Kondolarge is a slab serif typeface developed from our successful Kondolar in 2011. Based on a simple skeleton, straight sides, gently curved horizontals and sturdy serifs, Kondolarge is a bit more geometric than the prior. It is suitable for both text and display. With a well-built character set including small caps and several numeral styles. The font comes in 9 styles, ranging from a delicate Thin to Black, with matching italics, resulting in a total of 18 weights. Kondolarge contains a set of 800 characters that support over 200 Latin-based languages.

Many years ago I created two upside-down typefaces, UpsidedownJJ and UpsidedownTOC. They were based on monospaced or typewriter fonts, and were rotated 180 degrees, which is the same as a vertical flip followed by a horizontal flip. Recently I was reminded that this way of creating an upside-down typeface is not the only way to create an upside-down typeface--a simple vertical flip creates a different one. That is what this typeface is, a simple vertical flip. The original typeface on which this one is based is JetJaneMono.

Copyman is an experimental one for the creative ones. Monumental & minimalistic, great for the contemporary & urban design, this font is a good choice for confident branding & logotypes as well as for brutal or futuristic interfaces. Copyman’s title is an anagram for a Company. First of all, this font was created for branding purposes of businesses, who want something as practical as a little bit different from what they already get used to. This chamfered typeface contains 8 styles, Regular & Italic, both Cyrylic & Latin, 287 glyphs, 8256 pairs, 119 groups, has well–balanced kerning & clever spacing.

Adverb Mono is an atypical monospaced, squared proportional, slab-serif and low contrast typeface inspired by the American Type Founders' "OCR-A" and the latest work of Adrian Frutiger "OCR-B" designed during the second half of the 20th century. The typeface (in his 1.00 version) counts five different weight, from Thin to Bold, and a pixelated redesign of the regular weight inspired by the retrogaming consoles' graphics. It counts more than 240 different glyphs continuously updated. Designed by Gabriele Bellanca for IED Florence Typography Masterclass 2020/21. All rights reserved.

Many years ago I created two upside-down typefaces, UpsidedownJJ and UpsidedownTOC. They were based on monospaced or typewriter fonts, and were rotated 180 degrees, which is the same as a vertical flip followed by a horizontal flip. Recently I was reminded that this way of creating an upside-down typeface is not the only way to create an upside-down typeface--a simple vertical flip creates a different one. That is what this typeface is, a simple vertical flip. The unflipped typeface from which VerticalFlipTOC is derived is TiredOfCourier.

Almoni is a precise, neutral multi-lingual sans typeface and is one of the most popular fonts in Israel. It contains many glyphs and fully supports 230 Latin and Cyrillic languages - which makes it an ideal font for the side-by-side use of Latin and Hebrew characters. Many fonts are characterized by their unique character and language, and yet Almoni sheds almost all elements of uniqueness; as such, it will not overshadow your entire design. Every designer needs this functional font in their arsenal. Cyrillic design by Anna Khorash.

Straight Angles is a precisely designed three-dimensional font with a clean and futuristic look. The predominant angles are 90 degrees and 180 degrees with parallel and perpendicular lines. Each character is surrounded by a crisp black border of even thickness throughout the font. Upper- and lower-case letters are the same, providing a constant maximum top height while the stems extending below are allowed to show off their distinct personalities in order to spice things up. The 3D extrusion effect makes text appear to stand out from the page.

From the universe of horror fiction literature, Dracula, carrier of the undead curse, is one of the most exciting and inspiring characters. Inspired by the classic novel, Moncler sets to explore into the renaissance art movement, its shapes, and personality. The outcome is a Variable Font with big contrast and 220+ weights and widths, from Condensed to Expanded, and Light to Heavy. Moncler is a dramatic looking font, its main features are its alternative symbols and punctuation set, and small-caps as lowercase, perfect for more dramatic titles and graphic designs.

Marcelo's new typeface Emperator —based on his knowledge gained from instruction by master calligraphers— provides a fresh perspective on classic typefaces. Emperator comes in 3 variants that make your designs look elegant, legible and expressive. This font is perfectly suitable for a wide range of applications such as titles, wedding invitations, short text, logos, labels, book covers, posters, packaging, etc. Emperator's character set includes small caps (letters, figures and symbols), fractions, stylistic alternates, ligatures, mathematical symbols, etc.— more than 750 glyphs in all, supporting over 200 Latin-based languages.

The Guminert font is Modern Sans Serif inspired by masculine men, that's why we made this font with all our heart to give a masculine impression in sans serif form. And this font also has Alternate font styles, Ligatures, Multilingual Support and other additional symbols/ characters to use in any of your creative needs in any project. Font Details: Sans Serif Style: 12 Weight (Light - Extra Bold) Release : 03/ March/ 2022 Version: Vol 2.0 Thank you for your support of our products and using them in your creative projects.

Spark a revolution for a better future with Spark Sans. Super clean and geometric, this display typeface is ideal for tech, transportation, electronic music, revolutionary products or other disruptive ideas that move us beyond the present. Spark Sans has a relatively high x-height and squared off curves that give it a distinctive look while still maintaining a minimalist aesthetic. The design originated with custom lettering for the Primitive Spark identity, which became the foundation for the bold style. With 260 glyphs, Spark Sans is a great choice for many languages with Latin characters.

Tropical Trouble is a hand lettered sans-serif font. The super tall and super skinny font could be used for a variety of projects, such as labels for a jar or a name on a tumbler! Contains over 200 accented characters for language support. Some of the languages supported are: English, Spanish, Portuguese, German, Italian, French, Polish, Catalan, Irish, Norwegian, Croatian, Gaelic, and more! If you would like to know if a certain language is supported, please contact me with the language and/or any special characters you want to know about.

Kimberlie is a luxurious display serif font with unique character by combining geometric shapes with organic curvy details. It is a unique typeface for your individual personality. Inspired by old-style serif and contemporary serif fonts. The extreme contrast between thick and thin strokes gives a harmonic and stylish look. Elegant and sensuality didone serif enhanced by ligatures, alternates and swashes. Kimberlie features OpenType with 1025+ glyphs, 210 Stylistic Alternates, 486 Ligatures. Perfect for a wide range of uses. From greeting cards to magazines, wedding invitations, logos to website etc.

Roanne is a sans serif family named after a town in France. This font family contains 2 width variations: Normal and Condensed, and all together counts 44 font styles. Equipped with OpenType features (Tabular Figures, Fractions, Stylistic Alternates, Localization for Serbia, Poland and the Netherlands, Case Sensitive brackets) for extended Latin and Cyrillic character set with a small charming set of Dingbats. For easier usage as webfont, Roanne font files contain numeric values for CSS weight attribute – 100, 150, 200, 300, 400, 500, 600, 700, 800, 850, 900.

Juana is the result of a journey to self-discovery and part of a continuous exploration process. The font, based on Jazmín https://www.myfonts.com/fonts/latinotype/jazmin/ typeface, features a more developed design while still maintaining the essence of the original version. The extreme contrast between thick and thin strokes gives Juana a harmonic and stylish look. It comes in 8 weights with matching italics and includes an alternate version. The whole character set supports over 200 Latin-based languages. Juana is perfectly suited for editorial design, branding, magazines, logos, headings and more.

Jazmín is inspired by "Globe Gothic" design yet features different proportions, curves, serif shapes and contrast, which give it a classy, playful and a more contemporary look. The family comes in two versions: an elegant font of 8 weights-ranging from Thin to Black-with matching italics, and an alternate, more playful counterpart with the same number of weights and italics. The whole Jazmín set contains 566 characters which support over 200 Latin-based languages. Jazmín is ideal for magazines, short text, logos, branding design, packaging and advertising.

Introduce you a new one - La Truffe. A super stylish Didone font. Comes with two styles - Regular and Italic. High contrast strokes gives a refinement into your project. Access your OpenType features to access the large selection of alternate letters and some ligatures. Calligraphic Italic can play with Regular in pair or can be used as independent mainline typeface. More than 480 glyphs total. La Truffe is a versatile font, which can be used in you branding ads, magazine headlines, posters, wedding invitations, product packaging, business cards etc.

Proza Display is the eye-catching counterpart of Proza, consisting of 12 styles (6 weights + italics). Together, Proza and Proza Display form a large family of 24 styles, which are all equipped with plenty of language support and opentype features. Proza Display was made to function especially well at large sizes, drawing the reader's attention with its beautiful and slightly eccentric shapes. Its large character set (support for 200+ languages) and opentype features make sure that Proza Display doesn't let you down, while its classy design helps you to make a visual impact.

Presenting the 🗯️💬CHOPIC Comic Typeface💬🗯️ by alitdesign. The CHOPIC Comic Typeface is inspired by the style of letters in comics that have less serious and fun characters. The lettering of CHOPIC Comic Typeface is a sans serif with display font characters which gives a fun and design impression for retro pop art. The CHOPIC Comic Typeface has 2 style font regular and brushed style and has 2 characters solid and 3D. The CHOPIC Comic Typeface is perfect for creating designs with non-serious concepts, designs for children, book headers, and of course for text on comics. The CHOPIC Comic Typeface also gets a bonus character of 230 Comic-themed illustrations that make creating designs even easier. Simply by downloading The CHOPIC Comic Typeface creating a Comic and non formal themed design is very quick and easy. The CHOPIC Comic Typeface is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with comic, non-serious, pop art, game mobile and fun design. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The CHOPIC Comic Typeface contains 565 + 230 bonus glyphs with many unique and interesting alternative

Surfbars is a handmade multi-language Latin / Cyrillic font that was inspired by surfing, sand, and playful style. Comes in Regular, Italic, Underlines, and Splashes This font includes a full set of fun and unique uppercase and lowercase letters, numerals, and a large range of punctuation. Overall it contains more than 760 glyphs with 220 alternatives and +10 interesting ligatures, swashes, and underlines. With this font, you have complete freedom to use and combine various different letters, alternatives, and ligatures, by that you can be sure that your design or any kind of project will be a unique masterpiece. Also, the combination and usage of different letters and ligatures gives you the opportunity to have fun and at the same time create your own unique style. THE PRODUCT CONTAINS: • More than 760 glyphs, 220 alternatives, 60 ligatures which are unique and playful • This font includes Latin Plus diacritics. • Surfbars support Latin Plus languages (Latin Multilingual language support) • Surfbars support the Cyrillic alphabet. Ideal for loud messages. Made with flat marker adding realistic moves in it. Very interesting to use for logos, name tags, handwritten quotes, product packaging, merchandise, social media & greeting cards. Also, ideal to make t-shirts designs and other clothing products.

Presenting the 🗯️💬CHOMOXI Comic Typeface💬🗯️ by alitdesign. The CHOMOXI Comic Typeface is inspired by the style of letters in comics that have less serious and fun characters. The lettering of CHOMOXI Comic Typeface is a serif with display font characters which gives a fun and design impression for retro pop art. The CHOMOXI Comic Typeface has 2 style font regular and brushed style and has 2 characters solid and 3D. The CHOMOXI Comic Typeface is perfect for creating designs with non-serious concepts, designs for children, book headers, and of course for text on comics. The CHOMOXI Comic Typeface also gets a bonus character of 230 Comic-themed illustrations that make creating designs even easier. Simply by downloading The CHOMOXI Comic Typeface creating a Comic and non formal themed design is very quick and easy. The CHOMOXI Comic Typeface is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with comic, non-serious, pop art, game mobile and fun design. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The CHOMOXI Comic Typeface contains 579 + 230 bonus glyphs with many unique and interesting alternative options.

Presenting the 🗯️💬CHOMIKU Typeface💬🗯️ by alitdesign. The CHOMIKU Typeface is inspired by the style of letters in comics that have less serious and fun characters. The lettering of CHOMIKU Typeface is a serif with display font characters which gives a fun and design impression for retro pop art. The CHOMIKU Typeface has 2 style font regular and italic and has 3 characters solid, line and 3D. The CHOMIKU Typeface is perfect for creating designs with non-serious concepts, designs for children, book headers, and of course for text on comics. The CHOMIKU Typeface also gets a bonus character of 230 Comic-themed illustrations that make creating designs even easier. Simply by downloading The CHOMIKU Typeface creating a Comic and non formal themed design is very quick and easy. The CHOMIKU Typeface is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with comic, non-serious, pop art, game mobile and fun design. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The CHOMIKU Typeface contains 559 + 230 bonus glyphs with many unique and interesting alternative options.

Presenting the 🗯️💬CHOMIQY Typeface💬🗯️ by alitdesign. The CHOMIQY Typeface is inspired by the style of letters in comics that have less serious and fun characters. The lettering of CHOMIQY Typeface is a serif with display font characters which gives a fun and design impression for retro pop art. The CHOMIQY Typeface has 2 style font regular and italic and has 3 characters solid, line and 3D. The CHOMIQY Typeface is perfect for creating designs with non-serious concepts, designs for children, book headers, and of course for text on comics. The CHOMIQY Typeface also gets a bonus character of 230 Comic-themed illustrations that make creating designs even easier. Simply by downloading The CHOMIQY Typeface creating a Comic and non formal themed design is very quick and easy. The CHOMIQY Typeface is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with comic, non-serious, pop art, game mobile and fun design. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The CHOMIQY Typeface contains 560 + 230 bonus glyphs with many unique and interesting alternative options.

The typeface Hand Print Stamp Rough is designed in 2018 for the font foundry Typo Graphic Design by Manuel Viergutz. The rough hand-printed typeface based on old wood letters, rubber-stamps and plastic stamps. 7 font styles (Reg + Mix, Circle, Diamond, Square Star + Icons) each with 1350+ glyphs incl. 200+ decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes, catchwords, decorative ligatures (type the word LOVE for ♥ or SMILE for ☻ as OpenType-Feature dlig) and stylistic alternates (9+ stylistic sets). For use in logos, magazines, posters, advertisement and packaging plus as webfont for decorative headlines. The font works best for display size. Character Set: Latin Extended (Adobe Latin 3). 1350+ glyphs with 200+ extra icons like arrows, dingbats, symbols, geomatric shapes, catchwords and many alternative letters. (9× A–Z, 9× a–z, 9× 0–9) For use in magazines, posters, headlines and advertisement, plus as webfont for decorative headlines. Have fun with this font & try-before-buy the DEMO-FONT (with reduced glyph-set) FOR FREE! ■ Font Name: Hand Print Stamp Rough ■ Font Weights: Regular + Mix, Circle, Diamond, Square, Star + Icons + DEMO (with redu­ced glyph-set) ■ Font Cate­gory: Sans Serif + Slab Serif Dis­play for Head­line Size ■ Font-For­mat: .otf (Open­Type Font for Mac + Win) + .ttf (True­Type Font) ■ Glyph Set: 1350 glyphs ■ Lan­guage Sup­port: 27+ for Latin Exten­ded (Adobe Latin 3). Afri­kaans, Alba­nian, Cata­lan, Croa­tian, Czech, Danish, Dutch, English, Esto­nian, Fin­nish, French, Ger­man, Hun­ga­rian, Ice­lan­dic, Ita­lian, Lat­vian, Lithua­nian, Nor­we­gian, Polish, Por­tu­gese, Roma­nian, Slovak, Slove­nian, Spa­nisch, Swe­dish, Tur­kish, Zulu ■ Spe­cials: 200+ deco­ra­tive extras like icons for arrows, ding­bats, emo­jis, sym­bols, geo­me­tric shapes, catch­words + Ger­man Capi­tal Eszett. Open Type Fea­tures: Kerning (kern), Sty­listic Set 1 (ss01) … Sty­listic Set 16 (ss16), Loca­li­zed Forms (locl), Super­script (sups), Ordi­nals (ordn), Slashed Zero (zero), Frac­tions (frac), Stan­dard Liga­tures (liga), Con­text­ual Alter­na­tes (calt) e. g. Sty­listic Set-Loop and Deco­ra­tive Liga­tures (dlig) e. g. type the word “LOVE” for ❤ or “SMILE” for ☺ ■ Design Date: 2018 ■ Type Desi­gner: Manuel Vier­gutz

Mars Wars is a futuristic display font. Thanks to its original technological outlines, it is well suited for logos, packaging, posters and much more. Mars Wars has very wide language support. It has expanded Latin and expanded Cyrillic. The font supports 80+ languages.

Darwin font family is a eclectic assembly of grotesque, geometric and humanistic styles, includes 20 fonts, 10 normal and 10 alt sub family, the alt variant gives spice to the compositions. The font family is good for headlines, short text, posters and logos.

The Aerillyo is a strong and bold script font. It’s curved and rounded in every single touch, and has an unique vintage and retro styles that’s perfect for branding. The Aerillyo font is suitable for all your retro, vintage, and 80s style projects.

This is the Bruce Foundry’s Old Style No.20, which was loosely based on the Miller & Richard Old Style. It was recut at Lanston under Sol Hess’ direction in 1909, and survives as the second text face in the Sears Roebuck Catalogue.

Urban Philosopher is a experimental font, its kind of mix of vintage typography with 80 s grunge. The font have a little messy and dirty texture, which gives it a little "horror" effect. The font includes almost all letters of the Latin alphabet.

Birthmont is a vintage display style font, capital letters with interesting combinations, very suitable for use on label designs, titles, or other vintage themed designs. a font inspired by the 80's label designs that used it for the title and headline sections

Inspired by the early days of video games where the graphics were made of squares (pixels), Wahyu Wibowo comes up with pixel based typeface design, Jogan, but instead of having medium width, he decided to make it narrow which is rarely exist in pixel style font. The style were expanding in the development process, so the family have 4 subfamilies: Jogan (regular, bold and monospace) Jogan Soft (regular, bold and monospace) Jogan Round (regular and monospace) Jogan Slab (regular and bold) Each Jogan font style contains 280+ glyphs which covers Western Europe languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Filipino, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Retro, retro-futuristic, futuristic, modern, techno theme projects fit perfectly with this typeface, any works from logo, poster, video, headlines, titles, and more!

John Baskerville (1706-1775) was an accomplished writing master and printer from Birmingham, England. He was the designer of several types, punchcut by John Handy, which are the basis for the fonts that bear the name Baskerville today. The excellent quality of his printing influenced such famous printers as Didot in France and Bodoni in Italy. Though he was known internationally as an innovator of technique and style, his high standards for paper and ink quality made it difficult for him to compete with local commercial printers. However, his fellow Englishmen imitated his types, and in 1768, Isaac Moore punchcut a version of Baskerville's letterforms for the Fry Foundry. Baskerville produced a masterpiece folio Bible for Cambridge University, and today, his types are considered to be fine representations of eighteenth century rationalism and neoclassicism. Legible and eminently dignified, Baskerville makes an excellent text typeface; and its sharp, high-contrast forms make it suitable for elegant advertising pieces as well. The Linotype portfolio offers many versions of this design: ITC New Baskerville® was designed by John Quaranda in 1978. Baskerville Cyrillic was designed by the Linotype Design Studio. Baskerville Greek was designed by Matthew Carter in 1978. Baskerville™ Classico was designed by Franko Luin in 1995."

BulletNumbers come in very handy for all kinds of lists that don't exceed 100 categories. I have long since been using my own Bullets in positive and negative and four styles, serif, sans, engravers and script, a fitting one for every occasion. Now I added six more designs and perfected the Bullets for all of you. The following is a »must read«! Here is how to use them: (Important! Set letterspacing to '0', otherwise the two digit numbers will have gaps!!!) The numbers 1-0 reside on the standard keys. Two digit numbers 01-99 can be composed out of left and right half circles by using (lowercase) 'abcdefghij' for the first digit (left half circle) and 'lmnopqrstu' for the second digit (right half circle). The critical pairs (all combinations with 1) can be found in various places. Type '!' for 10, '#' for 11, '$' 12, '%' for 13, '&' for 14, '(' for 15, ')' for 16, '*' for 17, '+' for 18, ',' for 19, '-' for 21, '.' for 31, '/' for 41, ':' for 51, ';' for 61, '?' for 81, '_' for 91. The two arrows are on the < and > keys. '100' can be found with shift+option+1. Last but not least, the capital letter bullets A-Z can be found on the shift+letter A-Z. Your very practical Gert Wiescher

John Baskerville (1706-1775) was an accomplished writing master and printer from Birmingham, England. He was the designer of several types, punchcut by John Handy, which are the basis for the fonts that bear the name Baskerville today. The excellent quality of his printing influenced such famous printers as Didot in France and Bodoni in Italy. Though he was known internationally as an innovator of technique and style, his high standards for paper and ink quality made it difficult for him to compete with local commercial printers. However, his fellow Englishmen imitated his types, and in 1768, Isaac Moore punchcut a version of Baskerville's letterforms for the Fry Foundry. Baskerville produced a masterpiece folio Bible for Cambridge University, and today, his types are considered to be fine representations of eighteenth century rationalism and neoclassicism. Legible and eminently dignified, Baskerville makes an excellent text typeface; and its sharp, high-contrast forms make it suitable for elegant advertising pieces as well. The Linotype portfolio offers many versions of this design: ITC New Baskerville® was designed by John Quaranda in 1978. Baskerville Cyrillic was designed by the Linotype Design Studio. Baskerville Greek was designed by Matthew Carter in 1978. Baskerville™ Classico was designed by Franko Luin in 1995."

This is a must read!!! BulletNumbers come in very handy for all kinds of lists that don't exceed 100 categories. I have long since been using my own BulletNumbers in positive and negative and four styles, serif, sans, engravers and script, a fitting one for every occasion. Now I perfected them for all of you. Here is how to use them: (Important! Set letterspacing to '0', otherwise the two digit numbers will overlap!!!) The numbers 1-0 reside on the standard keys. Two digit numbers 01-99 can be composed out of left and right half circles by using (lowercase) 'abcdefghij' for the first digit (left half circle) and 'lmnopqrstu' for the second digit (right half circle). The critical pairs (all combinations with 1) can be found in various places. Type '!' for 10, '#' for 11, '$' 12, '%' for 13, '&' for 14, '(' for 15, ')' for 16, '*' for 17, '+' for 18, ',' for 19, '-' for 21, '.' for 31, '/' for 41, ':' for 51, ';' for 61, '?' for 81, '_' for 91. The two arrows are on the < and > keys. '100' can be found with shift+option+1. Last but not least, the capital letter bullets A-Z can be found on the shift+letter A-Z. Yours very practical Gert Wiescher