The font superfamily Vianova contains each 12 weights of Sans and Slab and 8 weights of the Serif style. The design from Jürgen Adolph dates back into the 90th, when he studied Communication Design with Werner Schneider as a professor at the Fachhochschule Stuttgart. Adolph started his carrier 1995 at Michael Conrad & Leo Burnett. He was responsible for trade marks as Adidas, BMW, Germanwings and Merz. He has been honoured as a member of the Art Director Club (ADC) with more than 100 awards. On February 26, 2014, Jürgen Adolph wrote the following: “I was already interested in typography, even when I could not yet read. Letterforms, for instance, above storefronts downtown, had an irresistible appeal for me. Therefore, it is probably not a coincidence that, after finishing high school, I began an apprenticeship with a provider of signage and neon-advertising in Saarbrücken, and – in the late 1980s – I placed highest in my field in my state. When I continued my studies in communications design in Wiesbaden, I was introduced to the highest standards in calligraphy and type design. “Typography begins with writing” my revered teacher, Professor Werner Schneider, taught me. Indefatigably, he supported me during the development of my typeface “Vianova” – which began as part of a studies program – and accompanied me on my journey even when its more austere letterforms did not necessarily conform to his own aesthetic ideals. The completely analogue development of the types – designed entirely with ink and opaque white on cardboard – covered several academic semesters. In order to find its appropriate form, writing with a flat nib was used. Once, when I showed some intermediate designs to Günter Gerhard Lange, who occasionally honored our school with a visit, he commented in his own inimitable manner: “Not bad what you are doing there. But if you want to make a living with this, you might as well order your coffin now.” At that time, I was concentrating mainly on the serif version. But things reached a different level of complexity when, during a meeting with Günther Flake which had been arranged by Professor Schneider, he suggested that I enlarge the offering with a sans and slab version of the typeface. So – a few more months went by, but at the same time, Elsner+Flake already began with the digitilization process. In order to avoid the fate predicted by Günter Gerhard Lange, I went into “servitude” in the advertising industry (Michael Conrad & Leo Burnett) and design field (Rempen& Partner, SchömanCorporate, Claus Koch) and worked for several years as the Creative Director at KW43 in Düsseldorf concerned with corporate design development and expansion (among others for A. Lange & Söhne, Deichmann, Germanwings, Langenscheidt, Montblanc.”

Bendita could evoke the didones of the 19th century. It has an extreme contrast that makes it only suitable as a display typeface, with its characteristic shapes. The fatty type par excellence.

Kickshaw is definately a hardcore tagfont. Its rough edges and hard lines makes it perfect for imitating writing on the walls! Switch between caps and lowercase to keep the original bad look!

A Timeless Revival of 70s Vintage Typography. In the realm of design, where trends ebb and flow, emerges Nordlig—a serif font meticulously crafted to pay homage to the enduring charm of 70s retro typography. Each character carries the essence of an era defined by deliberate lines and distinctive serifs, offering a contemporary take on a classic aesthetic. An Ode to Nostalgia: Nordlig transports you to a bygone era, infusing your projects with the unmistakable allure of 70s design. It’s a font that whispers of nostalgia while maintaining a fresh, relevant appeal. A Bridge Between Eras: Nordlig seamlessly marries the timeless charm of the 70s with the demands of modern design. It’s more than a font; it’s a conduit through which the past and present converge, enabling you to create designs that resonate across time. Elevate your designs with Nordlig, a serif font that not only pays homage to a rich design legacy but also sets a new standard for modern elegance. Embrace the spirit of the 70s with a font that transcends eras, and let your creativity soar. Experience Nordlig today and witness the magic of vintage typography reimagined for the contemporary creator.

Developed for use in our design drawings by the renowned museum exhibit design firm André & Associates Interpretation & Design, the André Drafting font is being made available publicly for the first time. Based on the hand drafting lettering of our Senior Designer Andrew Farrell, this neat and tidy font will add a personal touch to CAD drawings, concept sketches and more. This font contains a full character set and is available in regular weight. Visit our website at www.aaid.ca for examples of our exhibit design work.

Dance Lesson JNL is a reinterpretation of the popular "Latin Bold" typeface. The font's name is a reference to the Latin dance craze of the 1950s, when the Cha-Cha, Meringue, Tango, Mambo and even the "Chalypso" - a hybrid of Cha-Cha and Calypso rhythms had everyone moving to the beat of Central and South America.

A whimsical font with robust curlicues. Designed for display lines on show programs, posters, print ads etc. Many—but not all—of the letters are based on rounded Lombardic medieval forms.

