Dulcinea is the title of Ramiro Espinoza’s in-depth look at Spanish Baroque calligraphy’s most extreme tendencies, and especially at some of those produced by the writing masters Pedro Díaz Morante and Juan Claudio Aznar de Polanco. These 17th and 18th centuries alphabets with their plentiful calligraphic flourishes represented a marked break with the harmonic and angular Renaissance Cancellaresca style. It was Morante who first introduced and popularized the use of the pointed quill in Spain, and although his famous text entitled “Arte Nueva de escribir” – first volume published in 1616 – contains alphabets that have much in common with traditional broad nib Cancellaresca calligraphy, most of the examples therein are outgrowths of the new models put forward by the Italian master Gianfrancesco Cresci. The writing’s swashes are complex and intricate, but at the same time they feature a profusion of defects. Many of them sometimes come close to ugliness. However, these pages contain an artistic essence that bears a relationship to the ironic and sometimes somber character of Spanish Baroque. That’s why the name of the font pays homage to “Dulcinea del Toboso”, the fictional beauty from Miguel de Cervantes’s ‘Don Quixote’, a work that reveals many of the period’s conflicts, such as the contrast between utopian ideals and reality, uncertainty and madness. But Dulcinea is far from being just a revival. Its forms are not careful tracings of the outlines of Morante and Polanco’s letters, nor are they attempts to reproduce them digitally. In fact, the author of the letters says that had the font been created that way it would have been too archaic to serve as acceptable contemporary typography. However, he believes that there are myriad interesting details that can be rescued and preserved, along with the playful spirit of the original. The work of designing Dulcinea consisted of combining original historical elements with the creativity and calligraphy of the font’s author in order to produce a modern typography that isn’t based on the same traditional sources as many recently created scripts fonts. Dulcinea offers attractive options for the setting of texts and headlines: abundant ligatures and swashes along with intricate alternate characters. It sophisticated forms make it an ideal option for women’s magazines, recipe books, lingerie products or perfume packaging.

The Vizille family, inspired by French typography of the 18th Century, is the typeface used as corporate identity by the Musée de la Révolution française.

‘Krul’ is a typographic interpretation of the lettering style created by Dutch letter painter Jan Willem Joseph Visser at the end of the 1940s, which decorated the traditional brown bars of Amsterdam. In the beginning, these letters were strongly associated with the pubs connected to the Amstel brewery, given that Visser was the company’s official painter. As the years passed, the style became increasingly popular, and various business owners in Amsterdam and other Dutch and Belgian cities also commissioned its use. In the 1970s and 1980s, Leo Beukeboom, another talented letter painter, continued and expanded this lettering tradition while employed under the Heineken brand. Much of his work can still be found in the Jordaan and De Pijp neighborhoods in Amsterdam. The Amsterdamse Krulletter, or Amsterdam’s curly letter, is strongly inspired by the calligraphic works of the 17th century Dutch writing masters, of which Jan van den Velde was a central figure. However, distinct characteristics of this style, for example, its unusual and beautiful ‘g’, originate from a model that was published by Johannes Heuvelman in 1659, which J. W. J. Visser referenced. Typographic circles have somehow overlooked the Amsterdamse Krulletter and its heritage. The Dutch calligraphic hands preceded and influenced the formal English penmanship which has inspired numerous typefaces in the Copperplate style. In contrast, the models from van den Velde, Heuvelman, and Jean de la Chambre, among others, are a missing chapter in Dutch typographic history, and had never been turned into typefaces until now. Conscious of the cultural and identity issues that arise in reviving a unique style, and concerned about the speed with which the lettering style was disappearing, Ramiro Espinoza focused the project of designing ‘Krul’ on digitally recreating the calligraphic complexity of these beautiful letters. Created through several years of research, ‘Krul’ is not a direct digitization of the Amsterdamse Krulletter, but instead, an interpretation that incorporates numerous alternative characters absent in the original model, and improves upon details where necessary, resulting in an optimal performance on the printed page. The typeface is presented in Open Type format, with an abundance of intricate ligatures, fleurons, and swashes, which permit the creation of numerous calligraphic effects. The very high contrast and rhythm of the strokes in this typeface make it especially suited for media applications conveying a sense of elegance and sophistication. Designers of feminine magazines, advertisements, and corporate identities within the fragrance and fashion industries will find in this typeface to be an extremely useful and appropriate resource.The great Amsterdamse Krulletter is finally back, and we are proud to make it available to you.

Vintage sheet music for the song "Just Once for All Time" (from the United Artists release "Congress Dances") provided the bold sans that served as the model for Dance Number JNL. This 1932 film was the English language version of the German comedy "Der Kongrefl tanzt" The movie's plot is based around the Congress of Vienna. There, an Austrian commoner is mistakenly thought to be the Tsar of Russia.

