The Seol Sans design offers a fresh palette for designers working with the Korean alphabet, particularly those looking to pair Latin and Korean alphabet (or Hangul) forms without creating typographic friction. The choices for Hangul fonts that work well with humanist Latin typefaces are limited. As Monotype’s first original Korean design, the Seol Sans typeface is a humanist take on the traditional rigid and hard designs of Hangul characters. The Seol Sans design more closely resembles the natural curve of hand-written characters. Seol Sans features Neue Frutiger for its Latin glyphs, and works harmoniously with Neue Frutiger World and Monotype’s CJK typefaces Tazugane Info (Japanese) and M XiangHe Hei (Chinese). Seol Sans is a great choice for global brands using a Sans Serif design looking to maintain their visual identity, and communicate with a consistent tone of voice in the Korean market.¶

Sunwind is not really made to write long copy. It is a font for shopsigns and short sentences that need that hot, sunny and windy touch. And that is how I got around to designing it: I saw some letters on a shopsign in Cannes when driving into town. I shouted at my son Julius: "Quick take a picture of that sign, the blue one." That's what he did, only he used the macro setting, so I had a very small sign but lots of nice background. Anyway I got the basic idea! Then I made a lot of sketches and this is what came out. I added a smallcaps set and I also made some initials as a rough version, so they look like written with a brush on heavygrain paper. Swinging that brush is yours truly Gert Wiescher

Here comes our new font Break Parquet this is a Unique Display Font that is written casually and quickly.this a Authentic Style and classy style This font are handmade with unique font . Then crafted carefully drawn into vector format.this font is great for your creative projects such as watermar.k on photography, and perfect for logos & branding, photography, invitation, watermark,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. That is a natural handwritten feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. That is why Break Parquet is strong characteristic more natural look to your text with a more modern look to your text.

The Vampires have risen from their graves! Innocent young virgins (also goats, sheep, sheep dogs, cows and other sundry farmyard animals) may not see out the night. DUSK TILL DAWN has been exhumed, lightly dusted in dry earth and exsanguinated for your convenience. Bury your tombstones in Gothic Chic with a font that may very well be worth dying for. We cannot guarantee you will come back to life however. We waited to unleash this font until the midnight hour, so grab your wooden stakes, silver bullets, crossbows, slingshots and any supernatural weaponry you may have at hand. Garlic capsules and Holy Bibles are also recommended!

Waylom is based on 19th century letters written in calligraphy. These writings had some glyphs of a height higher than the others, which together with the flowing lines, the elegant curves and the flourishes, gave it a very interesting rhythm and a lot of personality. Using this font you will achieve a very elegant, and warm style. This font is slim, feminine, friendly and sexy.
 Waylom includes a wide range of latin languages, 720 glyphs with many stylistic variations, initial forms, swashes and ligatures, which you can mix and match to achieve a more interesting effect. I separated the highest glyphs to create Waylom Pro, to which I added some very useful ornaments to improve its possibilities, with a total of 823 glyphs. 
Waylom is very versatile and is ideal for high-end logos, magazines and book covers, fashion, headlines, cards, posters, websites, and packaging.

Brioso Pro is a new typeface family designed in the calligraphic tradition of the Latin alphabet. Brioso displays the look of a finely-penned roman and italic script, retaining the immediacy of hand lettering while having the scope and functionality of a contemporary composition family. Brioso blends the humanity of written forms with the clarity of digital design, allowing designers to set pages of refined elegance. Designed by Robert Slimbach, this energetic type family is modeled on his formal roman and italic script. In the modern calligrapher?s repertoire of lettering styles, roman script is the hand that most closely mirrors the oldstyle types that we commonly use today; it is also among the most challenging styles to master. Named after the Italian word for ?lively,? Brioso moves rhythmically across the page with an energy that is tempered by an ordered structure and lucidity of form.

