Broad pen script typeface based on late 1960s Turkish signage.

Broad pen script typeface based on late 1960s Turkish signage.

This typeface expands Herbert Bayer's 1931 experimental, all-lowercase "universal modern face," Architype Bayer-Type, by adding an uppercase and adding an architectural inline treatment. Sleek, modern and sophisticated, it's the perfect choice for elegant headlines. Both versions of the font contain characters to support all major European languages.

LiebeRuth is your 100 percent hand-made organic type. She absolutely loves to be typeset in large *and* small sizes, because Legibility is her middle name. (Yes, we know it’s not a typical girl’s name.) She is friendly and polite, but she also has a few quirks. Her friends are impressed with how natural she manages to look every day. Her four weights ensure that Ruth has the right boldness for any context: birthday invitation, personal correspondence, photo album, or billboard ad. During the creation of this font, her designer ate plenty of healthy, organic foods. We think this is the reason why Ruth looks so fresh and lively. And of course Ruth has been designed with lots of Liebe (which is German for “love”—and she speaks many other languages, too). One more thing Ruth is marvelous at: showing off her curly-swirly swashed alternative letterforms that can be activated via OpenType. (Please make sure your software supports OpenType if you wish to use the advanced features.) Each style contains more than 560 gluten-free glyphs—now that is great value! If you like this font, you may want to look at LiebeRuth’s bolder sister LiebeDoni and our best-sellers LiebeErika and LiebeKlara. Or add in some LiebeOrnaments to prepare a curly-licious feast. By the way: LiebeRuth also gets along great with our wide range of illustrative fonts, including LiebeCook, LiebeFish, and LiebeTweet.

Toxia is a creepy—yes, eerie face, like something wet and poisonous clambering out of the swamp. It’s spooky too—yes, but it’s also frighteningly easy to read. Just don't let it drip on you! Toxia is just one font in a package of five known as Wild Bunch Pak #1.

The 1927 beginner’s book for Shefte’s Rapid Course in Modern Piano Playing had its title hand lettered in a bold serif typeface that reflected some of the influences of the Art Nouveau era. This became the model for Music Course JNL, which is available in both regular and oblique versions.

The sheet music cover of Lew Brown and Albert Von Tilzer's 1917 wartime song "Au Revoir, But Not Goodbye (Soldier Boy)" had its title hand-lettered in a condensed sans serif design with the influence of Art Nouveau styling. This has now been re-drawn digitally as See You Later JNL.

We know very little about this font. A printer in Lisbon had it, but said it came from England. Nicolette Gray shows it in her Nineteenth Century Ornamented Type Faces as Lord Mayor from the British Typefoundry. We never got the complete font, but drawing the missing letters was not difficult.

The 1938 movie musical "Carefree" starring Fred Astaire and Ginger Rogers featured the song "Change Partners" by Irving Berlin. A copy of the sheet music for this song had the title hand lettered in a wonderful tri-line design that has been recreated in the digital typeface Fancy Dancing JNL.

The main 20-th century handwritten display font in the USSR, usually performed with a flat brush or a wide poster pen for all kinds of signage during 1920-1990s. It had also many analogues in other countries, but never was that popular as in the Soviet Union, used everywhere.

The 1955 British edition of the sheet music for Frank Sinatra's hit "I'm Walking Behind You" had its title hand lettered in a sans serif design straight out of the Art Deco era. This bold, condensed type style is now available as Top Tune JNL; in both regular and oblique versions.

A 1950 reissue of the 1934 tune “With My Eyes Wide Open I’m Dreaming” had the title of the sheet music hand lettered in a semi-calligraphic sans serif design. This became the model for the appropriately named Semi Calligraphic JNL, which is available in both regular and oblique versions.

ITC Lennox is the work of German designer Alexander Ruehl. Ruehl had long digitized typefaces for other designers and decided to give design a try himself. ITC Lennox is suitable for a wide variety of headlines uses, a sans serif display face with a modern feel yet based on classical elements.

Helena derived her curves from the old Chinese Tangram puzzle. She sure is playful, though sometimes she bites furiously. No worries! Helena may seem to be a tad crazy, but all in good moderation. Don’t go overboard, use her well and I can assure you … she’ll be worth all your effort.

La Gagliane is beautiful sans serif font that look aesthetic and elegant. Perfect for Logo brand, advertisement, product packaging, social media post, clothing brand, magazine headers and many more complete with ligatures alternates regular italic icon kerning multilingual support Shampoo mock up from https://www.graphicsfuel.com/2018/09/dispenser-bottle-psd-mockup/

The origin of the word Codswallop is uncertain, but it might have something to do with a 19th century English soft drink brewer named Hiram Codd. Codswallop is a beautiful hand drawn font. A little weird, a tad grotesque and a wee bit over the top, but fun and useful nonetheless.

