Astroph - Retro Slab Serif Font Astroph Slab Serif font is perfect for your upcoming projects. Such as logo branding, editorial design, fashion, adventure apparel, stationery design, sport design, blog design, modern advertising design, card invitation, badge, art quote, home decor, book/cover title, special events, and more. Astroph is coming with 3 Styles: Astroph Regular Astroph Rough Astroph Aged That's it! Have fun with Astroph Slab Serif Font. Thank you! Figuree Std

The cover lettering of a 1940s issue of a romance comic spotted in an auction online was the inspiration for Monthly Adventures JNL. Classic in its Art Deco look, this condensed outline font is evocative of the hand-lettered titles used during the Golden Age of the comic book. Available in both the original outline version and a thick, solid version with the outline removed, as well as oblique variations of both.

Adso was born out of a research that studied the possibility of reintroducing Gothic writing in our contemporary world. Inspired by Textura, Adso was decidedly freed of all those little details that make Blackletter faces appear foreign or even displeasing to the contemporary reader’s eyes. Nevertheless, the basic features of Gothic color were preserved: verticality, modularity, and darkness. Adso is a gothic font for today’s age, highly readable and open to all fields of expression.

This is a new and improved version of an old freeware font named Materhorn, hased on a design originally called Fanfare, designed by Louis Oppenheim in 1927 for H Berthold AG. The outlines have been completely redrawn, the entire font has been thoughtfully hand-kerned, and OpenType features have been added. Additionally, the font contains not only the complete Latin language character set (Unicode 1252) plus also support for Central European (Unicode 1250) languages

Inspired by that iconic sign in the Hollywood Hills, this font is a must for film buffs, movie lovers and designers who want to bring a bit of big screen glamour to their projects. It’s a caps only face, but by using the upper and lower case keys type can be set above or below the base line, thus creating the signature stagger effect. See also Jazz Age and Tea Dance by Studio K

Taking inspiration from 18th century handwritten letters, journals and documents, Memoir is a romantic yet robust design. Its textured profile speaks of surface and age, but this face will look very much at home in contemporary design. Useful for menus, cards, packaging, and logos, its versatility will prove its worth. Unlike signature fonts from that era, Memoir is designed to set in a manner that connects fluidly as if it were actually written.

Antique Slabserif JNL is a reinterpretation of Monotype's Modern Antique 26, released in 1909. The name of the typeface is an oxymoron because Modern conflicts with Antique. Despite many critics of the "mechanical" look of the font's design, it has developed a bit of charm with age and the passing of time. Available in both regular and oblique versions, Antique Slabserif JNL can be used as both a text and headline font.

AT Allowe comes with a geometric sans serif style and a modern and elegant sans serif tagline. This font comes in eight thickness levels, from thin to black to suit your needs. AT Allowe is also equipped with the latest professional characteristics that can present an elegant and attractive identity for your company or project for business purposes. It goes well with modern serifs and scripts depicted or stands firm as a title and brand representative for an elegant look. AT Allowe also comes with multiple languages, making it easy to use for any country and language use. It also comes with alternative Ligatures and styles to make your designs more attractive. AT Allowe is suitable for branding projects and various design purposes such as business cards, name tags, advertisements, posters, invitations, branding, logos, magazines, merchandise, presentations, etc. Supports languages: Afrikaans, Albanian, Asturian, Asu, Azerbaijani, Basque, Bemba, Bena, Bosnian, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Igbo, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Turkmen, Upper Sorbian, Vietnamese, Vunjo, Walser, Welsh, Western Frisian, Yoruba, Zulu

Nortune is inspired by modern style combined with retro style so that it has a dynamic and elegant shape. This will be very suitable for use in any design that has a modern, retro, and classic feel. Nortune also has 10 thicknesses so it will be very easy to use on any design you have in mind. It also comes with multiple languages, making it easy to use for any country and language. Nortune also comes with alternative Ligatures and styles to make your designs more attractive. Alternate fonts will also create lots of options to combine. This modern letter shape will be very suitable to be combined with various types of fonts. Nortune is suitable for branding projects and various design purposes such as business cards, name tags, advertisements, posters, invitations, branding, logos, magazines, merchandise, presentations, etc. Supports languages: Afrikaans, Albanian, Asturian, Asu, Azerbaijani, Basque, Bemba, Bena, Bosnian, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Igbo, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Turkmen, Upper Sorbian, Vietnamese, Vunjo, Walser, Welsh, Western Frisian, Yoruba, Zulu

