Okaeri is a linear display font inspired by Japanese aesthetics, uppercase is decorated with oriental patterns. Okaeri is suitable for typographic posters in oriental style. The font is also suitable for menu and restaurant design, tourist products, magazine and book covers, thematic events design. The font works great both for printing clothes and craft products branding and packaging. Also use individual letters to create logos and monograms. Okaeri includes stylistic alternates for symbols: a, i, o, u. There are also ligatures: aa, ca, ea, ee, ff, ka, ki, la, li, ra, ri, oo, tt, za.

Legitima is a text font family inspired by the types found in the 3rd edition of the Italian book La Cicceide Legitima, printed in 1695. Its weight and x-height, optimized for 10 point-size, make it an ideal choice for book design and anything with running text. Like most typefaces from the 16th century, the strokes that constitute Legitima seem to depart from the traditional broad-nib pen model of handwriting and dare to explore the shapes produced by the techniques in use by punch-cutters of the time.

A thin caps-only cross-stitch font, based on a late 19th century embroidery pattern. It is suitable for birthday cards and posters, signs and ads in the Thanksgiving and Christmas season.

Roadway is an original typeface with an antique accent, inspired by Clarendon woodtypes from late 19th century. It comes in three matching varieties, with extended character sets and a lot of personality.

Chamferwood JNL is another interpretation of the block lettering style most popular during the late 1800s and the early 1900s. The design was modeled from examples from a set of wood type.

Tylbor was inspired by vernacular German typography but mostly by handwritten signs found on the archive photographs from the late 40s of the 20th century. Tylbor contains 14 styles in 7 weights.

Tipograf�a caligr�fica inspirada nos t�tulos das canci�ns dun caderno familiar de partituras de 1941. � unha fonte creada da maneira m�is fidel posible a como se debuxar�a cunha pluma estilogr�fica do momento. Axeitada para t�tulos ou letras capitais. Non se recomenda empregar para textos longos, de non ser que se pretenda simular un arquivo antigo dun estilo manuscrito semellante. Tipograf�a caligr�fica inspirada en los t�tulos de las canciones de un cuaderno familiar de partituras de 1941. Es una fuente creada de la manera m�s fiel posible a como se dibujar�a con una pluma estilogr�fica del momento. Adecuada para t�tulos o letras capitales. No se recomienda utilizar pata textos largos, a no ser que se pretenda simular un archivo antiguo de un estilo manuscrito semejante. Calligraphic typography inspired by the titles of the songs of a family notebook of 1941. It is a source created in the most faithful way possible to how it would be drawn with a stylus pen of that moment. Suitable for titles or capital letters. It is not recommended to use for long text, unless you pretend to simulate an old archive with a similar manuscript style.

One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Jefferson Pilot’s unusual letter treatment isn't for every project, but for projects that need a great "old-timey" look, it’s perfect. Named for a city in East Texas that was a port city on the late 1800s, but today is landlocked. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

Ela Demiserif is the typeface I originally designed for the business of my second wife and mother of my two sons; her name is, of course, Michaela. Ela - the typeface - is suitable for magazines, newspapers, posters, advertiments, books, text, documentation/business reports, business correspondence, multimedia, and corporate design. Because lately this typeface became very popular I decided to extend it to eight weights and I added italic and smallcaps versions to it. So now Ela is a full fledged typeface.

A heavy unnamed Gothic typeface from the 1890 William H. Page Foundry woodtype specimen book provided the template for this bold, brash, no-nonsense face. It's designed to set tight, so your headlines will definitely get noticed. Named for a town in West Central Texas which is noted for being the home of the Buffalo Soliders in the late 1800s. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Franciszek Otto of Poland designed Linotype Notec in 1999. Linotype Notec is a low-tech" (or even "no tech!") typeface. By embracing handwriting's spontaneity, it has gotten as far away from technology as it can. Classified as an "inky"-style script face, for lack of a better term, Linotype Notec's informal design seems immediately artful and full of expression. Its irregularity and unexpectedness enlivens any composition, similar to how jazz or modern dance animate a room. Quite full of "ink," Linotype Notec's "strokes" are written in a sort of short-note-handwriting-style, which a slow-writing, thoughtful humanist might theoretically scribble to himself late at night. Yet Linotype Notec's character still maintains a jolt of energy; try Linotype Notec in small applications, in any size from 12-point on up."

Jan van Krimpen’s famous Lutetia, released at the late 1920s, revived by a complete fresh design. To get access to all ligatures in both styles, it is recommended to activate Discretionary Ligatures too.

A cardboard stencil toy for children from the late 1950's or early 1960's was the inspiration for Study Hall JNL, part of a series of stencil revival fonts from Jeff Levine.

This is an idea to reproduce the masks of the Mexican wrestlers of the late 60s and 70s. The typography is based in keeping the shape of the face in the wrestler's masks.