Are you looking for a font that says "I'm unique"? Say hello to Styled up! A new authentic hand-brushed, modern calligraphy font with a stylish flair and a quirky personality. "Styled up!" comes with a complimentary caps font, perfect for when you need to add extra text in those stubborn empty spaces in your type designs. Styled up! is super special in that it creates completely unique and individual designs - you can write one line in a million different ways thanks to it’s opentype features with 2 sets of extra alternate lowercase letters and an extra set of Uppercase alternate letters. Styled up! also comes with a comprehensive set of double letter ligatures to make your designs look even more naturally written. Styled up! is perfect for any project needing a unique hand lettered touch - branding, greeting cards, logos, websites, wedding signage, printables, and super stylish merch.

Features: Chella Lyfe Print: Uppercase letters, numbers, & extended punctuation We Offer Non-English support for the international designer as well Same stroke thickness with each font, so you don't need to make any time-consuming adjustments to get it looking right! This is such a fun new display font, perfect for creating quotes, logos, or just adding a hand-written touch to any project! While other fonts usually take some size adjusting to look just right, The ChellaLyfe variations in stroke thickness for upper and lower case fonts, so you can so it can display creativity and life in every stroke! Each font also has alternates for each letter, so when you type uppercase or lowercase for each font, the letters will change slightly. For example, tying in all caps with the Script font will connect each letter, whereas typing all lowercase will disconnect each letter.

Say hello to **Serendipity** - A font that you were meant to find, and is now destined to be with you :) An elegant cousin of Saturday Script, Serendipity is a lovingly handwritten brush script , with an air of grace and flamboyancy. **Serendipity** is special in that one word can be written in a million different ways - thanks to the large selection of extra letters that it has built in. It comes with 2 sets of alternate lowercase letters, a set of alternate uppercase letters as well as a set of double letter ligatures - all for you to play with, and make your words look exactly how you need them to look. Perfect for Type-based creations, branding, websites, merchandise, packaging, quotes, invites, greetings and so much more, Serendipity will take you where you need to be. The brush script comes in 2 variants - Regular, and Wide each with its own unique feel.

Amazing Font of THARWAT which is similar to calligraphy of THULUTH of a real calligrapher. I added many glyphs to get this feature and it becomes easier to a graphic designer to write with Arabic THULUTH font without real calligrapher. Golden2 is beautiful in Headlines of Arabic books and photos. Thuluth font (THARWAT EMARA THULUTH GOLDEN 2) distinguished by its beautiful artistic structures and ready-made sentences to help you design the designer designs and paintings easily. It also retains the beauty of its original Arabic calligraphy. This font can be used in titles of books, magazines and Quranic verses. Also for printing on clothes, Najaf and antiques. It is the first font that you can write complete sentences and Ayat of Quran with beautiful artistic structure like those written by the calligrapher. It also simulates the handwriting and no need to calligraphy it when you have this font.

One of my earliest memories of being able to write - an exciting skill - was of writing with my finger in the fine soft sea sand. I remember the freedom - I had no fear of making mistakes, of smudging ink or of doing anything wrong - and the ease with which I could write or wipe out any thing in the sand. Designing SandWriting was a tribute to those early memories. The font was an attempt to capture the simplicity and ease of a finger effortlessly making its mark in the sand. It can be used in many ways: in menus and invitations, in newsletters and advertisements, and in scrapbooks and brochures. It might be particularly useful for written material aimed at younger people. SandWriting contains all upper and lower case characters, all punctuation and special characters as well as all accented and standard European characters.

This font was inspired from the so called "Insular Style" Latin script used in Celtic monasteries (Ireland, Scotland—with the well known Book of Kells—and England) from the late 6th to 9th, before the Carolingian "Caroline" (look at our 825 Karolus). It was a regular script, rounded, written slowly, used mainly for specially meticulous books, with a very few ligatures. The rarely-used capitals consisted of enlarged lowercases, but, on the other hand, there was numerous historical initials. The Titling style in this familly allows to two-color decorated letters to be created, using OTF Titling feature or copy and paste technique. We have created the font as to be adapted for contemporary users, differentiating between U and V, I and J, which has not any relevance for ancient Latin scribes, and naturally with Thorn, Oslash, Lslash, K,W... The specific Celtic "y" is added as an historical alternate.

