I added the hollow model of the font he developed by taking an example from the ancient Greek inscriptions found in Turkey to my fonts. Use it in good works.

Meows Display Font is a fun and playful font that is perfect for a variety of design projects. This font features a unique paw print in place of a traditional dot over the letter "i" giving it a playful and whimsical feel. The Meows Display Font is a bold and attention-grabbing font that is sure to make a statement in any design. The paw print feature gives the font a touch of personality and quirkiness, making it ideal for use in children's books, animal-themed designs, and other creative projects. The Meows Display Font is designed to be used as a display font, meaning it is best used in larger sizes such as headlines, titles, and logos. The font includes a full set of upper and lowercase letters, as well as numbers and punctuation, making it a versatile and practical choice for designers. Overall, Meows Display Font is a fun and unique font that brings a touch of playfulness and quirkiness to any design project. Whether you're creating a children's book, designing a pet-themed product, or working on a logo, this font is sure to make your project stand out.

Akserant Display Font is an amazing display font. The font is suitable for any project like branding , lettering , tshirt print and many others. Included Files : Accents (Multilingual characters) 10 Ligatures 113 Alternates and swashes PUA encoded Numerals and Punctuation (OpenType Standard) Features with Clean and Rough Version.

There’s nothing stinky about this font, don’t worry! But what’s is up with Stink Buster is a whole lot of serifs gone bad! Each letter is loosely based upon the classic slab serif style, but influence by grafitti and comics just made them crooked and off the grid. But despite that, the font works great if you have a message that you want shouted out loud!

I believe it was Picasso who had a Blue Period between 1901 and 1904. It seems that I have one myself - really not comparing myself to Picasso btw… Recently I created Blue Sheep font and now this one: Little Boy Blue. Little Boy Blue is a very legible, easy-on-the-eye font for texts, books, covers and packaging. Comes with 50 shades of diacritics.

For the font design project, I had decided to make a typeface which would reflect the style architectural of Zaha Hadid. My purpose was the presentation of a font to her as Zaha Hadid was alive during my project process. But nearly at the end of the project we unfortunately received the death news of her. Her life wasn't long enough to see the project completed.

Speak quietly but carry a big stick' as President Theodore Roosevelt once said... so, with so much heated rhetoric in the air this -- let's face it, EVERY -- Election season, we felt that it was important to put together a more dignified and sedate lower case edition of our popular Victory Speech font. Bad Hair and Big Sticks not included. See related font: Victory Speech

A Bocadillo is a sandwich. I guess I was craving one when I had to name this font! Bocadillo is a sweet Brush script. It is all caps, but upper and lower case are different and like to mingle. It is an ideal font for product packaging, posters, book covers, postcards and big ‘I love you’ billboards. Comes with a generous helping of diacritics.

This font is influenced by Walbaum. However, I did not just trace the design, but sort of had the image in my head while I drew the letters. This font is balanced by not being entirely Walbaum, but still basically is. I've named it "NoraPen." Nora comes from the name of the main character in Ibsen's "A Doll's House," and Pen means a cage for livestock.

Chronically strong, yet pacific. Chronically bold, yet friendly. This font was at first inspired by a HAP Grieshaber work and soon incorporated elements from pieces by Willem Sandberg, two astonishing artists who lived through two world wars. They had to struggle for freedom and consistently manifested, with words, works and actions, their absolute love of liberty. Both were chronically free. As this font intends to be.

Developed by Adrian Frutiger for Bauer in 1966, Serifa is a slabserif based on the principles that led to the success of Frutiger’s 1956 sanserif, Univers. Glypha, designed by Frutiger for Stempel in 1979, is a version of Serifa with a moderately larger x-height; Stempel has paid royalties on Glypha to Neufville since 1984. Serifa® font field guide including best practices, font pairings and alternatives.

