Project Sans is a structured and versatile geometric sans serif which includes 10 weights and matching, playful italics that offer a unique feel for multiple applications. The fonts versatility creates a plethora of uses from branding and advertising to digital applications such as websites and apps. Project Sans has support for Central and Eastern European languages as well as Cyrillic. The font has a slight retro poster feel mixed with a uniform structure that, mixed with its substantial weight options and warm italics, creates a suite of fonts that can be used for anything your Project requires. Have fun with it and bring life to your Project.

Introducing "Romios", a modern serif and elegant font family with 10 unique styles. Each style features distinctive serifs and clean lines, resulting in a modern yet classic look. This font family is perfect for any project that requires a touch of sophistication, from editorial design to branding and advertising. The versatility of Romios font makes it an excellent choice for both digital and print media. With its PUA encoding, accessing the various glyphs and swashes is a breeze. Each style is carefully crafted to ensure legibility, making it an excellent choice for international audiences. Make your designs stand out with Romios font - the perfect balance of modern and classic typography.

June was first published in 2019 but it got a redesign and upgrade in the character set. It now supports Latin Extended and Vietnamese. It also has OpenType features such as stylistic alternates, case sensitive punctuation, small figures, arrows, superscript, subscript, fractions, and many more. June Pro was inspired by the work of Adrian Frutiger and his exploration into font design and legibility. June Pro is a modern sans-serif family in 10 weights ranging from Thin to Heavy with true italics. It was designed with legibility in mind. It is a versatile and distinctive font that makes it useful for various applications like editorial, web design, or branding.

Impara was designed in 2010. It is a slightly contrasted sans serif with a lively stroke ductus and distinct humanistic characteristics. It represents a synthesis of linear coolness and classic elegance. It qualifies for informational text applications and, in display sizes, it reveals elaborate details. Impara comes in 10 styles in OpenType and TrueType format. Each font is equipped with an extended character set containing: standard and discretional ligatures, small caps, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals. Impara supports Western European as well as Central and Eastern European languages.

German type designer Verena Gerlach created this slab FontFont in 2011. The family has 10 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing as well as logo, branding and creative industries. FF Karbid Slab provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript character, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Karbid super family, which also includes FF Karbid, FF Karbid Display, and FF Karbid Text.

Houstander font is an excellent font for modern hand lettering logo or headline / display designs. Houstander Regular comes with upper and lowercase Standard Characters, Punctuation, Numerals. And other Glyphs variation of the OpenType features such as Standard Ligature, Stylistic Alternate, Stylistic Set (ss01 - ss10) and swahes (1-10). Houstander Allcaps comes with 2 sets Uppercase, Punctuation, and Numerals. And Houstander Swash has 26 extras swashes (a to z) to add punch to your designs. Suitable for any design needs : logo, branding, modern advertising design, logos, poster quote, book / cover Title, editorial design, website / blog, card, custom mug, pillow, t-shirts, and any hand-lettered needs.

Jure Stojan first created JY Klin for a student magazine in Ljubljana, Slovenia. ‘It was borne out of my frustration with layout [programs] and their taste for messing with decent fonts (making the headline occupy the entire column width at any cost, for instance). Therefore, I designed a “heavy duty” display font—it can be extended up to 120 per cent without any loss in quality (it is fairly condensed, so no one could think of squeezing it any further). I even used the font, stretched by the very 120 per cent, for 10 point text and the result was surprisingly legible (given some peculiar details prominent at display size).’

JANE ROE is a family of 10 Sans Serif condensed fonts of geometric construction and neo-Gothic style, a friendly typography with maximum readability, specially drawn for the composition of texts of any size for both printing and screen, signage or headlines and where you need savings in horizontal space. This typeface contrasts its neutral aspect with the humanistic modulation of the antlers in the characters, giving the opportunity to compose texts adaptable to any context and concept of design. The typeface includes small letters with support for Latin Extended-A, dynamic fractions, several set of numbers, etc. Look at the PDF with all the functions.

Camelot was the first of over 100 typefaces designed by Frederic Goudy. The upper case characters were drawn in 1896 for the Dickinson Type Foundry. Goudy was so encouraged by his check for $10 (double what he asked for the drawings), that he spent the next 50 years designing type. The lower case was added by the Dickinson foundry. This Lanston digital release includes a Text version based on the smaller point sizes of the metal type and a Display version based on the larger sizes. The two appear different in size but share the exact same line weight when at the same point size.

Okeanos Handwritten Greek Cyrillic Font is a handwritten display font. 100% handcrafted with a marker, digitized, and turned into a font. Of course, the font supports a full set of Greek characters, Cyrillics, and an extended Latin character set with diacritics. With 10 nautical icons, this typeface can be your next typeface for your graphic design needs. From “hand-written” quotes to product packaging, merchandise, and branding projects, this font is so easy to use that it can cover them all. Also, it can be used on social media content, for branding, poster design, for “hand-written” quotes and any other kind of product packaging.

