About the design: Ardena is a modern sans-serif typeface family. While neutral and clear at first glance, it can be characterized as both pleasant and confident due to its open, rounded forms and vertical terminals. It can be used in both a restrained and expressive way. The thinner and thicker weights are particularly suitable for strong headlines, while the middle weights can be used for typographic challenges and body text. Completed with an extensive character collection, it becomes a real workhorse. A versatile allrounder that is up to all challenges – for Corporate Identity, Editorial, Branding, Orientation and Guidance systems and much more. Features: The Ardena family has a total of 20 styles, from thin to heavy with matching italics. With over 1064 characters, it covers over 200 Latin-based languages. It has an extended set of currency symbols and a whole range of Open Type Features. There are alternative characters as stylistic sets, small caps, automatic fractions – just to name a few. Arrows and numbers: In particular, the extensive range of arrows and numbers should be highlighted, which are perfectly suited for use in orientation and guidance systems. Thanks to Open Type Features and an easy system, the various designs of arrows and numbers can also be simply "written" without first having to select them in a glyph palette. The principle is easily explained: If a number is placed in round or square brackets, it will automatically be displayed in an outlined circle or square. If you add a period to the number, it is displayed in a full circle or square. The same principle also applies to the arrows. The arrows themselves are combinations of greater/less symbols with the various slashes or hyphens. Get the Variable Font here: https://www.myfonts.com/fonts/julien-fincker/ardena-variable/

About Ardena: Ardena is a modern sans-serif typeface family. While neutral and clear at first glance, it can be characterized as both pleasant and confident due to its open, rounded forms and vertical terminals. It can be used in both a restrained and expressive way. The thinner and thicker weights are particularly suitable for strong headlines, while the middle weights can be used for typographic challenges and body text. Completed with an extensive character collection, it becomes a real workhorse. A versatile allrounder that is up to all challenges – for Corporate Identity, Editorial, Branding, Orientation and Guidance systems and much more. Variable Font The Variable Font contains 2 axes: weight and oblique – all in just one file. Features: With over 1064 characters, it covers over 200 Latin-based languages. It has an extended set of currency symbols and a whole range of Open Type Features. There are alternative characters as stylistic sets, small caps, automatic fractions – just to name a few. Arrows and numbers: In particular, the extensive range of arrows and numbers should be highlighted, which are perfectly suited for use in orientation and guidance systems. Thanks to Open Type Features and an easy system, the various designs of arrows and numbers can also be simply "written" without first having to select them in a glyph palette. The principle is easily explained: If a number is placed in round or square brackets, it will automatically be displayed in an outlined circle or square. If you add a period to the number, it is displayed in a full circle or square. The same principle also applies to the arrows. The arrows themselves are combinations of greater/less symbols with the various slashes or hyphens. Get the static version of the Ardena family here: https://www.myfonts.com/fonts/julien-fincker/ardena/

Fossa is an unconventional serif designed primarily as a display typeface. Its splayed, pinched vertical strokes and pointy wedge serifs give it a distinct flavour. The style for Fossa was initially conceived while studying the forms of Optima – in particular, the subtle taper towards the midpoint of the stems and strokes. Taking the idea of vertical strokes with a nipped waist to the extreme, Fossa was born. The sharper style created by these vertical strokes is echoed within the serifs, resulting in a contemporary wedge serif with an elegant but dramatic character. Available in five weights: ExtraLight, Light, Regular, Medium and Bold. OpenType features including ligatures and fractions.

