Updated October 2014. Scribbles AF is the perfect choice when you want to add a little personality to your design. The font comes in five weights and has been created using scans of real handwriting. The soft, rounded edges of each letter in Biro, Felt Tip, Marker and Chunky give it a very relaxed and friendly appearance, or for something a little more quirky why not try the Ink version? Ideal for notes, labels, packaging and child-friendly projects. What will you use it for?

In 2014 I made a font called Whatnot. I think I made with with a roller ball pen, but I am not sure, as it was a long timer ago. I have always liked Whatnot font and I think it deserves a second lease on life, so I made a new (and improved) version of it, called Whatnot 22. Not Catch 22... It now comes with better kerning, multilingual support (including Vietnamese, Sami and Greek) and a cool set of contextual alternates that cycles as you type.

Images of ‘lost’ or forgotten signs from the past are on a number of sites all over the web. One in particular partially revealed a vintage sign for “J. Yormark Shoes" behind a barbershop sign at 15 – 8th Avenue in New York City. The sign remained until 2014. The stencil effect made by the formation of the stained glass letters inspired On Your Mark JNL, which is available in both regular and oblique versions. The font’s name is a play on the shoe vendor’s name… “Yormark”.

Styling is a simple, light, sans-serif typeface inspired on old cars and planes with an aerodynamic shape. The font comes in 5 weights plus italics. Styling and Styling Alt families offer professionals a wide range of creative options. Styling was created in 2014, while its designer was 30,000 feet in the air and the plane was flying over some Latin America cities. A flight full of flavours and shapes. This typeface is the result of anxiety and speed. Keep on rollin’ and fly high with Styling!

Delgado is a narrow elegant serif font with drops. Delgado is a good choice for large journal titles and small amounts of text. This font was made for one of the independent magazine - but it all went wrong and Delgado was freed from the shackles and went to the free swimming. A large number of both Latin and Cyrillic ligatures makes Delgado playful and at the same time it remains faithful. Delgado received a citation for excellence in type design the in international competition "Modern cyrillic 2014".

Butan was originally designed as a typographic project for the Specialization in Typography Design at the University of Buenos Aires, during the years 2013 and 2014. The project was conceived as a “wayfinding” font, that would be functional for bilingual signage systems. The main guideline for its design was to create a font that could be readable from great distances and it could be potentially used in signage systems. Therefore the neutral aesthetics and clean shapes were very relevant in order to create this particular font.

Belco, designed by Slobodan Jelesijevic, was the first font family released by Tour De Force Font Foundry. Belco is elegant and useful for all kinds of publications such as books, magazines, catalogs and brochures. With a wide range of possibility and smooth personal touch, the Belco font family is ideal for longer texts, titles and typography exercises.

Departe is a geometric monospace display font. The typeface is made from groups of single basic rectangular geometric units. Departe is inspired by structured and organic geometry. The name is derived from the Spanish departe, "de" (of) and "parte" (part). Departe is great for display work, logos, structures, architecture, technology, biology, sports, monograms, quotes, headings and posters.

Sorvettero is a sans, layered and unicase typeface inspired by some wood signs at Descansópolis, a neighborhood on Campos do Jordão, a city of Brazil. A fun and cute display project with different use purposes, like packaging, logos, signs, and whatever your creativity brings on. Designed by Diego Maldonado, with contribution of Tony de Marco on the Diamond style.

"Amelline" is a modern monoline script font that is very pretty and classy. This font can be used for all your purposes. The embellishments in this font are very easy to use. This font is perfect for spring, summer, holiday, traveling, wedding, invitations, greeting, birthday, mother day, father day, cinco de mayo, logos, branding, banner, poster, print, and others.

Breathless was inspired by movie posters of the Nouvelle Vague era when Jean Seberg and Jean-Paul Belmondo were young and films where in black and white. So I named this very spiky affair after that phantastic movie of my youth A bout des souffle or like it was called in English, Breathless. -Your breathless type designer, Gert Wiescher

The inspiration for Cuba comes from a sign for the restaurant "La Flor de Cuba" on Bergenline Avenue in Union City, New Jersey. Its blocky, dimensional forms are reminiscent of letterforms seen in signs throughout Latin America from, Colombia, to Mexico, to Spain, to Union City. Its quirky forms are meant to evoke a sense of hand painted signage.

A decorative font with descending tails on the capital letters. The design is based on a popular typeface from the 1880s, mainly used for personal names on title-pages, advertisements and stationery. Today, you can use it e.g. on book and album covers, invitation cards, restaurant menus and concert programs to give a fin-de-siècle impression.

Andreis is a typeface inspired by the art nouveau shapes that appear in the letters of a metal box, made at the beginning of the 20th century by the company G. De Adréis from Badalona in Spain. Its organic and feminine forms evoke the aesthetics of those years and add elegance to the projects where it is used.

30s inspired geometric inline display typeface Several titling typefaces made their appearance at the start of the 20th century, notably Acier and Bifur, both created by French poster artist Cassandre. Later, in the Netherlands, S.H. de Roos designed a version of Inline for its Nobel family called, naturally, Nobel Inline. AW Conqueror Inline pays homage to this beautiful version. AW Conqueror superfamily AW Conqueror Didot is part of a larger family, who include 4 others subfamilies with great potential: They’re but based on same structure, with some connection between them (width for example), to offer a great & easy titling toolbox to any designers, from skillful to beginner. Each of the members try their best to be different from the others because of their features. They should work harmoniously in contrast. Club des directeurs artistiques Prix 2010 European Design Awards 2011

The French interest in the revival of suitably edited Oldstyle romans as an alternative to a world of Modern typefaces started in 1846 when Louis Perrin cut the Lyons capitals. About 1860, as Phemister was cutting the Miller & Richard Old Style in Edinburgh, Theophile Beaudoire turned the idea of the Lyons capitals into a complete Oldstyle typeface, with similar overwhelming success; it was generally known as Elzevir in France and Roemisch, Romanisch, Romaans or Romana in Germany, Holland and Switzerland. In 1892, Gustav Schroeder, at the Central Division of ATF, expanded the series, adding a boldface under the name De Vinne. It was promptly copied, initially in Europe by Ludwig & Mayer, and spread rapidly throughout the US and Europe, becoming the best known member of the series. ATF made popular an ornamental form under the name De Vinne Ornamental.