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  1. FF Reminga by FontFont, $51.99
    French type designer Xavier Dupré created this serif FontFont in 2001. The family has 6 weights, ranging from Regular to Bold (including italics) and is ideally suited for advertising and packaging, book text as well as festive occasions. FF Reminga provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Reminga super family, which also includes FF Reminga Titling.
  2. Krong by Joelmaker, $18.00
    Krong is a set of font family, modern Geometric in which there are several combinations of unique style sets, so ready to help you to make your designs look elegant. Krong Each contains nine weights ranging from Thin to ExtraBold, all with companion italics. The font includes more than 819 glyphs, covering all European languages written in Latin script. Krong OpenType features: Stylistic Alternates, Sylistic Set, Standard Ligatures, Discretionary Ligatures for lowercase and uppercase, Case Sensitive Forms, Arrows, Circled and Black Circled Figures, Proportional Old Style figures, Tabular Lining figures, Slashed Zero, Fractions, Superscript and Subscript figures.
  3. TE Sara Modern by Tharwat Emara, $20.00
    Its one of the SARA modern ( Arabic – LATIN – URDO) fonts, a spontaneous free line characterized by beauty and speed of reading. To be used in advertisements, writing titles, magazines, cartoons, films, serials, comics and plays. SARA MODERN font is one of the ( Arabic – LATIN – URDO) fonts. It is the most common font and is written in most Arab countries because it has the potential to be written in a narrow space when compared to other Arabic fonts. It is used in the titles of books, magazines, daily newspapers, commercials, banners, advertising, holiday cards, newspaper headlines, Introduction to students.
  4. Coats by Piñata, $9.90
    We've created a lively antiqua that is perfect for short emotional inscriptions. Coats will warm you up on a cold day and add a little kindness and easiness into any layout. Lines typed with this typeface start “trembling” in long texts, so be careful to use this family for special occasions and in small amounts. Imagine: on a cold day, you've just arrived home from a frosty walk to be rewarded with a cup of hot cocoa topped with marshmallows. We call this feeling the Coats effect. Add to your collection this unique font family that works perfectly in the contemporary digital age.
  5. Softie by Tail Spin Studio, $20.00
    This typeface was designed to be used as the page heading font for MyFonts. Originally only the letters needed to make up the required phrases were drawn. Then amazingly enough, people started asking where they could get the font, so I decided to complete the character set, and named it Softie. This name was chosen because the round and rather bulbous shapes that make up the letters reminded me of marshmallows. Softie, almost good enough to eat. The Bold version, called Softie Bloated, was added in late 2003. Rumor has it that the name came to Steve after Thanksgiving dinner.
  6. M Comic HK by Monotype HK, $523.99
    M Comic is a humanistic script design characterised by its modern, stiff, free and blocky construction. M Comic incorporates free and irregular characteristics of M Cute. Crossbars (橫) and stems (豎) are straight and slightly slanted. Entry and finial points of strokes are squarish and parallel without flare. Contrast of stroke is low, together with its bold stems (豎), making it suitable for large display text to catch attention. The result is a loosely coupled line of text of free, stiff and blocky glyphs. It is best for casual and humanistic display, illustrations, set upright, non-condensed.
  7. Rafgins by holyline design, $15.00
    Rafgins is an exquisite and modern sans-serif font. Its clean, minimalist lines and sleek, contemporary style create a sense of understated elegance that is perfect for adding a touch of professionalism to your branding or typography. With its refined and versatile design, this font is sure to impress and inspire. Rafgins have alternate on B, D, P and R. Rafgins perfect for headline, logo, or anything your creativity and want something new with your project. Happy creating with Rafgins by Holyline. It is also PUA encoded which means you can access all of the glyphs and swashes with ease!
  8. Greene And Hollins by Greater Albion Typefounders, $15.00
    Greene and Hollins of Wolverhampton were a rather smart gentleman’s outfitter, much frequented by my late grandfather and altogether redolent (in memory and actuality) of a bygone age of retail service and respect. I believe they’re out of business now, but we’re rather pleased to offer them this very small if rather random memorial. Greene and Hollins is a set of seven display typefaces, with uniform metrics, which can be overlaid to create multi-coloured ‘engraved’ effects. Also ideal to recreate traditional sign-writing, garment labels, signage and anything else where a period flare is required.