RATHER RISQUÉ is a brand new & creative contrast serif font, my take on a classical serif typeface, with over 165 unique ligatures and alternates for all uppercase and lowercase letters. This serif font was inspired by fashion editorial fonts, I wanted it to be bold but with a contrast thin touches, modern ligatures and unique features. RATHER RISQUÉ serif font comes with over 165 ligatures and alternates, full language support and it will be perfect for any kind of design work. Whether you're making a poster, logo design, full branding or a website, you can use it and get an amazingly creative result. I invite you to check out the preview images, and I hope you will be immersed in my vision for this creative typeface that, I am sure, will work for all kinds of interesting projects you might be working on this year. It also includes full language support, punctuation, numerals and detailed instructions how to use alternate letters most of the apps on your computer, as well as in Canva. If you end up publishing your designs on Instagram, tag me - @silverstagco and I will make sure to showcase your design and work to my audience as well! RATHER RISQUE | A Ligature Serif Font Includes: RATHER RISQUE.otf - Classical Serif Typeface With Modern Alternates & Ligatures 165+ Creative Alternates & Ligatures Numerals & Punctuation Language Support Web Font Kit is included as well Detailed instructions on how to use alternates in most of the apps on your computer and in Canva Happy creating everyone!

Description Austen Aesthetic comes with an aesthetic style with a modern and elegant serif-type tagline appearance. This font comes with 8 thickness levels, from thin to black to suit your needs. Austen Aesthetic is also equipped with modern professional characteristics that can present an elegant and attractive identity for your company or project for business purposes. It pairs well with modern serifs and scripts pictured or stands firm as a title and brand representative for an elegant look. Austen Aesthetic also comes with multiple languages, making it easy to use for any country and language use. It also comes with alternative Ligatures and stylistics to make your designs more appealing. Austen Aesthetic is suitable for branding projects and various design purposes such as business cards, name tags, uniforms as a brand enhancement. Advertising, posters, invitations, branding, logos, magazines, merchandise, presentations, etc. Supports languages: Afrikaans, Albanian, Asturian, Asu, Azerbaijani, Basque, Bemba, Bena, Bosnian, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Igbo, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Turkmen, Upper Sorbian, Vietnamese, Vunjo, Walser, Welsh, Western Frisian, Yoruba, Zulu

Welcome to the world of Inklea, where curves and creativity reign supreme! Our typeface is the perfect choice for anyone who wants to make a statement with their design. Inklea’s smooth curves and unique design will make your words pop off the page and demand attention. With each letter crafted using only one line and one junction, our font is as elegant as it is efficient. But that’s not all—with our Shine style, you can take your design to the next level! Simply layer it on top of the Solid style and watch your words come to life with a glossy, wet look. But don’t stop there—experiment with different color layers to create a truly unique design. And if you really want to make your words pop, add some emboss and drop shadow effects for a touch of depth and dimension. So whether you’re designing a website, creating a poster, or crafting a social media post, Inklea is the perfect choice. With its curvaceous design and endless possibilities, the only limit is your own imagination. Try it out today and see where it takes you! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Ice Creamery is a new variation of our Saloon Girl font family complete with italics and fill fonts which may be used to layer different colors into the open parts of each glyph. We don’t recommend using the fill fonts for Ice Creamery as stand alone solid fonts, Ice Creamery Chocolate was designed as a the stand alone solid font for this font family. Fill fonts go back to the 1850's where they would design matched sets of printing blocks and the layering of colors took place on the printing press, they would print a page in black then on a second printing they would print a solid letter in red or blue over the letters with open spaces to fill them in. Most of the time the second printing didn't line up exactly to the open faced font and it created a misprinted look. With the fill fonts in Ice Creamery and other FontMesa fonts you have the option to perfectly align the fill fonts with the open faced fonts or shift it a little to create a misprinted look which looks pretty cool in some projects such as t-shirt designs. I have some ice cream making history in my family, my Grandfather Fred Hagemann was the manager of the ice cream plant for thirty years at Cock Robin Ice Cream and Burgers in Naperville IL. In the images above I've included an old 1960's photo of the Cock Robin Naperville location, the ice cream plant was behind the restaurant as seen by the chimney stack which was part of the plant. If you were to travel 2000 feet directly behind the Cock Robin sign in the photo, that's where I started the FontMesa type foundry at my home in Naperville. My favorite ice cream flavor was their green pistachio ice cream with black cherries, they called it Spumoni even though it wasn't a true Spumoni recipe. Their butter pecan ice cream was also incredibly good, the pecans were super fresh, their Tin Roof Sundae ice cream was chocolate fudge, caramel and peanuts swirled into vanilla ice cream. One unique thing about Cock Robin and Prince Castle was they used a square ice cream scoop for their sundaes.