Join us on a journey to explore the world of Neutral Sans, delving into its historical roots, evolutionary path, and contemporary applications. Whether you are a designer in search of the perfect typeface for your next project or someone with a keen interest in the subtleties of typographic design, our exploration of Neutral Sans promises to be an illuminating adventure into the heart of timeless and neutral typography.

Inspired by the work of Hendrik van den Keere, Tobias Frere-Jones and David Berlow designed a family of typefaces focused on the challenges of newsprint publishing. This version of the family is part of the Reading Edge series of fonts specifically designed for small text onscreen, having been adjusted to provide more generous proportions and roomier spacing, and having been hinted in TrueType for optimal rendering in low resolution environments.

This typeface is based on Albrecht Dürer’s work “Die Underweysung der Messung” (Institutiones Geometricae, Instruction in Measurement). Please note that this font needs special treatment when typesetting text. If you need black text, you need to type just capital letters separated by spaces. If you need coloured text, type both lower case and upper case (with the lower case character first), and then assign a colour to the lowercase letters only.

'Snatched' is a spontaneous handwriting. This name is taken from the slang term in the 2022 era to describe someone or something in a positive manner. This font consists of the same uppercase and lowercase, often referred to as 'all capital letterform', complete with numerals and punctuation. Composed in tends to widen form which is more like the typical handwriting of architects. This font looks like it was written with a marker or technical pen, very bold stylish and legible. For designers this is an interesting thing, the design looks very natural and rhythmic to beautify presentations and blue prints. Can be installed for CAD programs, Sekthup and other applications. This font is very suitable for various media related to handmade, craft businesses, logos, quotes, prints, social media posts, indie business, outdoor sports and other applications to strengthen the impression of handwriting and demand attention.

Braga Huis typeface is a font family that is inspired by the famous street in Bandung that was made to embodies the atmosphere and the environment of Netherland-Indie city at its golden time, whereby all the elements were designed to give the impression of structural, artistic, and advance. Braga Huis typeface has a strong Art Deco character, where the impression is depicted from the strong lines, curvy passion so it is very appropriate to describing the future atmosphere from the perspective of the 19th century. Braga Huis typeface has 3 font styles consisting of uppercase, lowercase and various alternative options that can be customize to your taste, poster is one of the media form of presentation that we believe is very appropriate for this type of font. But whatever the medium is, honestly we say; using Braga Huis typeface will make your artwork will never be cracked by time.

Introducing "Master Rumble" - an exquisite font that embodies the timeless elegance of the Victorian era. With its ornate details and refined aesthetics, this font exudes a sense of grandeur and sophistication. "Master Rumble" offers two distinct versions: the regular and expanded. The regular version maintains the classic proportions and delicate details, perfect for creating elegant headlines and body text. The expanded version, on the other hand, provides a more dramatic and impactful look, making it ideal for titles and display purposes. These two variants offer versatility and flexibility to suit different design needs. With an impressive collection of 646 glyphs, "Master Rumble" empowers you to craft captivating typographic compositions. The font boasts an extensive range of alternative characters, allowing you to experiment with different letterforms and create unique combinations. This abundance of options gives you the freedom to customize and tailor the font to perfectly match your creative vision. Enhancing the font's allure, "Master Rumble" comes with an additional 146 ornamental elements. These ornaments beautifully complement the Victorian style, enabling you to adorn your designs with decorative flourishes, frames, and borders. These intricate details add a touch of opulence and bring a sense of refinement to your typographic creations. In conclusion, "Master Rumble" is a font that epitomizes the Victorian elegance, offering a perfect balance between classic charm and contemporary design. With its regular and expanded versions, extensive glyph set, alternative characters, ornamental elements, and multilingual support, this font empowers designers to create captivating and sophisticated typographic designs that leave a lasting impression. Elevate your creative projects and embrace the timeless beauty of "Master Rumble".

La Portenia pays homage to the spirit of early 20th-century show card writers and type designers. This face has two variations: La Portenia de Recoleta is slightly more formal and polite, while La Portenia de la Boca has longer, more extravagant flourishes and indulges in more interletter space. This showier variant is reminiscent of signs found in Buenos Aires. Both have been designed by Diego Giaccone and Angel Koziupa, and engineered and expanded by Alejandro Paul.

This font was inspired by one of Antoine Augereau's three roman typefaces: the Gros Romain (±16 Pts) size, used in 1533 to print Le miroir de l'âme..., a religious poetic compilation by Marguerite de Navarre, sister of the French king François the first. It seems possible that Augereau may have also engraved italic styles. This alphabet, with its complete small caps collection, is covering all West, East and Central European languages (including Baltic and Celtic) and Turkish.

