Roughcast is a kind of outside plaster, composed of cement and pebbles. It’s not the best looking plaster and it is estimated that in the UK, a roughcast outer reduces the value of a house by 5%. I am in the middle of renovating our old farm, but I won’t cover it in roughcast! Roughcast font is actually quite an attractive brush font. I made it with a brush I found hiding underneath my stove (where it had been for a while). I cleaned it and used it to make a couple of fonts, including Roughcast. Roughcast is best used for packaging, book covers and posters.

Proudly present Hypebuzz - Hipster Type, created by ikiiko. Hypebuzz is an urban sans serif font with a distinctive wide shape. This type has a character of streetwear vibes, hip-hop, youth, urban culture, etc. Hypebuzz had a 2 types of letters allows us to explore the text with creativity. This type is very suitable for making a poster, magazine layout, brand logo, sleeve cover, party flyer, quotes, or simply as a stylish text overlay to any background image. What's Included? 2 Weights : Regular & Outline Uppercase & Lowercase Numbers & Punctuation Multilingual Support Works on PC & Mac Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

The cover of a 1950s-era catalog for the Freedman Novelty Company (of San Francisco California) had the word "Novelty" hand-lettered in an unusually angular type style against various geometric shapes somewhat resembling balloons. While the lettering was quirky enough to warrant re-drawing as a digital font, the shapes would have presented a visual nightmare in design and spacing, so simple black rectangles were substituted and the letters appear in white. Since novelty lettering of this type would never become "standard" in use, its function became the font's name, Limited Appeal JNL. There is just a simple A-Z and 1-0 character set along with basic punctuation.

Max J. Gradl was a German jewelry designer. A Web search today turns up several examples of his work from the turn of the 20th century. He seemed to favor green stones in silver metalwork. Gradl also did advertising work and co-authored a book on architectural design. Most important for our purposes, though, are the incredible hand lettered alphabets and monograms the man left behind. I’ve digitized one of those delightful alphabets and tried to keep it true to the original. Beyond the base character set of letters, numerals and basic punctuation, I had to extrapolate forms that, I hope, hold true to Gradl’s design. Enjoy!

Evergreen is Koziupa and Paul going all Zeitgeist after a few Malbec drinks. Two fonts praise nature from when the lights go out to the crack of dawn, and vice versa. That's 24/7/365 of wild leafy Kumbaya. Even butterflies and flowers were mystified so much they had to get in there. Evergreen is local, organic, and certified free trade. At some point we wrote down the name of the jungle where it originated, then lost the parchment in the hot springs a few hours later. But that's immaterial. Crank up your Deep Forest sound, prep your Earthtone and Foliage palettes, and get into the big herbal.

The techno sound of the 1990s, a personal computer, font creation software, and some inspiration all came together to inspire the F2F (Face2Face) font series. Alessio Leonardi and his friends had the demand to create new unusual typefaces, which would be used in the leading German techno magazine of the day, Frontpage. Even typeset as small as 6-points, in nearly undecipherable layouts, it was a pleasure for the kids to read and try to decrypt the messages. F2F Poison Flowers is a psychedelic trip back in time to the era of peace and love. Who would have ever thought that grunge or techno could be so groovy?

Have you ever had a dream to write as a professional calligrapher? Penmanship or spencerian script? Now you have this unique opportunity to try the early American handwriting. Introducing Washington calligraphy scrpt. This font is calligraphy font with a classic style and a touch of elegance, inspired by the handwriting of Italian women and ancient manuscripts. Carefully designed to work together in harmony that makes it very suitable for any design work that requires a classic, formal or luxurious. Try Desirable Calligraphy, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily.

Introducing Ramadhan Night, a captivating display font that effortlessly captures the essence of Arabic letters. Ramadhan Night pays homage to the flowing beauty of Arabic script, where each letter gracefully connects to the next. It brings the charm of this age-old tradition to your designs. This font maintains low contrast between strokes and curves, ensuring clarity and easy reading in various contexts. Ramadhan Night is highly versatile, making it suitable for various designs. It fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview.