When you hear that name, you likely ask yourself, ‘why?!’ I did too, but the number of requests could not be ignored. Once I finally decided to move forward with it, the only way to solve the offering would be to adhere to the same theme of indulgence, I planned for the same number of optical weights AND Italics. Yeah, italic stencils… ok, why not? It’s not a new concept. One thing to note and a creative liberty I assumed during the design. Lust Stencil would not be just a redaction or removal of stress to produce a quick stencil. To do that, would just be a cheap solution. Strokes had to resolve themselves correctly and/or uniquely to the concept of the stencil format. And, it had to be heftier. For it it to look correctly, it needed about 8% additional mass to the strokes for it to retain the effervescent flow of the curves and the resolute scalloped lachrymals. The Lust Collection is the culmination of 5 years of exploration and development, and I am very excited to share it with everyone. When the original Lust was first conceived in 2010 and released a year and half later, I had planned for a Script and a Sans to accompany it. The Script was released about a year later, but I paused the Sans. The primary reason was the amount of feedback and requests I was receiving for alternate versions, expansions, and ‘hey, have you considered making?’ and so on. I listen to my customers and what they are needing… and besides, I was stalling with the Sans. Like Optima and other earlier high-contrast sans, they are difficult to deliver responsibly without suffering from ill-conceived excess or timidity. The new Lust Collection aggregates all of that past customer feedback and distills it into 6 separate families, each adhering to the original Lust precept of exercises in indulgence and each based in large part on the original 2010 exemplars produced for Lust. I just hate that it took so long to deliver, but better right, than rushed, I imagine. It would have taken even longer if not for font engineer and designer, Potch Auacherdkul. Thanks Potch.

Corleone was originally designed as a two font family in 2001 and offered for free. This year we've expanded the font family to twelve fonts including small caps and italics. While the new Corleone has been greatly refined and is a much more professional quality font we've decided to still offer the original two fonts for free. Corleone is the perfect font for t-shirts and other merch, the new small caps make this font stand out and bring attention to whatever you use it on. Corleone is the font you can't refuse. Tech notes: Corleone was designed after a famous movie logo in the 1970's with a title name that sounds a lot like The Grandfather if you know what I mean. The movies had three installments, my original font was patterned after the logo for the third movie, the new Corleone Primo and Secondo versions are patterned after the logos of the first two movies. The differences are noticed mostly in the lowercase letters. One thing you will not find in this font family is the puppeteer or puppet master hand because it's been registered as a separate trademark of Paramount Pictures. If you're using an application that works in layers then you'll be interested in the four extra over score glyphs included in some of the versions of this font. Sorry, MS Word does not work in layers so this feature will not work in MS Word. When you open up the glyph map in Adobe Creative Suite you should see the over score glyphs when you scroll down to the bottom. These extra over score glyphs allow you to extend the top line of a single capital letter, with four different lengths you should be able to mix and match to achieve the length that you desire. When using the over score glyphs it's best to divide your word or headline into separate text objects, the cap being one object and the remaining letters being the second. If you try using the over score glyphs on a single text object then with each over score that you add the text after it will get pushed down the line.

VineStreet a place somehow familiar to everyone in the English speaking world. It might be just around the corner or the next town over. This font gives that aged feel of comfort and familiarity and the authority of tradition. The example for this font was derived from a ecclesiastical history published by the Caxton Press of the Sherman & Co. of Philadelphia and was originally developed prior to 1867. This font has over 1000 defined glyphs and small caps included.