  9. Lunaris by Artisticandunique, $38.00
    The Lunaris font family has an elegant character with soft curved turns and includes 9 styles. If you want to try a modern or classic, elegant appearance, it can meet all your needs with its timeless structure that is ideal for your projects with capital and small letters. Lunaris is a versatile serif with a luxurious feel. You can easily use Lunaris in magazines, books, titles, websites, logos, clothing, invitations, branding, packaging, advertising, and more. CHARACTER RANGES : Basic Latin, Latin-1 Supplement, Latin Extended-A, Latin Extended-B, General Punctuation, Currency Symbols, CJK Symbols And Punctuation, Private Use Area (plane 0),
  10. Hagemann JNL by Jeff Levine, $29.00
    One of the most enduring type styles of the Art Deco era is Huxley Vertical. Its clean lines and stylish appeal have transcended changing times and tastes. Many typefaces have been inspired by the original, including the model used to create this font. The design was found in the book "Lettering and Alphabets", first published in 1946 by J. Albert Cavanagh. By re-drawing it from scratch, the missing numerals, punctuation, special characters and accents were added. Hagemann JNL and its oblique version are named in honor of one of Jeff Levine's friends within the type design community -- Michael Hagemann of Font Mesa.
  11. Speed Impact by Sipanji21, $17.00
    "Speed Impact " is a display font with a sporty and futuristic theme, perfect for design projects such as sports jerseys, athletic shoes, helmets, and other sports-related products. With its dynamic appearance, this font brings a sense of energy and movement to your designs. The clean lines and modern feel of "Speed Impact " make it an excellent choice for projects that require a sleek and contemporary look. Whether you're designing for a sports team or creating an athletic product, "Speed Impact" will help you create a strong and memorable brand identity that embodies the spirit of sports and the future.
  12. Ellograph CF by Connary Fagen, $35.00
    Ellograph® CF is a charming monospaced font family with easy readability and striking cursive italics. A generous x-height and short descenders allow for even, organized lines of text. Beautiful as a coding font and in logos, headlines, and text. With its clean construction and expressive italics, Ellograph® CF stands as a versatile font family on its own. It also pairs well with a wide array of typefaces – contrasting Ellograph with a serif like Artifex CF or Wayfinder CF is effective and beautiful. All typefaces from Connary Fagen include free updates, including new features, and free technical support.
  13. Mexborough by Greater Albion Typefounders, $11.50
    Tradition meets tomorrow in Mexborough. Mexborough owes its origins to a challenge from a client of ours- they wanted a clear and easily readable typeface to use for signage in public spaces, but with enough flair and style to be suitable for use in heritage precincts. The result is a family of six Roman faces in a single weight, encompassing Regular, Text, Flamboyant, Small Capitals, Capitals and Title forms. These faces combine legibilty with traditional character, ideal for signage and poster work, where dignity and character are required. Mexborough's simple clean lines also lend themselves readily to web and online use.
  14. Centim by Tour De Force, $25.00
    Centim is contemporary sans with sharp top endings of stems that give a bit technical charm to typeface. With a squarish look, it can be used widely in all modern publications or become a part of an corporate identity. In smaller sizes, Centim offers good readability due to its simple and good balanced lines. Centim is available in Regular and Bold weights, as an ideal high-contrasted combination where all characteristics of the typeface are purely effective. Centim is the archaic Serbian word for Centimeter, a word that was mostly used in tailoring during XIX and XX century.
  15. Willow by Adobe, $29.00
    Willow is an Adobe Originals typeface designed in 1990 by Joy Redick for the Adobe Wood Type series. Willow is a condensed typeface modeled on nineteenth-century wood types known as Clarendons (wood type Clarendons do not resemble the English metal types of that name). Clarendon condensed faces were originally so well-designed that words or a line of display type have an even color that is remarkable for wood types. Taken from proofs of type in the Rob Roy Kelly Collection housed at the University of Texas at Austin, Willow can be used for display work such packaging, advertising, and posters.
