Hua type family is a sans-serif with very humanist details to represent the essence of nature. It features 14 weights from the very thin to the very bold, generously covering a wide range of the natural spectrum. Aiming to represent the soft and elegant side of nature, Hua features very unique italics that have their own take on the identity. The letterforms of the italic fonts are inspired by the lineage of both traditional calligraphic approaches for serifs and much simpler forms for sans-serifs. Hua provides very crisp performances on screens and its large x-height combined with fine-tuned proportions help it retain legibility very well on smaller sizes.  Features: • Support for 200+ Latin languages • Double & single storie “a” & “g” • Unique italic letterforms • Low contrast with unique details • Small caps with symbols • Arbitrary and defined fractions • Support for superscript & subscript in normal & scientific alignments • Proportional lining, proportional old-style, tabular lining, tabular old-style

Nexus (2004) consists of three matching variants – a serif, a sans and a slab – which makes it a highly versatile typeface. Nexus started as an alternative to Seria, a typeface Majoor had designed some 5 years earlier. But soon the design developed into a new typeface, with numerous changes in proportions and in details and with a redrawn italic. Besides the three connected versions (Nexus Serif, Nexus Sans, Nexus Mix) Majoor designed a monospaced version called Nexus Typewriter. The Nexus family is a workhorse typeface system like Scala, with features such as small caps in all weights, four different sorts of numbers and an extensive set of ligatures. All fonts in the Nexus family come in regular, italic, bold and bold italic. Free bonus: there are more than 100 elegant Swash italics and dozens of arrows and other icons. The Nexus family was awarded the First Prize at the Creative Review Type Design Awards 2006.

Meet Very Frank, a font that won’t feed you any lines or tell you any lies. Straight and tall and lacking in all but the subtlest softening details (look at the leg on that uppercase K, though…). Very Frank is a condensed sans serif display font (in regular and italic) with tall, straightforward lines and subtle curves to soften things up. It includes a ton of standard and discretionary ligatures and two stylistic sets to spice things up and add some fun. It's perfect for headlines, editorial design, monograms, branding, logos, poster design, and more. Very Frank includes approximately 540 glyphs and more than 75 standard and discretionary ligatures. Additional OpenType features include character variants, stylistic sets, and multilingual support (including multiple currency symbols). The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign. (To access these awesome features in Microsoft Word, you'll need to get comfortable with the advanced tab of Word's font menu.)

Logik is a futuristic square sans serif typeface. Its personality is defined by squared-off corners that you would normally expect to be rounded, this sharpness gives the glyphs an eccentricity that the eye quickly adjusts to. Sharp, incised/stylised ink traps along with slightly tapered/curved horizontals and verticals add to the character of each letterform. These subtleties combine to give Logik a distinctively futuristic aura. Logik’s main use would be for headlines, short runs of text, branding and display purposes – ideally suited for film and book titles, Logik could be widely used for sports, media and recreation purposes also. Logik comes in 7 weights (from Thin to Black) across 3 widths – Regular, Wide, and Extended. Each font covers all European Latin-based languages and includes Old Style Figures, Small Caps, and some Case-Sensitive Forms. Key features: 7 Weights in Roman and Oblique 3 Widths – Regular, Wide, Extended Small Caps Old Style Figures European Language Support (Latin) 550+ glyphs per font.

The Adagio Family is a part of Mateusz Machalski’s, Warsaw Academy of fine arts Master Degree Diploma in multimedia studio, conducted by Professor Stanisław Wieczorek and his brave PHD Jakub Wróblewski. Adagio is a modern type family. It consists of 3 main varieties: sans, serif and slab. Each one of them has its own “true italic” set. All of the styles together have over 400 characters in 9 different thicknesses. The Adagio family was created mostly for company identities. The idea was to create a wide range of different varieties which are stylistically consistent. Adagio Serif - Characterises with strong contrast and high detail in calligraphic character cuts, what gives it a light feeling. Unlike the Slab version, serif variety has asymmetrical serifs. Thanks to large X length, and highly stretched descenders, it also works correct in longer text, while its strong detail is good for headlines. The Serif version is a great complement for Adagio Sans and Adagio Slab.