This font is a late work of the famous Berlin font artist Martin Wilke. Presented by Linotype AG in 1988, Wilke is a lively font with eccentric, playful forms. Wilke was influenced in part by the letters of the Irish handwriting in the Book of Kells, written in the late 8th century, while the pronounced contrast in strokes goes back to the styles of the 18th century. the font’s uniqueness is particularly emphasized when used in larger point sizes.

Larchmont is a piece of pure fun, inspired by inter-war enamel advertising hoardings (often known as 'street jewelry') and by traditional sign writing. It's ideal for poster design, book covers and any sort of signage, or just about anywhere you need more than a hint of flair. Larchmont combines a sense of fun with a traditional ethos. The family is offered in three widths, each in upright and oblique forms. Revive the golden age today!

German Designer Klaus Sutter digitized Mustang, a brush script typeface from the 1950s originally drawn by Imre Reiner (1900-1987) and published in 1956 by D. Stempel AG. Mustang is a right slanted brush type drawn with simple and strong strokes. It has a dynamic character, and could be perfectly applied for emphasis in headlines. Mustang has the character of Imre Reiner's handriting. Imre Reiner was a prominent book illustrator, painter, and typographer during the 1950s.

A new series of eclectic decorative initials, Capital Ideas 1 NF features numbers and uppercase letters rendered in nixietube displays, along with a whimsical walk through the alphabet patterned after Milton Glaser's Hologram. Capital Ideas 2 NF features K. H. Schaefer's eponynmous Versalien for Schriftguss AG in 1927, and Walter Haettenschweiler's Breitfette Unziale from 1958, along with a fancy nine-element box border. Dressing up your next projects with these snappy caps is, indeed, a capital idea.

ROMANICA is a relaxed humanist sans with subtly curved corners and slightly flared glyphic terminals that are expressively angled where appropriate. Romanica has the authority of the ages without the harshness of many classically inspired typefaces. All eight fonts include a full complement of Latin Extended-A characters, Welsh diacritics, Irish dotted consonants, and additional oldstyle numerals. ROMANICA is available in three packages - • Basic Family (Regular, Italic, Bold & Bold Italic) • Light (Light & Light Italic) • Medium (Medium & Medium Italic)

American designer Stanley Davis created the font Amelia™ in 1965. What sets Linotype Amelia apart from all the rest are its unusual inner spaces. Their teardrop forms lead the readers eye through the line of text. These teardrop shapes can also be seen in the contours of the characters themselves, making the letters look rounded and flexible. Amelia speaks the language of the digital age. The flowing strokes and round forms give it an uncomplicated and lively look.

This growing family of friendly faces is based on the typeface Bravour, designed in 1913 by Martin Jacoby-Boy for the D. Stempel AG foundry in Frankfurt am Main. The wide stance and very large x-height shared by the family members makes them warm and inviting, and equally suitable for use in headlines or text blocks. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Designed with the gig poster in mind, Reverb is a throwback to the Fillmore West golden age of psychedelic rock and summertime fun. With 5 distinct weights, this workhorse of a display face has you covered from light and airy to bold and curvy. Concave stems. short descenders with a tall x-height, and a generous helping of stroke contrast define this humanist sans face that's built to shine as a headliner or to spice up some secondary copy.

Monotype Gallia's design was initially developed by Wadsworth A. Parker for the American Type Founders (ATF) in 1927. Monotype released its own version in 1928. Its style is embodied with the spirit of the American Art Deco age and the Roaring 20s. It makes a superb headline selection, and has also been used effectively for packaging as well. Also try the typeface on signage, menus, invitations, or stationary. If you like Monotype Gallia, check out Monotype Broadway, too!

The hand lettered title found on the 1924 sheet music for the tango “Sentimiento Gaucho” (“Sentimental Gaucho”) offered a different take on the thick-and-thin lettering that permeated the late 1920s through the Art Deco age. A ‘slash’ or ‘swipe’ is cut through the characters (similar to “Directa JNL” – another take on this type of design). Last Tango JNL is the digital recreation of this novelty lettering and is available in both regular and oblique versions.