Rose fonts are based on examples published in the book "Script Lettering" written by M. Meijer in 1957. These kind of handmade lettering were served as a point of departure or inspiration for many other designers along the time. These writings had flowing lines, elegant curves and flourishes, which gave him a lot of rhythm and unique personality. Mont Rose is thin, feminine, friendly and sexy, each font contain 637 glyphs with many stylistic variations, swashes and ligatures in all its letters, and a set of interesting catchwords that you can mix and match to achieve a more interesting effect in your design project.
 They support also, Central, Eastern and Western European languages. Mont Rose are very versatile fonts, ideal for high-end logos, magazines and book covers, fashion, headlines, cards, posters, websites, packaging. Using these fonts you will achieve a very elegant and warm work.

Crushine is a casually and quickly written brush script Fonts. Letters are made with brush pen on a paper. Then scanned and carefully drawn into vector format. There is just a handmade typeface so it looks good in small and big sizes. These elements gives Crushine its organic, authentic and laid-back characteristics. Crushine is not textured brush font. It's contemporary approach to design, handmade natural with an less regular baseline. Suitable for use in title design. Such as apparel, invitations, books tittle, stationery design, quotes, branding, logos, greeting card, t-shirt, packaging design, poster and more. Crushine includes a complete set of uppercase and lowercase letters, as well as multi-language support, numbers, punctuation, ligatures. Crushine has 2 versions. Crushine Brush Script & Crushine Brush Alternative. It has small differences in each character to add natural nuances on fonts. This is not a family typeface. Thank you!

Debs was inspired by a thank you note sent from one of my friends to another. The recipient liked the handwriting so much that he passed the note on to me after having asked permission from Debs, the writer. I enjoyed the vigor and looseness of the handwriting, as well as admiring its legibility and style. Debs has all the characteristics of modern handwriting: It appears loose, unstructured, and free, while maintaining good form and great legibility. Its baseline is varied, creating an impression of notes written by busy people, while its characters remain well formed and readable. Debs comes in five styles, regular, lite, black, wide and wide-black. Use Debs for advertising, for casual greeting cards, for a casual, handwritten look on music or fashion media. Debs has all the features usually included in a fully professional font. Language support includes all European character sets.

Cal Uncial Rough is a calligraphic font based on sketches written with cane calligraphy pen and ink on coarse-textured paper. Because of the fact that the Uncial don't have lowercase letters, there are small capitals instead of the lowercase. As the Latin version of the Uncial was created from the Greek Uncial script (translating the Bible from Greek into Latin), in addition to the standard Latin graphemes, the font contains the Greek alphabet (and also the Cyrillic letters (Ustav), derived from the Greek Uncial too). Regardless of the stylistic connection, there is a difference between the morphology of related Greek, Latin and Cyrillic letters. Most of the graphemes are based on traditional roman and insular uncial calligraphy. Cal Uncial Rough is suitable for the preparation of calligraphic sketches as well as an application in typography that should bring us closer to historical topics (European literature, quotes, history, film ...).

Amigo was designed by Arthur Baker in 1989 and consists of a single weight. Its basic forms are based on Venetian old face types, as can be seen for example in the slightly slanted cross stroke of the lower case e. But Baker also gave his figures eccentric contours, for example, a marked stroke contrast which gives the look of having been written with a broad-tipped pen, and the change in stroke is by no means regular in the lower case characters. The heavier upper parts become thinner as they progress downward, in contrast to the tendency of most text typefaces. The eccentricity of the forms give the characters a lively almost comic look and is best highlighted in large point sizes. However, Amigo is also legible in point sizes as small as 10 and well-suited for middle length texts and headlines.