The Adagio Family is a part of Mateusz Machalski's, Warsaw Academy of fine arts Master Degree Diploma in multimedia studio, conducted by Professor Stanisław Wieczorek and his brave PHD Jakub Wróblewski. Adagio is a modern type family. It consists of 3 main varieties: sans, serif and slab. Each one of them has it's own “true italic” set. All of the styles together have over 400 characters in 9 different thicknesses. The Adagio family was created mostly for company identities. The idea was to create a wide range of different varieties which are stylistically consistent. Adagio Sans - In its character, inspired by classical English typefaces. Sharp chamfers add a strong character. Thanks to delicate contrast and proportions of capitals, this variety has features of humanist grotesque. Thanks to large x length, and highly stretched descenders, it also works correct in longer text, while it’s strong detail is good for headlines. The Sans version is a great complement for Adagio Serif and Adagio Slab.

P22 Barabajagal is a unique take on the display fat face by way of doodling fun. Somewhat informed by the shapes of an early 1970s film type called Kap Antiqua Bold, this font’s aesthetic is the stuff of boundless energy and light humour, where an uncommon “peak” angle drawing perspective results in sturdy trunks, fat bottom curls, and active ascenders eager for mobility in space. This is the kind of font that makes you wonder whether it was drawn with rulers, protractors and compasses, or just by a mad doodler’s crazy-good free hand. Regardless, Barabajagal easily turns the geometry of modern forms into an exercise in sugar-loaded fun. It’s a very good tool to use in design geared at kids and young adults, such as food and toy packaging, books, animation, cartoons and games. Barabajagal comes with over 550 glyphs, lots of alternates, and a few ligatures and swash caps. It also contains extended support for Latin languages.

Karibu™ is a 100-font original, ultra versatile geometric grotesk family with a lot of character. It is designed for modern projects, to serve as display as well as paragraph text typeface. It is perfect for lots of design situations - from magazine editorial use, logo design & branding, to web design, user interfaces and mobile applications. Main features: - 5 widths (Narrow, Condensed, Normal, Expanded, Wide), each consisting 20 fonts - 10 weights for each width (from Hairline to Black) - handdrawn, carefully crafted italics - alternate stylistic set for more technical and minimalistic projects - pronounced ink traps and large x-height improving legibility in small sizes and adding strong personality to display sizes - flatten letter shapes adding vertical rhythm and elegance to narrow widths - extended latin language support - OpenType features (case sensitive forms, standard and discretionary ligatures, stylistic sets, contextual alternates, lining, oldstyle and tabular figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols)

Inspired by the Appalachian culture of the Southeastern United States, the finely tuned forms of Dulcian strike a clear, empowering chord with your audience. This energetic and fresh sans serif flows fast and smooth with its simple lines and slight hand-written character. All total, there are six weights, with complementary italics and three different widths. Dulcian supports OpenType features and is packaged with unicase alternates, unconnected alternates, ligatures, old-fashioned figures, fractions, titling and small caps. Preview any and all of these features in the interactive PDF manual. The Dulcian family of fonts also includes glyphs for 72 languages, providing you with more than 600 glyphs per font. While designed especially for pull quotes, this display typeface can be used for a variety of applications. Dulcian is an excellent choice for websites as well as flyers and packaging. Other uses include coffee, menus, awards, certificates where a touch of humanity and personalization is needed.

Introducing Mandira, the ultimate serif font for those seeking a unique and sophisticated touch to their design projects. With its rounded curves shaped. Inspired by the modern retro, Mandira is the perfect choice for those seeking a minimalist yet stylish look. The font boasts a wide range of special characters, giving you the freedom to mix and match to create a truly personalized touch. Whether you’re a designer, blogger, or creative, this font is perfect for logos, headings, and branding, and its bold and fancy appearance to ease you make a masterpiece. With over 400+ glyphs to choose from, you can be sure that your work will stand out. Mandira is not only fashionable and casual, but it’s also versatile enough to be used in a wide range of design projects. So why wait? Try Mandira today and elevate your designs to the next level! What you’ll get : Uppercase Lowercase Numbers & punctuation Stylistic alternates Stylistic set 01-05 Ligatures Multilingual support Hope you enjoy the font!

