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  1. Relaxation JNL by Jeff Levine, $29.00
    Amongst the pages of a 1946 foreign publication entitled "100 Alphabets Publicitaires" ("100 Advertising Alphabets") is the casual brush stroke sans that was the design basis for Relaxation JNL.
  2. flower1 - Unknown license
  3. sai Font - Unknown license
  4. kero Font - Unknown license
  5. cup Font - Unknown license
  6. mi3 Font - Unknown license
  7. usa Font - Unknown license
  8. Tebukuro Font - Unknown license
  9. mi Font - Unknown license
  10. Chibaraki Now - Unknown license
  11. Pi_&haa - Unknown license
  12. Fuyu Font - Unknown license
  13. bear - Unknown license
  14. Future Chibaraki - Unknown license
  15. hiyo Font - Unknown license
  16. Wan Font - Unknown license
  17. kuma Font - Unknown license
  18. Cookie Font - Unknown license
  19. Aspastic - Unknown license
  20. TECNO STRESS - Unknown license
  21. The ManPu - Unknown license
  22. Future Chibaraki2 - Unknown license
  23. M06_QUADRA - Unknown license
  24. Mystery Circle - Unknown license
  25. Oshare Honenuki - Unknown license
  26. GriffosFont - 100% free
  27. Oshare Black - Unknown license
  28. blair Font - Unknown license
  29. Brain Damage - Personal use only
  30. Fear Factor - Unknown license
  31. FS Shepton by Fontsmith, $80.00
    Handy Andy Andy Lethbridge had only just completed his graphic design BA at the University of Portsmouth when he was spotted by Jason, who’d seen Andy’s exquisite hand lettering at his degree show and on Instagram. Keen to push the handwritten theme further, having recently launched a digitally-created, chalky script font (FS Sammy), Jason offered Andy a job and the chance to develop a suite of more stylised, truly hand-drawn fonts. Andy duly got out his pads, pencils and pens, and started experimenting with styles and textures. Magic followed. Imperfection perfected Most ‘handwritten’ typefaces are created entirely digitally. Not FS Shepton. From the start, the intention was to create a collection of alphabets of similar character but different texture and style – 100% hand-drawn and purposely imperfect, with the kind of inconsistent, organic shapes and textures of market stall signs, dashed off in chalk or paint. FS Shepton Regular, drawn with a wet brush pen, is solid with a rough outer edge and a casual but controlled feel. The dry brush used to create FS Shepton Light gives it more inner texture and a more formal, slanted, calligraphic style. FS Shepton Bold, drawn using a wider, looser dry brush pen, has a woody grain in the middle of its broad strokes and greater solidity where the brush moves more slowly. Fresh as a daisy Think of FS Shepton not as a family of three weights of the same font so much as a collection of three fonts penned by the same author. All of them – the light, regular and bold – were created independently as display fonts that offer something different to labelling, packaging, point-of-sale and advertising. Lovingly crafted by hand, they’re a good match for products and settings that share the same artisinal qualities: organic foods, drinks and healthcare products, as well as premium chocolate, coffee and condiments.
  32. Riesling - Unknown license
  33. Shardee - Unknown license
  34. Carousel - Unknown license
  35. Blazed - Unknown license
  36. ltr-04:wireflame - Unknown license
  37. flower_font - Unknown license
  38. Baby Font - Unknown license
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