Akkordeon Slab is the next step in a series of ultra display typefaces. The new Slab version shares the same skeleton and spirit as the original Akkordeon, putting the same concepts into a different shape. Akkordeon Slab provides a stronger voice that enriches the whole family, becoming especially suitable for sports, business, fashion or any situation that requires impact headlines. Learn more about the Akkordeon design process at the Emtype's Blog. See also the Akkordeon Slab PDF. Check out Akkordeon which is a great pair for Akkordeon Slab.

Henri Abraham Chatelain was a cartographer and publisher of the famous Atlas Historique, ou Nouvelle Introduction a L'Histoire, a world atlas released between 1705 and 1732 in Amsterdam. A few years ago, at an antique book shop in London, I bought a page from Chatelain's atlas—a page covering the Near East, India, the Indian Ocean—that had a particularly alluring, oblique handlettering style. The text is in French, which gave me plenty of samples of diacritics and accented characters. The overall effect is neat and legible, with a distinctly historical flair.

Bricksram is a sleek and modern geometric sans serif font that draws inspiration from popular typefaces like Futura, Gotham, and Proxima Nova. With its own unique flair and minimalistic design qualities, Bricksram is the perfect choice for those looking to achieve a clean and contemporary look across a variety of mediums. Featuring sharp angles and smooth mathematical curves, Bricksram's meticulous balance creates a super clean and eye-catching aesthetic. With a choice of eight different font weights, this versatile typeface is ideal for demanding design applications like websites, logos, mockups, apps, ads, and more.

Kinstag is a all caps serif display font. The typography was originally developed during work on a country rock music project. The initial characters were then evolved into a workable font for use in rural, rustic, vintage, outdoor and adult beverage related themes. The thick serif with an angled edge is a key characteristic of the font; pairing fantastically well with the thick stems and spurs protruding from them. These elements all work together to give the font a strong bold expression as well as a unique look.

Sportivo is a 5-speed font that runs blazing fast. With a choice of 5 slants and a wealth of OpenType features, Sportivo is the ideal display font for titles that ask for a modernist-retro flair. With multiple alternates and special ligatures, Sportivo will take your headlines straight to the winners’ podium. The unique back-slanted design translates to Italic with three intermediate styles to electrify your layouts. Fast and furious, Sportivo is also equipped for victory at any Grand Prix thanks to its high-octane language support and turbo-charged OpenType features.

Designed by Olivier Gourvat in 2014, Filson Pro is a new geometric sans serif family with versatility in mind. With its 575 glyphs and its round aspect, this typeface covers all kind of graphic and web design projects. This font family contains 16 fonts from Thin to Black with a professional range of Opentype functions such as pro kerning,lining and oldstyle figures, stylistic alternates, case sensitive forms, localized forms and f-ligatures. For better typographic control, Filson Pro also includes Opentype class kerning with thousands of kerning pairs.

Frank Flowers are fonts with flowery embellishments. They are useful for all kinds of celebrations, but they also have lots of impact. There are only uppercase letters even on the lowercase keys. Uppercase and lowercase look different, so you can mix them. You can even mix the two sets, it'll look great. I had a lot of fun doing these fonts and I want you to have some fun as well. That's why I sell them very, very cheap, even cheaper if you buy the pair! -Your typedesigner for unusual solutions Gert Wiescher

Revx Neue Rounded is a modern rounded sans serif typeface. It contains 14 styles - 7 uprights and corresponding italics. The typeface supports the OpenType Latin Pro character set of 455 characters. It is packed with powerful OpenType features, alternative glyphs, kerning pairs, guided typing experience, and more which makes the typeface well featured. The typeface is suitable for all platforms (web, display, print, etc.). Revx Neue Rounded blends beautifully in your designs. Revx Neue (Non-Rounded corners): https://www.myfonts.com/fonts/one-seven-point-five/revx-neue/ Feedback: https://forms.gle/iY8Zswmsg689m95M8

Complement your collection of animal-shaped fonts with an illustration series that brings the different moods and moments of wildlife right to your desktop. Formed by shadows of animals in a variety of real life poses, it's perfect for design situations that require animals with a non whimsical look and a more correct morphology. 87 silhouettes and 9 pairs of tracks that range from the enigmatic energy of dodgy rats and rabbits, to the mysterious serenity of amphibians and much more. A simple and useful picture of nature.