The Adagio Family is a part of Mateusz Machalski’s, Warsaw Academy of fine arts Master Degree Diploma in multimedia studio, conducted by Professor Stanisław Wieczorek and his brave PhD student Jakub Wróblewski. Adagio is a modern type family. It consists of 3 main varieties: sans, serif and slab. Each has its own “true italic” set. All of the styles together have over 400 characters in 9 different thicknesses. The Adagio family was created mostly for company identities. The idea was to create a wide range of different varieties that are stylistically consistent. Adagio Slab - Slab variety combines qualities of the Sans and Serif varieties. It has the same contrast as Sans. As distinct from Serif, Adagio Slab contains strong, beamy and symmetrical serifs in the form of pillows. Thanks to large X height, and highly stretched descenders, it also works correctly in longer text, while its strong detail is good for headlines. Slab version is a great complement for Adagio Serif and Adagio Sans.

Guerrer is modern sans serif family of 20 fonts, 10 weights from thin to black, consists of uprights and matching italics (obliques). It has 300+ glyphs which covers major western languages and has some features, such as fractions, ligatures, alternates, mixed case (unicase) stylistic set, tabular & proportional lining, etc. The mixed case (unicase) feature would be very useful for logo branding project which will give a unique touch to the logotype. Ink traps for bolder styles were adjusted to maintain the legibility at smaller size for both print and digital needs. The typeface was inspired by the strength and the boldness of warriors (guerrer in Catalan). Designed with high x-height and short ascender & descender. The ascender has the same level width the caps height. The uppercase G was specially designed to resemble the warrior head with his armor/helmet. Guerrer would be great choice for branding project, display poster, website, packaging, and broad range of graphic design projects.

In this font from graphic arts veteran Tracy Sabin, his trademark whimsy and playfulness are exhibited in spades. Sabin takes a multitude of influences, from mid-century art nouveau to today’s pleasant dream-pop doodles, and mixes them up into a sweet and animated alphabet that oozes energy, enthusiasm and honest innocence. Alongside the chromatic and colour-play possibilities that come with two layerable fonts, the jumpy, rough and curly elements that make up Schneeberger’s construct make this face a unique and essential tool for display and packaging aimed at catching the eyes of kids and teens. Use it for fantasy flicks, sugar-fix wrapping, and the elaborate backyard birthday party invite where the program is just as appealing for the adults as it is for the children. P22 Schneeberger comes in solid (Black) and outline (Regular) variants, each of which containing more than 400 characters, some very cool built-in stylistic alternates, a bunch of ligatures, and support for the majority of Latin languages.

Optimisti is Finnish for optimist – and it’s an optimistic, light-hearted feeling that this trio of handwriting fonts transfuses into all kinds messages and identities. Casual, playful and character-strong as they are, the three of them make a perfect team for headlines, slogans, teaser texts and brand naming. Besides the two original fonts – “Optimisti Smooth” and “Optimisti Sparkling” differing in outline structure and texture – “Optimisti Decor” now joined the game. Optimisti Decor is loaded with a multitude of artful elements that can convey a very festive atmosphere – or, on the contrary, ironically make fun of it. Its features are is especially striking when used in all-caps setting. Use the Optimists separately or together to make a humorous – or serious but always cordial impression in print, on the web, on packaging or even on your shopping bag … All Optimisti fonts have a Western European, a Central European and an Extended Cyrillic character set. They support approximately 100 languages.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

LiebeKlara is LiebeFonts’ most delicious gourmet creation yet. The mouth-watering look of savory swashes and the fine aroma of masterfully sprinkled contextual alternates will make everyone happy—your spouse, family, and friends. LiebeKlara is festive enough to sit on wedding menus, but still warm enough to give everyday dinner invitations the personal flavor they deserve. LiebeKlara likes company—for example when her girlfriend LiebeErika comes over and they have some LiebeOrnaments with their LiebeMenu. LiebeKlara also likes travelling! She speaks most Western languages fluently and with a cute accent. Try it for yourself—LiebeKlara is calorie-free but (or because) she is very delicate. We hope you like her as much as we do! Bon appétit! LiebeKlara comes with a tasty variety of ligatures and alternative forms available through OpenType features. (Please make sure your software supports OpenType if you wish to use the advanced features.) The font contains over 580 carefully hand-crafted glyphs—so it’s more like two or three fonts in one.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