The Bull Stand Victorian typeface is characterized by its intricate detailing, ornate serifs, and elaborate curves. The letters are designed with a fine balance between boldness and delicacy, capturing the essence of Victorian elegance. The typeface showcases the artistic craftsmanship of the time, reflecting the meticulous attention paid to typographic design.

A clean and balanced humanist grotesque. Like many an alchemical process, this font had to be designed and redesigned from the ground up many times. Each time it blew up in the designer's face until finally the conditions and process were in perfect alignment and this new font was born.

Charles Beeler Jr. designed this in 1895 for Mackellar, Smiths and Jordan, which was part of the American Type Founders combine. The font had a short life because five years later ATF began an "off with the old, on with the new" program, and this font was an early victim.

Choc is the work of French designer Roger Excoffon, based on the traditions of Japanese brush calligraphy, thick yet graceful. Choc light was designed by Phil Grimshaw, who had to redraw many times in different weights before finding one that worked as a text face and remained true to the original.

La Obrige is serif font that inspired from the beauty, aesthetic, elegant and Paris. It is really good for water mark, logotype, advertisement, social media posts, product packaging, and more. complete with ligatures regular italic icon kerning multilingual support Shampoo mock up from https://www.graphicsfuel.com/2018/09/dispenser-bottle-psd-mockup/

El Camio is a throwback display font paying homage to the classic automotive typography of the 50's and 60's. It is an extremely versatile display font that can be used for anything from branding, logo design, beer labels, shirt graphics, playful editorial spreads and much much more. BUY ME!

The 1938 sheet music for "(The Dwarves Marching Song) Heigh-Ho" from Walt Disney's "Snow White" had the part of the title in parenthesis hand lettered with a round nib ink pen. This lettering became the inspiration for Pen Work JNL, and is available in both regular and oblique versions.

Sheet music for the song "My Ideal" (from the 1930 Paramount picture "Playboy of Paris" starring Maurice Chevalier) had the name of the movie hand lettered in an Art Deco, Broadway-influenced type design. This became the inspiration for Parisian Playboy JNL, which is available in both regular and oblique versions.

The theme of Perkly came from trying to envision a font that was easy to read yet had a distinctly unique look. Another neat feature of Perkly is that all its weights have the same overall spacing, meaning different weights can be layered over each other, allowing a lot of versatility.

Looking for a fun new font? Look no further I have just what you've been waiting for. This new novelty font that I call Chinte is a bold fullcase font. This font comes with multiple languages and symbols. And had multiple uses: Branding, Logos, and many more of your projects.

The movie poster for the 1936 film “Dodsworth” had its title hand lettered in a thin Art Deco sans serif with a mix of both stylized and squared characters. Expanding on this unusual lettering combination, the final results became Drama Deco JNL, which is available in both regular and oblique versions.

The cover of vintage sheet music for "With Plenty of Money and You (The Gold Diggers' Lullaby)" from the Warner Brothers musical "Gold Diggers of 1937" had the movie title hand-lettered in a classic Art Deco style. Bold, brash and totally fun, this became the model for Golden Opportunity JNL.

A stylish cartoon sans reminiscent of lettering by Harvey Kurtzman on early issues of Mad, or other casual mid-century types. The three widths give full versatility for expressive, customised headlines and layouts, while the lighter weights can be used for text. Conveys an approachable, light touch with style and finesse.

The Ruby Duo - a retro inspired font duo with a wide range of sans and script styles. Rugged and simple sans with a cool pair of mono line script. The main thing is the possibility of various combinations of using - from Condensed to Extra Expanded and from Light to Black. You will definitely find the best way to use in your projects with more than 50 styles. The sans has underline small caps alternates to use it with conjunctions. The script also has some alternates to change the script mood. Also, you will find a five graphic fonts with 130 elements total! A lot of vintage badge shapes and more than 100 vector vintage mood icons to use it in your badges or logos. PDF graphic navigation

I named this font after one of my favorite songs by Soundgarden: "Rusty Cage". The font is a mishmash of letters, which were hand-drawn and given a photoshop overhaul to make them look grungy and grotesque. I mixed upper and lower case letters, added a whole bunch of alternate letters, spooned in some Salt and Calt and added a pinch of Liga as well. The result is a weird concoction, which looks good on posters, in ads and possibly even tattoos. I dare you!

An example from the vintage lettering book "100 Alphabets Publicitaire" ("100 Advertising Alphabets") provided the inspiration for French Lettering JNL. This stylized Victorian [or Western] type face evokes the era of fanciful lettering design from the late 1800s. Available in both regular and oblique versions.

Rotundum has a geometric concept and is useful for flashy headlines and ads.