A tall upright CAP font with small caps. Now includes the Capital German double S (Eszett) ß. Applications include Captions, headlines, packaging, posters, ads, greeting cards, book jackets and/or covers.

A cross-stitch font based on a classical pattern, including capital and lower-case letters. It is suitable for posters, signs, ads and greeting cards in the Thanksgiving and Christmas season.

Introducing Astheresia, a modern ligature serif font with elegant style. It's an easy way & perfect choice to make your design projects; logo, branding, invitation, social media ads & website have classy looks.

Here's my tall and thin sans handmade font! It's lively, rough and quite organic looking - and to boost the natural organic look, I have added 6 different versions of each letter!

Remaglide is a Brush Handwritten Font. It has several swash and several alternative styles that can be used as needed. Remaglide will do great on invitations, in quotes, ads, and more.

Introducing the Bonaro Vintage Retro Serif All Caps Font, a versatile collection that brings timeless elegance and a touch of nostalgia to your design projects. With its 10 distinct styles, this font offers a treasure trove of possibilities, making it an essential asset for designers seeking to infuse their work with vintage charm.

A fresh, curly and delicious sans serif. Designed by Daniel Hernandez, Merced is a sans serif font that can be given different uses due to its wide variety of alternate types. Its main virtue is the endless number of possibilities for you to write words, texts or paragraphs. Languages include: Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian and Pan Africa Latin.

In 1927 Albert Auspurg cut Trocadero for the Trennert foundry in Hamburg. This new version is not a mere digitalization, but many letterforms were altered and updated, and missing links in the complete alphabet had been drawn afresh. Out came a beautiful cursive font with a certain charm of its own which covers beside the West European languages also those of Central Europe and Turkish.

Koralle was an abundant family of grotesque font styles which had been released by Schelter & Giesecke in the first quarter of the previous century. Out of this family four of the most impressive styles were revived, whereby I stuck as close to the original as possible. All styles contain even the weird-looking capitalized German double-s of which I am a strong opponent.

Poster Casual JNL is based on the hand lettered title on the cover of the 1929 sheet music for the song "Give Yourself a Pat on the Back"; touted at the time as being "the cheer-up song of England". Available in both regular and oblique versions, the font is perfect for applications where a less-formal look is desired in headlines or brief text.

The cover of the 1938 sheet music for "Treasure Island March" had its title hand lettered in a rough-hewn Western style with overtones of Art Deco influence. All of the characters were "cleaned up" for the digital font, but still retain the basic designs with their irregular, eccentric look. The result is Western Deco JNL, which is available in both regular and oblique versions.

The initial designs for this font first came from the idea of creating a dynamic and visually appealing typeface just by using squares so throughout the development stages I had restricted myself to just the use of squared paper. The hardest thing that I found was overcoming the problems regarding letter forms that have diagonal lines and therefore defer from the ongoing style of the typeface.

Can you dig it, man? Comicraft's Jazzy "JG" Roshell, just swung by after playing bongos down at the coffee bar in his black turtleneck sweater, stove-pipe trousers, dark glasses and beret. Check out the rad Tiki corners on our freshest font, COOL BEANS and you'll want to snap your fingers, put on some Miles Davis and take the next train out of Squaresville, um, Daddio.

Life was designed in 1964 by W. Bilz and marks the beginning of a new generation of newsprint fonts. The Ionic style had replaced Modern Face and was now replaced by this new innovative style, which mixed elements of Old Face, Transitional and Modern Face forms. Life’s characters are based on the forms of Times and are the result of a time of change and experimentation.

Get ready for a battle - a battle of punk and grunge! This surely is a messy font...it looks like it has been run over by a VERY bad copy machine! Comes with a bunch of cool features such as: - Different lower/caps letters - Unique accented charaters - Ligatures for double letters/numbers - Alternative letters You will need to use OpenType supporting applications to use the autoligatures

Miniver was inspired by a trip made to the library, looking for new ideas. Immediately gravitating towards the DVD for the 1942 film Mrs. Miniver, the hand-lettered title on the cover had a very contemporary look and feel so, there was the 'springboard' into a new font. First drawn were the inline forms and then they were traced, utilizing a playful 'cutout' effect.

The sheet music for the title song of the 1960 movie "Exodus" had the name hand lettered in a block stencil style with rounded corners and narrow "rails" [the breaks between the stencil parts]. Loosely based on this design and working from just the six letters of the title, Cartage Stencil JNL is available as a digital font in both regular and oblique versions.