Chellomego is a stylish modern handwritten script font with casual chic flair. It is perfect for branding, signature, wedding invitation, promotion, product packaging, and other needs. You will get full set of lowercase and uppercase letters, numerals and punctuation, multilingual symbols, lowercase beginning and ending swashes, ligatures and extra swashes that giving realistic hand-lettered style. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator, Adobe Photoshop, Adobe Indesign and Corel Draw. Thanks and have a wonderful day, Haksen

Collingethon is chic handwritten script font with a calligraphy flair, Perfect for creating handwritten-style logos, wedding stationery, photographer watermarks logos, modern websites, and more. For those of you who are needing a touch of elegant, chic and modernity for your designs, this font was created for you! Font Features Full Set of standard alphabet and punctuation. Beginning and ending swashed lowercase. Alternates, ligatures and multilingual characters. PUA Encoded | no special software needed to access extra characters. Feel free to follow, like and share. Thanks so much for checking out my shop!

Aprex Sans perfectly balances the minimalist quality associated with contemporary sans with flair within the width of the counters and comfortable, breathable apertures. — Throughout weights and sizes, the typeface has great legibility and good contrast between positive and negative space, making it stunningly versatile. — With a seamless combination of contemporary details and classic styles, Aprex Sans draws inspiration from the mid-century humanist and grotesque typefaces, and its solid and straightforward structure is characterized by angular connections between curves and stems. Aprex Sans is geometric in nature with humanist qualities rooted in the Swiss tradition.

Anicon Sans font family consist of 18 weight: from Thin to Black, each weight paired by italic. Also including Latin & Cyrillic language support with more than 35 languages. Anicon is a superfamily, semi condensed sans serif and slab serif with humanistic forms in the characters. This font was crafted with the intention to present clean, legible, multipurpose characters that are easy to read wether it's on screen or print. Fit for all purposes; text, display, headline, print, corporate identity, logo, branding, product, infographic, photography and other applications and medium.

Gold Spur is a spurred version of the FontMesa Gold Rush set of fonts. Each version includes many extended characters for Western, Central and Eastern European countries. The Gold Spur Trail OpenType version has alternate double letter pairs included in the font and will automatically be substituted when used in Adobe CS products or other software that takes advantage of OpenType features. The $20.67 price of each font reflects the price of an ounce of gold in 1865 which was the year that the original Gold Rush font was created.

Vernata, an enchanting and elegant serif font, captivates with its timeless sophistication and refined charm. Each letter is meticulously crafted, embodying a perfect balance of curves and straight lines that exude a sense of grace and luxury. The delicate serifs add a touch of classic flair, while the overall design maintains a modern sensibility. The spacing and proportions of Vernata are expertly calibrated, ensuring readability and an effortless flow of text. Whether used for invitations, branding, or editorial design, Vernata brings a magical allure to any project, seamlessly blending tradition with contemporary aesthetics.

Introduce you a new one - La Truffe. A super stylish Didone font. Comes with two styles - Regular and Italic. High contrast strokes gives a refinement into your project. Access your OpenType features to access the large selection of alternate letters and some ligatures. Calligraphic Italic can play with Regular in pair or can be used as independent mainline typeface. More than 480 glyphs total. La Truffe is a versatile font, which can be used in you branding ads, magazine headlines, posters, wedding invitations, product packaging, business cards etc.

Francis is a design previously offered by the Lanston Type Co. in the early 1990s. It is a revival of a 1955 Günther Gerhard Lange design, but with a heavier overall weight. Coming out of retirement, it has been fully reworked and refined with elegant curves and an expanded character set. This font works well at small sizes and larger display sizes for everything from wine labels to personal stationery. This type evokes the elegant sophistcation of the Jazz age and pairs well with a Martini and a fine selection of charcuterie.

Meet Misspiece, a luxury ligature serif font with italic. Misspiece combines a vintage look with a modern flair to add more elegance to your project. This font can be used in high-end branding, logo designs, magazines, product packaging & invitations, wedding designs, social media posts, advertisements, labels, photography, and watermark... WHAT’S INCLUDED? Misspiece Regular (uppercase & lowercase) Misspiece Italic (uppercase & lowercase) Misspiece Condensed (uppercase & lowercase) Misspiece Condensed Italic (uppercase & lowercase) Numbers & punctuation Ligature & Huge Stylistic alternate Multilingual support. Still have a question? Send me a message and I’ll be happy to answer! qura.yahya@gmail.