The last couple of years felt like I was living in a bad dream: I witnessed crazy leaders, climate change and now Covid. I usually name my fonts after things that affect me and this one is not different. Dreamworld is a font I made with a cheap marker pen I liberated from my kids’ pencil box (I will put it back, pinky promise…). It is a bit rough, but also very easy to read and distinctive enough to make your work stand out. Of course it comes with extensive language support (let me mention Vietnamese again…) and two sets of alternate glyphs, that cycle as you type.

Stuffed Shirt JNL acquires its name from a term popularized during the years when the Art Deco period flourished. The Great Depression further widened the gap between the 'haves' and the 'have nots'. Occasionally, some of those that 'had' (and some who pretended they did) came off as standoffish, egotistical and pompously arrogant. Such individuals were referred to as a "stuffed shirt"; a blowhard who thought he was better than others. In this case, Stuffed Shirt JNL is no more than a dual-line adaptation of Playwright JNL, itself an interpretation of the classic Broadway type design in a way that emulates the hand lettering of old-time sign painters.

BMX Radical is inspired by the titles of the cult 1980s BMX movie "Rad". The characters R, A and D were designed after this, with the rest of the character set being completely made up. The font is uppercase only, but with two different alphabets. In OpenType-capable applications, engaging contextual alternates will make the alphabets automatically switch between each other, meaning double letter combinations always contain two different glyphs to give the text a much more handmade feel. It is a very versatile brush font. It can look cheesy and retro in bright colors with outlines or gritty and modern in more muted palettes.

Svengali Roman is loosely inspired by a scrap of 1920s newspaper posted in the Typophile font identification forum. The consensus view there favored the view that the specimen showed hand-drawn lettering. As that lettering had such charm and character Greater Albion decided to fill the gap and design a face loosely based on it. Svengali Roman is the result and makes an excellent face for eye catching period poster design, or for any headings and titles. Svengali Roman has now been expanded to a full family, including regular and bold weights as well as incised (a hand tooled look) and newsprint (weathered warn type with ink bleeds) styles.

In the early days of printing everything had to be worked out from scratch. This set of lettering is based on section headings used by the Printer Lucas Brandis (no known relation), the first printer to operate in the city of Lübeck around 1473. They remind me of a medieval version of the spray paint graffiti so often seen on the sides of trains. A bit on the crude side, but also and importantly extremely noticeable. So whether you use it for creating old styled printing or some wild modern eye grabbing text item, its robust and sturdy shapes will be certain to grab the eye.

We have been in lockdown for a long time now. The schools were also closed, meaning my kids had to stay at home. This week the schools reopened (not a day too soon!), which means my kids can play with their friends again and learn something too! My wife and I pack their lunchboxes every day and always add some fruit for snack time. That fruity snack inspired me to create this rather messy font! Fruity Snack is a handmade display font. It looks wobbly, comes with awkward angles and rough bits. It also comes with extensive language support (including Vietnamese) and 2 sets of alternates for the lower case letters.

The techno sound of the 1990s, a personal computer, font creation software, and some inspiration all came together to inspire the F2F (Face2Face) font series. Alessio Leonardi and his friends had the demand to create new unusual typefaces, which would be used in the leading German techno magazine of the day, Frontpage. Even typeset as small as 6-points, in nearly undecipherable layouts, it was a pleasure for the kids to read and try to decrypt the messages. F2F Madame Butterfly is a font with a heavy, or dark, appearance. The darkness is brought about by the overlapping bits of glyph forms that make up each letter in the typeface.

This elegant typeface came out of a quick, back-of-the-napkin, sketch I did for a different typeface. After toiling on that typeface I looked back at the sketch and realized that I had lost some of the elegance and playful character of my original sketch. So, it was back to the drawing board and Lilette was born. Lilette is fun but also serious. Playful but elegant. Personal yet also industrial. That’s the power of a slab serif. Perfect for magazine headlines, wedding invitations, signs, posters, slides, promotions, product design, branding, logos, and so much more. Make this versatile typeface with 10 styles yours.

