaging, posters, signboards, social media needs, etc. ——— Lettro features: A full set of uppercase & lowercase characters Layered Style Numbers & punctuation Multilingual language support PUA Encoded Characters OpenType Features +563 Total Glyphs +212 Stylistic Alternates +49 Ligatures +47 Swashes and more (Shiny and Spray Effect Included!) ——— ⚠️To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe InDesign & CorelDraw X6-X7, Microsoft Word 2010, or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac), or a software program such as Pop Char (for Windows and Mac). ⚠️For more information about accessing alternative, you can see this link: http://adobe.ly/1m1fn4Y ——— 🔑Important tutorial from the author: Tutorial for Mollusca font trio: https://lnkd.in/d984CQD6 How to use Midway | Retro Script Font on illustrator: https://lnkd.in/eusbZd7s How to use Midway | Retro Script Font on Photoshop: https://lnkd.in/evsYrwgs Happy Designing...😊
  39. Core Circus by S-Core, $20.00
    Core Circus is a layered type family consisting of seven 3D effect layers, eight 2D effect layers and one shadow effect layer. Uppercase and lowercase letters are separated by such features that counters are opened or closed. Core Circus provides other closed counter styles such as numbers with opentype feature (Stylistic Alternatives). Also available Core Magic (Slab- Serif version of Core Circus) and Core Circus Rough(Textured version) The shape of Core Circus is simple but the combinations of effect fonts are impressive. Core Circus makes your works charming and special with endless combinations (at least 262,551 kinds). This family is really nice for book titles, headlines, logotypes and any artworks.
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