  16. Banuk by Grontype, $16.00
    Banuk is a brand new techno font designed with slanted line accent, the fonts is rounded edges and little imminent space between fonts. This font is a regular bold font and all caps with different style between uppercase and lowercase. Banuk is perfectly used font in any project such as logo font, flyer header, name card, invitational header, movie poster, poster, website header and much more. Features: Uppercase and lowercase Numeral and punctuation More Alternates and Ligatures Multilingual Support What inside Main Files Banuk .ttf Banuk .otf webfont Thankyou for choosing this font, i hope you enjoy it. Regard, Grontype
  17. Roadway by K-Type, $20.00
    Roadway is based on U.S. highway lettering observed on New York street signs. Two weights of capitals would often be used on the same sign, condensed for the main name, and a half-size regular superscript for ‘road’ or ’street’. Roadway is a Small Caps font. The upper case consists of condensed capitals, the lower case consists of regular width small caps, sized at 50% and superscript. A small superscript comma and period, aligned with the lowercase, are at keystrokes < and > respectively. A small hyphen lining with the superscript lowercase is at the en dash position (Mac: option hyphen, Windows: alt-0150).
  18. CA Segundo by Cape Arcona Type Foundry, $29.00
    The inspiration for this font came from a wall-writing in Cuba. At first glance we thought: "There is something wrong with the wall-writing." But a closer look revealed, that it just mixed up different stroke-styles. That "feature" became the designing principle behind CA Segundo: Round characters like O, U or C are available either with a fat or a thin stroke, whereas other characters with orthogonal lines come in two different styles – uppercase characters emphasize the vertical strokes, while lower cases emphasize the horizontal strokes. This gives you the opportunity to design just while you type.
  19. Montix by Linotype, $49.00
    Montix is a narrow, constructed type family that developed by the German designer Diana Fischer in 2003. With five weights (light, light italic, regular, regular italic, and bold), Montix is a particularly effective small family, especially when used for headline or display purposes. Montix's letterforms have relatively long ascenders and descenders, which compared with its horizontally compact body gives it its unique style. Words or lines of text set in Montix would look best when some amount of white space is left around them. Because of this, the faces are well suited for logos and corporate identity uses.
  20. ArchiType by Archiness, $10.00
    With the famous and much used Eurostile and Bank Gothic in my mind I wanted to design a mono-line font as simple and legible as possible. A square with rounded corners, i.e., the letter ‘o’ as its basis. From there on back to basics, so straights remained simple straights with 90° endings, whatever the angle. Numbers are monospaced. The result seems to be a pleasantly balanced and neutral font. Excellent for display purposes and surprisingly legible in even small sizes. This perhaps typical approach by an architect led to the name of the font: ArchiType.
  21. Norden Round by Asgeir Pedersen, $23.99
    The name Norden means “the Nordic”, as in the geographical area or its countries. Inspired by the simplicity of Nordic and Scandinavian design, the Norden fonts give you clarity of expression, beyond the usual geometric look and feel of traditional sans-serifs. Open and spacious, the shapes of the glyphs play both with and against each other. Round and soft versus square and solid, a basic curve versus a straight line, creating a detached yet distinct style of expression, from light-as-air Hairline to dark and Bold. Norden comes in three variants: Standard, Round and Display.
  22. Hamis Vol 2 by Fo Da, $12.00
    Hamis vol. 2 is an improved version of "Hamis" font, and provides advanced typographical support with features such as ligatures, case-sensitive forms, fractions, super and subscript characters, and stylistic alternates. This is a more professional than "Hamis" font. "Hamis vol. 2" is a display font of a single weight " Regular ", ideally suited for advertising and packaging, festive occasions, editorial and publishing, logo, branding and creative industries, posters and billboards as well as web and screen design. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.
  23. Teenage Tropics by Teenage Foundry, $19.00
    Teenage Tropics is a vintage typeface display font that exudes a unique blend of retro style and tropical vibes. This font is designed to capture the essence of the 1950s and 1960s, with its bold and playful letterforms that are reminiscent of old-school signages and advertisements. The characters have an artistic touch, featuring curved lines and ornate flourishes that add a sense of whimsy and nostalgia. Teenage Tropics is perfect for projects that aim to evoke a sense of fun, adventure, and a retro aesthetic, such as retro-themed designs, vintage-inspired logos, posters, and packaging.
  24. SK Fencer by Shriftovik, $10.00
    SK Fencer™ is a typeface inspired by the fine art of fencing. Its light linear features contrast with the angular thicknesses, creating a unique image of the font and influencing its behavior in the line. Using alternative uppercase characters, you can implement a lot of typographic ideas that will decorate your design. A large selection of weights will also be a great help in your work. The SK Fencer typeface is suitable for both headers and small text arrays, and its widest set of glyphs supports both extended Latin, Cyrillic and many other languages. SK Fencer – elegant, practical, dynamic, unusual!
