Almond Cake is a sweet and stylish handwritten font. Its natural and unique style makes it incredibly fitting for a large pool of designs. The only limit is your imagination!

Illumini is a thin and rounded neoish sans-serif suitable for everything from logotypes to large text blocks. It contains several of the traditional ligatures normally found in serif fonts.

A display typeface built with dots for use at large sizes. It is smooth and elegant. Great for titles, headlines, advertising, music, toy products and cosmetics with a youthful flavor.

Jumping Unicorn is a sweet and friendly display font. Its natural and cute style makes it incredibly fitting to a large pool of designs. The only limit is your imagination!

Arvada JNL is Jeff Levine's interpretation of a classic wood type font. Bold, brash and best at large point sizes, this font design also blends well with sports-themed projects.

Irrelevante is a decorative display font great for large header-like usage. Uppercase letter designs only, works best when used for headers containing a limited amount of randomic letter designs.

Dino Blue is a sweet and friendly handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs. The only limit is your imagination!

Delighted Panda is a sweet and simple handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs. The only limit is your imagination!

Chillight is a serif typeface that is unique and has character, having a narrow, sharp width and ends. making it effective when used at large sizes for logotypes or headlines.

Geometric Patterns JNL offers a large and varied assortment of interesting design variations in a 'tiled' (square) format that can be adapted to spot embellishments, running borders or repetitive patterns.

Squarity JNL is an ultra-bold font derived from Jeff Levine's Yorso Square JNL. Use the font at large point sizes to emphasize messages with power, punch, strength or toughness.

Nanotech is a clean sans-serif font with a strong visual impact. This font is perfect for logos, business cards, magazine layouts, headers, product design, large-scale artwork and more.

Fruity Cake is a sweet and friendly handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs. The only limit is your imagination!

This clean sans-serif typeface brings your designs and layouts together in one great looking typeface, uncomplicated and legible large or small. VIRTUS SANS has 4 weights each with italics.

Osaca is a sans serif font family inspired by nature and it is composed of 6 weights, from extra light to heavy, including the matching italics. Osaca is a typeface that doesn't go unnoticed due to its particular design: its curves and lines mirror the typical motif of leaves. Osaca is ideal for large and medium headers and titles, but also perfectly suitable for short or large paragraphs as it creates an effect that is quite different from the classic sans-serif and definitely unique.

Street North this is a modern serif font, which is very elegant, and also looks very luxurious, make this the choice of your large project, it is suitable for all titles, or large writing, there are several alternates that you can use and combine, and supported by PUA encode , meaning you can easily access all the letters with a glyph, perfect for e-mail, magazines, book titles, movies, notes, brands, logos, and much more include : Street North otf punctuation numeric alternate Thank you very much

Hécate is a contemporary serif typeface designed with sharp serifs, smooth and dynamic lines and high contrast. Inspired by the Garalde style with its tilted axis, Hécate brings uniqueness and modernity to this more traditional style. Its large variety of glyphs, including accents, old-style numbers and ligatures will give you freedom for all of your projects. It offers a large choice of uses such as magazine, branding, edition and so on. Hécate is available in 16 styles from thin to black, in roman and italic.

Delgado is a narrow elegant serif font with drops. Delgado is a good choice for large journal titles and small amounts of text. This font was made for one of the independent magazine - but it all went wrong and Delgado was freed from the shackles and went to the free swimming. A large number of both Latin and Cyrillic ligatures makes Delgado playful and at the same time it remains faithful. Delgado received a citation for excellence in type design the in international competition "Modern cyrillic 2014".

Inspired by a wide range of sources and styles, Ahsing is a single weight typeface that aims to explore new design solutions. With a bold form, a strong contrast and pronounced diagonal axis, this design hints both at past typeface styles while being unique and original in its appearance. Thanks a large range of OpenType features and an expanded character set, this single font provides a versatile and distinctive solution for setting titles or any large text that need to catch your viewers attention.

Vin (translated from Ukrainian as “he”) is a superfamily consisting of three robust typefaces with pronounced vertical stems and rounded corners. All three typefaces feature very large x-height for even more expression and assertiveness. Vin Sans Pro is a quite narrow rigid sans-serif typeface with extra-large x-height and rounded corners. It is perfect for any kind of short copy with lots of attention guaranteed. Be sure to check other two typefaces of Vin superfamily: Vin Slab Pro and Vin Mono Pro .

Pace is a geometric minimalist typeface with a large range of weight options to suit multiple scenarios, from videogames to sports magazines. To inspire movement and speed, try the Slanted styles.

