Baby Angella is a cute and charming handwritten font. It will add an incredibly joyful touch to your designs. Add this beautiful handwritten font to each of your creative ideas and notice how it makes them stand out! Baby Angella font is perfect for logos, wedding invitations, clothes, souvenirs, magazines, quotes, crafts, and more, please try it yourself and perfect your design.

Got a favourite pair of jeans? I do, and I wear them every Friday when it's time to PAAAARTYYYY! Well, that was 30-something years ago, but the memory of those jeans lives happily in my mind :) The font, Friday Jeans is a happy-go-lucky sans font with inky edges and lively lines. Playful as a Friday night out!

Uberschrift is an elegant display font for creating expressive headlines or logos. The font contains only capital letters, but comes with 200 discretionary ligatures and several alternate characters. Check out the type specimen PDF for more details and a closer look at the typeface. To access the ligatures you need to use an OpenType-savvy app that supports discretionary ligatures.

I like the expression ‘being on tenterhooks’. Not that I’m on tenterhooks very often! Tenterhooks was made with a broken satay skewer (see poster 2 for the actual thing) and Chinese ink. It came out rather rough, but it does have a nice flow and a certain ‘wild elegance’. Comes with double letter ligatures and a whole bunch of diacritics.

Allorette is a display face inspired by the precepts of the ‘Arts and Crafts’ movement - it is both functional and beautiful, a good clear all capitals face with distinctive design touches, but immediately clear and legible. Especially suitable for poster and signage work. An extensive range of discretionary ligatures are included, readily giving the aspect of carefully thought out hand-drawn lettering.

Hexanova is a handmade display font that is text friendly but will give an elegant touch in its alternative characters. With its free style, this font specifically design to elevate your project and make it stand out even more. Hexanova Font best uses for poster, logotype, branding, cover, events, advertisements, animation, social media post, advertisements, and many more. Let your imagination run free!

Wkwkwk - a strong and bold typeface with inky brush style. This font is great for headline, specially for adventure or travel projects. It's all caps with multilingual support and textured brush strokes will catch every eyes into your projects. Wkwkwk is a word to express "laugh out loud" for Indonesian millennials. I create this font for adventure purpose, that's fun but still stronger.

Kruda is a Handcrafted display sans with 3 widths and 5 weights with accompanying slanted version. inspired by a vintage grotesk on a worn out signs and this was an initial sketch for our typeface Naratif, but it went too far. so we completed the language support for LATIN, CYRILLIC, and GREEK. and decided to take the risk to release it.

Originally I planned to call this font “pegefinger” which is index finger in danish. Due to the obvious reason that I drew the letters using my “pegefinger” :) Most letters mimic a loose (perhaps even childish) handwriting, but the legibility is never out of hand. I’ve added 5 different versions of each lowercase letter, and they automatically changes as you type!

This font was called differently when I started out building it, but after a long and insightful conversation with a good friend, I decided to call it Nebulous Promise. Nebulous Promise was made using a broken satay skewer (I like using those!) and Chinese ink. It comes with a full set of alternates for the lower case letters and extensive language support.

This connected and brush script is very impressive, but is also legible, so it is the best for package of sweets or breads, shop card, shop front and so on. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

Created by German designer Jürgen Weltin, Linotype’s Agilita is a contemporary humanist sans serif family with a wide variety of weights, including both ultra thin hairline options and heavier, dark type. Agilita has rather classical proportions; its clear ascenders and descenders lend more distinct word shapes. Weltin’s design has a dynamic, yet strong and very functional appearance with a fine but clear emphasis on the horizontals. This traditional approach makes it a versatile typeface for large-scale text setting, but it can also be used in complex information design projects, and orientation systems, for example. Hence it was developed carefully into a wide range type family system consisting of 32 styles. This even covers the requirements for display and headline setting. Corresponding condensed weights are suitable where horizontal space is scarce, as in narrow columns and tables, for example. The Agilta Hairline and Agilta Ultra Thin styles were especially made for display use. These fonts should be set at a minimum size of 20 pt for printed project, and about 40 pt on output to laser printers, depending on the paper used. Agilita’s character sets include special symbols and signs that may be used in dictionaries; like arrows for lemmata and signs for cross references, idioms or colloquial language. There are two sets of arrows available in each weight for use in orientation systems. Each font in the Agilta family is built according to Linotype’s Extended European character set guidelines. These offer support for more than 48 Latin-based languages used in Western, Central, and Eastern Europe, including Baltics and Turkey.