A gruesome operatic drama is about to unfold, a tragic performance of the macabre! We offer for your entertainment a series of unfortunate events full of shocks and lugubrious revelations which will chill you to the bone! We also offer you this font, which may have similar effects, including nausea, migraine, heart palpitations and stomach upset. Pretty, though, isn't it? Art Deco & Art Nouveau posters, this font pair defined the look of John's MARVEL'S FINEST book designs in the early 2000s, and Richard's comic ASK FOR MERCY in the 2020s!

Smashing is a stout typeface, with a twist. It’s a massive all-caps font with bouncing glyphs, positively bold yet quite good-humored. Its upper and lower case slots stores different lettershapes, providing handy options to choose from. When working with OpenType savvy applications you can turn on the contextual alternates feature to instantly get alternating glyphs, which add spontaneity to your artwork and prevent neighbor double letters from using the same glyph. Also try the discretionary ligatures feature to get some cool interlocking pairs. A smashing font for truly smashing designs!

Sortie Super is a take on one of the kings of display lettering - Caslon's high-contrast, reversed stress 'Italian' style. It looks great at big sizes and in short flurries... and shouldn't be used in confined spaces.  When compared with the original face, the weight and contrast of Sortie Super has been exaggerated. To add gravity to the letters I've increased their width overall and reduced the spacing to a hair-line fracture for added visual impact. Characters like 'S', 'E','O' and 'Z' are relatively close to their historical precedents - however the terminals on the 'C-G-S-З-Є', which have been drawn so to be more consistent. Other aspects, such as the leg of the 'R' and 'Я', the apex of the 'A' and the spur of the 'G' are revised and simplified, to help spacing and optical weight across the alphabet. Also, to reduce visual noise terminals in characters like 'C', 'J' and 'R'' are horizontally aligned. Meanwhile, the central horizontal strokes in the 'B', 'P' and 'R' etc are reduced to a hairline, so as to create a more simplified system of thick-to-thin.  The temptation when drawing this kind of esoteric display alphabet is to start to rely on modular components. Which, while copy-paste-repeat is a sure-fire way to make the face more visually consistent, it's a lazy method that risks allowing the font become soulless and mechanical. An early experiment I made was making a monospaced version, which was useful in headlines, but it lost that loving feeling. So, by maintaining a handful of flourishes – the tail of the '?', the inky drop of the '!', the bulbous gloop of arms of the 'Ж' and 'К', the swirling legs in the 'R', 'Я' and 'Л', the big-bowling weight of the 'J' and 'U' – plus a few in-built inconsistencies and a bit of its own silliness, Sortie Super retains some of the organic warmth of its ancestor. Conversely, the counters, apertures and negative space are largely rigidly geometric, which helps give the revival font a bit of a modern touch. Sortie Super is an uppercase-only display font that comes with Western, Central and East European Latin, extended Cyrillic, Pinyin, as well as a set of hairline graphic features and symbols.

Praxis® Next has the same robust shapes and proportions as the original 1976 Praxis design. Its large x-height, substantial counters and open apertures guarantee high levels of legibility and reading ease in print and on screen. More weights, condensed designs and true cursive italics differentiate Praxis Next from the older design. Praxis Next shines where space is at a premium. The regular designs are modestly narrow while the condensed typefaces perform with grace in the most crowded of environments. The bold designs create powerful headlines and banners and the lighter weights are ideal for both long and short-form text copy. Because of its many weights and proportions, Praxis Next is also an ideal design to build a brand identity. Praxis Next Variables are font files which are featuring two axis and have a preset instance from Light to Ultra and Condensed to Roman. Pair Praxis Next with old-style designs like Bembo® Book and Stempel Garamond™ to create a dynamic typographic contrast. Or complement the design with its serifed counterpart, Demos® Next . Unger also drew ITC Flora® as an alternative italic design. Looking for something a little different? Pair Praxis Next with Masqualero™ .