Ondine is one of the early typefaces of Adrian Frutiger. It looks as though it were written with a broad tipped pen, however, Frutiger actually cut the forms out of a piece of paper with scissors. The forms of Ondine are reminiscent of the humanist period, the high point of the Italian Renaissance text typefaces of the 15th century. This movement was centered in Florence, the base of the Humanist movement overall, and the home of a famous type school of the time. The main goal of the educated writers was to faithfully recreate the writing of the admired literary works, whose aesthetic was as important as their content. Ondine displays a regular and open character. Texts set in this typeface give the impression of being hundreds of years old. Ondine should be used in point sizes of 12 and larger and is best for short texts and headlines.

Italiko is a calligraphic font. The letters have been hand-drawn individually to extract the common strokes. The strokes have then been re-composed to give the font a more unified appearance. It comes in Black, Bold, Regular, and Thin. The Thin version is different as the extreme contrast in the font makes the thinner lines disappear. It is likely best used as a display font. There are ligatures for the combination of letters that can be written more quickly by using a single stroke and letters that are slightly different from the ‘Italic canon.’ You can select which one to use in your application (i.e., Word) using combinations of italic/bold: No selection -> Regular Bold -> Bold Italic -> Thin Bold Italic -> Black If you end up using the font, get in touch at https://github.com/lucabol/Italiko. Feel free to suggest improvements or let me know if you encounter problems.

The display font Kunex was created for outdoor sporting events and many other contemporary sports. A manly aesthetic with a sense of strength and speed may be brought to life with this modern slab shape and graceful tilt. It is perfect for contemporary logos and monograms for vehicles, sports, and other occasions. Kunex has a distinctive vitality in its concise form that, when written, has a rough and bold impression. At the same time, the typeface has been developed to adhere to precise letter-design principles to have a more natural feel than digital textures. What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

It all started with the letter S. I drew it, I liked it, I based a font around it! This is Pickled Limes, a tall and narrow single-case font. It's built clean from the ground up, for ultra-sharp lines and corners, as well as super-smooth curves. The slightly flared ends and quirky character mix make this font a ton of fun to use on its own, but it will also pair well with tons of hand-written styles! I've branched out on this one; in addition to over 300 Extended Latin characters, I've also included Unicode's 256 Cyrillic and 121 Greek characters for even more language support. Add in the 90+ alternates, ligatures, and catchwords, and Pickled Limes clocks in at just over 1000 characters. I hope you enjoy using my tasty Pickled Limes for your branding project, logo, crafting work, or design project. Happy fonting, MyFonts fans! :)

Introducing The Rolleta – Handbrush Signature is a brush script that is written casually and quickly. Letters are made with brushes on paper. Then scanned and carefully drawn into vector format. That is why The Rolleta has charming, authentic and relaxed characteristic,has 4 styles of regular, slant, Alternate , and Alternate Slant variations with a more natural look to your text with a more natural look to your text. The Rolleta is perfect for homeware designs, branding projects, Logo, design, Quotes, Product packaging, Photography, Watermark What’s Included : + Standard glyphs + Ligatures + Web Font + Works on PC & Mac + Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support Image used : All photographs/pictures/vector used in the preview are not included, they are intended for illustration purpose only. Cheers! Thank You

First off, Slivowitz is written with a v (SlivoVitz), rather than a w, but I liked it better with a w. Slivowitz is a plum brandy from Eastern Europe. My father used to be an international truck driver and he often had to go to Eastern Europe. He took all kinds of ‘western’ goods with him to give away (plastic bags, beer, cigarettes - remember, Eastern Europe at the time was still communist!). He always came back with bottles of Slivowitz. I never tasted it, as I was too young, but I liked the name and I decided to name this font after a fond memory! Slivowitz is an easy-going handwritten script font - it looks good on fashion items, book covers and fancy magazines, but greeting cards will look just as great. Comes with a bunch of ligatures, alternates and a whole lotta diacritics!