A heavy weight - softened sans serif that is not only friendly, but easy on the eyes. Good Eatin was inspired by the title screen from the 1942 Warner Bros. cartoon titled, "Dog Tired". The original all capitals setting had a charming & quiet nature to it, which became even more pronounced when drawn out to include a lowercase set. Later expanded upon to include a Small Caps set, Good Eatin Pro achieves a wider, even more electric appeal. Loaded with personality, Good Eatin Pro is joyful and stands out without being an eyesore, and while being based on vintage lettering it has a contemporary feel.

Project D is the fourth typeface released by DM Founts. It was inspired by the infamous graffiti atop the former Heygate Estate in South London, which I had passed by numerous times on the overground train years ago. Heygate Estate has since been replaced by soulless luxury flats, as per the gentrification agenda. The letters don't entirely match the graffiti as they were created from memory, but I thought such a profound statement should be honoured. Project D is best used for impact at large sizes, although it should scale well. Use it for computer interfaces, retro headings and anything involving defiance, espionage, infiltration and spy games.

To design Mr Black, we used old ('70-'80) dry transfer lettering sheets that were used by my grandfather who was a military cartographer. We had only two almost used-up sheets. The letters didn't transfer so well but we liked the way they were damaged. All of the characters have a very high resolution so they can be used in a large scale. Mr Black doesn't have lowercases but has up to three alternate uppercase for each letter. Checkout Mr Tiger if your looking for lowercase letters with the same distortion effect. We designed it for our book for children, “Who eats Whom”

Qindars is a display font with a unique and fun theme, created by paying close attention to the uniqueness of each letter character, as well as the level of precision so that when used in words or sentences, it can produce a truly beautiful combination of letters, all of which we carefully designed for ourselves. Show you what makes us unique, and notice how beautiful, harmonious, and smooth each graphic treat is. This typeface is ideal for usage in a variety of unusual graphic projects, including games, book titles, outdoor activities, posters, banners, quotes, branding, and other unique projects. So, what are you waiting for? Get this font now!

One of my favorites. Rundgotisch is a easy to read for eyes that are accustomed to roman letterforms, yet keeps in touch with its blackletter roots. It was released around 1900 by Schelter & Giesecke of Leipzig, Germany. Can be used to set short text passages and pairs easily with many different decorative initials of the period. A very useful typeface. Don't leave home without it. According to Bringhurst, Schelter & Giesecke was formed in 1819 by Johann Gottfied Schelter and Christian Friedrich Giesecke. This old German printing house was sucked up by state-owned Typoart in 1946, after Marshall Zhukov and the Red Army had established Soviet dominion over East Germany.

For many decades, the fashion magazine “Vogue” featured superbly illustrated covers before photography became more commonplace. During the 1930s and 1940s those illustrations were accompanied by many creative styles of hand lettering for its monthly issues. The January, 1930 cover had the magazine’s name lettered in an Art Deco geometric monoline, which became the inspiration for Vagary JNL, which is available in both regular and oblique versions. A vagary [in a simple sense] is when something or someone changes in an erratic or unexpected way (as the wind’s direction or in a person’s mood or whim)… and thus seemed the fitting name for this type style.

Introducing Catto Puroo, the perfect font for all animal-related products. With three different versions - regular, display, and extruded - Catto Puroo offers versatility and a range of design possibilities. The display version features a paw print on the font, which is perfect for creating fun and playful designs. Combine it with the extruded version for a 3D look that will make your designs stand out. Catto Puroo is the go-to font for animal lovers, pet enthusiasts, and anyone looking to create designs that are fun, quirky, and memorable. Features : - Catto Puroo Family Fonts - Ligatures - Multilingual, US Roman, Latin 1 Support --- Hope you enjoy with our font! Attype Studio

Winter Garden JNL was modeled from the eccentric sans serif hand lettering with varying line widths found on the sheet music of 1917's "When the Girl You'd Give the World to Win Gives Her Heart to You". (It seems that sheet music from the early 1900s often had song titles that were more than just a few choice words. This particular ditty's title took up fourteen words to make its point.) The font is available in regular and oblique versions and gets its name from both the famed theater in New York and the city located 14 miles West of downtown Orlando, Florida.