Unione by TOMO FONTS is a clean and modern sans-serif type family with a geometric touch. Available in six weights (sharp and rounded) and with their corresponding obliques. A family of 28 members, with more than 1000 glyphs per font! The family has a wide range of language support, including Latin Plus & Cyrillic. Check out the interesting stylistic alternates Unione has for you. Geometric and modern Sans-Serif 28 styles 1000 glyphs per font. Latin Plus support, Extended Latin Cyrillic support, Basic & Extended Fractions Circled Numerals & Letters Lots of Stylistic Alternates

The Lamia font is inspired by the work of the most famous calligrapher of the Basque Country, Jose Francisco de Iturzaeta Eizaguirre (Getaria1788-Madrid 1853). His writing method was compulsory in Spanish schools since 1835. His "unpolished Spanish font" tried to be more effective than the more commercial English version by avoiding embellishments and excessive rear tearing. More akin with the liberal values imported by the French, his offerings sought uniformity, speed and efficiency to ensure that those in the less-favored echelons of society had an effective communication tool. From his "general collection of characters of European Letters" published in Madrid in 1833, we have chosen the "lower case pancilla reformed" represented in one of the prints. We have tried to reinterpret it by keeping its essence but also ensuring that it is viable for potential contemporary uses which, thanks to its good readability and effectiveness in longer texts, basically means as a decorative or display font. The upper case was generated using the lower case as a reference.

Makiritare is a display font for headlines that originates from a research work on pure geometry of great simplicity from a Venezuelan ethnicity artisanal form from men called Makiritare or Yecuana. These rivers sailors and architects of the jungle live in the village of Santa Maria de Erebato on the border with Brazil. Despite having a prodigious symbolism in their art, they didn't have until recently a font that is tailored to your expression. It all started with a trip to the Amazon in 1976 with the notion of creating my thesis as a graphic design student. In 1992 I created the first letterform that was evolving to a more elaborate version being presented and selected at the International Typography Biennial Letras Latinas in 2006. Today JMTF presents Makiritare with a more complete and mature family of three weights, alternative characters, small caps, ordinals and ligatures. Makiritare fits any application that have an innovative and modernist purposes. Recommended for titles or short phrases, with striking large-scale use.

Eurostile® is one of the most important designs from the Italian font designer Aldo Novarese. It was originally produced in 1962 by the Nebiolo foundry as a more complete version of the earlier Microgramma, a caps-only font designed by Novarese and A. Butti. Eurostile reflects the flavor and spirit of the 1950s and 1960s. It has big, squarish shapes with rounded corners that look like television sets from that era. Eurostile has sustained the ability to give text a dynamic, technological aura. It works well for headlines and small bodies of text. The Eurostile font family has 11 weights, from roman to bold and condensed to extended. In 2009 Linotype released a revised version in the Platinum Collection under the name , with three weights in all three different styles. And additionaly there are now new weights for the Eurostile family as , and ."

Éric de Berranger likes to multitask, and often works on two typeface families at once. Such was the case with Mosquito, a jaunty sans that was developed at the same time he was creating the more traditional Maxime. Mosquito represented a sort of recreation," says de Berranger. "When I grew tired of working on one design I could work on the other and then come back to the first, full of courage and desire!" Mosquito is built from simple, straightforward shapes, but its distinctive stroke terminals and slight oblique weight stress distinguish the design from more conventional sans serif faces. The relatively large x-height and open counters add to the legibility of the design. The capitals are straightforward (with just a hint of Peignot), while the lowercase has a softer, more inviting demeanor. "I drew Mosquito with the hope that it would be pleasant to look at and to read," says de Berranger. "I think the end result is almost feminine." Mosquito comes in three weights, with complementary italic designs and a suite of small caps, old style figures and alternate characters."

Mosquito Formal, by Éric de Berranger, takes the original jaunty design of Mosquito and dresses it in a tuxedo. The stressed character strokes, simple, straightforward shapes, relatively large x-height, open counters and hint of Peignot are still there, but the cursive strokes and lively terminals have been replaced with traditional designs. The result is a more serious-and more sophisticated typeface. The idea," says Éric de Berranger, "was to assuage the drawing of Mosquito. To 'calm' it; and eliminate its idiosyncrasies while preserving character structure and general appearance." Although still distinctive, as Éric de Berranger puts it, "Mosquito Formal is more to be read than seen, it is more invisible and thus, more readable than my earlier design." He does, however, use both typefaces in his graphic design projects: Mosquito for headlines and in applications where the lively design is appropriate, and Mosquito Formal for those instances that require a quieter more sophisticated look. Mosquito Formal is available in three weights with complementary italic designs in addition to a suite of small caps and old style figures. "

Polate font is an extra large super family of 60 fonts! Polate has such a big abundance of contrast, styles, weights, X-Hight. Typesketchbook consists of a very usable, clean and modern sans typeface . The complete Polate type family includes 6 weights with italic and 5 X-Hights versions for each of them all in all 60 fonts for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing , as well as packaging.