TpLlum is a typeface designed by TwoPoints for a festival in Barcelona called ‘Montjuïc de Nit’. Llum means light in Catalan. In the Montjuïc de Nit project the font was used in white over a dark grey background, letting the light of a backlit poster shine through. For this purpose the typeface had to be very bright, which was made possible by its heavy cut.

Sunroll is a modern and playful display serif typeface that had that sleek and luxury feel. This font is perfectly into those classy moodboards and logos. It comes with ALL CAPS with many alternatives and ligatures, helps to create stunning logos, quotes, posts, blog posts. branding projects, magazine imagery, wedding invitations, and much more. Tutorial how to Install & use Alternate / Special Character : https://hanscostudio.com/tutorial/ Enjoy!

With all of the stencil fonts created by Jeff Levine from various vintage sources, you would think everything had already been covered. Not so. Along comes Amateur Stencil JNL. Modeled from a child's stencil set from the late 1950's or early 1960's, it vaguely resembles Futura, but its irregular widths and semi-stencil appearance sets it off greatly from that classic typeface.

This pale face -- a Byronic offering from the disaffected youth section of our library -- will provide that slightly sad, sunken eyed feeling most closely associated with Doc Martins, heavy crosses and clothes as black as the blaquest heart... so if you're looking for tragic tramp stamp typography, we think our tattoo parlor maid to wear font will provide just the right amount of Goth Chic.

Minou is a French cat’s name. There are more: you could name your cat Léo, Fripouille, Orion, Orphée or Tigrou, but I kind of like Minou. Minou font is a very cute, handmade affair, that started from some doodles I had drawn. Use it for children’s book covers, pyjama party posters, toy packaging and inspirational quotes. I am sure it’ll do the job purrfectly!

Directa Serif Variable is a text type family in one single font file. It explores new possibilities for the original type family released by Outras Fontes some years earlier, which is designed to save space with the highest readability. The variable font is composed of two axes of variation: Weight (100–900) and Italic (0–1). It also contains 18 predefined styles between Thin and Heavy and their respective italics. So now you can adjust the weight of the type by interpolating it in real time using any variable font compatible app. There are hundreds of possibilities between the values of 100 (Thin) and 900 (Heavy). And if you're feeling adventurous, you can also use the Italic axis to interpolate instances between Roman (0) and Italic (1) and see what happens in the middle. This new technology can be very useful for web and video animations. Directa Serif Variable is also highly recommended for newspapers, magazines, corporate communication and so on. It has a large set of characters, including Western, Central European, Baltic, Scandinavian, Icelandic, Romanian and Turkish unicode ranges. The variable font also includes several ligatures, a complete set of small caps, sets of lining, old style and tabular figures, as well as fractions, superior and inferior numbers. These features can be easily accessed using any OpenType-compatible software.

A 1967 ad for Aurora “Monster Scenes Custom Builder Kits” featured the drippy, gooey hand lettering long associated with science fiction and horror movies. The letters in the ad were auto-scanned and additional characters were completed with the end result being a horror-themed font with sharper angles and lines instead of drips. This is now available as Monster Movies JNL, which is available in both regular and oblique versions.

Alacrity Sans Fonts are modern multipurpose family fonts with sophisticated geometric shapes. You can use them in modern sophisticated design. These fonts are perfect for your various projects such: logo and brand identity, journal, business cards, web, stationary, display, sport product, technology and more. Alacrity Sans fonts feature opentype, kerning, and alternates packed in 10 fonts. Alacrity Sans fonts include uppercase letters, lowercase letters, numeral, punctuation and multilingual support.

Stylistic is a font inspired by street graffiti. We added a side of softness and feminism so that it looks more casual and chic. This font is suitable for logos, quotes, watermark photography, headers, banners, prints and brands for handmade products. This font equipped with opentype features such as ligatures and alternates, we also added a single font which we named Stylistic extra doodle. There are 52 doodles that appear from each of the Uppercase and Lowercase glyphs. just type A-Z and a-z then the doodle appears. This will enrich the feel of graffiti to your design and make it worth having.

ABOUT THIS FONT Avergent is a simple display sans font that designed for modern corporate branding, copy ads, and much more. FONT FEATURES - Additional Accents - Stylistic Alternates - Cyrillic Support - Ligatures - 95 Languages SOFTWARE RECOMMENDATION - Adobe Photoshop - Adobe Illustrator - Adobe InDesign - Affinity Designer OS COMPATIBILITY - Mac OS - Windows

The Pablo Meganta consists of two fonts designed to complement each other perfectly. Together or apart, these fonts are ideal for adding a chic and cheery touch to your crafts. This font is PUA encoded which means you can access all glyphs and swashes with ease!