JT Symington was inspired by the classic serif typefaces of the 20th century. Its well defined serifs make it well suited to headlines as well as large chunks of body copy.

I Love Summer is a sweet and friendly handwritten font. Its natural and unique style makes it incredibly fitting for a large pool of designs. The only limit is your imagination!

A bold condensed caps-only cross-stitch font, based on an embroidery pattern from the middle of the 20th century. Use it in large sizes for advertising, posters, greeting cards, etc.

Crafty Notes is a clean, thin and simple handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs. The only limit is your imagination!

A linear slab serif design consisting of fifteen styles. The design has a large x-height with short descenders and ascenders. Antique Central requires subjective text and display kerning and compensation.

A modern all caps font with alternative characters. Looks best in large display text, but also legible in small sizes. Ideal for rock bands, graphic novels, action films and video games.

Unstream Script perfect for branding, logotype, website headers, fashion design and any more. It contains a full set of lower & uppercase letters, a large range of punctuation, numerals, and multilingual support.

Down With the King is a very bold all caps font best used for large titles, headers and logo work. The lower case letters have rounded edges for a softer feel.

A Large and Small cap design great for Headlines Sub heads and even works great in text. A unique look. Allows you to fit a lot of copy in a small space.

Compass TRF Stencil is an addition to the Compass TRF family and consists of three styles - Regular, Bold and Alternative. It is recommended for use as a display typeface in large sizes.

Foda Klay is a modern Arabic typeface that offers a large number of glyphs and ligatures. Foda Klay is a perfect choice for Logo designs, branding, Clothing , packaging, headings, advertising, and more...

TheSans is a modern classic. A favourite for corporate design, editorial design and new media, it comes in an astounding range of widths and weights, including a large set of hairline fonts.

Banana and Sun is light handwritten font. It’s very suitable for the fashion industry and culinary. This font is crazy but readable, so it can be used for large amounts of text.

Decorative hand drawn display font with drop shadow. Originally designed for embroidery application. Works well with layers, colors, gradients and filters at large point size. Pemberton requires subjective display kerning and compensation.

Atjeh Night is a twisted and extravagant display font that will add an extraordinary feel to any design project! What's included in this font pack : -- LARGE GLYPH SETS : There are 435 total glyphs in this font pack. Atjeh Night comes with a large range of glyphs including punctuation, numerals, international language support, ligatures & additional extra glyphs for stylistic sets. It includes 209 Glyphs of Stylistic Sets to make your text looks natural and beautiful. -- INTERNATIONAL LANGUAGE SUPPORT : This font supports English, French, Italian, Spanish, Portuguese, German, Swedish, Norweigen, Danish, Dutch, Finnish, Indonesian, Malay.

Legend of Christmas This is an amazing font family that includes six fonts: serif, serif rough, decor, decor rough, script, script rough style. These fonts are perfectly combined with each other and are suitable for both modern and vintage design. Serf has only capital letters and includes a large selection of alternates, play with them and achieve an amazing design. Script will also look great in vintage and modern design and can be used as an additional or main one, it includes a large selection of alternates for lowercase letters.

The German-born designer Lucian Bernhard designed Bernhard Fashion in 1929. An American" typeface, Bernhard's original design was created for the American Type Founders (ATF). It bespeaks the spirit of the roaring 20s. The hairline-thin letters exhibit elongated ascenders (but not descenders), and many stylized elements. The capital letters also all descend visibly below the baseline. In text, the extra large capitals seem almost like drop caps. This typeface is best used sparingly in text. Largely set headlines will allow readers to enjoy the fashionable quality of Bernhard Fashion's design."

The capital alphabet Charlemagne was designed in 1989 by Carol Twombly. The basic forms are modelled on those used in classical Roman engravings. They are distinguished by pointed serifs which sometimes extend beyond the bounds of the forms, for instance on the E, F and S. These serif forms have made other historial appearances, for example, in handwritten rectangular capitals of the 9th century. The serifs lend the typeface a light ornamental touch. Charlemagne is a typical titling typeface and is best used in large and very large point sizes to emphasize its classical elegance.

Ondo is a low contrast geometric sans serif with large open counters which give the typeface a somewhat bold and contemporary appearance. This feature gives Ondo a fun yet sensible feel which can be used for both large chunks of text as well as for short headlines. Ondo comes with more than 370 glyphs, supporting a wide range of languages. With its 10 fonts, Ondo is an ideal font family for text, branding, signage, print and digital design. Give Ondo Demo Medium a try on your personal projects – completely FREE.