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  1. Klill - 100% free
  2. Frizzed (BRK) - Unknown license
  3. ReadableGothic - 100% free
  4. Neil - Unknown license
  5. 11S01 Black Tuesday Italic - Unknown license
  6. Trancet - Unknown license
  7. Petit-w Font - Unknown license
  8. Diamond Dreams - Unknown license
  9. OilBats - Unknown license
  10. Stealthy Bastards - Unknown license
  11. D3 Egoistism outline extra - Unknown license
  12. Zero Threes - Unknown license
  13. SF Juggernaut - Unknown license
  14. Telegraphic - Unknown license
  15. Solea - Unknown license
  16. XperimentypoStripes - Unknown license
  17. Vaporbyte - 100% free
  18. RobustA - Unknown license
  19. LambadaDexter - Unknown license
  20. SF Quartzite - Unknown license
  21. PiratsSymbolsArtefacts - Unknown license
  22. Walkway Black RevOblique - Unknown license
  23. Furioso - Unknown license
  24. Woolbats - Unknown license
  25. D3 Cubism - Unknown license
  26. Moderne Fraktur - Personal use only
  27. TM Tail Lights - Unknown license
  28. RococoCoquete - Unknown license
  29. PowerWoman - Unknown license
  30. D3 Littlebitmapism Round - Unknown license
  31. MKBrokenTypes - 100% free
  32. Charleston - Unknown license
  33. Elektrakution by Comicraft, $19.00
    SHE'S DEAD, FRANK It's the year 1991, BC (Before Comicraft) when REM were still making records and Frank Miller’s memorable run on Marvel Comics’ DAREDEVIL was just over ten years old. Comicraft’s Richard Starkings found himself working in Anaheim, California for Graphitti Designs. Graphitti had produced the first hardcover edition of Miller’s Batman tale, DARK KNIGHT RETURNS and was now putting together the sequel to Miller’s DAREDEVIL — ELEKTRA LIVES AGAIN! Richard was not engaged to letter this book, the pages of Frank’s incredible original art that came through Graphitti’s studio were already lettered by Marvel Stalwart, Jim Novak. However, there were some cover elements that needed to be added, based on the logo originally rendered by Frank’s brother, Steve. Starkings set about the task of creating an alphabet that could be used to develop Steve’s idea for the trade dress -- the cover elements, the back cover copy and credits on the interior pages. This was long before Macintosh computers and font programs made this work considerably easier, so Rich sat down with a pencil and a sheet of vellum and rendered an alphabet that could be used as the basis for the text that was needed... Those sketches have languished in a drawer for nearly thirty years, but now, finally, Comicraft’s John Roshell has dusted off those old letterforms and Elektrakuted a font based on those designs, a font we HAD to call ELEKTRAKUTION! As for Elektra; she’s dead, Frank. Features: Ten weights (Light, Regular, Bold; Rough Light, Regular & Bold; Inline, Inline Rough, Outline & Outline Rough) with upper & lowercase characters, Western & Central European accents and Greek characters.
  34. Freebooter Italic - Unknown license
  35. Derniere - Unknown license
  36. Fortunaschwein - Unknown license
  37. Richmond Hill by BA Graphics, $45.00
    A great look for formal announcements, business, high-end ads and many other applications.
  38. Mobie FA by Fontarte, $39.00
    FA Mobie is a contemporary decorative fat face. For use on posters, leaflets, ads.
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