A Display Serif, a Monoweight Sans, and an Inline form combining the two, Olpal is a versatile companion for your next adventure. With surprising vitality for a workhorse font, Olpal embraces any job – and whistles while it works. Neutral – with a hint of pizzazz – the font's strong legibility and compressed footprint make it a brilliant fit in any environment.

One waxy black crayon was used up, entirely down to the tiniest nub, by the making of this font. It’s fun! Perfect for creating crayon written text, or to get the look of chalk-board writing, conte, or charcoal. Okay Crayon is extended, containing West European diacritics & ligatures, making it also suitable for multilingual environments & publications.

They Live Brush font is inspired by the 80's cult classic movie They Live logo. The font is ideal for use in designs that you include a bold brush font in a cool way. The font has a graffiti feel that can allow you to express yourself with some attitude. The font is an all capital letters font. The font contains 128 characters.

Versica is a handcrafted display font. This font family consists of multiple style fonts that can be used either as authentic individual fonts or can be combined to get cool layered type. The package is completed with swashes, shadow and serif font. Don't forget to play with stylistic alternates character that featuring the font. You may get a perfect font for any advertise or editorial work issues.

The Wonky Font family is a set of 3 handmade fonts, made using three different materials: a pencil, a thin fineliner and a bold marker. Each font includes 3 variations for each letter and number, accessible through contextual alternates, for extra realism and fun. The pencil font is a SVG font, which allows for the texture of the pencil to be captured in a more authentic way, and is complemented with an extra doodles font. Wonky Font looks good at small sizes and will also look great in all caps texts. Use Wonky Font in designs such as postcards and notes, posters, logotypes, social media posts, branding and packaging. This font includes: a Wonky Pencil SVG font, with a vector alternative that preserves the texture a Wonky Thin font a Wonky Bold font a Wonky SVG Extras font, with 26 pencil doodles Software requirements for the SVG font: Photoshop CC2017+ // Illustrator CC2018+

Riclane elegant serif font Hi Ladies and Gentlemen! According to the market demand for fonts that tend to be more modern, then I decided to make a serif font that is in your view. The Riclane font is a serif font with very beautiful, comes with a modern style hoping to become a market favorite. We keep this font looking elegant, classy, ​​easy to read, stylish, attractive and easy to use. Riclane Font is a great choice for magazines, retro designs, newspapers, books, brand names, branding, and other projects. The Riclane font is here to take the quality of your designs to a higher level. Riclane Font is my thirty first Font created in 2023 The Riclane font style will make you love designing and taking advantage of the cool design results for this font. Continue to follow us for updates on making further fonts :) Font Features: • Standard uppercase and lowercase letters • Multilingual Support • Numeral and punctuation • Elegant style

According to the market demand, fonts tend to be unique fonts, so I decided to make a unique display serif font that is in your view. The Brays font is a font with many ligatures that is very unique and sought after, comes with a stylish style to become a market favorite. We keep this font looking elegant, classy, ​​easy to read, stylish, attractive and easy to use. Brays Font is a great choice for beauty brands, magazines, travel, newspapers, books, brand names, branding, branding, quotes, album covers, and other projects. The Brays font is here to take the quality of your designs to a higher level. Brays Font is my Twenty ninth Font created in 2022 The Brays font style will make you love designing and taking advantage of the cool design results for this font. Continue to follow us for updates on making further fonts :) Font Features: • All capital letters • Stylistic ligatures • Stylistic alternate • Multilingual Support • Numeral and punctuation

Introducing Crusselia Font. Crusselia font is a elegant handwritten font. Create from our talented font designer. This font will suitable for any project, like branding, print template, logo, quotes and etc. Features : Accents (Multilingual characters) PUA encoded Alternates Numerals and Punctuation (OpenType Standard) Full Support Thanks for visiting and purchasing my font!

Mono love is a monoline font made by my own hand with lots of characters up to 481 glyph. And there is also a heart that can be connected, for uppercase letters have a heart connection in front. While lowercase letters have heart connections in front and back. Mono love - includes many alternative characters. Coded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book. Windows users can use the Character Map to view and copy one of the additional characters to paste into your favorite text editor. For people who have opentype-capable software: Alternatives can be accessed by turning on the "Alternative Style" and "Ligature" buttons on the Photoshop Character panel, or through any software with the glyph panel, e.g. Adobe Illustrator, Photoshop CC, Inkscape.