Sumergible Script is a striking font that simulates it has been written with a dry pointed brush on textured paper. Its purpose is to decorate and accompany photos, illustrations and textures by letters designed with a generous horizontal spacing between lowercase which reinforces the idea of hurriedly and interrupted cursive calligraphy. In that sense it is spontaneous and useful to form vibrant words and sentences, shining short messages on book covers, posters and other graphic design media. Sumergible Script has new alternative letter forms that are activated with OpenType features creating hierarchy changes in writing. With Swash for example, you can change the character case with metric and similar proportions. With Titling it becomes even more expressive capitalization. Other OpenType features are: Fractions and Superscript. In short, Sumergible Script is designed to mix and match words and short phrases with a vital and expressive handwritten feel.

'Snatched' is a spontaneous handwriting. This name is taken from the slang term in the 2022 era to describe someone or something in a positive manner. This font consists of the same uppercase and lowercase, often referred to as 'all capital letterform', complete with numerals and punctuation. Composed in tends to widen form which is more like the typical handwriting of architects. This font looks like it was written with a marker or technical pen, very bold stylish and legible. For designers this is an interesting thing, the design looks very natural and rhythmic to beautify presentations and blue prints. Can be installed for CAD programs, Sekthup and other applications. This font is very suitable for various media related to handmade, craft businesses, logos, quotes, prints, social media posts, indie business, outdoor sports and other applications to strengthen the impression of handwriting and demand attention.

Yana Klink is an illustrator at Art. Lebedev Studio, whose works are often accompanied by lines of fancy text written in her own recognizable manner with long strokes and “beauty spots.” Once we needed to apply that style to a number of pieces of text, we decided to design a decorative script called Klinkopis. It comes in one weight (regular). Text set in Klinkopis looks best when arranged in waves, like the original. It is recommended to use large sizes—from 24 pt and up—and have no more than just a couple of lines that become an essential part of the artwork. Klinkopis is designed to use OpenType Contextual Alternates. To beautify your project even further, some characters can be manually replaced with their more intricate or plainer variations depending on the neighboring letters. Klinkopis features long descenders and ascenders, which requires large leading to avoid congestion.

Organika is a hand drawn type family of six fonts. It includes upright and italic brush script, sans and serif fonts. Because of the uneven edges, loose forms and bouncing letters Organika has an organic, friendly and casual feeling. The script has lots of alternates that gives you possibility to build your text almost like handwriting with all the charming imperfections and variations that a real handwriting has. If you enable Discretionary Ligatures OpenType feature (dlig) it replaces automatically lower case letters with an alternate when the letter is repeated. So there are never two letters next to each other that are just the same. The script also has a few neat underlines to choose from to give your design the final touch. With the Organika sans and serif fonts you can add some variety and contrast to your design with the matching casual hand written feeling.

The Kennedy family is a completely original design, inspired by lettering discovered by George during his exploration of 16th century cartography, some years ago. The charm exhibited by these beautiful artifacts is as much reflected in the letterforms they employ as in the drawing style or content they present. After familiarizing himself with the offerings of the various printing centers of that period, George began work on a design which he called Marconova. This design continued to evolve until it began to take on the look of Dutch Oldstyle typefaces of a later period. At this point George re-christened his work-in-progress Kennedy, and added the Book, Book Italic and Small Cap companion typefaces. Only a small trace of its design ancestry is evident in the resulting typeface family. There is enough, however, to make them a unique entry in the collection of distinguished contemporary designs.

This "Leaf" font has been swirling in my head for years - I remember my sister and I making letter formations like these when I was young. It was exciting to see the lettering look even better on paper than it did in my mind! "Leaf" surprised me by having two distinct looks: in size 24 or smaller, the look is delicate, because your eye doesn't see any space in the letters. In size 28 or larger, the eye can discern spaces, which gives a different facet to its personality. As much as I like this font when viewed on a monitor screen, it really shines when printed. The "Leaf" font is a perfect blend of quaint hand-written style mixed with crisp letter formations. This font has a very "happy" quality to it. May using it bring a little more happiness to your day!