Introducing Galeiya – Cute Script Font Adorable Playfulness Step into the enchanting world of Galeiya – Cute Script Font, where adorable playfulness takes center stage. This font is the embodiment of girly charm and fun. Joyful Whimsy Galeiya’s joyful whimsy adds a delightful and whimsical touch to your projects, making it the perfect choice for a wide range of creative endeavors. Versatile Delight Beyond its cute appearance, this font is exceptionally versatile. It effortlessly adapts to various design contexts, from invitations to branding, infusing each project with a joyful spirit. Expressive Typography Galeiya is more than just cute; it’s incredibly expressive. Its lovely script style injects character and a sense of fun into your content, ensuring it leaves a memorable impression. In Conclusion In summary, Galeiya – Cute Script Font is the font that seamlessly combines girly charm with a sense of playfulness. Its versatility and expressive nature ensure your content is not only cute but also highly engaging. Whether it’s invitations, branding, or an array of creative projects, Galeiya brings a unique, expressive touch that appeals to a broad audience, leaving behind a lasting and delightful impression.

Crimson Skyline is a thin brush font. I used a pencil and Chinese ink to paint the letters. Crimson Skyline comes with double letter ligatures for the lower case letters. And the name? Well, it just has a nice ring to it. That’s all!

Rase Nicolous is a tall, handwritten graffiti font built to emulate a particular category of modern American, west coast graffiti styles. The varied stroke width & rough edges can produce the look of a number of different writing implements, paint brush, pencil, marker, chalk etc.

We at Fontscafe are forever trying to work on conniving up typography that will blend itself into your work space in a manner that will make you wonder how you ever managed without it…and that effort has led us to the birth of yet another all-new font for you! And this one like most of our others has a niche appeal although it is versatile as versatile can be. Now this is a font that can pretty much fit the bill when you want to send out an exclusive appeal but yet not overly formal. It is styled with fonts that cry out ‘eliteness’ and exclusivity, but without the part where it becomes so exclusive and classy that it goes way over people’s heads! The ‘Egregio’ can still connect on a very personal, almost friendly level with your audience while it remains in a class of its very own!

The Olaus Magnus and Olaus Bandus alphabets are inspired by the letterforms cut in the pictures and wood-cuts of Olaus Magnus great book Historia de Gentibus Septentrionalibus. This great history of the Nordic Peoples was printed in Rome in 1555 in his own printing shop there. Olaus Magnus, Catholic priest and appointed archbishop by the Pope, never returned to the now Lutheran Sweden.

Transylvanian punchcutter Nicholas Kis cut a leading figure in 18th century Amsterdam. Series of his matrices survived at the Ehrhardt typefoundry. From these Chauncey Griffith at Mergenthaler cut the Janson series in 1936. Morison at Monotype followed with Ehrhardt. David Berlow takes full advantage of current techniques to produce these splendid and adventurous display series to complement one of the great oldstyle texts; FB 2007

Milescut is a display typeface inspired by some seminal covers the graphic designer and photographer Reid Miles created for the Blue Note Records between the 1950s and 1960s. Miles made almost 500 covers for Blue Note in this period, including some using the hand-cut technique that consists basically in doing vertical cuts in capital letters and numerals to create a unique style within the universe he created for Blue Note. Milescut is a tribute to this small “cut” 😬 in his trajectory within the greatest record label of all time. This idea came about while I was working on what will become soon a revival of a wood type that I fell in love with when flipping through a Specimen of the MACHINE CUT WOOD TYPE manufactured by The WM. H. Page Wood Type Co. Milescut has two extra sets of alternates that work cyclically when activated in your OpenType menu and lots of ligatures, pretty cool :)

Hello, friends. I keep experimenting with handwritten fonts, shapes and lines. I want the font to set the tone, the atmosphere, and look like an inscription made in a hurry, but it is well read. Blushed combines all these qualities. Simple and clear, looks at ease. It is perfect for signatures or design, where you do not need a strict style. Test it out below to see how it could look for your next project! Includes: Uppercase and lowercase Numbers and punctuation Foreign language support Ligatures Check out my blog: https://www.instagram.com/zloillev pinterest.com/dmitriychirkov7 Enjoy

My new font is beautiful and smooth modern calligraphic script with a straight baseline. And I also added a separate font with cute swashes at the beginning and at the end. You do not need special software, everything works simply and clearly :) Mignon will look beautiful on Christmas and holiday invitations, wedding invites and stationery, logos, and more. I love using it for emphasis words and pairing it with serifs. Test it out below to see how it could look for your next project! Includes: Uppercase and lowercase Numbers and punctuation Foreign language support Check out my blog: https://www.instagram.com/zloillev pinterest.com/dmitriychirkov7

Realgar is a generic and neutral typeface but with enough personality to be different, but not as much to be unfamiliar. The name refers to an ancient natural pigment, known for its vivid orange colour. It is a multipurpose typeface in an eclectic style that combines geometric and grotesque with some humanist touches. Some of its main features are the wide proportions, closed apertures and idiosyncratic numbers that make Realgar stand out. In addition, the rounded dots convey a friendly and contemporary look. A Variable Font version is included with the family or as a separate style.