Upside is an all caps font. The design of the font is tied to historic golden ages gone by, but with a modern flair giving it a contemporary edge. It is a tall and condensed geometric sans serif, with four unique styles and appearances. Upside is a distinctive display font, perfect for headlines and headings across a range of formats such as graphic design posters, editorial pieces, or anything that needs that extra eye-catching touch.

Welcome to the world of Chromakey, a futuristic headline typeface that takes inspiration from classic video game box art. Our unique font is the perfect blend of sci-fi jagged lines and old-school Art Deco, giving you a distinct aesthetic style to deliver your message in an angular fashion. At first glance, Chromakey may seem like an unusual choice for your design needs, but that’s exactly what makes it so special. It stands out in a sea of bland typography, catching the eye of anyone who passes by. It’s bold, it’s edgy, and it demands attention. Whether you’re promoting a new product, creating an eye-catching poster, or designing a logo, Chromakey is the perfect choice. With its space-age design, it’s perfect for anything related to technology, science fiction, or the future. Don’t settle for boring fonts that blend in with the crowd. Choose Chromakey and make a statement with your designs. Try it out today and see how this unique typeface can take your designs to the next level. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

My daily challenge is how to get my kids out of bed, feed them breakfast, get them to dress, wash and pack their school bags and drop them off at school before the bell rings. The rest of the day, the challenge is to renovate our house, get my work done, pick up the kids from school (plus all of their friends, who want to come and play) and cook dinner. Of course, the word ‘challenge’ was misused by the internet. Not too long ago, there seemed to be and endless stream of crazy challenges that ended up hurting or even killing a few people. Daily Challenge font is none of the above: it is a clean cut, 100% handmade, all caps font. The only challenge here is how to adapt your design so it fits this font perfectly… ;-)

A Fashionable Modern Sans Serif with special alternative letters and multilingual support for elegant, upscale, chic, and classy branding designs Look at that curve shape as a sexy hip and legs walk out! This character set makes your designs more brave, eccentric, and fascinating Comes out with 6 weight as your wish for any needs. y es tan perfecto! Superfit with your design moods as beauty care, boutique, fashion sale promotion, villas, restaurants, and much more where your design style goes by Of course, the ligatures will make it all double perfects, be ready! this is the time to have all that ELEGANTO style nos vemos, mi amor A guide to accessing all alternatives can be read at: http://adobe.ly/1m1fn4Y Features: A – Z Character Set a – z Characters set Numerals & Punctuations (OpenType Standard) Multilingual Thank you and have a nice day

Mystical Woods is a script and caps font duo. I went back to the basics for this one -- ink and a brush on paper. I cleaned up the letters enough so that there are no jagged edges, but left enough of the character to keep that inky look -- those are the Rough fonts. Then I went back through again and cleaned the heck out of them, making every line and curve smooth for our cut-crafting friends -- those are the Smooth fonts. Since these two fonts were written together with the same tools and style, you can also mix the script letters in with the caps letters! Each font comes with a full set of standard characters and punctuation, as well as over 300 extended Latin characters for language support. And the script fonts also have 45 double-letter ligatures!

Bloque es una fuente moderna de tipo bloque perfecta para proyectos de grandes dimensiones como vallas, pósters artísticos, señalización, packaging, títulos y logotipos. Ya que su contador es tan estrecho no debes usarla en tamaños pequeños porque la definición de cada carácter se perderá. Es una fuente que cuenta con una sensación limpia y minimalista. Bloque es una excelente elección cuando se necesita una fuente impactante de letras en bloque para crear diseños impresionantes. Bloque is a modern block font perfect for large projects like billboards, poster art, signage, packaging, headlines and logos. Since its counter is so narrow you should not use it in small sizes because the definition of each character will be lost. It's a font that boasts a clean, minimalist feel. Bloque is an excellent choice when you need a striking font of block letters to create impressive designs.

Piano Keybuild is a small font designed for creating piano keyboard layouts. It was inspired by my Yamaha CLP-840, a wonderful digital piano. The face consists entirely of keyboard keys that can be combined to form realistic keyboards. These keys come in four styles: basic outlined keys, filler keys (for adding a second color inside the outlines), keys with note names, and pre-made sets of keys. Keys of a given kind will kern with one another, but only in the order that they would naturally occur on a keyboard. (This makes it easier to spot incorrect key sequences.) It also includes digits 0 through 9 inspired by numerals used in traditional music notation. The user guide (PDF under Gallery tab) demonstrates the locations of all the glyphs as well as how to use them together effectively.