Designed with help and inspiration from legendary tattoo artist Dustin Horan. This beautiful time saver was designed specifically for skin application. Short words and initials can instantly be turned into seamless tribal style tattoos. Each glyph links with the next allowing letters to flow endlessly around limbs and in circles. Respecting the rhythm and geometry principles laid forth by American pioneering tribal artist Leo Zulueta, Scribal makes flowing text shapes that disguise themselves as design. When mirrored back to back and rotated vertically, Scribal becomes well-crafted tribal pattern. Typeface wise, Scribal breaks the mold. While a script font, Scribal was designed to be written in all capitals. Each capital is a mono-spaced glyph, providing even spacing. The shape influences are also vast, ranging from scripts, to blackletters, to romans. Making Scribal a very "Americanized" font, reflective of this "Americanized" style of Tribal Tattooing.

Flamante Serif is a family of 8 typographies with thick square serifs of the slab type, also known by the Egyptians, which are released with four weights: Light, Book, Medium and Bold and their corresponding italic versions. They are heiress fonts of the Egyptian types arisen at the beginning of the S. XIX and descendants of the fonts "Flamante Sans" Special corporate typographies to design resounding titles on any advertising medium, also for any type of publication like magazines or newspapers. They include the Bitcoin symbol. ================================== OpenType Features: Standard Ligatures, Additional languages, All Alternates, Alternate Annotation Forms, Superscript, Kerning, Superiors, Capital Spacing, Localized Forms, Superior letters, Discretionary Ligatures, Subscript, Fractions, Slashed Zero, Inferiors, Extended Fractions, Scientific Inferiors, Ordinals, Denominators, Oldstyle Figures, Numerators, Historical Forms, Historical Ligatures. - 500 glyphs. Latin Extended-A • OTF & TTF.

Streetscript Redux is an update to the now discontinued Streetscript. In the original version, it seems a lot of users didn't like the s’s in the font, and after seeing them redrawn (not always with the best results!) a few times, I decided to make a new version of the font with less idiosyncratic s’s, and this is the result, Streetscript Redux. (I should have listened to my other half - “those s’s look like fives,” she said) All other features of the original Streetscript are intact (barring a couple of s-ligatures no longer necessary). There’s been a little tweaking of some outlines, and slight changes with spacing too, but for the most part, all I've done is redraw those pesky five-like s’s, so that you don't have to.

S P O I L E R A L E R T ! We don't want to be a drag, a wet blanket or a spoilsport, but we're here to tell you that everything before “but” is bulls*it! Yep, if you're a merrymaker, a carouser, a jester, a reveler or a live wire, we're here to poop your party with our latest knicker-twister, KILLJOY! Call us cynics, call us crabs, grouches, grumpy old men, sourpusses or bores, but we're the kind of Killjoys who just have to make some noise... sound effects (sic) everybody, so listen up even if you can't handle the truth... and here’s OUR truth; Keep Calm and be a Fabulous Killjoy! Yes, it’s easy to be mean -- but why should anybody else have all the fun? Or all the fonts?