Continue your branding with the ever popular Viva Beautiful font. A new hand-painted brush script collection by Cultivated Mind. Viva Beautiful is back with nine new fonts that include six scripts, a caps font, free words font, free extras and plenty of alternates/ligatures. There are five sets of alternates for every letter adding to the uniqueness of your designs. The new Viva Beautiful scripts are a much cleaner brush script than the original. All scripts come in pro and regular versions. Both versions are Latin Pro. Pro scripts include 260 alternates and 8 common ligatures. Ligatures are programmed to pop up when specific letter pairs are typed. Try the alternates and ligatures together to give your designs a realistic hand-painted look. The all caps font is a basic version that includes 5 common ligatures and looks great paired with the scripts. Regular versions include Latin Pro characters but do not include alternates and ligatures. Viva Beautiful Collection works best for beauty products, music branding, film, television, cookbooks, book covers, food marketing, magazines, and websites. Check out Cultivated Mind Type on Instagram for fun Viva design ideas. Bring beauty to your designs with Viva Beautiful! Fonts designed by Cindy Kinash. Poster designs by Corinne Alexandra.

The new Bunday™ Slab Font Family consist of three main states with different moods: the crisp and distinctive slab serif, the cute script styled italic and the matching upright italic. All states of Bunday™ Slab share the same contemporary, clear and open base forms and create a space-saving and pretty homogeneous text colour with good legibility. The font was manually hinted and contains extensive handcrafted kerning tables to ensure perfect appearance in all media. Bunday™ Slab ships with 9 standard, 9 upright italic and 8 italic styles from a considerable thin “Hair” to a pretty fat “Heavy” weight. It supports at least 99 languages and provides OpenType® features for ligatures, alternative glyphs, localised forms and more. Please take a look at the other members of the Bunday superfamily: Bunday™ Clean Bunday™ Slab Further information: Bunday Slab Specimen PDF Feature Summary: 9 weights: Hair, Light, Thin, SemiLight, Regular, SemiBold, Bold, ExtraBold and Heavy 3 Moods: Sans, Upright and Upright Italic Overall width: Narrow or Space-Saving Advanced “f” ligature set* “s” and “c” ligatures* Alternates Characters: a, ç, e, f, g, l, t, y and more* Capital German Esszett* Supports at least 99 Languages * Only available applications with advanced OpenType® support

The Brass Family has a lineage that extends into English history. About five hundred years ago a devout, but anonymous Englishman gave glory to the God he worshipped by designing the capital letters and decorations of these two fonts. Originally recorded in The History Of Mediaeval Alphabets And Devices by Henry Shaw (London 1853), they are described by Alexander Nesbitt in his Decorative Alphabets And Initials (Mineola, NY 1959) as “Initials and stop ornaments from brasses in Westminster Abbey.” I wish I could say I remember seeing them when I was there, but that was forty-two years ago and all I remember was seeing the tomb of Edward the Confessor. One definition of “stop” as a noun is a point of punctuation. I have heard people from the British Isles speak of a “full stop” when referring to a period. Some may remember a 19th century form of communication called a telegram being read aloud in an old movie, with the use of the word “stop” to indicate the end of a sentence or fragment. A full dozen of these stop ornaments are provided. They occupy positions 060, 062, 094, 123, 125, 126, 135, 137, 167, 172, 177 & 190. The Brass Family consists of two fonts: Brass and Brass Too. Both fonts have an identical upper case and ornaments, but paired with different lower cases. Although the typefaces from which the lower cases were drawn are both of modern design, both are interpretations of the textura style of blackletter in use in England when the upper case and ornaments were fashioned for the Abbey. Brass is paired with Morris Gothic, which matches the color of the upper case quite well. Brass Too is paired with Wedding Regular, which is distinctly lighter than the upper case. I find it very interesting how each connects differently. The resulting fonts are unusual and most useful for evoking an historic atmosphere.

Corton was inspired by the traditional lettering on a gravestone in an English village. While that might sound a rather solemn beginning, Corton has wonderfully lively air, with distinctive lively serifs and beautifully swashed downstrokes. Eight faces are offered: regular and titular each in three weights plus regular condensed. Between them they are ideal signage and display faces, merging 'olde-worlde' charm and fun character, but remaining clear and legible.

The strokes of the Cerkiymo font dance gracefully across the page, exuding an air of elegance and freshness. With its delicate curves and refined lines, the Cerkiymo font lends an elegant touch to any design, breathing a fresh sense of sophistication into each word. Perfect for logos, branding, invitations, stationery, wedding designs, social media posts, and much more. Complete with ligatures alternates regular italic hollow icon kerning multilingual support

Rummy, the stout, scrappy font inspired by sports branding and 1940s film, has grown up and is ready to take on new responsibilities. The result: Rummy Tall. Still powerful, precise, and packed with personality, Rummy Tall's added height brings with it even more versatile charm. Track Rummy Tall tightly for a sturdy foundation, or give Rummy Tall some breathing room for an unexpected air of nobility. Reach new heights!