Etruscan was the language of the Etruscan civilization, in Italy, in the ancient region of Etruria (modern Tuscany, western Umbria, northern Latium, Emilia-Romagna, Veneto, Lombardy and Campania). Etruscan influenced Latin but was eventually completely superseded by it. The Etruscans left around 13,000 inscriptions that have been found so far, only a small minority of which are of significant length; some bilingual inscriptions with texts also in Latin, Greek, or Phoenician; and a few dozen loanwords. Attested from 700 BC to AD 50, the relation of Etruscan to other languages has been a source of long-running speculation and study, with its being referred to at times as an isolate, one of the Tyrsenian languages, and a number of other less well-known theories. The consensus among linguists and Etruscologists is that Etruscan was a Pre–Indo-European,and a Paleo-European language and is closely related to the Raetic language spoken in the Alps, and to the Lemnian language, attested in a few inscriptions on Lemnos. Grammatically, the language is agglutinating, with nouns and verbs showing suffixed inflectional endings and gradation of vowels. Nouns show five cases, singular and plural numbers, with a gender distinction between animate and inanimate in pronouns. Etruscan appears to have had a cross-linguistically common phonological system, with four phonemic vowels and an apparent contrast between aspirated and unaspirated stops. The records of the language suggest that phonetic change took place over time, with the loss and then re-establishment of word-internal vowels, possibly due to the effect of Etruscan's word-initial stress. Etruscan religion influenced that of the Romans, and many of the few surviving Etruscan language artifacts are of votive or religious significance.

TT Corals useful links: Graphic presentation | Customization options TT Corals is a modern humanist sans-serif which has many typical traits of the beginning of the 20th century. For increased functionality, we created 6 styles of various weights: thin, light, regular, bold, extrabold and black. Its distinctive smooth lines and separate elements allow TT Corals to be used for a variety of design applications. It fits classical literature or music perfectly, and is appropriate for any creative or innovative content. TT Corals inspires new ideas for your creativity and art with its freshness and novelty. FOLLOW US: Instagram | Facebook | Website TT Corals language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Arumanian, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Cebuano, Chamorro, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Gagauz (lat), Galician, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Judaeo-Spanish, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Laz, Leonese, Lithuanian, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malay, Manx, Maori, Mauritian Creole, Minangkabau, Moldavian (lat), Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romanian, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Swiss German, Tagalog, Tahitian, Taita, Tatar, Tetum, Tok Pisin, Tongan, Tsonga, Tswana, Turkish, Turkmen (lat), Ukrainian, Uyghur, Vepsian, Volapük, Võro, Vunjo, Xhosa, Zaza, Zulu.

Pilar and Ferran based Arlette on the fast stroke of one letter from a Roger Excoffon family, but along the way they abandoned that starting point in favour of experimentation. Many sans serifs are like a svelte black dress: functional, beautiful, and the unfussy outfit for a nice evening get together. The Arlette family isn’t like this. It’s a stunner — an incandescent reimagining of what defines a sans and how it can look. Arlette explores the boundaries of the sans serif landscape and returns with forms developed from gestural vigour. Thinking of it as “painterly” may at first seem to fit, but it underestimates Arlette’s ability to master an unseen world of countless emotions and physical applications: magazines, branding, editorial, teen and young adult works, book covers, and a host of products and packaging whose content will be amplified with Arlette’s voice. Not only does Arlette use its eight weights plus italics to speak in Latin-based scripts, it is also fluent in Thai and has six weights (hairline through bold) with which it meets that challenge, whether in text or display. Arlette Thai’s modern nature is seen in two features for the script. One is the decorative Thai characters that are based on original palm leaf manuscripts. Another is a version of the Latin numerals adapted to the height of the script due to their wide use in Thailand. Arlette Thai has been meticulously developed, including contextual kerning to avoid mark clashes. Arlette’s OpenType capabilities include mathematic and scientific figures, positional forms, pointers, arrows, and oldstyle, lining, and tabular lining numerals. In addition to all this, it’s packed with swashes and swash ligatures in both scripts for enthusiastic typesetting. Because it pushes experimentation without compromising readability, both Arlette Thai and Latin are surprisingly legible in small sizes and arrestingly beautiful when their details can be seen.