A revival of one of the popular wooden type fonts of the 19th century, suitable for text or display, narrow, short descenders, diamond shaped ornamental points at median.

Wild Life is a unique modern and beautiful font with an incredibly adventurous feel. Use this gorgeous and unique display font to bring any DIY project to life!

Eerie House is a creepy and dark-looking display font. It is perfectly suitable for any Halloween-related project or crafty idea! The only limit is your imagination.

Elegant and classy display font with matching italic and tons of ligatures. This versatile font is best for branding, webdesign project, logo, fashion related concept, and much more.

Dreary Home is a casual and creepy-looking display font. It is perfectly suitable for any Halloween-related project or crafty idea! The only limit is your imagination.

Willow Pumpkin is a creepy and dark-looking display font. It is perfectly suitable for any Halloween-related project or crafty idea! The only limit is your imagination.

Exodus is one of my favorite fonts so far inspired by old manuscripts and sci fi movies. Its a decorative display font. See the whole presentation here: Behance.net

A revival of one of the popular wooden type fonts of the 19th century, condensed, bold, curved serifs, a very useful design for display, upper and lower case.

Macadame is a serif display font especially dedicated for branding, headlines, or packaging purposes. It is a feminine yet powerful font with stunning aesthetics and an unmistakable character.

Karisa House is a fun display font featuring the perfect amount of trendiness. Whether you’re using it for crafting, digital designing, presentations or greeting cards making, it’s perfect!

The Vision font is a display font with a temper. Has a bold and cheerful personality. Ideal if you want to add a new experience to your work.

Cruisader II is a cool, fresh and bold display font. This font reads as strong, confident, and dynamic and can add tons of nostalgic character to your designs.

Scary Envision is a casual and creepy-looking display font. It is perfectly suitable for any Halloween-related project or crafty idea! The only limit is your imagination.

Ron is a vintage medium block typeface, a classic and bold display font with a cool vibe. Use it to add a smart feel to any design project.

Dimor is a modern display type family with 6 styles. Specially designed for headlines and short sentences. We hope this will contribute to your impressive and distinctive title

Naturaling - it's display typeface font, aimed at defining healthy lifestyles and nutrition. Font perfect for use in organic foods, medication, cosmetics, packaging, prints design and also identity projects.

Southern colonialist is a new slab typeface from Intellecta, based on ancient advertisements from the Wild West of America Good for titling and display usage; in many styles.

KARN is a display typeface inspired by psychedelics. Regular, bold, outline, and summer dingbats are available. Perfect for projects that require fun and creativity. Punctuation, Multilingual & PUA Encode

Spooky Flames is a cool, creepy and detailed display font. It is perfectly suitable for any Halloween-related project or crafty idea! The only limit is your imagination.

Christmas Weekday is a lovely, cute, and fun display font. This original look will appeal to a wide range of crafty ideas, from letterheads and titles to stationery.

Convert Light is something unique and interesting to display and can be used for various media needs, such as social media, brochures, posters, movies, cartoons, horrors, and more.

This contrast grotesque works well in text sizes and in large ones. Here are two sub-families: contrast and most contrast Display. Ideal companion for Osnova type family.

Quakeland is a cool, modern and stylish display font. Add this trendy font to your web designs, logos or pretty much anything that requires a smart, cool touch.

‘Golden Moment’ a handwritten script font that has multilanguage and PUA encoded, this font is perfect for t-shirt designs, quotes, logos, display, branding, wedding invitations, and more.

Feeling Scared is a casual and creepy-looking display font. It is perfectly suitable for any Halloween-related project or crafty idea! The only limit is your imagination.

Macro is a hand-drawn display font available in a regular and a bold version. Both versions come with double upper cases. Prepare to make a monstrous statement!