Seeing the need of visual minimalism and luxury so we are inspired to makeup this Allissona GT calles font, the font in the form of a signature that is suitable for the needs of course a case of signatures, logos, letters, ads, products, digital printing, to digital ads. Allissona GT equipped with a swash to complete the impression of your design signature design course and add a sense of luxury

Sheet music for 1907's "Just A Little Fond Affection" had the song title hand lettered in a simple sans serif design with influences from the then-current Art Nouveau movement. This is now available as Nouveau Titling JNL; available in both regular and oblique versions.

Here’s a set of arrow shaped callouts in two varieties within one font. The black-on-white letters are on the upper case keys, and the white-on-black characters are on the lower case keys. The numerals 1 thru 10 in black-on-white are in the standard key positions, while the white-on-black numbers are on the same keys when engaging the “shift” key. The 'zero' key houses the number '10'. For a more dynamic look, the font is also available in an oblique version.

Whether your subject is scary, or just ancient, this font can help get the right feeling across. PR-Cauldron has capitals based on Uncials, and lowercase based on Celtic Minuscule. “Potion” has a rough finish, and “Curse” has the same letters dripping with gore, suitable for Halloween. Letters are size matched in both fonts, so you can put in as much, or as little messiness as you like. Combines well with: PR Bramble Wood 1, PR Bramble Wood 2, PR Hallow Doodles 01, PR Hallow Doodles 02, PR Swirlies 01, PR Swirlies 05

We used to have a composite worktop in our 'old' kitchen. It was cheap and the kitchen-guy warned us not to put any hot pans on the worktop, as it could crack due to Thermal Shock. Duh... When we installed our new kitchen, we opted for a ceramic worktop, which can handle hot pans being placed on it! Thermal Shock font is a very nice, handmade brush font. If you ever bought any brush fonts of mine, you will know that I almost always use Chinese ink and cheap brushes to create 'the look'. It is always a bit of a surprise how a Chinese ink brush font turns out: I created one the other day and it looked horrible, so it was banned.. Thermal Shock turned out to be a looker. Thermal Shock comes with one set of alternate glyphs, extensive language support (including Greek and Vietnamese) and a guarantee it won't crack in super hot designs.

Both fonts of the Remus family are complete redesigns of turn-of-the-century fonts. The regular style is based upon an inhouse design of Schelter & Giesecke in 1889, called Romanisch. This font was adopted by other German foundries and slightly modified and a bold version was added. Due to their proportions, these fonts fit perfectly into narrow columns, and still they are very legible. In January 2023, an Italic style was added. Here too it is recommended to use both ligature features Standard and Discretionary.

Introducing the Doovy Groovy Party font! This stylized, psychedelic, and round Groove Display Font takes you back to the 90's and 00's era. With its multilingual support, it's perfect for creating a pop, funky, and bold vibe. What sets the Doovy Groovy Party font apart is its unique ability to capture the essence of the vibrant and energetic 90's and 00's era. Its stylized, psychedelic design evokes a sense of nostalgia while still offering a fresh and contemporary look. This font is a true standout, allowing your designs to stand out as well. For designers looking to create harmonious compositions, the Doovy Groovy Party font has a few relatives and typefaces that complement it beautifully. Consider pairing it with "Retro Sans Serif" for a bold and cohesive look, or experiment with "Funky Display" to amplify the funky vibes. These combinations will add an extra layer of creativity and versatility to your design projects. The Doovy Groovy Party font comes in three variations - Regular, Outline, and Shadow - making it a versatile tool for various design needs. The Regular version provides a solid foundation, ideal for headlines and titles that demand attention. The Outline variation adds an element of sophistication and can be used for modern designs, while the Shadow option creates depth and dimension for a more dynamic appearance. Additionally, this font boasts extensive multilingual support, ensuring that it can be used effectively across different languages and cultures. The Doovy Groovy Party font draws inspiration from the bold and expressive typography prevalent in the 90's and 00's. It captures the vibrant and carefree spirit of that era, where music, art, and pop culture collided to create an explosion of creativity. The psychedelic elements incorporated into the font pay homage to the colorful and trippy visuals that defined the time. This font encapsulates the nostalgia and excitement of those years, allowing designers to infuse their projects with a sense of fun and playfulness. We created the Doovy Groovy Party font with a passion for celebrating the bold and expressive designs of the past. We wanted to provide designers with a versatile tool that brings the nostalgic charm of the 90's and 00's to their modern projects. By using this font, you can effortlessly transport your audience to a time when colors were brighter, music was groovier, and creativity knew no bounds. Let your imagination run wild with the Doovy Groovy Party font and infuse your designs with a vibrant touch that will captivate and inspire! Unlock the power of nostalgia and creativity with the Doovy Groovy Party font. Its unique design, versatile variations, and multilingual support make it the perfect choice for posters, marketing materials, T-shirt designs, headlines, and much more. Get ready to groove and let this font elevate your creative projects to a whole new level!