Introducing Gaz, the square display typeface inspired by the gasoline station signs of the twentieth century. Sign painters used to refer to this type of lettering as “stovepipe”, due to its sharp angles and rounded corners. Gaz’s unique squareness exudes a vintage industrial charm, while still maintaining a friendly, almost organic feel. Gaz is available in seven weights and italics, giving you the flexibility to create a wide range of designs. But that’s not all. Gaz also comes in five greasy effect styles, perfect for creating that worn, grungy look. The ligatures contained in these styles are automatically substituted in most applications, projecting a more natural and authentic tone. Whether you’re creating a bold poster, an eye-catching logo, or a sleek website design, Gaz is the perfect choice for adding a touch of vintage industrial style. Try Gaz today and bring a piece of the past into your designs. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Grafical is a contemporary take on 19th-century sans serifs. In this family, the amount of geometry inherent within the letterforms has been amped up. Many shapes have received further streamlining, too. All the geometric forms you see have been optically corrected, ensuring their delivery of better legibility. Grafical ships in two different formats: depending on your preference, you can install the typeface as two Variable Fonts or use the family’s 16 static OpenType font files instead. The static fonts offer eight weights, running from Extralight through Black. Each weight has an upright and an italic font available. While the static-format fonts offer a good intermediary-step selection, users who install the Variable Fonts have vastly greater control over their text’s stroke width. The Grafical Variable and Grafical Variable Italic font’s weight axes allow users to differentiate between almost 1,000 possible font weights. That enables you to fine-tune your text’s exact appearance on-screen or in print. Grafical is the perfect tool for a range of design uses, including text on the web, text in print, and text in motion graphics. Its fonts are typographic workhorses – not just from their legibility perspective but also because of the amount of OpenType features they include. There are ligatures, for instance, as well as proportional and tabular lining and oldstyle figures, fractions, numbers placed inside circles, and even Roman numerals. Users can also substitute alternate versions of the “a”, “g”, “i”, “j”, “y”, “G”, and “Q” into their work.

Lendriyan fonts, calligraphy and handwriten fonts. This font is very beautiful and charming with curves. With its uniqueness, this font can be used as a logo, title, script, leaflet, landing pages and others. You just like this font, thank you

Hello. I want present my new font called "Feelin Sweet". This font have have very smooth curve and also have crunchy look. This font come with 2 styles. Regular font and Extrude font. it comes to make your project easier. This font can make your font more have a depth look with adding "Feelin Sweet" extrude font. This font will be the best choice for many project such as banner, brand packaging, cookies brand, snack brand, dessert design, cake logo design, mascot design letter, etc. This font also have Ligatures features. Enjoy and stay crunchy :) Drop me message if you have any questions. Or you can mail me damarkurung8@gmail.com Thanks

Aish font is an authentic handwritten font. This font combines simple style with authenticity of the font in its creation. suitable for use in simple themed graphic designs.

"Goberz Tigre" is a monoline font with a graffiti theme. It is perfect for a wide range of urban or street-themed design projects, such as streetwear design, logo design, car/motosport decals, skateboard decals, and other similar designs. With its edgy appearance, "Goberz Tigre" brings a sense of energy and attitude to your designs. The font's monoline style that adds visual interest and makes your designs stand out. Whether you're looking to create a strong and impactful design or add a touch of urban style to your projects, "Goberz Tigre" is the font for you.

Accia is one of the world’s first true sans-to-serif variable fonts. Its weight axis ranges form Thin to Extra Bold, and its serif axis ranges from Sans to Forte. Accia is designed to be perfectly usable at every possible point of the design space, and its different instances work together perfectly as an infinitely flexible type system. The typeface contains a total of 879 glyphs supporting multiple Latin-based and Cyrillic- based languages, together with added sets of numbers and punctuation, small capitals, ligatures and other commonly supported OpenType features. Accia is also available as separate font families.

The Shapirit family belongs to a category of geometric sans sherif fonts, that was created in 1920s. The main feature of this category is geometric architecture of shapes. Shapirit family is perfect for headlines, brief texts used on any screen, print materials as well as logos. The whole family includes 8 fonts from Thin to Black and contains full Hebrew and Latin script. Therefore, Shapirit is an ideal solution for any adaptation into Hebrew or any Latin script language. The word "Shapirt" (in Hebrew שפירית) means dragonfly. The font’s name was inspired by the dragonfly’s slim and elegant body.