  25. Miklos by George Tulloch, $21.00
    The gifted Hungarian punch-cutter and printer Miklós Kis was active in Amsterdam in the 1680s. Among the many fonts that he cut during those years were a ‘mediaen’ (pica-sized) roman and italic, and the digital Miklós fonts are an interpretation of these ‘mediaen’ types. The character set has been extended to cover all the European languages that use the Latin alphabet, and the fonts offer OpenType features such as small capitals; old-style and lining figures, both proportional and tabular; fractions; superior and inferior numbers; superior alphabet; contextual and stylistic alternates; and intelligent application of long ‘s’.
  26. Bomb Da Gone by Prioritype, $69.00
    Start creating new moves. Make cool designs in urban graffiti style. You can apply them to your designs such as t-shirt designs, skateboards, album covers, merchandise, tote bags, landing pages, social media posts, posters, stickers, events etc. See some of the previews above for reference. Features: -Uppercase -Numeral -Punctuation -Multilingual -PUA Encoded -Opentype Features Note: To access the Opentype feature, it would be better if you use a program that supports it and is available with a glyph panel so you can see various alternative characters. Examples of programs such as Adobe Illustrator, Corel Draw or Inkscape. Thanks.
  27. Roseline by Balpirick, $15.00
    Roseline - a Monoline Handwritten that's clean, elegant and perfect for a range of design projects! With its smooth, effortless lines and understated sophistication, this font is the perfect choice for those who want a modern look that's still timeless in its appeal. Crafted with precision and care, this font is incredibly versatile and can be used for a range of design projects, including logos, branding, invitations, packaging, and more. With its simple yet refined aesthetic, it's sure to make a lasting impression on anyone who sees it. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!
  28. CamingoSlab by Jan Fromm, $45.00
    A sturdy and solid presence, CamingoSlab is defined by its heavy serifs, low stroke contrast and elliptic curves. Yet it retains a light touch, and feels vivid and friendly, thanks to the humanistic tone that derives more from handwriting than from strict construction. Special attention has been paid to compatibility with the other members of the Camingo series — With their consistent line heights, an equal grey value and the same formal language it can be seamlessly combined with CamingoDos and CamingoMono. CamingoSlab comes with a Pro version that contains small caps, ligatures, 10 different figure sets, stylistic alternates and two sets of arrows.
  29. Romavich by Arterfak Project, $27.00
    Introducing Romavich, a beautiful condensed serif font, inspired by the modern serif style features with thin lines and bold serifs. This casual and minimalist typeface is versatile and can be used for a wide range of designs, including magazines, editorials, posters, logos, branding, logotypes, wedding, fashion, cards, titles, and more. Romavich is an all-caps font with small caps, allowing you to create an elegant short texts and quotes. It comes equipped with numerous alternates and ligatures, adding a gorgeous touch to your designs. What you’ll get : Uppercase Smallcaps Numbers & symbols Punctuation Stylistic alternates Custom ligatures Multilingual support PUA Encoded Thank you!
  30. Hop Serif Hand Lettering by Joanne Marie, $10.00
    Here’s another font family for your hand lettering projects. Hop Serif Hand Lettering is a font family consisting of 3 styles: 1.) Hop Serif Hand Lettering Regular 2.) Hop Serif Hand Lettering Lines 3.) Hop Serif Hand Lettering Shadow This font family is all authentically hand drawn from pencil and paper to the digital screen and is perfect to include on designs for apparel such as mugs, t-shirts, bags, notebooks, inspirational quotes for the home and office, and more. Each font is multi-lingual too! I love using this font in my hand lettering designs and I hope you will too!
  31. M Comic PRC by Monotype HK, $523.99
    M Comic is a humanistic script design characterised by its modern, stiff, free and blocky construction. M Comic incorporates free and irregular characteristics of M Cute. Crossbars (橫) and stems (豎) are straight and slightly slanted. Entry and finial points of strokes are squarish and parallel without flare. Contrast of stroke is low, together with its bold stems (豎), making it suitable for large display text to catch attention. The result is a loosely coupled line of text of free, stiff and blocky glyphs. It is best for casual and humanistic display, illustrations, set upright, non-condensed.
  32. Minimalist by Ingrimayne Type, $12.95
    PostScript fonts are constructed by connecting dots, dots that have special attributes that control the shape of the connecting lines. In designing Minimalist, I wanted to see how few dots could be used to construct each letter. This is the source of the name--it is (or was) a minimum-point alphabet. I did not expect much from it, and was surprised that it turned out as well as it did. Since I originally drew it, I have added some points to some of the letters to get them to generate proper bitmaps, so it no longer has minimum points.