Gentleman font is a sans-serif font family of 10 weights – from hairline to black – designed by Juraj Chrastina. It is a legible typeface with clear geometry and spiced with nice humanist terminals enhancing its identity. We think Gentleman name suits perfectly to this family because of its beautiful outlines and elegant letterforms yet looking tight, compact and with own presence. Gentleman is surely a good choice both for screen applications and print media. Its multipurpose spreads over poster design, logos, headlines, body texts, stationery and back labels. Also very good for books, magazines and newspapers – an excellent choice even for small text size.

German type designer Siegfried Rückel created this sans FontFont in 2008. The family has 10 weights, ranging from Regular to Black (including italics) and is ideally suited for advertising and packaging, festive occasions, logo, branding and creative industries as well as web and screen design. FF Nuvo provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Nuvo super family, which also includes FF Nuvo Mono."

Royce is a cute and minimalist designed font family with rounded edges on each character to make a fun and modern impression on your designs. It is very easy to combine this font with other types because it comes with 10 complete weights ranging from thin to extrablack, with a modern impression Royce has many useful features for example Alternate which is more formal in feel and Discretionary Ligature which is very eye-catching so it is ready to be used for various kinds design types such as displays, titles, body text, magazines, cover art, social media, logos, web Ui, clothing, posters, and others. Royce also has multilingual support.

Alfabet is the result of over 3 years of work on a typeface inspired by Swiss and German designers & researchers. The main idea was to create a sans-serif with geometric and strong feeling. Whole family will work wherever we want to emphasize modernity and a rational way of visual thinking. Alfabet will be perfect choice for multiscript branding purposes, all styles support Latin (+Vietnamese), Greek and Cyrillic scripts (with Ukrainian,Bulgarian and Serbian forms). The whole family consists of 20 styles – 10 weights and matching italics. In addition to the rich set of characters, Alfabet includes Alternates, Superscript, Subscript, Ligatures, Arrows set and 7 different styles of digits.

Neue Frutiger Hebrew was created by Yanek Iontef and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in 10 weights from Ultra Light to Extra Black, with matching italics. Neue Frutiger Hebrew embodies the same warmth and clarity as Adrian Frutiger’s original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

Neue Frutiger Georgian was created by Akaki Razmadze and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in 10 weights from Ultra Light to Extra Black, with matching italics. Neue Frutiger Georgian embodies the same warmth and clarity as Adrian Frutiger's original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

Maître d' Stencil JNL is based on an alphabet example found in the 1949 French lettering book “Album de Lettres Arti”, and is available in both regular and oblique versions.

Alger Blanche est une police de caractère inspiré du koufi et naskh. AlgerBlanche supporte les scriptes. Arabe, Farsi, et Ourdou Dans cette mise à jour l'ajout du Latin et Tifinagh

Latim es una tipografia inspirada en el esitlo románico latino La fuente amplía su uso proporcionando 4 pesos desde delgado hasta negrita; mientras que los pesos más delgados han reducido el contraste y las correcciones ópticas para crear una apariencia cálida y suave. Los tamaños de letra grandes, puede apreciar las formas de las letras, mientras que la misma moderación y enfoque crean una textura uniforme para tamaños de letra pequeños y lectura larga. ------- Latim is a typeface inspired by the Latin Romanesque style The font expands its use by providing 4 weights from thin to bold; while thinner weights have reduced contrast and optical corrections to create a warm, soft look. Large font sizes, you can appreciate the shapes of the letters, while the same restraint and focus create an even texture for small font sizes and long reading.

A charming font inspired by the Brazilian beloved album for children by Vinicius de Moraes, author of the bossa nova classic 'Garota de Ipanema' (Girl from Ipanema) with his partner Tom Jobim. The font has a cheerful cutout look, as does the original album cover designed by Elifas Andreato in 1980. Arca font is loaded with alternates for a nice natural look and has yet quite cool interlocks. Its complementary font brings handsome graphic elements to add some bossa here and there. Now let's dance!

Pour ceux qui souhaitent utiliser la famille de fontes Natom Pro en version variable, cette famille se décline en 3 fichiers avec la Roman, la Roman italic et la version Title.

Luxor Pro is a semi-encircled Egyptienne with exaggerated serifs. It is a font of Victorian style which was widespread in Europe and America at the fin de siècle, especially in advertisements.