Platinus Script Pro is the latest example of what has now become a Sudtipos tradition: Adapting conventional calligraphic methods from the last two centuries to produce modern digital scripts for the current one. This time the resulting font explores the evolution of invitation scripts from the classic commercial lettering of the 1930s to the ideas clearly visible in the greeting cards of the 1980s and 1990s. Most base characters are made up of a single stroke, with some of the strokes driven from the top down, and some from the bottom up, putting the emphasis on the casual but precise fluidity of the hand, an emphasis magnified by the expert use of loops and swashes everywhere. The Platinus Script Pro family comes in two weights, each loaded with alternates and Latin-based langauge support, for more than 570 characters per font. Platinus Script Pro is great for product packaging, as well book covers, menus and greeting cards.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

Re-introducing the classic mid-1500s Garamond forms for the twenty-first century is never an easy task. But Hans van Maanen makes a fine attempt at just that by remodeling the traditional shapes through a modern lens with stunning results. Aragon is a workhorse family that performs very well in a variety of text sizes, from footnotes and legal copy to lengthy body sets. Its combination of wedge serifs with uniquely tapered stems offers a sturdy Dutch touch that improves legibility altogether, while at the same time the slight stress shift to the top half of the characters makes the immersive reading experience very open and comfortable. The Aragon family comes in a standard two-weight set with corresponding italics, a roman small caps font with its own italics, and very attractive initials for display uses. All fonts come in the usual popular formats, and include a glyph repertoire that covers Western, Central and Eastern European languages, as well as Turkish and Welsh/Celtic.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

Baro is a powerful, fun and expressive font, great for loud, cheerful and super-fat headlines and packaging for odd novelty toys. With its bold and distinctive stylized geometric forms, it is ideal for logos, heavy machinery and wacky party invites. Baro had its beginning in a handful of rigidly geometric uppercase letters from an unidentified 1960�s or 70�s era press-down lettering font, which in turn was possibly a revival of a 20�s era Art Deco font. The exercise quickly expanded into a complete typeface with 300+ characters, including several catch words (word glyphs), stylistic alternates, discretionary ligatures, multilingual support and both lining and old style numerals. Baro maintains much of the characteristic geometric rigidity of the original handful of letters, but � With the addition of just a little bit of flare, a bit of cheerfulness breaks through, like a wink and a smile on the face of a fat and otherwise stern policeman.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

Komet is a sturdy typeface with a calm and upright feel. Although it derives inspiration from classical English sans-serifs, it’s not too closely related to that model. Komet, instead, feels rather more lively and contemporary. Its compact spacing, low stroke contrast and heavy dots and accents give it an almost monolinear quality. The diagonals are slightly curved and the counters of the round letters such as b, o and q are generously wide. The muted, understated middle weights are built for extended body copy, while Komet’s thin and dark weights look brisk and assertive and make for subtly expressive headlines. Komet is an ideal choice for editorial design, branding and corporate design. The Komet family comes in eight weights with matching italics, from Thin to Black. The glyph set of each font contains around 520 glyphs and provides good everyday support for most Latin-based languages. For a wider range of advanced OpenType features, Komet Pro is also available.

Inspired by the MacFarland series in the 1912 ATF catalog, Apparel is a typeface that shares similar functional characteristics with Times New Roman and Caslon fonts yet it has its own personality: A great choice for high-impact design. Apparel is a contemporary, classy and fresh serif typeface with a laid-back attitude that best suits your design needs. Its medium-large x-height makes it ideal for headlines and brand identity design. Apparel also includes a version, with a greater contrast between thick and thin strokes, for use in even larger sizes. The font comes with italic styles which can be used individually or in combination with the upright variant. Moderately slanted italics are also available as OpenType Stylistic Alternates. Each font style supports more than 200 Latin-based languages, as you would expect from Latinotype fonts. Apparel also includes a basic Cyrillic set, old style & lining figures, fractions and alternates, among other OpenType features.