RosarGrad is a simple but elegant calligraphic face with six style: plain, italic, medium, medium italic, bold, and bolditalic. It was inspired by hand lettering on a graduation picture from the late 1960s.

The Virile and Virile Open fonts are late nineteenth-century typefaces in a rustic style. Use the Virile fonts to add charm to book covers and posters relating to natural history and decorative arts.

Alfredo is a neo-humanist family with a contemporary touch, presenting a subtlety in forms, in which it’s simu- lates calligraphic fluidity. With rectangular serifs, Alfredo was designed exclusively for publishing projects and texts.

RMU Pergola is a font design which was inspired by a late-19th century font of Georg Giesecke. To get access to all ligatures, it is recommended to activate both Standard and Discretionary Ligatures.

Made in La Chaux-de-Fonds (Switzerland), HyperTurfu was born during the shooting of “The Return of Hyperturfu Xpress 2”. A GoPro on a lego electric train, meters and meters of rails, an empty industrial space, loads of puppets, paper, cardboard, pizza boxes, lights, hot glue and a bunch of friends preparing a one shot scene for a month. The title of the movie was made out of lego pieces, painted with golden spray and hanged over the rails. It was the first inspiration for this awsome superbold font. HyperTurfu is thought from ground up to give a strong impact. It’s gothic retro science fiction 80’s style makes it best suitable for metal music albums or posters. As the “Banco” font it works perfectly with short texts for advertisement, bar, cofee shops concert places or even fancy hairdresser. Just hang it over a pet shop and see what cool animals will come in.

TT Runs useful links: Specimen PDF | Graphic presentation | Customization options TT Runs Version 2.0—an Unusual Wide-Proportioned Sans Serif! An update that expands the font's capabilities. TT Runs is a font designed for the sports industry. Before starting the development, we researched the identities of various Olympic venues and analyzed current sports brands. We put in maximum effort to design a unique yet elegant modern font well-suited for the sports sector. TT Runs has wide and unusual proportions that are different from traditional ones. It is because of the reversed contrast, which refers to the distinction between the upper and lower parts of letters. The uppercase letters have distinctive inverted proportions, particularly noticeable in characters like K, C, S, and R. This design choice gives the font an original personality and makes the letters look stylish and suitable for both athletic and casual sportswear. While updating the font, we kept its distinctive characteristics and preserved the graphical look of the majority of the characters. However, we thoroughly redesigned the outlines and italic font styles and updated the font's technical aspects entirely. As a result, TT Runs has become more convenient to use, and its range of applications has significantly broadened. - More projects and countries! The set of each font style has expanded from 791 to 917 characters. We added new languages and characters of the expanded Latin and Cyrillic writing systems. - Perfect italics! The new italic font styles are flawless from both graphical and technical points of view. The updated variable font. We have united the roman and italic font styles. You can now change the font on the axes of slope and weight, choosing the suitable values. - The new set of OpenType features! We added the updated numerators with currency symbols, numbers in filled circles, and localization features for the Dutch, Catalan, Turkish, Serbian, Bashkir, Chuvash, Bulgarian, and Romanian languages. TT Runs is an expressive font. It looks aesthetically pleasing on both athletic and casual clothing and is well-suited for printing on any material. Due to its proportions, the font is an ideal choice for headings, offering excellent readability and an elegant appearance in bigger blocks of text. Created with the sports industry in mind, this font brings a touch of style to any modern project. FOLLOW US: Instagram | Facebook | Website TT Runs OpenType features: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, tnum, onum, lnum, pnum, case, dlig, liga, salt, ss01, ss02, ss03, ss04, ss05, ss06, ss07, ss08, ss09, ss10, ss11, ss12, calt. TT Runs language support: English, Albanian, Basque, Catalan, Croatian, Czech, Danish, Dutch, Estonian, Finnish, French, German, Hungarian, Icelandic, Irish, Italian, Latvian, Lithuanian, Luxembourgish, Maltese, Moldavian (lat), Montenegrin (lat), Norwegian, Polish, Portuguese, Romanian, Serbian (lat), Slovak, Slovenian, Spanish, Swedish, Swiss German, Valencian, Azerbaijani, Kazakh (lat), Turkish, Uzbek (lat), Acehnese, Banjar, Betawi, Bislama, Boholano, Cebuano, Chamorro, Fijian, Filipino, Hiri Motu, Ilocano, Indonesian, Javanese, Khasi, Malay, Marshallese, Minangkabau, Nauruan, Nias, Palauan, Rohingya, Salar, Samoan, Sasak, Sundanese, Tagalog, Tahitian, Tetum, Tok Pisin, Tongan, Uyghur, Afar, Asu, Aymara, Bemba, Bena, Chichewa, Chiga, Embu, Gikuyu, Gusii, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Kirundi, Kongo, Luba-Kasai, Luganda, Luo, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Mauritian Creole, Meru, Morisyen, Ndebele, Nyankole, Oromo, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sena, Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Swahili, Swazi, Taita, Teso, Tsonga, Tswana, Vunjo, Wolof, Xhosa, Zulu, Ganda, Maori, Alsatian, Aragonese, Arumanian, Asturian, Belarusian (lat), Bosnian (lat), Breton, Bulgarian (lat), Colognian, Cornish, Corsican, Esperanto, Faroese, Frisian, Friulian, Gaelic, Gagauz (lat), Galician, Interlingua, Judaeo-Spanish, Karaim (lat), Kashubian, Ladin, Leonese, Manx, Occitan, Rheto-Romance, Romansh, Scots, Silesian, Sorbian, Vastese, Volapük, Võro, Walloon, Walser, Welsh, Karakalpak (lat), Kurdish (lat), Talysh (lat), Tsakhur (Azerbaijan), Turkmen (lat), Zaza, Aleut (lat), Cree, Haitian Creole, Hawaiian, Innu-aimun, Lakota, Karachay-Balkar (lat), Karelian, Livvi-Karelian, Ludic, Tatar, Vepsian, Guarani, Nahuatl, Quechua, Russian, Belarusian (cyr), Bosnian (cyr), Bulgarian (cyr), Macedonian, Serbian (cyr), Ukrainian, Gagauz (cyr), Moldavian (cyr), Kazakh (cyr), Kirghiz, Tadzhik, Turkmen (cyr), Uzbek (cyr), Azerbaijan, Lezgian, Abazin, Agul, Archi, Avar, Dargwa, Ingush, Kabardian, Kabardino-Cherkess, Karachay-Balkar (cyr), Khvarshi, Kumyk, Lak, Nogai, Rutul, Tabasaran, Tsakhur, Buryat, Komi-Permyak, Komi-Yazva, Komi-Zyrian, Shor, Siberian Tatar, Tofalar, Touva, Bashkir, Chechen (cyr), Chuvash, Erzya, Kryashen Tatar, Mordvin-moksha, Tatar Volgaic, Uighur, Rusyn, Karaim (cyr), Montenegrin (cyr), Romani (cyr), Dungan, Karakalpak (cyr), Shughni, Mongolian, Adyghe, Kalmyk, Talysh (cyr) .