Mancave SRF is the perfect font for the ultimate party Neanderthal. Holding court in his den with a case of beer, wide screen TV and all of his sports buddies, he is safe and secure in his lair. Bold, brash and angular, this typeface was designed for Stella Roberts fonts by Jeff Levine. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Konrad Kachelhofen was a printer in the city of Leipzig beginning around 1483. He printed many works by contemporary authors and also many of the classics. He acquired an unusually large amount of typefaces for his shop, a place that included a wine bar and book store. This particular face is based on the Typ.8:170G GfT101 Gesamtkatalog der Wiegendrucke. He probably died in 1529 after passing his business on to his son-in-law Melchior Lotter.

Quara is a typeface that takes its cues from cutting edge technology and new gadget lust. Quara enjoys short downloads on the web, long walks on mobile devices, and romantic dinners by LED light. An avid gamer (esp. MMORPG) and science fiction fan, Quara longs to be the first font in space and have its pixels scattered among the stars. Designed by Delve Withrington in 2009, this slightly rounded square sans has a generous x-height and low contrast.

Distill draws its inspiration mainly from Theo van Doesburg's De Stijl era lettering. The type he designed for the Aubette Café, De Stijl Magazine, etc was used as a starting point and then expanded upon. While this typeface was inspired by historical references, it also has the ability to invoke a contemporary feel under the right conditions. Distill will work hard whether you are designing a neo-constructivist poster or a futuristic website. Distill is a family of 12 fonts: 4 weights, each containing condensed, regular, and expanded widths. It also features several alternate characters.

Frakto is a two-weight family of calligraphic Fraktur-style typefaces designed by Julius de Goede. One of the main categories of Blackletter typefaces, Fraktur was developed around 1517, and was used throughout Germany and Northern Europe well into the 20th century. With Frakto, Julius de Goede has re-applied the written element of the script back into the Fraktur style, rejuvenating and reinvigorating it for 21st century display use. Frakto is the perfect fit for certificates and newsletter headlines. We recommended using it in point sizes from 12-pt on up.

Get creative with the adventurous brush casual Alpine Script from Charles Borges de Oliveira. This stunning typeface contains 29 alternate characters waiting to be explored. Great for anything from signage to culinary packaging. Enjoy!

Margon is a serif font family with a temperate design -- small serifs, moderate contrast, tiny roundings on the corners make it calm and serene. The Margon font family consists of 18 members divided into 4 groups of different proportions marked by indexes 360, 380, 400, 430. These values correspond to densities of sets -- 360 is the widest style, 430 is the most narrow one. The peculiarity of Margon family is a rather small difference in proportions of characters between neighbor groups, it’s less than 10%. Such tiny step gives possibility to select the font that gives the best result in combination of capacity and readability. Margon can be used in book, magazine and newspaper design.

German type designer Verena Gerlach created this display and sans FontFont between 1999 and 2011. The family has 10 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing as well as logo, branding and creative industries. FF Karbid Display provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Karbid super family, which also includes FF Karbid, FF Karbid Slab, and FF Karbid Text.

XXII Grober Pinsel - Rough brush capitals The Grober Pinsel is simply what it’s called - a rough brush ("Grober Pinsel“ in german). Handwritten Capitals from A - Z and 0 - 9 in three character sets, upper-, lowercase and an alternates set. In addition comes a set of 10 line strokes and a couple of ligatures and alternates. On the whole this font gives you the possibility to make your design look very unique and handmade. The Pinsel is awesome on shirts, posters and stickers, your stylish fashion blog or cookbook, and everything that needs a bold lettered message. It loves big headlines and gives its best in dynamic logos and also he speaks a well central european. Also see: Behance-Project.

Olivetta—an ironic sans. Its name is inspired by Antique Olive typeface. These two fonts share a few common design features but Olivetta is more in tune with the spontaneous, ironic style of today's typefaces. Olivetta illustrates the power of words as images. The high contrast between thick and thin strokes of the lowercase letterforms gives visual strength to the font. The stroke contrast increases as the weights get heavier. Olivetta comes in 10 weights with matching italics and each style contains more than 400 glyphs which include alternates. The lightest weights work well in subtle headlines while the heaviest ones are perfect for posters, short texts, branding and editorial design. The intermediate weights are ideal for continuous reading.

yLab is geometric typeface compose of 10 fonts (5 weights and oblique declination) Perfect for titles and text, yLab supports many languages (Latin pro..). 11 OpenType Features (Alternative; Fraction; Numerator; Denominator; Superior; Inferior; Tabular figure; Ordinals; Discretionary Ligature; Stylistic Set; Case Sensitive Forms). • Ordinal feature includes the Latin alphabet (Uppercase & Lowercase). • Five Stylistic set for “a”, “g”, "i" and "l", includes accents. • Discretionary Ligature includes “AE”, “IJ”, “OE”, available in lowercase. • Contextual Alternate includes ligatures for arrows : <- -> ^| v| <-> v^| Add parentheses around period, numbers or arrows, add n or d for numerator, denominator. Add n, d or +, for numerator, denominator or case arrows. All Case sensitive characters become after the uppercase and number.