  33. SK Fushimi by Shriftovik, $32.00
    SK Fushimi is an accidental experimental font inspired by modern Japanese culture and aesthetics. Its futuristic geometric shapes, on the one hand, follow the spirit of the time of the land of the rising sun, and on the other hand, they make homage to technology. Like Japanese culture, the SK Fushimi font plastic fits perfectly into many areas of graphic design, supporting and complementing any graphic solutions. In addition, this font supports a multilingual set of more than fifty characters, including Cyrillic and Latin alphabets. Unusual in all respects, the font is perfect for the same unusual design or will make it so!
  34. Coda Loop by Slex Studio, $25.00
    Coda Loop is a Sans Serif font created with balanced line sizes, this font is inspired by Logo which uses block letters. Coda Loop comes with uppercase, lowercase, numbers, punctuation and so many variations on each character including common ligatures as well as additional strokes to allow you to customize your designs. This font is perfect for Logotypes, Letterheads, Formal Letters, Newspapers, Posters, Clothing Designs, Labels, and more. Also supported is PUA encoded. Simply copy and paste alternative characters using the Character Map (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).
  35. StoneWash by Scholtz Fonts, $15.00
    StoneWash is a funky, grunge font, with a monumental marble finish. The font combines an “old as the hills grunge” look with IN YOUR FACE, modern lines. It has a look of very old, washed out denim, about to disintegrate. StoneWash has all of the grunge characteristics: -- it’s dirty and corroded -- it’s coarse & broken -- it’s rough & pitted It also has the characteristics of an African style font: -- it’s ethnic -- it’s irregular -- it’s primitive -- it’s rustic -- it’s vibrant Use StoneWash for a great variety of applications: -- think advertisements - think flyers - think graffiti art - think posters - think magazine pages. You have to have StoneWash.
  36. 1565 Renaissance by GLC, $20.00
    This set of initial letters was inspired from French renaissance decorated letters. It is a typical pattern, one among dozen quite similar, but this one was in use in Paris, unchanged, for centuries, and was still in use in the beginning of 1900s. This explains the difference between I and J, U and V. These characters were engraved years after the original set. Our font was inspired from a late 1800s publication. It can be used as well with Humane fonts (like our 1543 Humane Janson or 1592 GLC Garamond) as with modern fonts like our 1820 Modern or 1906 French News.
  37. Orange Milk by Almarkha Type, $25.00
    Orange Milk is a quirky and fun script full of charm With 2 version Regular and Line . It will take any DIY-project to the next level! Orange Milk is perfect for Craft , product packaging, product designs, label, branding projects, logo, wedding designs, social media posts, advertisements, watermark, invitation, stationery and any projects Simple installationsAccessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support Image used : All photographs/pictures/vector used in the preview are not included, they are intended for illustration purpose only. Thank You
  38. Arterium by Burntilldead, $14.00
    Proudly prensent “Arterium” the classic Victorian typeface. Inspired by letterheads from the late 1800's and early 1900's. Set includes three major styles (Arterium Regular, Arterium Alternate & Arterium Side) and four sub styles version (slant, gradient, outline & extrude). The font really bring a good statement for your logo design and can be the image of a design. Arterium font is very unique and easy to apply to any media; t-shirts, posters, sign boards, letterhead and social media needs. Powered with opentype features that allow you to play full with hundreds of alternate characters, ligature, fraction & discretionary ligature.
  39. FF OCR-F by FontFont, $68.99
    German type designer Albert-Jan Pool created this sans FontFont in 1995. The family contains 3 weights: Light, Regular, and Bold and is ideally suited for film and tv, small text as well as software and gaming. FF OCR-F provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic writing system.
  40. Nightclubber by Device, $29.00
    The late 70s and early 80s is sometimes considered to be the period when headline typography went off the rails. Growing up in that period, some designers may beg to differ. Many geometric designs were available in dry-transfer and for the typositor, and were used everywhere a youth-culture look was appropriate - annuals, comics, club flyers, high-street boutiques, TV-advertised compila tion albums. Nightclubber is a fond homage to the excesses of the period, and should be used back-lit in pink neon or at a rakish 45 degree slant across a blurred photograph of a glitter ball.
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