From the fluid brushstrokes of Teri Kahan's lettering comes a tropical treasure: ITC Puamana, graceful as a palm tree in the ocean breeze. “Puamana” is a Hawaiian word with several meanings; among them are “the blossoming of miraculous power” and “sea breeze.” ITC Puamana captures the essence of the tropics, suggesting the sway of palm trees in the ocean air. With its ragged edges and italic slant, this brush-written alphabet has a unique visual texture that graces the page with spirited movement. Sketched on the beach in Maui by west coast designer Teri Kahan, ITC Puamana first saw life as apparel art for a Hawaiian clothing company. Now this versatile typeface is a complete alphabet that's useful for both text and titles. ITC Puamana can be put to use in everything from book jackets to in-store signage.

Remesterad - Modern & Signature Script Perfect, Font It includes a full set of upper and lower case letters, multilingual symbols, numbers, punctuation marks and 20 ligatures. This font has a smooth ballpoint pen texture. It has a lowercase start and end ligature! This font is PUA coded which means you can easily access all the glyphs full of signatures! It also features many special features including glyphs and alternate ligatures. font designs made for various vector designs, printing such as digital wedding blogs, online shops, social media, while printing can be used in the field of clothing products, accessories, bags, pins, logos, business cards, watermarks and many others... so it can make your product look cute and attractive, and also Multilingual support!!! If you have any other questions, feel free to drop me a message :) happy designing :), Mu Fazzal

As a family, we love to go camping. We have a big Norwegian tunnel tent (4 season - with room for a wood stove), some really warm down sleeping bags and a primitive field kitchen. Even though our camping trips are usually devoid of luxury, the kids love them! We always choose campsites that are close to nature, like a national park or in the mountains. A couple of years ago, we toured the southern part of England and one of our camping stops was in Exmoor National Park. Minehead is a small coastal town, not far from where we camped, so I named this font after a fond memory! Minehead is a handmade display font. It was loosely based on Haettenschweiler. Use it for your packaging, your tourist information leaflets and your book covers. And do visit Minehead one day!

Glorify SH is a Modern vintage serif typeface with Unique alternative , multilingual support with perfect kerning. This typeface is perfect for an elegant & luxury logo , classy editorial design, women's magazine, fashion brand , cosmetic brand, fashion promotion , modern advertising design, invitation card, art quote, home decoration , book/cover titles, special events, Tote bag, T-shirt, Advertising and much more. Glorify SH Features: · 4 Weights font (Regular, Italic, Outline, Semi Bold) · Uppercase And Lowercase · Alternates · Numerals & Punctuation · Accented characters · Multilingual Support · Unicode PUA Encoded If you need another format of this font, such as TTF, WOFF and WOFF2, please contact me. While using this product, if you encounter any problem or spot something we may have missed, please don't hesitate to drop us a message. We'd love to hear your feedbacks in order to further fine-tune our products. Thanks and have a wonderful day .

This font is not overly distressed, nor is it overly clean. It is a typewriter font. It is perfect when you want a document to look like it was made on a typewriter. This font is primarily based on the typewriter used for a typographic conference document from 1966 in Mainz Germany. The model and age of the typewriter used is not known. Additional characters were sourced from other vintage typewriters and others were designed to complete the full character set.

Santa Claus is a traditional Christmas typeface. Being decorative and based on antique, Middle Ages letter forms, it aims to be a traditional type for Holiday contexts. The lettering was drawn by Måns Grebäck and put together into a font during 2019. The font is of high quality, and comes with an additional Christmas symbol typeface. You can also use the numbers to access symbols. Example: Santa6Claus It contains all necessary characters and supports a very wide range of international languages.

Old Paris Nouveau is based on letterpress stylings of modern roman alphabets from the 1920s. Adapting the nouveau sensibility to the digital age required several conventions, including several alternate glyphs for specific individual letterforms as well as creating consistent stem weights and x-heights for more effective body copy. The inherent charm of Old Paris lies in its variation in form and style -- and yet the uniformity. Organic simplicity and elegance underscore the strength and utility inherent in the family of fonts.