Artificial Intelligence is a computer generated typeface, in a brush handwriting style. As the world's first public and commercially available AI typeface, Artifical Intelligence celebrates the interaction between humanity and technology, in an attempt to blur the lines between hard data and interpretation. Based on 400 of Mans Greback's typefaces, this machine learning is bold and expressive, with a touch of retro while keeping it hip. It is provided in an all-caps uppercase style, Artificial Intelligence Caps, as well as the Regular style with lowercase lettering. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Hoyle is a dynamic high-quality serif typeface. Drawn and created by Måns Grebäck between 2019 and 2020, this classic design makes use of the fact that timelessness is the best manner to achieve modernity; the letters are of such composition that they will always be simultaneously contemporary and traditional. Hoyle is a family containing five weights: Thin, Light, Medium, Bold and Black. Each weight is also provided as Italic, resulting in 10 unique styles. The weights are harmonic and created to balance perfectly agaist each other. Try the included Variable Font! A format where you can set any weight manually, and any slant, resulting in more than 5000 variations. More info: https://www.mansgreback.com/variable-fonts This slab serif typeface is also filled with OpenType features such as ligatures, alternates, oldstyle, superscript, subscript, fractional and alternate numbers. It has a very extensive lingual support, covering European Latin, Vietnamese, Zulu and many more scripts. The font contains all characters you'll ever need, including all punctuation and numbers.

Chandelier Signature a new fresh & modern script with a handmade calligraphic style, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more!! Chandelier Signature come with 530 glyphs+. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts. so that all the alternate characters can easily be accessed in full by a craftsman or designer. Chandelier Signature Features : - Uppercase & Lowercase - International Languange & Symbols Support, Punctuation & Numbers, PUA Unicode Range Standard Ligatures, Discretionary Ligatures, Stylistic Alternates, Stylistic Set 01-05 Character. If you have any question, don't hesitate to contact me by email pointlab23@gmail.com Thanks!

Nexus (2004) consists of three matching variants – a serif, a sans and a slab – which makes it a highly versatile typeface. Nexus started as an alternative to Seria, a typeface Majoor had designed some 5 years earlier. But soon the design developed into a new typeface, with numerous changes in proportions and in details and with a redrawn italic. Besides the three connected versions (Nexus Serif, Nexus Sans, Nexus Mix) Majoor designed a monospaced version called Nexus Typewriter. The Nexus family is a workhorse typeface system like Scala, with features such as small caps in all weights, four different sorts of numbers and an extensive set of ligatures. All fonts in the Nexus family come in regular, italic, bold and bold italic. Free bonus: there are more than 100 elegant Swash italics and dozens of arrows and other icons. The Nexus family was awarded the First Prize at the Creative Review Type Design Awards 2006.

Mondia is a modern serif font family with 18 fonts inspired by transitional and contemporary typefaces. Mondia has been designed with high-contrast character ratio to give an elegant touch, and high x-height to give sentences more legibility. Ranging from thin to fat with its matching italics, Mondia offers many possibilities to be applied in many graphic or editorial projects. Also thanks to the extended latin character set so that Mondia supports 200+ latin-based languages. Mondia also has a complete set of true small caps that integrate beautifully with lowercase letters to give more emphasis to the highlighted texts. Mondia has OpenType features built in, such as stylistic alternates, standard ligatures, special ligatures, oldstyle figures, localized letters, automatic fractions, sub/superscripts, and ordinals. Mondia also has a complete set of proportional and tabular numbers. With those features, Mondia is a great choice for headline, branding, titles, but can also perfectly be used in small articles. For full presentation please visit me Behance post.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

Is the real romanticism over? This is not the intention achieved on a creation of the new version of Only You Pro. Develop a font that reflects the perfect union of sensuality and romanticism: Only You Sexy. It has a soft trait and delicated curves that evokes contemporary and musicality while has erotic and sensual references. The icons are a piece of show. They make reference to hipsters concept a recurring nostalgia and a recovery of an almost forgotten romanticism. Bring all that romance back. Bring the sensuality in your work and graphic texts. This font brings back everything that the true romanticism deserves: a font that allows you to write using beauty, sensuality and the sounds from the hearts. Only You Sexy is handmade, stylish, modern and multilingual. With more than 800 glyphs it is possible to get an infinity of combinations at your disposal. The font doesn't have PDF and works better in softwares that support the complete OpenType function.