Grammatik was made in the end of 2004. This typeface is clear and simple hybrid between sans and serif styles, which was so popular late 90s. Use Grammatik as a display face for best results.

Blout is the typeface for those who want to shout their message, but to do so with subtlety. It brings together elements of sans serif and late blackletter design, and is ideal for poster work.

Have you seen that new font from Comicraft it's lovely isn't it all soft and spongy it fair warms the cockles of me heart Mrs Robinson at number forty three she has one she got it down at the store on the corner you know the Indian convenience open all night my Albert gets his Heineken down there late of an evening and you know what I saw all manner of strange people down there last week super heroes I think they were Blimey!

Fun Signs JNL comprises twenty-six humorous signs from a 1930s-era sales list of products manufactured by the Koehler Sign Company of St. Louis, Missouri. Koehler manufactured a large line of stock cardboard "Blue Signs" (presumably blue backgrounds with white lettering) and alongside the many standard phrases used by various businesses was a list of funny sayings. Such placards were bought by merchants to either evoke interest in their services (such as in a bar or restaurant, or jokingly comment on their business policies (as in credit billing). These novelty signs are a fun addition to a flier, ad, web page or announcement and will leave your readers smiling.

Marit Otto about Picastro: The revolutionary typeface. Picastro is a fusion of Picasso and Castro. Don’t be alarmed by the second name! It is no political statement. Both characters represent different qualities in the typeface. The Picasso influence is the artistic, freestyle and frolic part. The Castro influence is the firm, square, perseverant look with a hint of propaganda to it. To combine two opposite inspirational sources (innovative versus persistent) makes the shape a bit edged. This typeface is very suitable for all kinds of graphic design (flyer, posters, CD covers and artworks) but also casual enough for (non academic) letter and text writing.

A Barnhart Bros. & Spindler type from the late victorian period. We have been faithful to the spirit of the original buy "calmed down" a few of the lowercase letters to make the lines read more smoothly.

Haiku is a very modern old-style typeface. Inspired by late Renaissance-era typography, and carefully optimised for both display and text, digital and print. Featuring ligatures, old-style numerals, wide language support, and true italics.

TCF Colar is the first typeface published by portuguese type designer Joel Vilas Boas. TCF Colar is a labyrinthian, caps only, display typeface with several stylistic alternates and discretionary ligatures, inspired by the late 70s typefaces.

A late-19th Century song book entitled "Gems of Scotland - A Beautiful Collection of Scottish Songs" had the words "Gems of Scotland" hand lettered in an ornate, condensed type style now reproduced digitally as Gemstone JNL.