Kaizena is a modern script font with alternates, final form, stylistic sets, including front and back swashes. It can be used for various purposes, and suitable for logo design, branding, greeting cards, stationery, wedding invitations and much more. The design of Kaizena nuanced Japanese style, but it is very feasible to use in modern themed designs. Kaizena uses OpenType Features, so designers can access alternate glyphs easily with graphic design softwares. Besides that, these alternate glyphs are located in Private Use Area, so they can be accessed easily with Character Map, Babel Map, or font manager softwares.

Naerya, a modern stylish serif font, effortlessly blends sophistication with contemporary design elements. With its sleek and clean lines, Naerya exudes a sense of timeless elegance, making it an ideal choice for projects that demand a touch of class. The font’s well-crafted serifs add a distinctive flair, striking a perfect balance between tradition and modernity. Naerya’s letterforms showcase a harmonious interplay of curves and straight lines, resulting in a balanced and refined aesthetic. Whether used for editorial design, branding, or digital applications, Naerya stands out as a versatile and visually pleasing serif font that lends a touch of sophistication to any project.

Density Heavy Slab Serif Features a smooth slab serif and a wide surface that makes it especially suitable for horizontal and lengkungan compositions. This is a front view, best used at larger sizes when weight and impact are desired. It's classic with a modern edge and most importantly packed with different styles, and ligatures Density is a heavy slab serif that comes with regular, oblique, outline, outline slanted, rough, rough slanted, extrude and extrude slanted style. this font is perfect for every project. suitable for branding logo, badge design, or apparel design. This font also comes with multilingual support.

Acrom is a geometric sans serif typeface with a minimal stroke contrast. It was designed with a modern, contemporary context in mind. Acrom is not merely mechanical, it can also be recognised as a natural typeface with subtle geometric aesthetics. The humanist quality of the font aids legibility across both text and display work. Acrom’s main characteristics lie in the injection of stylistic forms that enhance its individuality without overpowering the font’s functional purpose and integrity. The font can be tamed utilising the set of alternative characters available within the typeface. Details include 500 characters, manually edited kerning and Opentype features.

"Loxer" is a monoline font with a graffiti theme. It is perfect for a wide range of urban or street-themed design projects, such as streetwear design, logo design, car/motosport decals, skateboard decals, and other similar designs. With its edgy and bold appearance, "Loxer" brings a sense of energy and attitude to your designs. The font's monoline style and slight shadow effect create a 3D effect that adds visual interest and makes your designs stand out. Whether you're looking to create a strong and impactful design or add a touch of urban style to your projects, "Loxer" is the font for you.

JOAQUIN is a vintage font family. This font's retro look and style is inspired from many vintage packaging and from typographic cover lettering. It is perfect for vintage logo design, labels, posters, signage, t-shirt, storefront, headlines, or packaging design. greeting cards and logotype. JOAQUIN includes 4 different styles; Normal, Regular, Inline, and Shadow. So you can combine them with each other and get fancy headlines. What’s Included : - Works on PC & Mac - Easy to use ( Installations ) - Compatibility Windows, Apple, Linux, Cricut, Silhouette, and Other cutting machines Thank you for purchasing this font. Please appreciate, if you like this. ENJOY it :)

Introducing Christmas Blink, the perfect festive font to add a touch of holiday magic to your designs! This whimsical and joyful typeface is specially crafted to bring the spirit of Christmas to life in your creative projects. "Christmas Blink" is more than just a font, it's a journey into a playful wonderland of letters adorned with festive charm. Each character sparkles with a unique personality, making your text come alive with the joyful spirit of the season. The font's playful elegance ensures that it's perfect for a wide range of Christmas-themed designs. This font comes equipped with charming variations for select characters, allowing you to customize your text and add a personal touch to your designs. Experiment with alternate styles to create truly unique and eye-catching compositions.

"Runegrim" Font is Base in Anchient Viking Rune Script . This font is best as Clothing , apharel and any handicraft. This font is Very useful for the the people that not familiar with Unicode format of anchient font. Thank You for use this font.

Proudly Present, BODYNOTE Font. BODYNOTE is a Fun Handbrushed Font. Bodynote is a fun and playful display font. This font is perfect for children themed designs, especially when combined with bright colors. This font includes TTF and OTF, BODYNOTE also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Deserta script is font that curl in your design project. Deserta script is handmade font from Chzalira Co. With this font, you will receive unique script font with round edges. This make your project more sweet and minimalism. Deserta script comes with monoline structure. Have fun for this font! like we create this font with love. :3