Monospasz means mono-fun in English. It's spelled with 'sz' instead of 'ß' for all you english speaking folks out there who always mistake it with a 'B'. Monospaced fonts keep on drawing attention to them because their proportions stand out from the canon of common fonts. "Yuck. Look at the condensed little m. Isn't that ludicrous?" But Monospasz isn't copycatting traditional typewriters, the most popular of monospaced fonts. It's completely manually ink-written and hand crafted. Monospasz has been designed and first used for the third incarnation of our annual Weimar based typography symposium dubbed "TypograVieh lebt" in the summer 2006.

Is there such a thing as an easy answer, or is it just because you know the question? Anyway, as a kindergarten teacher I like to make these quizzes with the kids. The object of the game is not to answer right, but to get a feeling of knowing a lot. I thought of these questions as being logical and really easy, but I also found out that it is a great way for the kids to remember and recall their knowledge! This font is easy to read, even if you use some of the many choices of swashes!

Terpentijn is Dutch for Turpentine. If you say it out loud, it actually sounds quite similar! Here you thought you were just buying a font, but you get to learn some Dutch too! Terpentijn is a handmade typeface with a serious twist. It is very uneven, very unusual, and, if I may say so myself, very adorable. Terpentijn has that ‘eroded’ look, which will make your designs stand out. It comes in a regular and an inline version, plus a handy shapes pack, which will add that extra wow to your work. Besides Dutch, terpentijn speaks a lot of languages!

Biographer is a mild upright script drawn by Angel Koziupa, with Alejandro Paul art directing and producing. Elegant but quite reminiscent of roman forms and proportions, Biographer keeps the calligraphy mostly toned down, but its ascenders and descenders occasionally flare out in final swashy confidence. As usual with Sudtipos fonts, alternates are plenty and the personal touch is never amiss. Biographer is great for women's lit and poetry book covers, as well as tame packaging of products where conveying comfort and peace of mind is of importance. An extensive range of languages are covered (Western and Eastern European, Baltic, Turkish, Maltese and Celtic).

What's that, bub? Looking for a whole train full of whupass? A six pack of adamantium shred? Listen, are you talking to me or chewing a brick? Either way you're gonna get all your teeth broken. And if you think that's all just Tough Talk, make your move, bub. (Our new font, ToughTalk, put the words in Wolverine's mouth in the pages of Steve Skroce's WOLVERINE: BLOOD DEBT, but don't tell the short Canadian over there, he's likely to get upset at the mere suggestion that people put words in his --) What? No, I didn't, uh, say you were -- ulp -- short...

Channel B was derived from the logo for Channel B, a British entertainment internet channel, anchored by former Soccer AM presenter Tim Lovejoy at www.dailymotion.com/channelbee. I’m not sure what it was in 2008 when I first ran across the logo, but that elegant capital B seemed to cry out for a font to support it. Many of the capitals, numbers and other glyphs of Channel B are split into a top and bottom, but not all. The tall, condensed capitals are contrasted to the rounded lowercase (derived from the bottom half of the B, rotated 180°).

BetterKamp was originally constructed in 1995-6. It was not constructed to meet any specific purpose but out of curiosity, to see what the result would be if two quite different faces were blended. KampIngriana is the offspring of BetterTypeRight, which has characteristics of a typewriter face without the monospacing, and KampFriendship, which mimics a serifed face drawn by hand. The original blending had many oddities that I did not clean up until 2020 when I also added the semi-bold weights. BetterKamp lacks polish and elegance, but it is very readable at small point sizes.

A title is something strong. Something that leaves its mark through time, in the memories and in the hearts. A title tells things about the content, its purpose, its meaning, its point. For your needs in strong titlecase letters comes Anthracite. Looking almost like they were carved out of raw wood in the 1820s, the letters of Anthracite will not only imprint well but they will also impress. Its carving gives a feeling of relief, or shades, of textures that will be unique every time you use it. The perfect font if you want to stand out and be read.