Features: • Support for 28 languages: Afrikaans Albanian Catalan Croatian Czech Danish Dutch English Estonian Finnish French German Hungarian Icelandic Italian Latvian Lithuanian Maltese Norwegian Polish Portugese Romanian SlovakSlovenian Spanisch Swedish Turkish Zulu Swedish Turkish Zulu • Contains OpenType features with alternates or substitutes • Tabular Figures • Ordinal numbers • 74 icons (It will keep updating.) • 72 graphic patterns for designer (It will keep updating.) • 28 brand symbols (It will keep updating.) • 27 arrows glyphs • 0-99 line circled glyphs • 0-99 solid circled glyphs • A-Z line circled glyphs • A-Z solid circled glyphs Gravitica Mono family consists of 18 styles (6 weights, 6 Italics, 6 Icons), in each of which there are more than 508+ glyphs. In the typeface, each weight includes extended language support, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. Useful links: Gravitica PDF Type Guide and Specimen (You can know how to use icons and arrows, other glyphs.)

Say hello to a new stylish script, Pamella! This font combines stylish letter shapes with a contemporary twist. It's the perfect fit for all luxury projects, such as elegant logos, printed quotes, lovely wedding invitation cards, social media headers, product packaging and a lot more! It includes full a set of elegant uppercase and lowercase letters, multilingual symbols, numerals, punctuation. The font has smooth wet ink texture, so would be perfect for all types of printing techniques, and you can do embroidery, laser cut, gold foil etc. with it. Language Support : Danish, English, French, German, Italian, Norwegian, Portuguese, Spanish, and Swedish. Included : - More than 200 of glyphs - Ligatures - Works on PC & Mac - Simple Installations - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. - PUA Encoded Characters - Fully accessible without additional design software. - Multilingual Support Let me know if you have any other questions. Thanks and have a wonderful day!

Guess is a versatile, connecting script, designed to convey elegance and style. It is slender, feminine and friendly, let alone sexy. Guess will work perfectly for fashion, e-commerce brands, trend blogs, or any business that wants to appear classy and chic. The font is ideal for high-end logotypes and magazine headlines, but let’s not forget greeting cards, invitations, posters, ads and the various web usages. When it comes to the glyph set, well, Guess Pro has quite a lot of that (2500+ glyphs) - think multiple languages and tons of swashes and stylistic alternates to unleash your creativity. For all pragmatists out there, there is also a basic version of the font with an extended latin glyph set (no swashes, contextual alternates or stylistic sets). Last, but not least, Guess comes with a neat geometric sans in capital letters, which makes a great addition to the script, and a set of beautiful ornaments and borders that complete the whole look with a bang.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

The Neonica Toolbox - a complete collection to creating awesome neon designs! This is a complete collection which included the fonts, decorations, illustrations, Adobe Photoshop styles and HQ background textures as brick or rusty grunge walls. Create awesome graphics for few simple steps! VV Neonica contains mono lined sans, volumetric sans with inline font option and mono lined script. Also, you'll get the decoration and illustration fonts. Create your own neon signs or add the decoration to your neon graphic. The illustration font has one color or up to three color options. That mean you'll be able to create a full color neon illustration graphic for few seconds! Also, the Neonica Collection comes with Adobe Photoshop styles file (.ASL). Just add it into your Photoshop and get 19 neon colour realistic effects. This file works with any Photoshop versions. As a desert you'll get 6 HQ JPG (4000x4000 pix; 300 dpi) background textures. All the additional materials (Photoshop styles, PDF Guide and Textures) you'll can get here Enjoy!

PDF Epillox is a modern, contemporary, geometric typeface, with a strong personality and more unique with maximum emotional. It is inspired by modern contemporary display sans typefaces. We spent a lot of time, especially in the italic, to draw with high-quality compensation for all circles and strokes to become fresher and cleaner from the geometric point of view. As an OpenType family it includes 51 alternate characters and ligatures, plus extra characters. The most interesting is about Stylistic set (ss02) have a more powerful characters the combination of original and wide characters. Epillox also supports other OpenType such as: Ligatures, Discretionary Ligatures, ordinal numbers, case sensitive, fraction, supscript, superscript, ss01, ss02, ss03, ss04, ss05, ss08 Epillox contains 695 characters supports over — 200 Latin-based languages. Other Essential sets are composed of alternative glyphs. its great in headline, titles and short paragraphs (Poster, Signage, Logo, Branding, cover and etc) A Variable Font is also included in the family.