Anachak font, Is a square structure. It emphasizes the sharpness of the serif, giving it a strong and formidable feeling. Suitable for headlines for various publications such as Packaging, Print Ad, Etc. Available in 18 styles. - ฟอนต์ อาณาจักร โครงสร้างเหลียมมีเชิง ขับเน้นความคมแหลมคมตรงช่วงจบเส้น และฐานเชิง ให้ความรู้สึกหนักแน่น น่าเกรงขาม ยิ่งใหญ่ และดุร้าย เหมาะสำหรับการพาดหัวสำหรับสิ่งพิมพ์ต่างๆ เช่น Packaging, Print Ad, Etc มีให้ถึง 18 สไตล์ เลือกใช้ได้ตามความเหมาะสม

Sendica delivers a playful and charming script experience. It’s the ideal font for adding a dash of elegance to your next design project.

Geometric forms make this elegant font family a great companion for invitations and signs, indoor and outdoor. Proportional figures added, perfect for signage.

A freely written handwriting font with a lot of ligatures added for credibility. The PRO version comes with Greek and Cyrillic glyph sets.

Our font of the original was only ten point, so we had to use our imagination to a great extent. As specialists in Victorian typography, we have found that many people do not like the "center alignment" idea, used on several old time faces, but we have been faithful to the original. So there!

"Punk is not dead, grunge is not dread, skateboarding and grafitti is forever" - shouted by some (possibly drunk!) person one late night. I had these "wise" words in the back of my mind, while making this font. I wanted to capture the wildness of both punk/grunge/skateboarding and grafitti without overdoing any of them!

Ross F. George, master of the Speedball pen, called this rather rugged typeface "Personality Script", which might be a suitable name if you had the personality of a porcupine. It does grab your attention, though! Both versions of the font include the 1252 Latin and 1250 CE character sets (with localization for Romanian and Moldovan).

The main 20-th century handwritten display font in the USSR, usually performed with a flat brush or a wide poster pen for all kinds of signage during 1920-1990s. It had also many analogues in other countries, but never was that popular as in the Soviet Union, used everywhere. The softened modern humanistic version.

A contemporary gothic sans font family with simple and condensed proportions. The design pays close attention towards balance and expression of form, creating a functional yet elegant typeface suitable for extensive text-based publications in print and screen. Details include 680 characters, seven weights with true italics, small caps, manually edited kerning and Opentype features.

Ascender Serif was designed by Steve Matteson as an originative, unique serif design that is metrically compatible with Times New Roman. Ascender Serif offers refined on-screen readability characteristics and the pan-European WGL character set and solves the needs of developers searching for width-compatible fonts to address document portability across various platforms.

Imperial Quortex came to life during many processes. Including a bad copymachine, a wet cloth and multiple prints and scans. The result is Imperial Quortex: a unique eroded font! Comes with unique accented letters, alternate upper- and lowercase, smart ligatures and alternate letters. You will need to use OpenType supporting applications to use the ligatures.