Conversation Hearts are inspired by the sweethearts and conversation hearts that can be found all over the US and Britain, but not in Germany. A source of endless fun and surprise. As a typographer to me they are also a surprising document of written communication. Most people complain that nowadays the inscriptions are not as sweet as they used to be. While they used to held romantic and promising inscriptions like “Be True” “Sweet Talk”, today they carry “Tweet me” “Ur Hot” and “Party Girl”. So i took this as a motivation to work with conversation sweetheart on a conceptial inspirational and typographical level. The obvious: every letter pressed on the keyboard brings out a conversation heart that starts with the letter - i.e. L = Loverboy, H = Heartless but what to write? Since i didn't want to reproduce the old “Fax me” and “Email me” I had to come up with something new. Something with a personal relation and of course something that I Love - what else could i write in the shape of the heart? So I tried to access my upper subconsciousness and looked for two words for every letter in the alphabet. One for the capital letter pressed and one word for the lowercase letter. Resulting in a Kurt Schwitters worthy assemblage of vocables "Post-office" “Internship” “Zebra” “Answers” etc. It is not easy to read a text set in Conversation Hearts but easier as a text set in Zapf-Dingbats. To sparkle the visual appearance uppercase letters are filled hearts with “carved” inscription, while lowercase letters are an outlined heart with written inscription. Conversations Hearts is a part of the Light Hearted Font Collection that is inspired by a recording of Jean Baudrillard with the title, "Die Macht der Verführung" (The Power of Seduction) from 2006. Further inspiration came from the article, "The shape of the heart: I'm all yours". The heart represents sacred and secular love: a bloodless sacrifice. by British writer Louisa Young printed in EYE magazine (#43) London, 2002.

Love Script came about as a way to finally answer the requests by individuals to take my brush pen/marker lettering styles and turn them into a typeface. Literally, everything lined up perfectly and there was a renewed impetus to push this genre, this style of lettering I have adapted over the years into what will become a series of brush pen/marker typefaces. The first I chose to complete was a high-contrast variant… I seem to be attracted to high contrast, high energy letters (think Lust, Lust Slim and Lust Script). As I was finalizing everything, I kept saying ‘I love this script’, which ultimately led the christening of the typeface as Love Script. For more fun, visit the Love Script Minisite Designer’s note: for this font to truly sing, be sure you have Contextual Alternates on in your OpenType settings. Hope you love it as much as I do.

Mainsail is a handwritten brush script font. It is casually written with dry brush pen, so it has this nice texture and flow. Mainsail has lots of alternates to make it look more like real handwriting; four sets of lower cases and two sets of upper cases. Mainsail is great option for logos, headlines and packaging. You can also use it in longer texts where you need this casual handwritten look. It will also combine well with sans and serif fonts. Mainsail has OpenType features that automatically makes text look more authentic. Discretionary Ligatures replaces other of two identical letters following each other. Contextual Alternates will unleash the full cycle of the alternates. It will cycle all four lower case sets to make the text look as natural as possible. Mainsail has also underline strokes in separate font called Mainsail Swash. It includes combined 52 different underlines, strokes and circles. With these you can add the final punch to your design.

The typeface LECO 1988 is another font family which belongs to LECO set. It is a display typeface, which is inspired by the title written on the bottle of lečo from 1988. Its typical features are embedded diacritics and significant black look with low contrast. Lower case is united with upper case and has several identical glyphs in both forms. Font contains alternative set of glyphs for letter „E“. Tabular numerals, superiors and inferiors and the full set of (glyphs - symbols) for languages using the Latin alphabet are also included in this font. LECO 1988 font family includes six specific styles: Regular, Blind, Gradient, Outline, Shadow and Stencil style. Those styles extend typographic options by mutual combination or overlapping, whilst every style share the identical metrics and kerning. Font format is Open Type with the support of several open type features. This typeface is suitable for creating logotypes, powerful posters or can be used as a headline display typeface.

Haakke (or Håkke) - a casual, hand drawn (Stabilo OH pen, Fine) font with 4 alternates to all upper and lower case letters (a-z + å ä ö) as well as numbers for a realistic hand written look and feel! “Ligatures” have been created for double letters (TT, tt, ff, ll & LL (open type version of the font and open type compatible layout application required). Of course it holds all(?) the special characters that you will ever need. 451 glyphs... Haakke also includes symbols. Zodiak signs (letter a-l, upper case A-L write the corresponding name of the sign), planet signs (m-z, upper case M-Z write the corresponding name of the planet) triangles, squares and stars (from pentagrams (5 pointed) to Dodecagrams (12 pointed). (Write a 4, or shift-4 ("euro-sign", european keyboard, or "dollar sign", american keyboard) before your star or triangle and you will get a circle around it).