What can I say? I like fonts with stars. Space Time is a hand drawn font with a lot of variety. I started designing the regular version with the characters slightly touching but it wasn't quite what I had in my head. I’d imagined tightly spaced letters with overlapping shadows and the only way to get that effect was to create a second version with stackable layers. That means this download includes regular, base, outline, shadow, and stars files. Plus, the base and outline can be used for stacking or work fine as standalone fonts. This font is all caps but the lowercase letters feature alternative styles.

If one were to be visiting Dania Beach in South Florida, they would find on the West side of US 1 just North of Sheridan Street a Bar-B-Q joint located smack dab between a McDonald’s and an all-you-can-eat buffet that took over a closed down Pizza Hut. Charlie’s BarBQ JNL is Jeff Levine’s homage to some great Texas Bar-B-Q - cooked by a Cuban immigrant - served in South Florida... A true American success story, but with a sad ending. Charlie's closed because the landlord wanted the property. for his own use. Charlie now resides in Leon, Nicaragua and runs some successful business ventures there.

The IronOn fonts are a collection of geometric display faces that were inspired by the iron-on t-shirt lettering of the 70s. The original source came from a submitted sample to the MyFonts "What the Font" forums, and while it had similarities to ITC Machine, it could not be tied to any existing typeface. And so, this new geometric sans family was born, exhibiting a more open letterstyle with several weights and widths, with a complete capital and lowercase set, no allcaps set here. Ideal for packaging, T-shirts, advertising, or for industrial applications like signage and newsletter headlines, this powerhouse font family offers a unique rigid flexibility.

Árida pays homage to the Argentinian city of San Juan, located in the semi-desert Cuyo region, where cacti are abundant; a characteristic feature of arid habitats. Árida, inspired by the vegetation of the place, looks sharp and aggressive at large sizes but it also feels friendly at a smaller scale⁠—portraying the dichotomy between humans and nature. Árida comes in 5 weights, ranging from Regular (with a matching italic) to Black. The Regular variant contains 773 glyphs and its Italic counterpart is composed of 939 glyphs. The font also includes small caps, different styles of figures, ligatures, and stylistic and contextual alternates, among other OpenType features.

My family and I recently moved to a ‘fixer upper’ farm from the 1930’s. It came with a slightly run down barn, 4000 square metres of land and a LOT of redcurrant bushes. I can’t really say that I am overly fond of them. I find them a bit too tart. As a kid, I used to smother them in sugar, but I can’t do that any longer, since I am a responsible dad… ;-) Redcurrant is a slightly wonky, slightly crazy handmade font. It can be used for book covers or post cards, but feel free to use it for whatever. Comes with cute little swashes as well.

The techno sound of the 1990s, a personal computer, font creation software, and some inspiration all came together to inspire the F2F (Face2Face) font series. Alessio Leonardi and his friends had the demand to create new unusual typefaces, which would be used in the leading German techno magazine of the day, Frontpage. Even typeset as small as 6-points, in nearly undecipherable layouts, it was a pleasure for the kids to read and try to decrypt the messages. Bubbly black letterforms dancing across the line: this is F2F Tagliatelle Sugo, a funky font from Alessio Leonardi. Try it out in a big headline today!

A "tunesmith" is one so nicknamed because the person or persons craft (compose) a song from scratch. When the area of Broadway known as Tin Pan Alley was in its heyday, every music publisher's office would have sounds emanating from the various cubicles of men and women trying for the next big hit. Sheet music was the main source of songwriter's royalties during those days, and to please the general public with a song destined to be a popular piece was a lofty goal. It's then only fitting that the lettering inspired by a 1920s-era piece of sheet music for a song called "Jerry" would be named Tunesmith JNL.

Here comes a New font, Introducing ROCKA It's Bad Hand Drawn Font is a Natural Brush Style and Authentic classy style, this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. ROCKA is a natural Hand Drawn feel. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes,photos, photography overlays, signs, window art, scrapbooking, tags and so much more! It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes.