Czech designer Oldrich Menhart (1897-1962) devoted his life to making letters. He was a calligrapher, lettering artist, and typeface designer with over twenty faces to his credit. The Monotype typeface, Menhart, was the second of his designs. Menhart began work on the design in the early 1930s and turned over his final artwork to the Monotype Drawing Office in 1934. The first size cut was 14 Didot (Didot points are the traditional European system of type measure, and are roughly equivalent to the point system commonly used by today's digital fonts). The 14D font was followed by 18D and 24D, indicating that the design was considered most suitable for display work. However, a 10D size was later cut from the same master drawings at the request of a Monotype customer. Menhart's design was light and open, with an even color and a slight squareness" to its round shapes. Because the Czech alphabet has 15 accented letters, Menhart included these diacritics as an integral part of his design, not as an afterthought. As a result, accented copy set in Menhart has a cohesive quality rarely seen in other typefaces. Monotype's new digital release of Menhart is the first revival since the hot metal fonts were cut. Menhart Display is based on the original Monotype drawings, while a slightly heavier, re-spaced version has been created for text sizes. Both versions offer the full capabilities of the OpenType format, such as the automatic insertion of old style figures, ligatures and small caps. In addition to English, the extended character set supports most Central European and many Eastern European languages. One of Menhart's lifelong goals was to share the richness of his Czech culture by drawing typefaces that uniquely served Czechoslovakia literature. In his words: "I believe that a Czech style of type comes above all from the spirit in which it was designed, which gives it its 'signature,' and not so much from decorative composition, and even less from the geographic location of its creation." The typeface Menhart is a tribute to his values. Now, Menhart Pro and Menhart Display Pro capture the unique personality of this timeless design while greatly extending its range of use. "

Letric is a high-energy capital typeface. With traits of a brush comic title, it has rough and cut edges, electric in nature but with smooth curves. The strokes are reminiscent of a tiger's skin, making for a great jungle or wildlife font. Used in the right context, with the right wording, it fits perfectly as a vintage thriller/splatter/horror movie header typography. This cartoon sans-serif is slanted/italic as default but also comes with a professional upright style. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Galix is a technical sans designed to look futuristic without any of the retro appearance often found in this genre. It has a squarish, slightly condensed anatomy, and is characterized by thin joints and deep ink traps that add a sparkle to the otherwise monoline typeface. In the italic styles, these cuts are accentuated even more which creates a feeling of speed in the letterforms. Galix is optimized for display typography (the ascender height is the same as the cap height, and the spacing is somewhat tight) but the middle weights are very readable at smaller sizes, where I'd recommend adding a little tracking. OpenType features include ft and tt ligatures, stylistic sets/alternates, automatic fractions, tabular, superscript and subscript figures, case sensitive forms. Perfect for websites, apps, infographics, magazines and logotypes, Galix is technical but with a warmth and personality that is often missing from this genre.

Papillon Script is an eloquent pen script with large display capitals and small but legible lowercase letters. It’s ideal for logo, headline, brochure, model for a neon sign or any display use like that. Papillon Script is completely monolinear and it gives a clear but vivid impression of a hand writing style. Papillon Script is equipped with following OpenType features: • Standard Ligatures is automatically on and it adds variation and smoothness to typing. If a same letter repeats in the same word the latter will automatically change to an alternative version. • Contextual Alternates is an optional feature that cuts the connection between letters every once in awhile. • Titling Alternates changes the last character in every word into an ending Swash alternative. • From Stylistic Set 1 you’ll find a set of 34 ornaments, strokes and arrows. • Small Caps turns lowercase into a set of legible capital letters.

Quanta was designed without reference to existing sansserif faces. As an original design, Quanta draws on principles of letterform developed during my studies of lettercarving (in Wales with Ieuan Rees) and Roman proportion. My intention was to produce a highly legible and adaptable sans-serif, initially intended to be a TrueType GX font, then as a Multiple Master font, later as a five weight range from extremely thin to extra black. A related uncial design will be released shortly.

Holly Jolly in a beautiful handwritten style. Equipped with 300 glyphs. Holly Jolly is perfect for branding projects, home appliance design, product packaging, use in business cards, invitation cards, etc. Simply as a stylish text overlay onto a background image or anything that requires a touch of elegance. To enable OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version.

SacredGeo Tiling is a Dingbat font that contains a very varied pattern of classical geometry, to play with them and combining to create beautiful backgrounds, decorating pages, posters, covers, or creating lines, repeated or alternating sequences and very useful for creating frames. Due to the wide range of patterns of possible combinations is nearly infinite number of results, especially if you create different layers of colors or shades and blend them or breaking them to be colored in sections.