Are you feeling the need...the need for speed? Dash Decent is a top flight executive font that won't leave you high and dry... Unless we're talking dry martinis in the air stewardess's lounge. Our speedball cocktail is guaranteed to get you up into the atmosphere and guide you in for a smooth landing. And that really is dash decent of us, don't you think? Splendid, I'd say!

Suchow was developed from a hand lettered storybook title by Willy Pogany. It's designed to give the feel of the Far East, with character shapes reminiscent of oriental brush lettering. The look of the characters is typical of lettering often used around the turn of the century for oriental-themed advertising and decoration, but not seen very often in contemporary use. The full version includes an expanded character set.

A timeless and mighty sans-serif, Guile's chiseled forms make the font ideal for reaching into history, while its minimalism and balance are fit for propelling into the future. Guile voraciously absorbs and enhances the style of its surroundings. In sports, it's a true team player, from the jerseys to the on-air presentation. In film, it's a blockbuster star, from the title treatment to the billing block.

Introducing the "Elizabeth Font" – an exquisite typographical masterpiece that gracefully bridges the realms of modernity and classic elegance. With each letter crafted as if by the stroke of a calligrapher's quill, this font exudes an air of refined sophistication that captivates the eye and enchants the mind. This font comes with a lot of language support, this font is perfect for you. Thanks for purchase and I hope you enjoy it!

Huraira - Arabic Font, a captivating digital typeface that beautifully captures the essence of Arabic calligraphy. With a design that closely resembles traditional Arabic letters, this font features the intricate inclusion of dots on select characters, mirroring the visual elegance of classic Arabic writing. Huraira brings an air of authenticity and cultural richness to your designs, making it a versatile and impactful choice across a spectrum of design applications.

Houseplants are commonly grown for decorative purposes, positive psychological effects, keeping fresh or health reasons such as indoor air purification. Actually, just like this font has a positive effect on your artwork! This font comes with a heavy load of diacritics! On top of that, it has contextual alternates, which means your text cycles through 6 different versions of each letter! Hard to tell that this is actually a font!

Ephemera Shoemakers is a bold font with spurred serif & medium contrasted, vintage inspiration with letters in all caps. Traditionally this type of decorative font that emerged in Italy, France & England in the nineteenth century were used in large headlines and posters that were closely related to circus shows, carnival or environments of the Far West American. Perfect for signs, posters, handbills and other large format advertising. Ephemera Shoemakers Pdf Specimens

Makeads, a typeface exuding subtle authority, brings a touch of seriousness to the creative palette. Rooted in the foundations of Bauhaus aesthetics, this font effortlessly balances boldness and sophistication. The supertight kerning and unique texture contrast strike an air of balance between formal and casual, making it an ideal choice for projects that demand a touch of gravitas. Makeads is the silent powerhouse that commands attention without raising its voice.

PiS Lietz Parilon invites you to the austrian countryside for an amazing ski-tour on snowy mountains back then when skilifts were sparse and mustaches were far from ironic. Use this heavy fraktur for retro tourism posters, your classic beer or schnaps brand or anything that needs a good swig of tradition! Heat up the Jagatee and enjoy the earthy taste of PiS Lietz Parilon, it will warm your heart!

Introducing La Orleans Typeface: Timeless Luxury Redefined Step into a world of refined elegance with La Orleans – a font that captures the essence of luxury in every curve and stroke. Whether you're crafting exquisite invitations or elevating your brand identity, La Orleans infuses your designs with an air of distinction. Embrace the epitome of sophistication – explore La Orleans and elevate your creations with a touch of enduring opulence.

Sheet music for the 1915 song "Is There Still Room for Me Neath the Old Apple Tree" had the title hand-lettered in a condensed, square sans serif. Although far from the more decorative lettering styles of the Art Nouveau period, this type of simple understatement was also a popular choice for the illustrators of the day. It is presented digitally as Nouveau Square JNL in both regular and oblique versions.

Luengo is a modern geometric sans serif font family. Rounded corners give a natural and overall home-felt feel with an accessible air and an elegant touch. Luengo is for display purpose, but it also looks great in longer copy, making this family of 5 weights perfect for a range of uses such as brand identities, packaging and editorial. Luengo offers ligatures and alternatives with manual kerning and spacing.