Years before the "Jet Age", and way before computers and satellite television turned us into jaded "armchair travelers", the ocean voyage aboard giant steamships to distant ports of call beckoned many to travel the Seven Seas. Far away lands had a magic and mysticism to them, for few Americans knew anything about those places unless they read about them in books or saw travelogs at their local theaters. Many songs were written with themes of romantic South Seas travel, and one vintage piece in particular entitled "Down Where the Trade Winds Blow" offered up the hand lettering which served as a model for Sea Cruise JNL.

Font naming is not all that difficult. Take Printout for example. I was busy working on this font, when my niece came over with a poem she needed to have printed. One of her classmates had the same request (they’re writing poems for our national Remembrance Day). As I was printing out these poems, I thought the name Printout would be perfect for the font I was working on. See? It’s not rocket science! Printout is a totally awesome, completely handmade font. I used an almost dried out Japanese brush pen to get the eroded effect. Maybe I should name my next font ‘Dried Out Brush Pen’? I’ll let you know.

Found within the pages of the 1934 edition of the American Type Foundry’s “Book of American Type” is a sans serif design with rounded terminals that emulates a typewriter face. “Jumbo Typewriter” is reminiscent of the type of lettering formerly found on teletype news copy. “Teletype” was a division of Western Electric (part of AT&T), and the machines utilized telephone lines to electronically type and send (as well as receive) messages worldwide. Many folks will remember the sound of teletype machines in the background when radio stations had their news breaks. Now available digitally as News Copy JNL, it is available in both regular and oblique versions.

The techno sound of the 1990s, a personal computer, font creation software, and some inspiration all came together to inspire the F2F (Face2Face) font series. Alessio Leonardi and his friends had the demand to create new unusual typefaces, which would be used in the leading German techno magazine of the day, Frontpage. Even typeset as small as 6-points, in nearly undecipherable layouts, it was a pleasure for the kids to read and try to decrypt the messages. The glyphs in F2F Prototypia Multipla have been turned into mini letter collages. Text set in this font will take on a quilt-pattern-like appearance.

Up until the advent of modern packing and shipping methods, the common way to mark merchandise or other items to be transported was through the use of a brass stencil. These marking devices were hand stamped (or punched) using metal dies that were struck against sheets of brass to create the letters, numbers and other symbols [unlike the steel rule die cutting method used for manufacturing paper stencils]. One such example of an antique marking stencil had letters and numbers approximately one quarter of an inch in height, and Stamped Brass Stencil JNL recreates the design complete with the unusual variations of character shapes and widths.

When horror and retro are combined in a more elegant composite, we present Suzanstein! Because darkness is not always about ghosts, death, and sadness. Suzanstein takes you to explore other possibilities. This font is perfect for horror themes surely, but can also be used on themes of darkness, passion, youth, idealism, social issues, even motivation. Suzanstein is an all-caps font with small caps and comes with an OpenType feature to add variety to your designs. You can apply Suzanstein for T-shirts, logos, posters, flyers, stickers, quotes, book covers, short editorial, and many more! Featured : Uppercase Smallcaps Numbers Punctuation Symbols Multilingual accents Stylistic alternates Ligatures That's all, folks!

I read something interesting the other day: in 1910 a cat called Kiddo snuck on board an airship and was found by aeronaut Walter Wellman - after he had already taken off in an attempt to cross the Atlantic Ocean. Wellman and Kiddo spent 71 hours aboard the airship, but never completed the journey, due to engine problems and foul weather. Luckily, they were both rescued. It was a funny story, so I decided to name a font after it. Reluctant Aviator is a handmade font (pen and paper). It has a rough edge, some shaky glyphs and a lot of bravado. Comes with diacritics and swashes.

Royal, majestic, elegant. These letters are based on Roman and Greek characters carved on stone. They come in 3 different styles. Normal and Shaded are designed to have serifs with a finer thinning. On the other hand, Metallic is bolder and simulates in the most realistic way three-dimensional metallic lettering. There are some alternate characters placed at lowercase positions as well as a few stylistic alternates which are accessed through the OpenType features. Pay attention to letters like Greek Omega (lowercase position) and Greek Xi (lowercase position) as well as B, R, K (lowercase position). Monumenta Pro was recently upgraded to support Latin, Greek and Cyrillic.