Disco Salvation and Disco Salvation Solid are two display faces inspired by the fun and funky disco era and disco balls. The Regular version uses the grid pattern to achieve the disco ball effect; the white space of the grid is transparent and will allow any image beneath the type to appear through the grid holes.

I often experiment with different shadow techniques. One day I accidentally scaled, instead of repositioning, some black text behind the white copy on top and noticed something very different and interesting happen. It was an intriguing effect. It took some clever handiwork to make it work properly across the entire alphabet. And behold, Eclipse was born.

Sugar and Spice is a sweet & scrumptious font duo! Designed with short descenders, so there’s less of that awkward white space, these work great for multi-line designs! Both include lots of alternates, the script includes plenty of ligatures, and the hand-sans has small-caps, so you can mix and match to create a custom look!

Birch Beer JNL comes from lettering spotted on a European business sign found in some stock footage that was used for an old black and white film about World War II. The name is derived from a popular root beer-like soda sold by the Royal Castle Restaurants that were popular in Florida from the 1930s through the 1970s.

Breathless was inspired by movie posters of the Nouvelle Vague era when Jean Seberg and Jean-Paul Belmondo were young and films where in black and white. So I named this very spiky affair after that phantastic movie of my youth A bout des souffle or like it was called in English, Breathless. -Your breathless type designer, Gert Wiescher

Dermaks - A modern typeface with unusual shapes. The starting point were intuitively drawn glyphs that gave the impression of being cut in paper. It goes well with colors and black and white. The font is intended to provide a distinctive original form. Intended for slogan designs, headlines, logotypes, clothing designs, posters and all designs with an intriguing style.

Arya Rounded is a display typeface, based on Roman proportions. It has three versions, differentiated by the amount of the drawn lines. Single is solid. Double is sturdy but light. Triple is versatile and includes alternatives. They can be combined in layers. Capsule versions (White and Black) are designed to do quick, simple and elegant labels.

The agressive moves, the lateral spurs and the heavy leaf endings of Trochera resemble the silvan plants behavior giving it a very expressive and festive personality. Its features make Trochera very useful for flamboyant and colorful purposes, but it is also attractive in black and white, the saturation of the ornaments will give an appealing texture to headings.

Daub captures the look of old-style graffiti—it's graffiti from the days when vandals used a brush and a pot of white paint. Not an airbrush or aerosol in sight. Use Daub to give headings and posters that rough, hand brushed look. Add real grit and vigor to your work, with that old-style urban hard edge.

Whiteboard Modern is a hand-drawn face resembling the flowing motion and freedom of writing in an open space, such as a dry-erase board.

Almost Love type is handwriting style. Nice to application for wedding invitation, tees design, cover, writing text, wedding moment, logo photography , signature and many more.

Vintage Hands is a collection of pointing hand illustrations, suitable for modern designs. The hands has pointing, counting, signaling, demonstrating, writing, playing and other positions.

Seronita is a modern calligraphy font. It has a natural writing style and is perfect for adding an elegant and luxurious feel to your designs.

Justine, while a playful, swirly, girly font is a complete font with the full character set. It was inspired by the handwriting of Justine Childs.

With this font, you sure have the flow! Standard hand writing easy to apply in your designs and layouts. UPPERCASE 
lowercase 
Numerals 
Punctuation 198 characters

LD Cottage resembles the antique writing you would find in an ancient fairytale or story. Enjoy this fun font and let your imagination take flight!

Swagstie is handwriting style. This font create and nice to application for memo, tees design, cover, writing text, home decor, wall art and many more.

Erpos is a dynamic soften integral tech sans= apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs with ligatures and fractions provided in opentype .otf and .woff format.

Mstov is an alacritous kooky tech display typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 220+ glyphs with ligatures and fractions provided in opentype .otf and .woff format.

This font is unique by its calligraphic flow and contrast, enabling traditional typeface gain a new and clear flow and rhythm, while preserving the nib strokes.

Paine was designed to be a humanistic sans serif with an overall contemporary feel while at the same time evoking the feeling of earlier transitional faces.

Hand-drawn playful lettering full of curls and whimsy. This is designed to be completely legible while still offering a fun flair to a finished project.

Tryine font is a street-themed font with a sharp and modern edge, this font symbolizes freedom while trying to let go of someone we love.

SK One Block was designed by Salih Kızılkaya in 2020. Inspired by Kufic typeface, this font includes many typographic material you will need. SK One consists of 8 different fonts and 2696 glyphs.

Blackletter typefaces follow certain fixed rules, both in respect to their forms and to the orthography. Possibly, they were a reaction to the half-developed Carolingian minuscule which was soon to end in the Latin script. Narrow, ordered script was to replace the round, hesitant and shattered shapes of letters in order to simplify writing, to unify the meaning of individual letters, and to save some parchment, too. Opposed to the practice common in monasterial scriptoriums where Uncial, Irish and Carolingian inspiration flew freely and as a result, the styles of writing differed in each monastery, the blackletter type was to define one, common standard. It was to express spiritual verticality, in perfect tune with the architecture of the Gothic era. Typography became an integral part of the overall style of the period. The pointed arch and the blackletter type were the vanguard of the spectacular transformation from the Middle Ages towards the modern era, they were a celebration of a time when works of art were not signed by their makers yet. Some unfortunate souls keep linking blackletter solely with Germany and the Third Reich, while the truth is that its direct predecessor, the Gothic minuscule, evolved mostly in France. Even Hitler himself indicated blackletter type obsolete in the age of steel, iron and concrete – thus making a significant contribution to the spreading of the Latin script in Germany. Once we leave our prejudice aside, we find that the shapes of blackletter type have exceptional potential, unheard of in sans-serif letterforms. The lower case letters fit into an imaginary rectangle which is easily extended both upwards and sideways. In its scope and in the name itself, the Moyenage type family project is to celebrate the diversity of the Middle Ages. I begun realizing the urge to design my own blackletter when visiting the beer gardens of Munich and while walking through the villages of rural Austria. The letters from the notice boards of inns are scented with spring air, with the flowers of cudweed, with white sausage and weissbier. The crooked calligraphic hooks and beaks seem to imitate the hearty yodeling of local drinkers and the rustle of the giant skirts of girls who distribute the giant wreaths of beer jugs. Moyenage is, however, a modern replica of blackletter, so it contains some otherwise unacceptable Latin script elements in upper case. I chose these keeping the modern reader in mind, striving for better legibility. The font is drawn as if written with a flat pen or brush, and with the ambition to, perhaps, serve as a calligraphic model. In medium width, the face is surprisingly well legible; it is perfect for menus as well as posters and CD covers for some of the heavier kinds of music. It has five types of numerals and also a set of Cyrillic script, symbolising the lovelorn union of Germans and Russians in the 20th century. Thus, it is well suited for the setting of bilingual texts of the German classic literature, which, according to the ancient rules, must not be set in Latin script.

Are you planning to do an amazing piece of work to make lots of people smile happily while taking your hat off every time? If so, this is the right time to give your work a little touch with a sincere and elegant writing. Introducing The Diary - A Stylish Script Font The Diary is a stylish and elegant handlettering typeface with characters that dance along the line. It will add a luxury spark to any design project that you wish to create! This font will be very interesting if you use it for all your design purposes such as; logos, wedding invitation, business cards, printed quotes, invitations of all sorts, cards, packaging, and your website or social media branding. The diary includes Multilingual Options to make your branding globally acceptable. Features: Standard Ligatures Swash collection Stylistic Sets Multilingual Support PUA Encoded Numerals and Punctuation Special baseline collection Thank you for your visit and downloading premium fonts from Gie Studio