Another typical Art Deco font from Nick Curtis. Uppercase only, but with alternate letterforms in the lowercase positions. I have completely redesigned all the diacritics (which were way too flimsy for this robust design) before expanding the character set in the usual fashion. Nick Curtis says: "Back in the Olden Days of Graphic Design B.C. (before computers), type freaks used to wait in anxious anticipation for each new release of the Letraset catalog. The inspiration for this font, Premiere Lightline, was one such release, and probably help spur my interest in Deco designs. The original font was VERY light indeed, suitable only for use in large sizes. My version is beefier, and includes an entire lower case of alternate letterforms, making this (at least) two fonts in one. The name is the 40’s hep talk equivalent of “Cool!”". ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Beauchef is a sans serif typeface originally created to meet the needs of Centro de Modelamiento Matemático de la Universidad de Chile (University of Chile Center for Mathematical Modeling). Beauchef is a typeface with rough strokes that features subtle optical compensation and does not strictly follow the laws of perception. This typeface might not be too cheerful, but shows a very particular idiosyncrasy of form. Beauchef is as tough as advanced mathematics; however, it is as legible and exact as numbers themselves. This is an avant-garde typeface that resembles the development of mathematics, but at the same time it is as conservative, calm and respectful as clients who require its services. Beauchef is so astonishing as mathematical formulas that mathematicians work with, but at the same time it is as humble as resulting figures.

Are you looking for a robust, contemporary font with strong personality? Sintesi Semi might be exactly what you are looking for. Sintesi Semi is a hybrid font which manages the “synthesis” between Sans and Serif in its own way. Due to its constant stroke the favorite font of the author is closer to a sans serif and scores with its robustness and contemporary style. Its strong serifs though evoke rather a slab serif font. Sintesi Semi builds together with Sintesi (Serif) and Sintesi Sans an extended family. Prove character too, with Sintesi Semi. Download a free trial version of Sintesi Semi with a reduced character set. Check it out!

Hello World, Introducing, Newly Bridal is a lovely script font suitable for your design project needs, such as; wedding themes, Valentine’s themes, social media posts, quotes, overlays on images, tagline logos, posters, print needs, website banners, and more. Features A set of uppercase and lowercase glyphs Number, symbol, and punctuation Multilingual Support Alternates and middle connecting swash So Easy to Use Access middle Swashes by keyboard key plus ' + ' to feature middle swash 1 key equal ' = ' to feature middle swash 2 For Example: type love+you Thank you a million times for downloading and using this font for your projects. Enjoy this font and happy creating! Thank You

Looking for a font that’ll make your branding radiate elegance? A versatile, modern, and happy font? Then we’ve got just the font for you! Enjoy Doodle-Handwritten Font Enjoy Doodle is a modern hand-crafted font that’ll make your audience swoon and enhance your branding projects, printed materials, and website design. Every stroke and curve was created to portray the essence of elegance and style. Go ahead and use it on your headings, promote your online sales, Instagram quotes, and even printed materials like business cards, t-shirts, or invitations. Features: Stylistic Set Ligatures Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

Flexo is a geometric sans typeface, with humanistic warmth. It is a synthesis of the geometric and the humanistic. It has both mathematical straightforwardness, and humanistic refinement. Flexo has a squarish design, making it stand out in many uses. It will shine in both headlines and text. It is well suited for graphic design and corporate identity design. Flexo has sixteen styles, extensive language support, eight different kinds of figures, sophisticated OpenType features — so it’s ready for advanced typographic projects. Free demo font available. Flexo in use: 1 2 3 4 5 6 7 8 9 10 11 12 13. For more information about Flexo, download the PDF Specimen Manual.

Hi, Everyone! Want font to make your branding bold? Looking for a fabulous, stylish, modern, and adventure font? We've got what you want. Goldbugs-A Serif Font Goldbugs a timeless serif font. Designed with elegance and modern style. Every letter has a unique and beautiful touch, which will make your design come alive. This font is perfect for quotes, shirt designs, websites, branding, children's designs, svg designs, blogs, logos, invitations and more! Our font always includes Multilingual Support to make your branding reach a global audience. Features: Ligatures Stylistic Set Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio

Hi, Everyone! Want a font to make your branding bold? Looking for a statement font that exudes prominence, style, and adventure? Then we’ve got the font for you! Introducing Bomberboy - A Grafiti Font Bomberboy is offered in two versions: solid and shadow. Use this cool, colourful graffiti font to breathe a street life vibe into your projects. This font is perfect for logos, printed quotes, cards, packaging, website or social media branding, and many more! Our font always includes Multilingual Support to make your branding reach a global audience. Features: Alternates Standart Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Looking for adventurous, bold, and expressive. font? You want to carve out a mark in this world, and you’re not shy to do that. Make a statement! Morely - A Sans Serif Font Morely is one of the most elegant, exquisite yet strong font design with modern vibe. This is a timeless font, will never go wrong for your audience, clients, guests or anyone around you. A real head-turner for your presentation, designs, website illustrations, and much more. Our font always feat Multilingual Option to make your brand globally acceptable Features: Ligatures Alternates Stylistic Set Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype