Alfons is a handy collection of 38 display fonts with a pack of Ornaments and Extras on top of that. Alfons is great for any kind of display use from online to packaging to posters or identities. Alfons is divided into eight subfamilies that play great together. Alfons’ core family is a monoline script that has eight weights from extra thin to black and on top of that two printed versions that have softer, a bit blurred features. Alfons Script is equipped with Standard Ligatures which makes the flow more natural. For more swirling swashes and bouncy flow try Swash, Stylistic or Titling Alternates in any OpenType savvy program or manually select from even more alternate characters from Glyph Palette. Alfons Display, Sans, Condensed, Serif and Slab are equipped with Swash alternates and Alfons Tiki has interlocking ligatures feature that you can access from Discretionary Ligatures. Alfons Extras is a pack of pictograms and icons and some catchwords. Alfons Ornaments is designed to work with Script.

Brinkley Script: A fresh handwritten font, luxurious and elegant with a dancing baseline. Perfect for branding, logos, greeting cards, wedding stationery, quotes, and more. It comes with a handy set of OpenType Stylistic Alternates, Ligatures and multilingual support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. The font is PUA Unicoded. Mac users can use Font Book and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn Thanks so much for looking, I really hope you enjoy it and please don't hesitate to drop me a message if you have any issues or queries.

'Snatched' is a spontaneous handwriting. This name is taken from the slang term in the 2022 era to describe someone or something in a positive manner. This font consists of the same uppercase and lowercase, often referred to as 'all capital letterform', complete with numerals and punctuation. Composed in tends to widen form which is more like the typical handwriting of architects. This font looks like it was written with a marker or technical pen, very bold stylish and legible. For designers this is an interesting thing, the design looks very natural and rhythmic to beautify presentations and blue prints. Can be installed for CAD programs, Sekthup and other applications. This font is very suitable for various media related to handmade, craft businesses, logos, quotes, prints, social media posts, indie business, outdoor sports and other applications to strengthen the impression of handwriting and demand attention.

Braga Huis typeface is a font family that is inspired by the famous street in Bandung that was made to embodies the atmosphere and the environment of Netherland-Indie city at its golden time, whereby all the elements were designed to give the impression of structural, artistic, and advance. Braga Huis typeface has a strong Art Deco character, where the impression is depicted from the strong lines, curvy passion so it is very appropriate to describing the future atmosphere from the perspective of the 19th century. Braga Huis typeface has 3 font styles consisting of uppercase, lowercase and various alternative options that can be customize to your taste, poster is one of the media form of presentation that we believe is very appropriate for this type of font. But whatever the medium is, honestly we say; using Braga Huis typeface will make your artwork will never be cracked by time.

Clocko automatically turns the time stamp text into an analog clocks using the OpenType ligatures. Even when the ligatures are turned off, the time is still visible and readable, and it does not change or ruin the layout. Perfect for web usage and even for small sizes. For a crisp look, please use sizes divisible by 30, for example 30pt or 60pt. To make a custom analog clock, type any uppercase or lowercase letter to have a border (see previews for examples), and then type the time in 12 hour or 24 hour format with or without seconds. Use colon, comma, semicolon, hyphen, period or plus as a separator. Few examples: 12:45 9:25:46 10.50 13:30.10 The borders can be mixed together for more interesting look, please see the screenshots above. An additional background shape can be added to the clocks by typing a symbol (! # $ % & ( ) < = > ) as a first character, for example %A12:40:55. Please note that in order to keep the clocks visible, the background shape and the clocks need to have a different colors.

Agnesia Script is a modern script in handmade calligraphy style, with decorative characters and a dancing baseline! So beautiful on greeting cards, branding materials, business cards, quotes, posters, and more. Agnesia Script come with 492+ glyphs. The alternative characters were divided into several OpenType features such as Swash, Stylistic Sets, Stylistic Alternates, and Ligature. The OpenType features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, and Microsoft Word. And this font has given PUA unicode (specially coded fonts) so that all the alternate characters can easily be accessed in full by a craftsman or designer. Agnesia Script Features: Uppercase & Lowercase International Languange & Symbols Support Punctuation & Number PUA Unicode Range Standard Ligatures Discretionary Ligatures Stylistic Alternates Stylistic Set 1-13. If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). If you have any question, don't hesitate to contact me by email masinong.studio@gmail.com Thanks and happy designing.

Bellwood Gothic™ is an unorthodox but happy pairing of upper and lowercases that breaks typographic rules: its capitals evoke traditional early 20th century styling and strength. Lowercase displays a softer, more warm and friendly flavor that points to a Bauhaus aesthetic. But for some strange reason they work so well together! Therein lies the mystique of this font. Overall it isn’t strictly uniform in stroke but shows some variation of color. The sofa poster includes a cameo appearance by breauhare’s own popular Daddy’s Hand™ font. Bellwood Gothic’s nostalgic flavor of the 1960s & 1970s still conveys a modern look that lends itself to sports, fashion, lifestyle and more. The wide track of the lettering helps short words easily fill spaces. Includes stylistic alternates for the lowercase a, e, & l (L), plus 13 uppercase letters! Among OpenType features are Stylistic Alternates, Stylistic Sets, Ligatures, Fractions, & Case-sensitive forms. Extended support for Western, Central, and Eastern European languages is included. Use it for headlines, subheads, branding, editorial, packaging, and logos!

Platipus Script A sweet handlettered font, casual and dynamic with a dancing baseline.. all to add an authentic touch to your designs. perfect for Branding, Logos, Greeting Cards, Wedding Stationery, Quotes etc. It comes with a handy set of Opentype Stylistic Alternates, Ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. Files included: These coded with PUA Unicode. Mac users can use Font Book and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn Thanks so much for looking, I really hope you enjoy it and please don't hesitate to drop me a message if you have any issues or queries :)

Silk Script is a revival and elaborate expansion of a 1956 Helmut Matheis script called Primadonna, which strangely remained a metal face and never made the leap into the film age. Silk Script has the unmistakable high contrast and elegance of formal scripts, yet both its majuscules and minuscules show much more complex and visually appealing art than traditional copperplate or Spencerian calligraphy. When set properly, it adds just the needed extra touch of artistic flair to designs that are not visually satisfying with the usual high-contrast elegant scripts. Silk Script comes in two styles, with the Alt font containing form variations on almost every letter, allowing for flexibility and precision in choice typesetting. Plenty of more alternates are available throughout the character sets of both fonts. Both styles also boast expanded character sets that include support for Central and Eastern European languages, as well as Baltic, Celtic, Esperanto, Maltese and Turkish. Silk Script Pro unifies both styles in one font, for 550 characters of sheer elegance and handy OpenType features including stylistic alternates, discretionary ligatures and class-based kerning.

Sam Suliman is a condensed display face supplied in three weights – Regular, Medium and Bold – plus a set of handy italics (obliques). All six fonts are included in the value family pack. The fonts are inspired by lowercase lettering on a Sarah Vaughan album cover designed by Sam Suliman in 1962, a style which contrasts sharp tight outer corners with soft rounded counters. The letters were perhaps influenced by a Solotype font called Herald Square, but without that font’s aversion to diagonals, and adding distinctive perky ascenders/descenders on the lowercase r, a, u, g and n. The Sam Suliman fonts also add the nubs to d, m, p, and q. Suliman was born in Manchester, England in 1927. After working for McCann Erikson in London, he moved to New York where he took on freelance work designing album covers, particularly celebrated are his striking minimalist designs for jazz records. He moved back to England in the early 1960s, designing many book jackets, film titles and fabrics, also working in Spain and India before settling in Oxford in the 1980s.

Philip Bouwsma's Symposium Pro is a wide Carolingian script that can be set simply or with a wide range of flourishes. It takes its inspiration from the scriptoria of the twelfth century, particularly in Spain, where Christians, Muslims and Jews lived harmoniously in a brilliant culture for two centuries. As manuscripts were translated and copied to meet the Western demand for classical texts, calligraphic elements from Arabic and Hebrew spread throughout Europe, sparking a proliferation of new styles that brought the simple book hand to a higher level. Symposium Pro spans a broad range of time and space, from the court of Charlemagne to the Arabian nights and Renaissance Florence. Symposium Pro comes in four weights, ranging from Light to Bold, with each font containing over 1200 glyphs. Variations on every letter form, from swashes to subtle alterations, are plenty, with some even having up to 40 alternates. Also plenty are the embedded ornaments and flourishes, over a hundred of them. Keep that glyph palette handy for many pleasant surprises and easy setting solutions.

The "Voluptate Pack" font is a smart sophisticated handwriting pack that includes ‘Voluptate’, ‘Voluptate Classic’ and ‘Voluptate Elements.’ Every single character in our ‘Voluptate’ font distinct and given every letter a unique identity – very much like a person’s handwriting. Of course the characters are similar enough to work hand in hand, but not so similar as to appear as an obviously computer generated type set. The ‘Voluptate Classic’ is very similar in design and ever so slightly informal in its appearance. A thoughtful mix-and-match of both these fonts can give a delightful appearance to your designs. You could use the Voluptate on most areas of the text for example, and the ‘classic’ to emphasize a more personal touch to certain areas, say for example where you may be quoting somebody’s word. When you get the pack you also get a handy ‘Voluptate Elements’ set of designs that can enhance your creations in so many ways. All 3 are available individually, but it's like getting the elements for free when you buy the pack.

Let’s have fun with the sweet and fun handwritten font Phitaya that will brighten all your handy works. It is a suitable choice for children-themed work, book, logo, quote, greeting cards, quaint branding, and many more. It is also perfect for a stylish text overlay to any background image or semi-formal text. This font package consists of a full set of the alphabet from A to Z, uppercase and lowercase letters, numbering, and punctuation that available in OTF format only. For international use, Phitaya, a sweet handwritten font is supported for multilingual language so it will be a perfect match for fun and cheerful occasion. Phitaya is easy to download and uses a font that will complement your scribble works. Give a fresh and unique statement in every letter you make by using our brand-new font. Please contact our support team if you find any difficulties in purchasing, downloading, or using the font. You may also send us messages or questions regarding this or any other product of ours.

This is an extension of Mikolaj's Grabowski first typeface. Formerly known as EPILEPSJA, now coming as ACHTUNG. Adding lowercase and small caps, as well as additional language support including Cyrillic script and some dingbats. ACHTUNG Color Type Family has a range of application from warnings and safety signage to propaganda posters and anarchist graffiti. Every place where you need an indisputable message, be it in headlines or titles, this font comes in handy. It’s a stencil, it’s layered and impossibly dimensional. Download the specimen HERE. I advise you to do so in order to being aware of how the layers work and how to use color fonts. Total of 1020 glyphs. Languages: Afrikaans, Albanian, Bosnian, Bulgarian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Macedonian, Maltese, Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Slovak, Slovenian, Spanish, Swedish, Turkish, Ukrainian, Vietnamese, Zulu. OpenType features: small caps, localizations, superscript, fractions, ordinals, proportional and tabular figures, case sensitive forms, stylistic alternates, contextual alternates, and proper mark attachment.

It started with an italic, or to be more precise, half an italic. The slanted styles of Urge Text exhibit a certain bipolarity, the tops of glyphs having a standard italic form, the bottoms of glyphs being more Roman in their construction. This sturdy footing really locks the italics to the baseline, making them very legible while still being distinct from the uprights. The same bipolar approach didn't work very well in upright styles, so the Romans are more toned down. Ranging from the almost monoline, Egyptian style light weights to higher contrast ‘Modern’ bolds, there is much potential for use in typographically demanding scenarios. The family consists of six weights, normal and condensed widths, all with italics, making a total of 24 fonts; it’s a highly usable text typeface with an array of OpenType features. All styles include small caps, multiple figure styles (proportional- and tabular-, oldstyle and lining, small cap proportional figures, numerators, denominators, superscript and subscript), standard ligatures, alternate forms (stylistic sets), automatic fractions, case sensitive forms, and a handy (perhaps!) ‘percent off’ ligature in the discretionary ligatures feature.

I always like to make a heart swash font and this is my 7th. Winterfalls is a high quality, smooth, simple script font which is easy to read and ideal for anything romantic and loving. Use it on cards and notes for baby announcements, wedding stationery, birthday and thank you cards but most of all, anything for your Valentine. Winterfalls includes left and right end swashes and connecting swashes on the lowercase letters, and a set of alternate uppercase letters with heart swashes. There are a few alternate lowercase letters, such as the ‘i’ and the ‘j’ dotted with a cute little heart and many, many ligatures. As usual, this font also comes with a good set of international characters, which will come in handy when you want you entice your valentine with a little french, haha. If you use a program which doesn’t have a glyphs panel then it’s super easy to copy and paste the alternates and ligatures from Font Book (Mac) or Character Map (Windows).

OmegaPixel Font Description I created this font for the game Hyper Ninja Blast (but made it useful to all kinds of games!). While creating the game, I searched for pixel fonts, but could not find a suitable one. The fonts were generally ugly and lacking the basic variations (italic and bold). So I decided to create my own pixel font. Just as pixel art can be better than a high-resolution painting, so pixel fonts don’t need to be always worse than traditional fonts. In OmegaPixel I tried to achieve elegance, readability and flexibility within the limitations of a 6 pixel x-height. With 4 versions (regular, italic, bold and bold italic), and a neutral feel, OmegaPixel can be used in any genre of games. Considering the general lack of money among indie game devs, I’m giving the regular version for free! For inspiration, I often remebered Minion’s lowercase ‘a’, Galliard italic lowercase ‘g’, and the calligraphy of Chinese emperor Huizong.

PF Bague Slab Pro draws its inspiration from early 20th century slabs and was designed as a companion to Bague Sans, a versatile monoline typeface with a distinct and eye-catching personality. Following its predecessor’s design guidelines, it overcomes the monotonous and mechanical rigidity of early geometrics by introducing subtle variations in stroke width and semi-wedge serifs rather than square slabs. These striking serifs, along with a mixture of attractive letterforms, exude a strong, modern and energetic personality at display sizes. On the other hand, at small sizes these distinct characteristics become subtle and the simplistic geometric personality of the typeface comes in place to offer a highly readable text. Bague Slab Pro is a very clean and legible typeface with a warm and well-balanced texture which is ideal for editorial design, branding and corporate identity. This superfamily includes 18 weights from Hairline to Ultra Black with a consistent and well-refined structure. The italics are slightly narrower than the romans with cursive characteristics. Each style consists of 718 glyphs with 13 opentype features and an extended set of characters which supports simultaneously Latin, Cyrillic and Greek. PDF Specimen Bague Slab Pro on Behance

Hi All ! Morelight Script is a modern script in a handmade calligraphy style with decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more!! Morelight Script comes with 313+ glyphs. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font has PUA unicode (specially coded fonts) so that all the alternate characters can easily be accessed by a craftsman or designer. Morelight Script Features : Uppercase & Lowercase International Languange & Symbols Support Punctuation & Number PUA Unicode Range Standard Ligatures Discretionary Ligatures Stylistic Alternates Stylistic Set 1-13: If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). If you have any question, don't hesitate to contact me by email masinong.studio@gmail.com Thanks and happy designing :-)

Introducing Streetlight Script a new fresh & modern script with a handmade calligraphy style, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more!! Streetlight Script come with 459 glyphs. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. Streetlight Script :Uppercase & Lowercase International Languange & Symbols Support Punctuation & Number PUA Unicode Range Standard Stylistic Alternates Stylistic Set 1-13 Character Variant Contextual. If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). If you have any question, don't hesitate to contact me by email hello.mrletters@gmail.com Thanks and happy designing :-) Thank You for purchase!

No, it's not the complete set but a great way to send out invitations for Mah Jongg Parties, Notices, Posters, Banners and Flyers. Here's a menu of what's contained and take a look at the Character Chart for some close-ups. It may seem complicated but not really. Shift, Alphabet keys will give you caps Mah Jongg characters, tiles beside a letter of the alphabet. The "lower case" alphabet is the same letter font used in the caps but without a tile. The regular keys "1 through 9" are the actual Crack tiles with the correct oriental glyph. Numerals to match the "lower case" are found using Shift and the Number keys. The $ sign is the Forward Slash and the "¢" sign is the Back Slash Dragons: Left & Right brackets Nice One Bam symbols: Shift, Left & Right brackets Hitting Option & the keys, "A,S,F & C" will reveal attractive flower designs. Punctuation, period, comma, quotes, etc. are in their usual locations. You may want to print this menu as a handy guide. The license agreement stipulates that you may disassemble and use elements from this font to create colorful art as in the illustration shown with the font listing.

Rockinstead counts 1, 2, 3, 4, 5, 6, 7, 8... Eight variations per letter, plus alternates for numbers and even for punctuation marks! It is equipped with some clever OpenType programming to make substitutions on-the-fly: the Contextual Alternates feature, with the help of a very careful kerning table, takes care of cycling the alternates in an amazing random-like way, impressively mimicking a true handwritten text. The Discretionary Ligatures feature manages the substitution of handy cursive catchwords, adding that charming twist. To put it more bluntly, this font AUTOMATICALLY alters your typing so that it substitutes glyph variations while you do nothing but type away! No need to use PopChar here to do the substitutions manually, the font itself takes care of that for you. This typeface was originally painted on paper, drawing inspiration from Ralph Steadman’s seminal lettering style. On a first glance it may look quite wild - and it proudly is, indeed. But look again: it is stylishly wild, it is strong, unpredictable, full of attitude and good energy. This multifaceted font will certainly strike its way for free-spirited design applications. Just please be warned: it’s seriously addictive!

Fakir | A Hindu ascetic or religious mendicant, especially one who performs feats of magic or endurance. The well known feats performed by them include sitting steadily on a bed of nails and walking on burning coals. Blackletter | A script used throughout Western Europe from approximately 1150 to 1500. It continued to be used for the German language until the 20th century. Fakir, a blackletter with a holy kiss is a contemporary interpretation of gone letterforms with origin in blackletters. More precisely, we based the construction on broadnip textura, with lots of broken, edgy, interrupted strokes – try to sit on a nail bed and you’ll know why fakirs like to read just these kind of fonts! After being abandoned for some time (not accepted, nearly forbidden), we would like to give our generation a blackletter from here and now. So Fakir is not a revival, but an all new 21st-century blackletter. Fakir is a set of edgy text and display fonts, ranging from tight and heavy to light and wide. It has 11 fonts, all supporting Underware Latin Plus character set, that covers 219 languages.

Quiller is another catch from the hot metal days, another one that managed to slip through the fingers of both the photo-typers and digitizers of last 4 decades. JJ Sierke’s Privat design from 1966 is now resurrected and heavily extended to be used by computer users everywhere. The original design was revived, and two whole new fonts were added to it - one with very unique swash caps and alternates, and one with many many ligatures and letter-combination ornaments. Quiller is a cross between brush calligraphy and very casual fast handwriting. It even has a slight Arabic simulation to it. Given such traits, the addition of a swash font and a multitude of ligatures comes in very handy to keep the natural flow of the font and maintain the elegance of its spirit. Those who like the auto-magic of OpenType’s intelligent substitution should like the fact that the OTF version is a single font with all the bells and whistles ready to go in the swash and discretionary ligatures features. If you use the latest versions of Adobe programs, the OTF version of Quiller is highly recommended.

Welcome to swash heaven! Since it’s been a few years that I made the very first heart swash font (featherly), I thought its time to create a new one and boy, this is massive! Made with love, I Heart It has over 2600 glyphs, is extremely smooth and is packed full of romance. There are 25 different swashes which connect to, not only, the lowercase alphabet but also on the left of the uppercase letters and the ligatures too. That’s not all! I’ve added 26 ornaments which will come in very handy for that additional touch of elegance and creativity in your designs. It’s all about the love, making this beautiful script font perfect for wedding stationery, engagements, and baby, family and friends orientated themes. Not only that - it can be used for logos, tattoos, delicious food and drink, mugs, clothing, the list is endless! They say that love conquers all and I Heart It will go a long way in expressing that through it’s illustrative design versatility, making it the perfect addition to your font collection. Once you’ve used it you’ll wonder how you’ve ever managed without it!

VLNL Beatbox is a solid tech heavy straight stencil-face with a lot of character. It was originally designed as a logo for dj Markus Schultz back in 2004, who rejected it. His management couldn't read it, or thought people wouldn’t be able to read it. But Chef Donald DBXL found the concept interesting enough to finish it and has used it in many projects since. It was the identity font for the Battle of Amsterdam, a talent showcase in beat boxing and other skills. Beatboxing is a style of hiphop music (beats) made with the mouth and a microphone. A box is a handy container to store stuff. Like food, or fonts. We use a lot of boxes at the VetteLetters office. VLNL Beatbox is best deployed big, like in logos or headlines. Or flyers, album covers, posters and signage. As a display and headline typeface it’s got a lot of character. We could definitely see it painted on the side of a tank, or an airplane. It’s heavy, but not at all dangerous. Use it without risk. VLNL Beatbox comes in two variations; Regular and Small (smallcaps)

The Pattern Project is an ornamental display type family. It is inspired by medieval initials and transforms their mesmerizing rhichness of detail into cool state-of-the-art typography. All letter shapes and patterns are exclusively geometric, providing a very distinct and contemporary feel. Pattern is the new sexy – perfect for vodka labels, record sleeves and posters. For editorial design and packaging. With a special typographic impact. Some practical details: - Family consists of 9 diverse patterns + a blank version. - 3 weights available. - As with patterns in general: It is quite essential how far you zoom in to change the graphic impression. 3 pattern resolutions (Coarse, Medium + Fine) allow varying the pattern size independently from the font size. - Each pattern comes with diverse weights and/or pattern resolutions. - Use in display sizes only. The bigger – the better! - Fine pattern resolutions require even larger font sizes than coarse resolutions. - Fonts gain kind of ʺtransparencyʺ through the patterns - handy for use on top of images. - Characterset is caps only and supports Central, Eastern and Western European languages. - Entertaining 2 min movie explaining the basic concept: youtube.com/watch?v=wbuUkRDApzs

Ellie Script is a hand drawn signature style typeface. Ellie is great for branding, headlines, invitation cards, poems, posters or as a logotype. Boasting over 600 glyphs, Ellie is equipped with handy OpenType features - Contextual Alternates and Standard Ligatures are automatically on and they help to keep the connections smooth and text varied to simulate hand writing. In addition Ellie Script is equipped with Swash and Stylistic Alternates that can be used for more customised look and in addition it has Stylistic Alternates that can be used for long end swash to a word. If that isn’t enough there are also Discretionary Ligatures: certain letter pairs like th, lt, or, is are made into more showy. They work best in shorter texts. Ellie has three ampersands and two sets of numerals, and even more alternates can be found from the Character Window. Ellie Script is PUA encoded so you can access the extras in most graphic design softwares. Ellie Script Ornaments is a set of strokes and arrows with the same look so that they can be used to complement layouts with Ellie Script. Have fun!

If you’re in need of some serious typography, stop scrolling. Barth. Yoooou heard that right. Designed with a love for horror movies and 90s Nickelodeon nostalgia, Barth is the best font. Get serious about your design work, get Barth. It’s burgery. Looking for a horror font that is as fun and nostalgic as it is eye-catching? Barth. Yoooou heard that right. This retro font is sure to get your viewers hooked on your work with its bold style and innocent yet spooky lettering. It’s perfect for posters, books, movies, even restaurant signage and beyond. Features Doubles Elimination gives you a more natural look. Stands out and get noticed…. be heard. Includes a Remedy667 Font Catalog PDF, all your favorite fonts in one handy catalog. Additional Information Some fonts may require special graphic design software to access OpenType features. Examples of these programs are Adobe Illustrator, Adobe Photoshop, Adobe Indesign, and Corel Draw. Feedback is always welcome. If there is anything missing from our typefaces that you would like to see, or if there are any issues that occur when using them. Please don’t hesitate to contact us or email me at nick@remedy667.com and let us know.

Felfel is an Arabic typeface inspired by the rich history of the Arabic Ruq’ah, one of the most widely used Arabic calligraphy styles, but with a modern pinch influenced by the visual identity of Egyptian streets. Born from the fundamental need in the Arabic design scene, Felfel is made to celebrate the elegance and timeliness of Arabic calligraphy while solving the problem of the cascading nature of Ruq’ah that results in increased line spacing. Felfel is space-friendly, perfect for headlines and quotes. Felfel supports major Arabic-script-based languages and covers Arabic, Hindu, and Farsi numbers. Like Traditional Ruq'a, Felfel works with the same context, but it adjusts to your needs without the rigidity of Ruqa’ah’s slanted baseline to give you the flow, beauty, and richness of the Arabic calligraphy with a modern feel. Felfel is dynamic. A substantial part of the font is based on versatile components, that minimizes characters and maximizes possibilities. the dots are in motion! They rotate from and to horizontal and vertical form, based on the word to match the calligraphy and the context, also the dots and marks move up and down, left and right to prevent all kinds of overlapping.

Premium Sans is a professional typeface which is aspired to solve the major typographic challenges in editorial, print, Graphic design, Commercial designs and other form of templates and documents such as pdf or ms word. It has four weights light, regular, semi bold, bold. Each with an italic profile, so in total it has 8 typefaces. We created this typeface to have attention of reader in Graphic commercial designs and as well as on editorial designs. The X-height plays a great role in readability of a typeface, so we tried to give it a reasonably high x-height with accordance to ascenders and descenders. We've engineered it in such a way that it can easily be paired with script, slab serif and serif typefaces. Premium sans is made on minimum required character set which will be handy while typing currency symbols like cents, dollars or euro and also be very useful when typing the characters consisting of diacritic. We've designed it in such a way that either you write a long content for editorial purposes or you create a typographic or graphic/commercial design it will look nice and fine which is the uniqueness of this font.

Brendisa Script is modern calligraphy script font, every single letters has been carefully crafted to make your text looks beautiful. With modern script style this font will be perfect for many different project, examples: invitations, greeting cards, posters, name card, quotes, blog header, branding, logo, fashion, apparel, letter, stationery and more! Brendisa Script come with 540+ glyphs. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, and Microsoft Word. And this Font has given PUA unicode (specially coded fonts) so that all the alternate characters can easily be accessed in full by a craftsman or designer. Brendisa Script : Uppercase & Lowercase International Language & Symbols Support Punctuation & Number PUA Unicode Range Standard Stylistic Alternates Stylistic Set 1-13 Character Variant Contextual If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). If you have any question, don't hesitate to contact me by email: jamalodin11@gmail.com

The font "Lugo" is a heavy typeface designed for use in headlines and caption text. Their design has a strong visual impact, a persuasive and seductive personality throughout its organic shapes. This is a versatile and expressive font. Lugo can create an appealing atmosphere, conveying a gamut of message and emotions. It is well suited in the jobbing areas like packaging, logotypes, magazines, web pages and advertising, etc. Lugo has all the advantages of OpenType features that allow a variety of combinations: You may choose to set types in connected or unconnected ways, being used as body text or headlines for its good legibility, visual impact and accurate kerning. It has more than thousand glyphs: swashes, standard and discretional ligatures, stylistics and contextual alternates, old style numerals, word ending and tails. It has also an extended character set to support Central and Eastern European as well as Western European languages. Lugo is a city in northwestern Spain in the autonomous community of Galicia. The Celtic name Lug suggests that it may have been a sacred site. Augustus founded the Roman town of Lucus Augusti in 15-13 BCE following the pacification of this region. It is the only city in the world to be surrounded by completely intact Roman walls.

John Baskerville (1706-1775) was an accomplished writing master and printer from Birmingham, England. He was the designer of several types, punchcut by John Handy, which are the basis for the fonts that bear the name Baskerville today. The excellent quality of his printing influenced such famous printers as Didot in France and Bodoni in Italy. Though he was known internationally as an innovator of technique and style, his high standards for paper and ink quality made it difficult for him to compete with local commercial printers. However, his fellow Englishmen imitated his types, and in 1768, Isaac Moore punchcut a version of Baskerville's letterforms for the Fry Foundry. Baskerville produced a masterpiece folio Bible for Cambridge University, and today, his types are considered to be fine representations of eighteenth century rationalism and neoclassicism. Legible and eminently dignified, Baskerville makes an excellent text typeface; and its sharp, high-contrast forms make it suitable for elegant advertising pieces as well. The Linotype portfolio offers many versions of this design: ITC New Baskerville® was designed by John Quaranda in 1978. Baskerville Cyrillic was designed by the Linotype Design Studio. Baskerville Greek was designed by Matthew Carter in 1978. Baskerville™ Classico was designed by Franko Luin in 1995."

Continue your branding with the ever popular Viva Beautiful font. A new hand-painted brush script collection by Cultivated Mind. Viva Beautiful is back with nine new fonts that include six scripts, a caps font, free words font, free extras and plenty of alternates/ligatures. There are five sets of alternates for every letter adding to the uniqueness of your designs. The new Viva Beautiful scripts are a much cleaner brush script than the original. All scripts come in pro and regular versions. Both versions are Latin Pro. Pro scripts include 260 alternates and 8 common ligatures. Ligatures are programmed to pop up when specific letter pairs are typed. Try the alternates and ligatures together to give your designs a realistic hand-painted look. The all caps font is a basic version that includes 5 common ligatures and looks great paired with the scripts. Regular versions include Latin Pro characters but do not include alternates and ligatures. Viva Beautiful Collection works best for beauty products, music branding, film, television, cookbooks, book covers, food marketing, magazines, and websites. Check out Cultivated Mind Type on Instagram for fun Viva design ideas. Bring beauty to your designs with Viva Beautiful! Fonts designed by Cindy Kinash. Poster designs by Corinne Alexandra.

John Baskerville (1706-1775) was an accomplished writing master and printer from Birmingham, England. He was the designer of several types, punchcut by John Handy, which are the basis for the fonts that bear the name Baskerville today. The excellent quality of his printing influenced such famous printers as Didot in France and Bodoni in Italy. Though he was known internationally as an innovator of technique and style, his high standards for paper and ink quality made it difficult for him to compete with local commercial printers. However, his fellow Englishmen imitated his types, and in 1768, Isaac Moore punchcut a version of Baskerville's letterforms for the Fry Foundry. Baskerville produced a masterpiece folio Bible for Cambridge University, and today, his types are considered to be fine representations of eighteenth century rationalism and neoclassicism. Legible and eminently dignified, Baskerville makes an excellent text typeface; and its sharp, high-contrast forms make it suitable for elegant advertising pieces as well. The Linotype portfolio offers many versions of this design: ITC New Baskerville® was designed by John Quaranda in 1978. Baskerville Cyrillic was designed by the Linotype Design Studio. Baskerville Greek was designed by Matthew Carter in 1978. Baskerville™ Classico was designed by Franko Luin in 1995."

John Baskerville (1706-1775) was an accomplished writing master and printer from Birmingham, England. He was the designer of several types, punchcut by John Handy, which are the basis for the fonts that bear the name Baskerville today. The excellent quality of his printing influenced such famous printers as Didot in France and Bodoni in Italy. Though he was known internationally as an innovator of technique and style, his high standards for paper and ink quality made it difficult for him to compete with local commercial printers. However, his fellow Englishmen imitated his types, and in 1768, Isaac Moore punchcut a version of Baskerville's letterforms for the Fry Foundry. Baskerville produced a masterpiece folio Bible for Cambridge University, and today, his types are considered to be fine representations of eighteenth century rationalism and neoclassicism. Legible and eminently dignified, Baskerville makes an excellent text typeface; and its sharp, high-contrast forms make it suitable for elegant advertising pieces as well. The Linotype portfolio offers many versions of this design: ITC New Baskerville® was designed by John Quaranda in 1978. Baskerville Cyrillic was designed by the Linotype Design Studio. Baskerville Greek was designed by Matthew Carter in 1978. Baskerville™ Classico was designed by Franko Luin in 1995."

John Baskerville (1706-1775) was an accomplished writing master and printer from Birmingham, England. He was the designer of several types, punchcut by John Handy, which are the basis for the fonts that bear the name Baskerville today. The excellent quality of his printing influenced such famous printers as Didot in France and Bodoni in Italy. Though he was known internationally as an innovator of technique and style, his high standards for paper and ink quality made it difficult for him to compete with local commercial printers. However, his fellow Englishmen imitated his types, and in 1768, Isaac Moore punchcut a version of Baskerville's letterforms for the Fry Foundry. Baskerville produced a masterpiece folio Bible for Cambridge University, and today, his types are considered to be fine representations of eighteenth century rationalism and neoclassicism. Legible and eminently dignified, Baskerville makes an excellent text typeface; and its sharp, high-contrast forms make it suitable for elegant advertising pieces as well. The Linotype portfolio offers many versions of this design: ITC New Baskerville® was designed by John Quaranda in 1978. Baskerville Cyrillic was designed by the Linotype Design Studio. Baskerville Greek was designed by Matthew Carter in 1978. Baskerville™ Classico was designed by Franko Luin in 1995."

Parkour Brush Font takes the repertoire of moves and free spirit of this modern sport and bring it to a graphic definition. Handwritten with authentic dry brush imperfections and a bouncy baseline to evoke the energy of this urban sport discipline which emphasizes the athlete to be strong and flexible as to be able to move quickly and efficiently through any given environment. Sounds like a fun game, right? This font comes with a full set of upper and lower case characters - giving you the extra freedom to turn your text into authentic custom-made hand lettering. Parkour Marker font Includes a large range of glyphs including numerals, punctuation & multilingual support. It comes with a perfectly paired handy set of bonus Swashes and extras perfect to complete and customize your layout. Perfect for branding, social media, stationery, advertising, logos, handwritten quotes, product packaging, header, poster, merchandise & greeting cards. Features: - OTF Font file - Punctuation & numbers - Splashes & Splatters - Alternate letters - Uppercase letters - Multi Language To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. There are additional ways to access alternates, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).